A Valhalla of a different kind

Valhalla Media working on a production to live stream from the Studebaker Theater in Chicago. (Photo by Kyle Flubacker,)
Valhalla Media working on a production to live stream from the Studebaker Theater in Chicago. (Photo by Kyle Flubacker,)

Hear the word Valhalla, and Norse mythology and Germanic tales come to mind or if an opera buff it is Wagner’s Ring cycle with Brünnhilde intoning the famed Valkyrie role. But to the Chicago Opera Theater and the Met Guild in New York City when the word Media is added to Valhalla it refers to the talented company that is bringing COT’s current productions and a Met Guild Masterclass to viewers during the pandemic.

During this past year of arts and entertainment venues closing their doors and turning to streaming live or taped programs just to stay in the public’s consciousness and keep some revenue streams flowing, putting productions on digitally is different but not a surprise. What may arguably surprise the A&E groups who use and may contact them is that Valhalla Media is two opera singers: Alexandra “Lexi” LoBianco and Nikolas “Nik” Wenzel.

To the Lyric Opera of Chicago, LoBianco is the talented soprano who is a frequent guest artist and in demand at opera houses around the world, and Wenzel is a talented bass member of the Lyric Chorus.

So why did two well-regarded opera singers form a company that live streams opera and concerts? And why the name Valhalla?

“You might thing that because Nik and I sing Wagner that it would be the reason. However, this name goes beyond our singing and into so much more,” said LoBianco.

“When we picked Valhalla Media one of the main reasons was because in order to gain access to Valhalla, you must cross the rainbow bridge. Inclusion was at the heart of why we chose the name. The image of Valhalla being a place where everyone was included and that we strive to make the best choices to support organizations that champion diversity was at our core,” she said.

They started the company in 2020 when appearance contracts were canceled and, as LoBianco said, “the rug was pulled out from under the classical music community.”

The idea was to mount their own productions which they did in the Studebaker Theater in Chicago’s historic Fine Arts Building. They started with a recital for Will Liverman with pianist Paul Sanchez on June 26 that showcased African-American composers‘ and a debut Shawn Okpebholo’s new work followed on June 27 by  Humperdinck’s Hansel and Gretel Live in Concert.

“Our first production was one of the very first truly live digital broadcasts that weekend, nothing taped. We had Will and his pianist on stage,” said LoBianco.

They pulled in Southern Illinois University Journalism Director Jan Thompson who is known for documentaries to work with them as video director.

“She called the shots. The bulk of her professional career is doing live and classical music. She can break down a score to know when  and what shots to do,” said LoBianco.

She recalled that they had a “decent turnout” of viewers thanks to friends and social media. “Then opera companies saw and heard about us,” she said.

That included Chicago Opera Theater. “They said they’d like to work with us to help make their season happen,” said LoBianco.

The recording and staging was at the Studebaker which LoBianco and Wenzel like. “The sound there is good. Sound is an important part of opera, she said.”

Among the COT shows are The Transformation of Jane Doe, Sept. 15, 2020 and most recently the Midwest premiere of Taking Up Serpents, Feb. 27, 2021.

Currently they are working on The Puppy Episode for March 20 followed by La Hija De Rappaccini for April 24, 2021.

Some of those productions are part of COT’s Vanguard initiative for developing new operas and encouraging operatic composers. Others are a regular part of what the 2020-2021 season was supposed to have.

COT’s General Director Ashley Magnus said, “Streaming productions has worked well for us this season, allowing us to produce in a year when no live audience is possible, and expanding our reach outside of Chicago.”

“We are thrilled to be working with COT for the season,” LoBianco said.

Valhala Media will shortly be going over to NYC to work with the Met Guild to do a Masterclass with countertenor Anthony Roth Costanzo to happen April 22.

“While I wish we could continue to produce our own content, which we plan to in the future, we are immensely grateful to be able to provide the digital backbone through our platform and for the film & audio portion of this new, crazy world.,” said LoBianco.

Talking with the pair by phone from their home in Park Ridge, IL the two partners in work and life explained they both had back stage theater experience so knew it takes more than a fine voice to make a production work.

“Nik and I both come from tech theater backgrounds. We came to this (forming Walhala Media) with the understanding it take more than the singer to put on a production. I’ve been a stage hand and so was Nik.”

