Dazzling voices seduce Lyric audience

HIGHLY RECOMMENDED

Bitterness, love, seduction, revenge and sorrow seldom have sounded so magnificent as they did Saturday during Lyric Opera’s opening night of “Rigoletto.”

With baritone Quinn Kelsey as jester Rigoletto, tenor Matthew Polenzani as Duke of Mantua and soprano Rosa Feola as Rigoletto’s daughter, Gilda, the only thing that could match the memorable experience is to have a recording to play their performances over and over.

Rigoletto (Quinn Kelsey) center, Duke of Mantana (Matthew Polenzani) right of Rigoletto and couriers in )Lyric Opera production of Verdi's Rigoletto. (Todd Rosenberg photo)
Rigoletto (Quinn Kelsey) center, Duke of Mantana (Matthew Polenzani) right of Rigoletto and couriers in Lyric Opera production of Verdi’s Rigoletto. (Todd Rosenberg photo)

However, opening night, Oct. 7, was on radio (for anyone to record) and there still are seven more performances through Nov. 3, 2017.

The opening night audience didn’t wait for the famed “La donna è mobile” sung by the Duke or the beautiful “Caro nome” by Gilda to yell an emphatic “Bravo.” Enthusiastic applause  followed all  arias of these virtuoso performers and at the quartet near the end.

Written by Giuseppe Verdi in the mid 1800’s, “Rigoletto’s’ music and drama has been appealing to opera lovers since its premiere in Venice in 1851. Melodrama might be a better description but then, many operatic themes fit that category.

To quickly recap, Rigoletto, with a libretto by Francesco Mavia Piave, is based on Victor Hugo’s somewhat scandalous  “Le roi s’amuse.” Verdi substituted a licentious duke for the king.

The character Rigoletto is a bitter, hunchbacked jester who dislikes his position, makes fun of the Duke’s courtiers he is supposed to entertain and is disliked in return.

His only love is for his daughter, Gilda whom he tries to keep from harm by not allowing her out except for church. Because she had fallen in love with the Duke when seeing him stare at her in church, she is happy he comes to the house where her father has been keeping her.

Gilda is abducted by the couriers who mistakenly believe she is Rigoletto’s mistress and she is brought to the court where it is assumed the Duke ravishes her.

Her distraught father plots revenge using Sparafucile (Alexander Tsymbalyuk), an assassin he met earlier. Gilda who is supposed to dress like a boy and meet up with her father in Verona, overhears the assassin’s plan to stab the Duke.

Even though she felt betrayed by the Duke who fell for the assassin’s seductive sister, Maddalena (Zanda Svede), Gilda still loved him and deliberately stepped into Sparafucile’s house to be murdered instead. She had heard Sparafucile agree to kill the next person who walked in because he needed a body and Maddalena had pleaded for the Duke’s life.

The tragedy is blamed on a curse by Count Monterone (Todd Thomas) who had cursed the Duke and Rigoletto after his own daughter had been seduced by the Duke, encouraged by Rigoletto.

Directed by E. Loren Meeker, conducted by Mario Armiliato with stylisticly simple but dramatic back  drops by Michael Yeargan, this new-to Lyric production should match opera aficionados’ expectations and attract new opera goers.

DETAILS: “Rigoletto” is at the Lyric Opera House (also called the Civic Opera House), 20 N. Wacker Dr., Chicago, now through Nov. 3, 2017. Running time is 2 hours, 33 minutes including one intermission. For tickets and more information call (312) 827.-5600 and visit Lyric Opera Rigoletto. For Lyric season visit Lyric.

 

 

Contemporary retelling of Greek myth opens Lyric season

 

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Lauren Snouffer (Amour) l, Andriana Chuchman (Eurydice) and Dimitry Korchak (Orhee) at Lyric Opera. (Todd Rosenberg photos)
Lauren Snouffer (Amour) l, Andriana Chuchman (Eurydice) and Dimitry Korchak (Orphee) at Lyric Opera. (Todd Rosenberg photos)

An extraordinary pairing of the Joffrey Ballet with the exceptional voice of tenor Dimitry Korchak opened Lyric Opera’s 2017-2018 season Saturday, Sept. 23.

The opera is the August 1774 Paris version of Chrisoph Willibald Gluck’s ‘Orphée et Eurydice’ with a libretto by Pierre-Louis Moline. However, the production is all John Neumeier.

Longtime director and chief choreographer of the Hamburg Ballet, Neurmeier did the choreography, set, lighting and costume design and directed the production.

In his contemporary production, Orphée is a choreographer rehearsing a ballet based on Arnold Bocklin’s painting, “The Isle of the Dead.” His wife, Eurydice, is his star but when she arrives late they argue and she storms off.

