Lyric celebrates Bernstein

Lyric opera celebrates Bernstein anniversary with program of well known and rarely heard works. Jack Mitchell photo
Lyric opera celebrates Bernstein anniversary with program of well known and rarely heard works. Jack Mitchell photo

The only problem with the Lyric Opera’s “Celebrating 100 Years of Bernstein” last Saturday, March 10, was that it was a one-time program.

Mezzo-soprano Susan Graham, baritone Nathan Gunn in the first half featuring Bernstein’s short opera Trouble in Tahiti and joined in the second half in a variety of his works, by Broadway star Kate Baldwin, deserved their prolonged applause and standing ovation. Indeed, the audience didn’t seem to want to leave but encores were not part of the program.

Mezzo-soprano Susan Graham (Dinah) and baritone Nathan Gunn (Sam) in Trouble in Tahiti at Lyric Opera's Bermstein salute. Photos by Todd Rosenberg
Mezzo-soprano Susan Graham (Dinah) and baritone Nathan Gunn (Sam) in Trouble in Tahiti at Lyric Opera’s Bermstein salute. Photos by Todd Rosenberg

The audience also appreciated the really fine voices of Ryan Opera Center members soprano Diana Newman, tenor Josh Lovell and baritone Emmett O’Hanlon who added a light touch to the opera which has some seriously funny moments. And they, plus Ryan Center members soprano Ann Toomey and bass-baritone Alan Higgs, joined the stars in the second half.

That part of the program was an interesting mix of popular and lesser known works.  For instance, it started with Baldwin’s delightful rendition of  “I Hate Music” from the 1943 cycle of “Five Kids Songs for Soprano and Piano.”

Pianist William Bllingham and Kate Baldwin in I Hate Music (but I love to sing).
Pianist William Bllingham and Kate Baldwin in I Hate Music (but I love to sing).

It would have been interesting to have seen a show of hands from people familiar with the cycle.

Then, the Ryan Center singers did Candide’s “The Best of All Possible Worlds.” They and the leads closed with the lovely and appropriate “Some Other Time” from On the Town.

What came in between was glorious.

Conductor David Chase (Lyric Opera Orchestra in background) interacted with the audience as he explained Trouble in Tahiti, other musical numbers and occasionally asked who knew or had seen a particular piece.
Conductor David Chase (Lyric Opera Orchestra in background) interacted with the audience as he explained “Trouble in Tahiti,” other musical numbers and occasionally asked who knew or had seen a particular piece.

Baldwin sang Eileen’s charming “A Little Bit in Love” from Wonderful Town followed by Gunn doing a fine “Lonely Town” from On the Town.

Based on intermission chat and looks through the program, many in the audience were hoping for something from West Side Story. There were two selections.

Baldwin and Graham each soloed and then beautifully blended their voices in “I Have a Love.” Then Baldwin did a remarkable “Somewhere” that moved people to tears.

Nathan Gunn performs "Captain Hook's Soliloquy."
Nathan Gunn performs “Captain Hook’s Soliloquy.”

At this point, about half way through the second half, comic contrast was needed and provided by Gunn coming up through the floor as Captain Hook from Peter Pan.

Bernstein wrote  “Captain Hook’s Soliloquy” for the original 1950 Broadway show but it was supposedly eliminated as unworkable with the voice of Boris Karloff who played Hook.

Wearing a wig that resembled a large black mop, Gunn hilariously interpreted the song somewhat in the manner of King George in Lin-Manuel Miranda’s Hamilton.

Other songs seldom heard were “So Pretty” written by Bernstein for Barbra Streisand to sing in a peace protest against the Vietnam War that was sung by Baldwin and ”To What You Said,”  a Walt Whitman verse put to music in Songfest that touched on homosexual attraction and sung by Nathan Gunn.

Susan Graham and Kate Baldwin at Lyric Opera's tribute celebration of Leonard Bernstein
Susan Graham and Kate Baldwin at Lyric Opera’s tribute celebration of Leonard Bernstein

Peter Pan was on the menu again. This time with  Graham singing “Dream with Me.”

A show which didn’t make it long on Broadway was 1600 Pennsylvania Avenue written with Alan Jay Lerner in 1976. But after cuts and revisions it was released in 1990 as A White House Cantata.

Kate Baldwin as Abigail Adams sang “Take Care of this House” which is on the Cantata release. A lovely piece, the song is still heard on occasion.

Before the company’s “Some Other time” closing number, Baldwin ended with another lively ditty, “I Can Cook, Too” from On the Town.

Diana Newman, Ann Toomey, Josh Lovell, Alan Higgs and Emmett Ohanlon with Susan Graham, Nathan Gunn and Kate Baldwin end th Lyric's Bernsteincelebration with "Some Other Time."
Diana Newman, Ann Toomey, Josh Lovell, Alan Higgs and Emmett Ohanlon with Susan Graham, Nathan Gunn and Kate Baldwin end th Lyric’s Bernsteincelebration with “Some Other Time.”

There were many reasons the program left people wanting more.

There was the spot-on direction of Peggy Hickey who had the singers actively move around the stage as if in a musical instead of a concert. The staging was also clever with props and furniture moved on, off and coming up from below.

Another plus was Conductor David Chase’s warm interaction with the audience. He introduced and explained the opera and the musical numbers’ background. Experienced with working on musicals as conductor, arranger or supervisor of more than 30 Broadway productions, Chase had a relaxed attitude that made the entire program fun.

Jodie Jacobs

Related: Lyric concert joins worldwide Bernstein celebration.

 

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