Wenzel  added, “Alexandra and I talked about forming our own company even before COVID hit. We always had a passion for classical music, and the tech background that comes with that. We’re familiar with every aspect of production.”

However, they still plan to continue in their chosen field of performing.

“I love my job with the Lyric.  I have a contract for 25-30 weeks,” said Wenzel

In spite of all the rave reviews and the demand for her in a wide range of roles LoBianco said, “I’m humbled by the amount of work I have. I’m very lucky.”

She added, “We love what we do.”

Jodie Jacobs

 

Ravinia Festival to open in July

Music lovers also sit outside the Pavilion to enjoy Ravinia. ( J Jacobs photo)
Music lovers also sit outside the Pavilion to enjoy Ravinia. ( J Jacobs photo)

Ravinia, the country’s oldest outdoor music festival, announced today it will be back operating a summer season outside beginning sometime in July.

First opened in 1904, Ravinia Festival had to close its gates last year to protect guests, staff and musicians from the COVID virus. But with the lowering of cases and easing of restrictions it will be doing what it does best, presenting a wide range of good music.in its 36-acre park in Highland Park, IL. Just expect to follow recommended protocols that will be announced along with ticket and program information.

“All of our performances will take place outside in our open air Pavilion with reserved-in-advance, distanced seating offered in the Pavilion, on the Lawn, and al fresco at our dining spaces,” said a Ravinia statement released March 16, 2021.

“We are delighted that the Chicago Symphony Orchestra will return in July to its summer home here at Ravinia for its annual six-week summer residency. Our anticipation is doubled with Marin Alsop set to lead seven concerts with the orchestra in her first season as our Chief conductor and curator,” the statement said.

Ravinia’s lineup will b e announced in late April.

For more information visit Ravinia Festival and LiveMusicReturns.

Jodie Jacobs

 

An uncommon dance studio

COMMONConservatory Artistic Director Terry Marling (Photo courtesy of Terry Marling)
COMMONConservatory Artistic Director Terry Marling (Photo courtesy of Terry Marling)

Arts and entertainment aficionados who check choreographer, teacher, dancer Terence Marling’s COMMONconservatory site on Instagram will see what is happening now in his unique program and classes.

But if they check back closer to June they will find a date and link for COMMON ‘s production featuring the dancers and choreographers in the full conservatory program. Marling created the conservatory when he returned from a stint in Germany to find that A&E dance jobs disappeared, their venues closed and their funding tumbled.

“Dancers have to do barre or muscles go away. When I came back from Germany I realized everything had shut down but dancers need to do ballet every day. The dancers in the COMMONcoservatory program are close to professional,” said Marling. “They are putting in time in the studio but do not touch one another which in ballet is hard,” he said.

Marling whose own professional dance and choreography career extends back to the Pittsburgh Ballet Theater in the 1990s, had moved on to Germany’s National Theater Mannheim. There he added dance instruction. Then he went to Hubbard Street Dance Chicago as a dancer, choreographer and teacher before becoming rehearsal director. In 2013, he took  on directorship of Hubbard Street 2  and toured the company internationally with new works he created and commissioned.

The road to COMMONconservatory started in 2017 with freelance choreography, teaching and staging productions for Hubbard Street Dance Chicago, Alvin Ailey American Dance Theater, Visceral Dance Chicago, A&A Ballet and the Chicago High School for the arts.

Just as important was his choreographing solos in the past few years to be used in auditions and competitions because what COMMONconservatory does is get good dancers prepared for their next career move.

However, Marling also offers daily ballet classes that includes what he calls the Flying Biscuit Show, a live broadcast of the barre portion that viewers could also try.

If going to Classes/COMMON the note about limited space is not a come-on. Dancers or, as Marling likes to say, “artists,” a term he prefers to students because of their high skill level, who want to be in the full conservatory program, have to audition. It was limited to 10 artists this year and may go to 15 next year.

Some of the conservatory program dancers commute from family homes while others moved here from Brazil, Russia, both US coasts and North Carolina.

They are dancers such as Lauryn Masciana who worked with Marling three years ago at Hubbard Street Summer Intensives.

“I enjoy his teaching style and then I had been taking barre classes in his Biscuit program. The classes meant I could keep up dancing and ballet work during the pandemic. It really helped me through the pandemic.