After an impressive auto crash that pushes through the scenery, Eurydice is shown thrown from the car and dead on the ground.

Orphée’s assistant is a jean-clad Amour, with a sprite-like Peter Pan quality. Armour tells him to go to Hades and bring back Eurydice.

Mirrored moving panels create an interesting background in the rehearsal studio. That is, except when they reflect the lights from the opera house’s tiers.

Dimitry Korchak (Orphee) and Andriana Chuchman) with some Joffrey Ballet members.
Dimitry Korchak (Orphee) and Andriana Chuchman) with some Joffrey Ballet members.

Grey and white cutaway panels provide spaces that allow a small stage focus on Orphées bedroom and a moving path for him and Eurydice to wander from Elysium back to life on earth.

Even with its modern take, audiences delighted to get both world-class ballet with the exquisite voices of Korchak as Orphée, Andriana Chuchman as Eurydice and  Lauren Snouffer as Amour, will love the entire experience.

Guests who normally come just for the opera, might find some of the ballet sequences and meanderings to be a bit lengthy. Gluck added ballet sequences to this version including   the “Dance of the Furies” and the “Dance of the Blessed Spirits.” The final dance sequence of Orphée’s ballet is also very long.

Even though the Joffrey dancers perfectly execute what was choreographed, viewers might wonder at some of the mechanical-toy style of some of the movements in the “Dance of the Furies” and at the mix of traditional and contemporary ballet.

The story, frequently told in opera, theater and literature, goes back to Greek mythology when Orpheus, son of Apollo, falls in love and marries the beautiful Eurydice. But when she dies (by a snake bite in the story and a car accident in the Lyric opera) Orpheus is told by Apollo in the myth but by Amour (think Cupid or Eros) in the Lyric opera  to go to Hades and try to bring her back.

Andriana Chuchman, Dimitrhy Korchak and Joffrey Ballet in Lyric opener.
Andriana Chuchman, Dimitrhy Korchak and Joffrey Ballet in Lyric opener.

The myth has Orpheus making his way past the Furies and the three-headed Cerberus (three dancers) through his beautiful playing of lyre. He does so in this opera version with his sorrowful singing.

The obstacle is he can only take Eurydice back with him if he doesn’t look at her or explain that as she follows him out. Eurydice doesn’t understand so cries and bitterly complains until he finally can’t resist so looks back and she dies. Orpheus leaves alone.

At the Lyric Korchak beautifully sings “Che farò senza Euridice?”/”J’ai perdu mon Eurydice” (“What shall I do without Euridice?”/”I have lost my Euridice”). Earlier, before going to Hades, he expressed his love in the magnificent aria “Chiamo il mio ben”/”Objet de mon amour.”

In one version Amour feels sorry for him and returns Eurydice to life. In the Neumeier production, she is returned as a ghostly spirit in his heart and in the ballet he created.

During the ballet Victoria Jaiani and partner Temur Suluashvili, are “doubles” of Eurydice and Orphée.

Through it all are the wonderful voices of the Lyric Opera Chorus who are in the pit with maestro Harry Bicket and the fine orchestra.

DETAILS:  “Orphee et Eurydice” by Chrisoph Willibald Gluck’s, is at the Lyhric Opera House, 20 N. Wacker Dr., through Oct. 15, 2017. Running time: 2 hours, 20 minutes with one intermission. For tickets and other information visit Lyric Opera.

 

Lyric tempts with glorious preview and seals the deal with exciting season

The Lyric Opera of Chicago starts its next season Sept. 23, 2017 but you can get a sneak peek on Sept. 8 at 7:30 p.m. with Stars of Lyric Opera at Millennium Park.

Millennium Park hosts Lyric Stars in the Pritzker Pavilion. Photo by Jodie Jacobs
Millennium Park hosts Lyric Stars in the Pritzker Pavilion. Photo by Jodie Jacobs

A free concert in the Jay Pritzker Pavilion, 201 E. Randolph St., Chicago, the preview includes arias from ‘Orphée et Euridice,’ ‘Rigoletto,’ ‘Die Walküre,’ ‘The Pearl Fishers’ and ‘Faust,’ among others.

Led by Maestro Andrew Davis conducting the Lyric Opera Orchestra and Chorus, the program features such stars as Andriana Churchman, Dmitry Korchak, Eric Owens and Matthew Polenzani.

The concert will also be live on 98.7WFMT and at WFMT.com 

For more information visit  Lyric Opera and the Lyric Stars on Facebook.

