Joffrey to debut new ballet

 

Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez. (Photo by Cheryl Mann at The Richard Driehaus Museum)
Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez.
(Photo by Cheryl Mann at The Richard Driehaus Museum)

 

Imagine a story about Imperial Russian society, desire and betrayal as the body and bones for an exceptional novel. Leo Tolstoy did and penned “Anna Karenina” in a periodical series from 1873 to 1877, then as a book in 1878.

Tolstoy’s story of Anna’s scandalous extramarital affair with a dashing cavalry officer and the couple’s ensuing downfall has been the dramatic fodder of many media forms from opera to movies and ballets.

John Neumeier’s “Anna Karenina” using mostly Tchaikovsky’s music and moving the story to contemporary times, had its North American Premiere with the National Ballet of Canada in Nov. 10. 2018.

But fresh from the highly successful re-imaging of Tchaikovsky’s “Nutcracker Suite,” the Joffrey Ballet Company saw the potential of interpreting “Anna Karenina” in a new ballet with a new score.

To do so the company commissioned Russian composer Ilya Dtmutsky for the score and San Francisco Resident Choreographer Yuri Possokhov to interpret it in dance.

“It’s a real rarity for any ballet company to commission a full-length score. And it was a coup to secure Demutsky, one of the brightest lights in the world of music today,” said Joffrey Music Director Scott Speck.

About the choreography, Speck said, “Possokhov is very careful to be true to the score, so he is using Demutsky’s musical vision as the inspiration for his choreography. Ilya is the Tchaikovsky of this ballet.”

Accompanied by the Chicago Philharmonic led by Speck, Joffrey Ballet’s “Anna Karenina” will have its world premiere at the Auditorium Theatre of Roosevelt University, 50 E. Ida B. Wells (Congress  Expressway at Michigan Avenue) )Feb. 13 and continue through Feb. 24, 2019.

For tickets and more information visit Joffrey/Anna.

Jodie Jacobs

 

 

 

‘The Nutcracker’ magic still exists

Cara Marie Gary (Marie) and The Joffrey Ballet. (Photo by Cheryl Mann)
Cara Marie Gary (Marie) and The Joffrey Ballet. (Photo by Cheryl Mann)

4 stars

Imagine what if. What if Marie Stahlbaum’s nutcracker Christmas gift and her dream, a tale by E.T. A. Hoffmann, and adapted by Alexandre Dumas that was first presented with Tchaikovsky’s music in 1892, changed location and style.

What if it moved from a wealthy, European estate to Chicago where dreams were possible for a young girl who lived in a shack. And, what if the story kept the late 19th century date.

What was going on in Chicago that year was preparation for the 1893 World’s Columbian Exposition also called the Chicago World’s Fair. It celebrated the 400th anniversary of Christopher Columbus’1492 landing in the “new world.”  Indeed, the Chicago World’s Fair dedication was in 1892 but the fair didn’t open until 1893.

Imagine all the possibilities the fair with its multi-cultural pavilions and its noted (first) Ferris Wheel as a background might hold for a ballet.

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