Masciana, a former Fordham University student, had moved back to her parents’ home in New Jersey during the pandemic. She moved to Chicago for the conservatory program.

“His program really helps me toward the next step professionally which hopefully is in Chicago. I really like the contemporary dance that is here. The program is excellent training and also provides networking,” she said.

Her goal? “Step into my professional dance career.”

Dancer Anna Isaacs, a commuter from Elburn, IL where she lives with her family, heard about COMMONconservatory through social media. (Check facebook).

“I was undoubtedly captivated by the program as well as the principles Terry created and believes in,” Isaacs said.

“At the time, I had already enrolled with my former dance studio for the year and didn’t think it was a possibility to audition for COMMON.,” she said.

“I met with Terry later on. He was truly unfeigned and welcoming. He introduced me to the space and offered that I take class with the conservatory for a day. I knew this program was the right fit for me and an entity for furtherance. I joined the COMMON family in January 2020.”

Isaacs is not bothered by her weekly five-day  commute. “It is tolerable and it is worth every minute for the exceptional training and guidance I receive. Movement to me is indispensable. I would be adrift in the absence of it. Training with COMMON Conservatory this year has been out of this world.”

She added, “COMMON is unique. Working with many knowledgeable choreographers has sparked an unused artistic creativity and an unrecognized internal curiosity. I have obtained a finer comprehension for why I love this art every day. I am forever thankful to Terry for creating an environment for growth, community, and possibility.”

The program’s itle, COMMONconservatory is more than unique. It’s key to understanding Marling’s philosophy and goals.

“I enjoy juxtaposition as an artist. I really like how differing things shed light on each other.  A conservatory brings to mind both serious study of a discipline and also is a rather snobby word, to put it bluntly. COMMON is the opposite of a snobby word and is entirely inclusive,” he said.

“I’m a “new school” teacher. I don’t teach dance with the body shaming, negativity, and verbal abuse that went with dance training in the past. I believe that dance is for everybody, no matter the shape, size or inherent ability. It is something to be shared as a community with joy and curiosity. We all have in common at least some inkling of a compulsion to move our bodies.”

His philosophy is shared by the programs’ choreographers who are also teachers such as Alysia “Allie” Johnson, a full-time member of the Hubbard Street Chicago Dance company who met  Marling when he was her teacher. After “testing the waters” elsewhere she returned to Chicago to work for Hubbard.  “But now we have a peer relationship,” she said.

As to her choreography style Johnson said, “I rely heavily on rhythms and musicality. Groove is my style.”

Characterizing the group as a wonderful “gumbo” she said “They are all at a high skill level but have different backgrounds, different flavors of experience. ”

She worked with COMMONconservatory in December for about two weeks and will be back in April to refresh the choreography for the June program. Now, Johnson is preparing for a Hubbard Street Chicago program that will stream live March 2, 2021.

“I  like performing but also like choreography. I love teaching. I love dancing. No priorities.”

Talking about the dancers she has been working with, Johnson said, “I want to challenge them and they also challenge me. It’s about challenge and comfort. I want them to be able  to walk into a room with the confidence that they will be comfortable with the choreography being done.”

For now, Marling is concentrating and pulling all the choreography together so it flows in the June showcase. And while still viewing the dance world clouded by the pandemic he is considering expanding conservatory enrollment to 15 next season.

But his goal? I would like to form my own dance company,” said Marling.

Jodie Jacobs

 

Oscar nominations announced

 

Oscar poster courtesy of Krislam Chin for The Academy
Oscar poster courtesy of Krislam Chin for The Academy

If you watched the Golden Globes and Critics’ Choice award ceremonies you likely have an idea of who and what will be on the 93rd Oscars®  list of nominees.

The Academy of Motion Picture Arts and Sciences’ nominees were announced early this morning by actor/producer Priyanka Chopra Jonas and singer/songwriter/actor Nick who  streamed live from London. For a repeat go to shows/Oscars.

The list has 23 categories ranging from actors and actresses (yes, the Academy still calls female actors, actresses) in leading and supporting roles to the best feature and short documentaries.

Here are just a few of the nominees.