 

SEASON

The operas listed for the preview offer just a glimpse of the Lyric’s exciting 2017-18 season. The complete opera schedule exhibits a wide range of styles, moods and composers from Bizet and Mozart to Verdi and Wagner.

‘Orphée (Orpheus) and Eurydice’

'Orphee et Eurydice opens Lyric Season. Lyric Opera photo
‘Orphee et Eurydice’ opens Lyric Season. Lyric Opera photo

By Christoph Willibald Gluck, the opera features The Joffrey Ballet, Sept. 23-Oct. 15, 2017. This is the Paris version directed and choreographed by John Neumeier. It is about the mythological Greek musician/poet, Orpheus, trying to bring back his wife, Eurydice, from the Underworld.

‘Rigoletto’
By Giuseppe Verdi, Oct. 7-Nov. 3, 2017, the opera centers on the revenge-bound, tragic court jester, Rigoletto, daughter Gilda and the evil Duke of Mantua. Opera goers will recognize Mantua’s “La donna è mobile,” Gilda’s “Caro nome” and the opera’s famed quartet.

‘Die Walküre’

By Richard Wagner, Nov.1-30, 2017, the opera continues the Lyric’s Ring cycle which started in 2016 with ‘Das Rheingold.’ Wagner’s powerful music exemplifies the strong emotions and character traits of Siegmund, Sieglinde, Brünnhilde, Wotan, Fricka and Hunding.

‘The Pearl Fishers’ (Les pêcheurs de perles)

By Georges Bizet, Nov. 19-Dec. 10, the opera includes this writer’s favorite duet for tenor and baritone. The opera takes place in Ceylon where two friends fall in love with priestess Leila.

 

‘Turandot’ 

'Turandot,' a fairy tale set in a fantasy version of ancient China is offered by the Lyric in the middle of the 2017-18 season. Lyric Opera photo
‘Turandot,’ a fairy tale set in a fantasy version of ancient China is offered by the Lyric in the middle of the 2017-18 season. Lyric Opera photo

 By Giacomo Puccini, Dec. 5, 2017-Jan. 27, 2018, the opera is a fairy tale that takes place in China where the princess asks suitors to answer three riddles. Incorrect answers lead to execution. The opera features the popular aria, “Nessun dorma.”

‘I Puritani’

By Vincenzo Bellini, Feb. 4-28, 2018, is a bel canto opera calling for exceptional technique as it tells the story of lovers in a England divided by the 1600’s civil war.

‘Cos fan tutte’ (The School for Lovers)

By Wolfgang Amadeus Mozart, Feb. 17-March 16, 2018 the opera is a delightful light treat that works well on the heels of ‘I Puritani’s’ high drama. Mozart’s tale delves into intrigue worthy of Shakespeare’s comedies.

‘Faust’

By Charles Gounod, Mar. 3-21, 2018, the opera revolves around the consequences of selling one’s soul to the devil.  A popular story told in the Grand Opera style, it includes Marguerite’s “Jewel Song” and an exceptional final trio.

‘Jesus Christ Superstar’

By Andrew Lloyd Webber and Jim Rice, Apr. 27-May 20, 2018, the season ends with what has become a Lyric tradtition – a Broadway musical production. This season the show is Webber’s rock opera,

The Lyric Opera is at the Civic Opera House, 20 N. Wacker Dr., Chicago. For additional programs and ticket information visit Lyric or call (312)827-5600.

 

 

 

Around Chicago: April 21 and more

Itzhak Perlman comes to Lyric for a matinee April 23, 2017. Photo by Lisa Marie Mazzucco
Itzhak Perlman comes to Lyric for a matinee April 23, 2017. Photo by Lisa Marie Mazzucco

The good news is that Chicago is an arts mecca. The problem news is that Chicago is such an arts mecca that it is arguably impossible to catch all the terrific music, art, dance, theater and exhibits offered in the city and suburbs. Listed here is a sampling of really good events that might not have made it to your arts radar.

 

April 21, 2017

Rita Rudner

Comedienne extraordinaire Rita Rudner will be on stage at the North Shore Center for the Performing Arts, 8 p.m. April 21. A regular act at The Venetian in Las Vegas, Rudner is also a screenwriter, best-selling author, actress and playwright.  For tickets and other information call (847) 673-6300 or visit North Shore Center. The North Shore Center for the Performing Arts is at 9501 Skokie Blvd., Skokie.

 

April 22-23, 2017

The Perfect American

Philip Glass has fictionalized Walt Disney’s final days as an opera. Composed of dreams and nightmares revolving around the fate of his kingdom and legacy, it includes recognizable people. The Chicago Opera Theater is performing the Chicago premiere of ‘The Perfect American’ at the Harris Theater for Music and Dance Saturday at 7:30 p.m. and Sunday at 3 p.m. The Harris is in Millennium Park at 205 E. Randolph Drive, Chicago. For tickets and other information call (312) 334 -7777 or visit Harris.

