Chicago Shakespeare ‘Shrew’ is glorious theater

HIGHLY RECOMMENDED

Mention “The Taming of the Shrew,” the late 16th century William Shakespeare comedy on how a man (Petruchio) uses different methods to turn a willful woman (Katherina) into an ideal wife, and you might get arguments on how a civil, democratic society would frown on his methods and how the play appears misogynistic.

That is particularly so with the subplot on how Katherina’s younger sister (Bianca) is wooed by several suitors who consider her to be an ideal wife because she is sweet and even-tempered.

Then, think about how the play could be presented. In its original format, the intro to the play is offered within what has been called a framing device. In it a nobleman has the play performed for a drunken tinker named Christopher Sly whom he has tricked into believing that he also is a nobleman.

The brilliant way writer Ron West has worked out the play’s presentation with Chicago Shakespeare Theatre’s famed Barbara Gaines, director of “The Shrew,” is to expand on the framing device so it moves along parallel to the play in the appropriately offsetting, 1900s suffragette movement.

Cast of 'Taming of the Shre' at Chicago Shakespeare. (Liz Lauren photo)
Cast of ‘Taming of the Shrew’ at Chicago Shakespeare. (Liz Lauren photos)

No trickery is needed here because the Columbia Women’s Club members chose “The Shrew” as part of their amateur theater Shakespearean series.

They are rehearsing the show at a member’s mansion, exquisitely done by scenic designer Kevin Depinet, somewhere near Michigan Avenue (likely the Gold Coast neighborhood). They are there because the hall where they would have been had just flooded during a bad storm that is still going on outside.

To add to the comedy, parts of some costumes were ruined in the flood so the women stripped down to their bloomers but added capes and hats to help them stay in character. Susan E. Mickey cleverly mixed typical Shakespearean wear with bloomers.

The rehearsal sticks to Shakespeare’s lines and action but its message is greatly tempered by the actors going in and out of the mansion with their Suffragette signs and reports of what’s happening on Michigan Avenue.

Other Chicago references are made to Northwestern University and the Cubs and personalities such as an Emanuel and a McCormick. But current politics are also referenced such as the line that “Here on earth the popular vote means nothing,” which was said to great applause.

In between rehearsal sessions, the members break into song and the club’s show director speaks to some of the women about their roles and speeches.

The entire cast is excellent so instead of describing individual interpretations here you have who plays which role in the “Shrew” play and in the Women’s Club:  E. Faye Butler is Baptista and Dr. Fannie Emmanuel,  Lillian Castillo is Biondello and Mrs. Lucinda James,  Tina Gluschenko is Hortensio and Mrs. Beatrice Ivey Welles, Cindy Gold is Vincentio  and Mrs. Sarah Willoughby,  Alexandra Henrikson is Katherine and Mrs. Louise Harrison.

Alexandra Henrikson (Katherine) and Crystal Lucas-Perry (Petruhio) in 'The taming of the Shrew.'
Alexandra Henrikson (Katherine) and Crystal Lucas-Perry (Petruhio) in ‘The taming of the Shrew.’

Also Ann James is Pedant and Mrs. Elizabeth Nicewander,  Heidi Kettenring is Tranio and Mrs. Dorothy Mercer,  Crystal Lucas-Perry is Petruchio and Mrs. Victoria Van Dyne,  Rita Rehn is Grumio and Widow and  Mrs. Mildred Sherman.

In addition,  Hollis Resnik is Gremio and Miss Judith Smith,  Faith Servant is Curtis and Mrs. Barbara Starkey,  Kate Marie Smith is Lucentio  and Mrs. Olivia Twist and Olivia Washington is Bianca and Mrs. Emily Ingersoll.

It’s OK if you don’t remember their roles (except, of course Kate) so here is a an abbreviated guide: Katherina (Kate) Minola is the “shrew and Petruchio is her suitor. Bianca, Kate’s sister, is pursued by the elderly Gremio, by Lucentio and by Hortensio who is also a friend of Petruchio.  Baptista Minola is Katherina and Bianca’s father. There is also the Widow wooed by Hortensio and Vincetio who is Lucentio’s father.

Then there is Grumio who is Petruchio’s manservant and Tranio, Lucentio’s manservant. Also, Biondello is Lucentio’s servant and Curtis is Petruchio’s servant.

When it’s over, you probably won’t care if you kept track of the roles because the play and play within the play offer glorious theater. Even though the Chicago Shakespeare production runs two hours, 45 minutes, it’s so much fun to watch that the time goes quickly.

‘Taming of the Shrew’ is at Chicago Shakespeare, 800 E. Grand Ave. through Nov. 12, 2017. For tickets and other information call (312) 595-5600 and visit ChgoShakes.

 

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