Performance by an actor in a leading role has Riz Ahmed in “Sound of Metal,” Chadwick Boseman in “Ma Rainey’s Black Bottom,” Anthony Hopkins in “The Father,” Gary Oldman in “Mank” and Steven Yeun in “Minari”

Supporting role actors nominated are Sacha Baron Cohen in “The Trial of the Chicago 7,” Daniel Kaluuya in “Judas and the Black Messiah,” Leslie Odom, Jr. in “One Night in Miami.,” Paul Raci in “Sound of Metal” and Lakeith Stanfield in “Judas and the Black Messiah.”

Leading ladies nominated are Viola Davis for “Ma Rainey’s Black Bottom,” Andra Day for “The United States vs. Billie Holiday,” Vanessa Kirby for “Pieces of a Woman,” Frances McDormand for “Nomadland” and Carey Mulligan for “Promising Young Woman.”

“Actresses”  in a supporting role nominees are Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Glenn Close in “Hillbilly Elegy,” Olivia Colman in “The Father,” Amanda Seyfried in “Mank” and Yuh-Jung Youn in “Minari.”

For a complete list of nominees, visit official Oscars website.

The 93rd Oscars will be Sunday, April 25, 2021, at Union Station Los Angeles and the Dolby® Theatre at Hollywood & Highland Center® in Hollywood. It will be televised on ABC at 8 p.m. ET/5 p.m. PT.

Jodie Jacobs

 

A dark tale of a white whale

Moby Dick by Theatre in the Dark. Clockwise from top L: Robinson Cyprian, Corey Bradberry, Elizabeth McCoy, composer Nick Montopoli, and Mack Gordon. (Photo courtesy of Theatre in the Dark)
Moby Dick by Theatre in the Dark. Clockwise from top L: Robinson Cyprian, Corey Bradberry, Elizabeth McCoy, composer Nick Montopoli, and Mack Gordon. (Photo courtesy of Theatre in the Dark)

3 Stars

Theatre in the Dark metaphorically sets sail to harpoon the quintessential fish story that is “Moby Dick.”

Maybe you read it in high school or enjoyed Gregory Peck in the screen adaptation proffered one Sunday afternoon by Frazier Thomas on Family Classics, or maybe you’ve missed the story all together.

This 90-minute version of the tale crafted by producing artistic director Corey Bradberry captures the essence of Herman Melville’s classic seafaring novel. It does so in a kind of CliffsNotes fashion that preserves the storyline while doing fair justice to the primary characters including vivid descriptions of the elusive and menacing great white whale, itself.

No need to keep your eyes peeled. Theatre in the Dark is a Chicago based  company specializing in telling stories through sound so this production can be more accurately described as a live radio drama. In this case, it is broadcast via the Internet on Zoom.

The voice of Elizabeth McCoy as the narrator, Ishmael, has a fresh and active timbre. She provides a colorful tone that becomes the foundation of the aural composition.

However, her delivery, at times, is more reminiscent of a Saturday morning children’s librarian than that of an experienced youth intimately recounting details of a horrific, bone-chilling odyssey.

In his portrayal of third mate Stubb, Mack Gordon provides a grizzled gruff but kindly attitude that is imbued with a sense of camaraderie and discipline as well as a longing for home.

“Thar she blows!” He gives it the sweet taste of simple pleasures that have come to define the mental portrait of those hearty souls whose livelihood and willingness for adventure caused them to choose one of the most perilous vocations of all time.

The velvety basso tones of Robinson J. Cyprian as the vengefully obsessed and austere Captain Ahab offers the contrast needed to add aural dimension to the production while simultaneously suggesting the underlying foreboding of his true quest.

Augmented by original music of Nick Montopoli, the soundscape design of Bradberry and Gordon fully delivers the background auditory impressions required to set the stage. It puts the listener on the deck of the Pequod in the midst of the action.

Dim the lights. Don your foul weather gear. Then, settle down with your mug of grog to enjoy the recounting of this time-honored maritime adventure.

“Moby Dick” runs 90 minutes plus a 10 minute intermission. It is online through April 10, 2021. For tickets and information visit theatreinthedark..

Reno Lovison

For more shows visit Theatre in Chicago

Chicago celebrates Saint Patrick differently this year

COVID canceled parades and green Chicago River but look for green lights on downtown buildings (City of Chicago photo)
COVID canceled parades and green Chicago River but look for green lights on downtown buildings (City of Chicago photo)

Céad míle fáilte, a hundred thousand welcomes, may greet customers of Chicago area eateries and bars in March. And expect the city’s skyline to be filled with green lights from March 11 through March 17.

Even though the city’s famed downtown and the two neighborhood parades, Southside Irish and Northwest Side Irish, have been canceled for 2021 and the plumbers union that turns the Chicago River green shows no sign of doing so this year, the easing of restrictions by Governor J B Pritzker and Chicago Mayor Lori Lightfoot means many restaurants and bars will be happily welcoming customers in time for March’s St. Paddyh’s Day celebrations.

Expect them to ask guests to mask when entering and when their server is present. And check on reservations because they will be operating at 50 percent capacity and shortened stay time.

“The City of Chicago is encouraging St. Patrick’s Day celebrations that follow current city and state health guidelines,” noted a Dept. of Cultural Affairs and Special Events statement.

In addition, the statement said, “The Chicago Loop Alliance is asking downtown buildings to light up green for ShamROCk Chicago, and other neighborhoods are hosting socially distance scavenger hunts and other reimagined programs.”

As an example, Southside Irish Parade committee is hosting a Shamrock our Blocks celebration with signs and decorations. The South Side Irish Parade

“Each year, the South Side Irish Parade draws thousands of people to our community and to our neighborhood businesses.  The parade committee’s goal is to create a plan that gives back to local businesses as well as offer a family-friendly festive way to celebrate St. Patrick’s Day this year,” said 2021 Committee Chair Tim McSweeney

Northwest Side Irish are in the planning process. Visit Northwestsideirish.

As to a few places to hoist a Guinness or chow down on something supposed to be Irish or green, check out the following businesses:


STAN’S DONUTS

From now until March 17th, Stan’s Donuts (all locations0 is offering all things green. Guests can get Emerald-dipped donuts, Green River Glazed donuts, Green Mint Hot Chocolate, Irish Cream Cold Brew and Mint Cream Cold Brew topped with Cold Foam, Mint Oreo Shakes, and more.

PB&J 

West Loop hotspot PB&J offers a St. Patrick’s Day experience for up to six guests. Starting at 8 a.m. March 13, guests can book these pre-paid packages:

St. Patrick’s Brunch Kit –  1 bottle of Veuve Clicquot Yellow Label, Carafes of Green Orange Juice,Green Beer, and guests choice of 2 Brunch Pizzas at $50 per person.

Leprechaun Package – 1 bottle of Jameson, Don Julio Blanco or Ketel One, Green beer, 2 Pizzas, and St. Patrick’s Day party swag at $75 per person.

Dealers Choice –  Guests can order any food or beverage item off PB&J’s menu a la carte with a $75 minimum per person.

In addition to these pre-paid packages, PB&J will also have a “Pot O Gold” pop up bar outside. Guests can purchase Green beer, Guinness, Red Bull Cocktail, Slane shots, and more. As a proud sponsor of the 2021 St. Paddy’s Day 5k and 8K Run/Walk, participants will receive a free Dogfish Head beer, while supplies last.

THE DEARBORN

For two Ireland-born sisters, the reopening of The Dearborn this month comes in time for their home country’s celebrated holiday. Besides iconic Irish dishes like Fish & Chips (which Chef Aaron Cuschieri made and won with on Food Network’s Beat Bobby Flay) and a Corned Beef Reuben, The Dearborn will offer specials such as Seafood Chowder, Beef & Lamb Shepherd’s Pie and a Strawberry & Crème Roulade cake. Also  available Guinness on draft, Irish Whiskeys and Irish Coffee.

The Dearborn is also partnering with Vanille Patisserie for those who can’t make it to the Loop but still want to celebrate with Irish fare. Throughout St. Patrick’s week, order a three-course family meal featuring the Seafood Chowder, Shepherd’s Pie and a special Irish Apple Cake with Shamrock Cookies from Vanille for dessert. Available through TOCK from March 10-17 for pick-up at Vanille’s Lincoln Park location or at The Dearborn.

Erin go bragh

Jodie Jacobs

 

Around Town: In person outings

Hope, a 5-year-old polar bear recently arrived at Brookfield Zoo (Photo by Jim Schulz for CZS)

Hope, a 5-year-old polar bear recently arrived at Brookfield Zoo (Photo by Jim Schulz for CZS)

Some of these places, such as the Chicago Botanic Gardens and Morton Arboretum didn’t really close because they are outside but they want to remind visitors to come back and that their hours may have expanded. Others, such as Brookfield Zoo are re-opening and the Cook County Forest Preserve has March events.

Brookfield Zoo

Visitors will find some new residents at Brookfield Zoo which re-opened March 1, 2021.

Hope, a 5-year-old female polar bear arrived the end of January, 2021 in time for Chicago’s icy weather. Look for Hope in the zoo’s outdoor habitat in the Great Bear Wilderness.

Also look for Sibi and her nearly 2-year-old daughter, Lorena, in the Regenstein Wolf Woods habitat. The two female Mexican wolves recently arrived from the U.S. Fish and Wildlife Service’s Sevilleta National Wildlife Refuge in Socorro, New Mexico..

Sibi and Lorena, two Mexican wolves, are also new Brookfield Zoo residents. (Photo by Jim Schulz for CZS)

 

While at the zoo, go over to the Dinos Everywhere exhibition that is up March 1 through Sept. 6, 2021. Find the three-story-high Argentinosaurus on the zoo’s West Mall.

But don’t forget to see the grey seals, snow leopards and bald eagles that also can go into their outdoor habitats.

Brookfield Zoo is a Chicago Zoological property at 8400 31st St., Brookfield, IL. For hours, timed-ticket entry and other information go to Plan your visit Brookfield Zoo.

 

North American river otters in Cook County (Photo by Peter Pekarek)
North American river otters in Cook County (Photo by Peter Pekarek)

Forest Preserves of Cook County

Given that Cook County Forest Preserves covers 70,000 acres, you know there are several opportunities for outdoor fun. Here is a sample of some March events.

Catch the Leprechaun Story Hunt is March 1-3 from 9 a.m. to 4 p.m. based from the Trailside Museum of Natural History, 738 Thatcher Ave., River Forest. Maple Tree Tapping March 7 at 1:30 p.m., is also at Trailside.

For more Cook County Forest Preserves ideas visit Things to Do.

 

Spring will soon return to the Morton Arboretum in Lisle. (Photo courtesy of the Morton Arboretum)
Spring will soon return to the Morton Arboretum in Lisle. (Photo courtesy of the Morton Arboretum)

The Morton Arboretum

As with the Brookfield Zoo and the Chicago Botanic Garden visitors Morton Arboretum visitors need timed tickets. See Plan Your Visit for tickets and other information. Wednesday is discount day.

Located  4100 Il Hwy 53 in Lisle, there are plenty of trails and paths for biking and hiking  from 7 a.m. to sunset. In addition, the Visitor Center is open with restrooms from 9 a.m. to 4 p.m. and the Children’s Garden and Maze Garden are open. The Ginko Restaurant will re-open March 12, 2021.

The Chicago Botanic Garden is a perfect place to reflect on nature. (photos by Jodie Jacobs)
The Chicago Botanic Garden is a perfect place to reflect on nature. (photos by Jodie Jacobs)

Chicago Botanic Garden

Yes, you need a timed ticket to visit the Chicago Botanic Garden but the fee if for parking because admission is free. To know the protocols go to Plan Your Visit | Chicago Botanic Garden

Hours are 8 a.m. to 5 p.m.. The Garden View Café is open for Grab and Go and the Garden Shop open with a limited number of visitors at one time. The paths are open and busy now that the weather is more spring-like so wear the mask.

The Chicago Botanic Garden is at 1000 Lake Cook Rd., Glencoe just east of Edens Expressway.

Jodie Jacobs

 

 

 

See Bolero interpretation more than once

Anais Bueno and ensemble in Yoshihisa Arai’s ‘Boléro.’ (Photo courtesy of The Joffrey Ballet.)
Anais Bueno and ensemble in Yoshihisa Arai’s ‘Boléro.’ (Photo courtesy of The Joffrey Ballet.)

4 stars

Don’t even try to shoo Maurice Ravel’s famed “Boléro” out of your head after hearing and seeing it interpreted by The Joffrey Ballet’s Studio Series.

Streaming now through Mar. 2, 2021, the haunting beat returns over and over so instead of worrying about it, just go back to the YouTube channel  to hear it again and re-watch how choreographer Yoshihisa Arai has fit dance moves to the compulsive rhythm.

The program, backed beautifully by the London Symphony Orchestra, is an exciting Joffrey world premiere featuring Anais Bueno and ensemble.

Costumes by Temur Suluashvili reflect Yoshihisa’s light and shadows theme. Masks are worn and fit the costuming and mood.

It is performed in the Gerald Arpino Black Box Theater at Joffrey tower. Running time is 16 minutes. To watch visit Boléro | Joffrey Ballet.

Jodie Jacobs

Maple tree tap opportunities

Tapping maple trees at Ryerson Woods (Photo courtesy of Lake county Forest Preserves)
Tapping maple trees at Ryerson Woods (Photo courtesy of Lake County Forest Preserves)

In the Chicago area, it’s time to tap into the sap that is moving in maple trees.

The Lake County Forest Preserves usually takes folks on guided maple syrup walks, talks and tasting trips. But with the pandemic changing 2020-21 in-person trips, the forest preserves’ staff has come up with a virtual and a self-guided program. They are free but require registration.

Virtual tree tapping  is Feb. 28 from 2 to 3 p.m. Visit virtual education offerings and register online at LCFPD.org/calendar.

The Self-guided program- Maple Syruping runs from March 01 through March 31, 2021. Visit Self-Guided Program-Maple Syruping

” Due to the ongoing pandemic, this year’s programming will be different. “COVID-19 has made us rethink how we can safely offer our maple syrup programs,” said Director of Education Nan Buckardt.

“Though there will be no in-person programming this spring, people will be able to go on self-guided Maple Syrup Hikes through Ryerson, as well as take part in a variety of related virtual programs,” said Buckardt.

Environmental Educator Jen Berlinghof noted, “There are plenty of opportunities to learn about the sweet science of tree physiology and maple sugaring through virtual experiences.”

Berlinghof suggested checking the free monthly “Virtual Nature Club” for the 3:30 p. m. March 3, program that offers first through fourth graders a chance to learn about trees and how the sap collected is used to make sweet syrup.

Ask an Educator Live” will be on Zoom and Facebook March 10 at 7 p.m. where people can bring questions about backyard syruping.

“This should be a popular program. We’ll be showing participants how they can do this historic tradition themselves,” said Berlinghof, who has been running the maple syrup programming for 17 years.

“If your family is ready to hit the trails, we are providing self-guided Maple Syrup Hikes for the entire month of March. Through informational signs, you’ll learn the science behind how trees make sap and how we turn that sap into real maple syrup as you walk along the designated trail at your own pace,” Berlinghof said.

“The temperature dictates what you will see along the trail. The timing for tapping maple trees comes down to temperature–above freezing during the day but still below freezing at night–plus precipitation and the hours of sunlight in a day,” Berlinghof said.

“Changing temperature is what causes the sap to surge upward from the roots toward the branches, where it helps the leaves grow and the buds bloom. Then in the summer, the leaves will produce more sap, which will settle back down in the roots come winter.”

Jodie Jacobs

 

Around Town: Bolero at Joffrey and Secretaries at Goodman

Goodman Theatre (Photo courtesy of Goodman Theatre)
Goodman Theatre (Photo courtesy of Goodman Theatre)

Chicago Theater and Arts used to list all the shows downtown and neighborhood venues for the coming season. Now, for the 2020-21 season we’re typing in virtual events and shows that are streaming.

Here’s a couple that may be missed if not immediately clicked.

  • “Boléro” presented by The Joffrey Studio Series, streams Feb. 26 at 7 p.m. CT. However, it just extended the streaming through March 2, 2021.

A world premiere with choreography by Yoshihisa Arai, costumes by Temur Suluashvili, Maurice Ravel’s iconic score will be interpreted in the Gerald Arpino Black Box Theater at Joffrey tower. Running time is 16 minutes. To watch visit Boléro | Joffrey Ballet.

  •  “The Secretaries,” a virtual Goodman Theatre reading, premieres Feb. 27 at 7 p.m. CT.

Written by Omer Abbas Salem and directed by Audrey Francis, the story revolves around four women in Aryan drag who want to be the Fuhrer’s personal secretary in 1944.

Running time is 1 hour, 50 minutes with one 10 minute intermission. Registration is needed for this free event. For more information, visit GoodmanTheatre.org/TheSecretaries.

Related: Chicago Theatre Week

Jodie Jacobs