 

April 23, 2017

Itzhak Perlman

The Lyric Opera of Chicago is bringing the famed violinist to the city for one performance. It is 3 p.m. Sunday at the Civic Opera House. Accompanied by pianist Rohan De Silva,  Perlman’s program includes Vivaldi’s Sonata in A Major for Violin and Continuo, Beethoven’s Sonata for Violin and Piano in F Major, Schumann’s Fantasiestuck, and Ravel’s Sonata for Violin and Piano No. 2 in G Major. The Civic Opera House is at 20 N. Wacker Drive, Chicago. For tickets and other information call (312) 827-5600 or visit Lyric.

Odysseo extends through May 7, 2017. Dan Harper photo
Odysseo extends through May 7, 2017. Dan Harper photo

 

Now through May 7, 2017

Odysseo by Cavalia

‘Odysseo,’ a wondrous equestrian production visiting Chicago from Canada, that also includes acrobatics and aerial performances, has been extend through May 7. Drivers who have gone by Soldier Field or the Museum Campus will have seen the huge white tent where ‘Odysseo’ takes place. But what they might not know unless they’ve attended a show is that it has a 17,500 square foot stage that includes a three-story-high hill and other natural elements. The staging makes attendees feel as if they have been transported to the land where these horses cavort instead of the other way around. Entry is through the parking gates on East 18th Drive. For tickets and other information call (866) 999-8111 or visit Cavalia.

 

April 25 through May 7, 2017

Joffrey Ballet

The Joffrey Ballet is doing ‘Global Visionaries,’ a tribute to several choreographers that includes the world  premiere of a piece by Swedish choreographer Alexander Ekman and the Chicago premier of a ballet by Russian choreographer Yuri Possokhov. Also showcased is Dutch choreographer Annabelle Lopez Ochoa’s ‘Mammatus. The program is at the  Auditorium Theatre 50 E. Congress Parkway, Chicago. For tickets and other information call (312) 341-2310 or visit Auditorium Theatre.

 

 

Around Town in early April

So what if you have to walk between the raindrops. It’s April!

There are enough events in the Metropolitan Chicago area to brush aside gloomy weather and news outlooks for the entire month. Indeed, there is so much going on that here is just a first look at what’s happening so you can get tickets and fill in a couple of calendar spots.

Steam engines are again going around the Illinois Railway Museum tracks. Photo by Webster's Unabridged Inc and Illinois Railway Museum
Steam engines are again going around the Illinois Railway Museum tracks. Photo by Webster’s Unabridged Inc and Illinois Railway Museum

 

RR Fun

Visit a mid1800s train depot and hop on board some diesel and steam locomotives and assorted Pullmans, dining cars and cabooses at the Illinois Railway Museum. The museum is about an hour northwest of Chicago in Union City.  Closed for the winter, it just opened April 2 for the 2017 season and will remain open weekends through October. Weekday hours go from May through September.

The Illinois Railway Museum is at 7000 Olson Rd., Union, IL 60180. For cost, hours, directions and other information visit Illinois Railway Museum or call (800) Big Rail (244-7245).

 

See  robots

Head over to the Museum of Science and Industry for National Robotics Week activities April 8-9 and 14-15, 9:30 a.m. to 2 p.m.. Drone racing is April 8 and 9. .For more information visit MSI and MSI Robotics.

The Museum of science and Industry is at 5700 S. Lake Shore Drive, Chicago (773) 684-1414.

 

Listen to glorious music

Hear tenor Lawrence Brownlee (think bel canto) and bass-baritone Eric Owens (Lyric’s “Ring”) with pianist Craig Terry at a Lyric Opera recital at the Civic Opera House, 3 p.m. April 9.

The Civic Opera House is at 20 N. Wacker Dr, Chicago. For tickets and other information visit Lyric and call (312) 827-5600.

 

Lyric ends opera season on a glorious Tchaikovsky note

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Director Robert Carsen who first did this Eugene Onegin at the Met in 1997, does an interesting presentation of the beloved Tchaikovsky opera.

Tchaikovsky opera 'Eugene Onegin' at the Lyric Opera of Chicago.
Tchaikovsky opera ‘Eugene Onegin’ at the Lyric Opera of Chicago. Lyric photo

The curtain opens to reveal a distant, somewhat shadowy figure of baritone Mariusz Kwiecien as an Onegin who is gloomily leafing through the pages of an old letter.

How he came to this despondency unfolds through about 160 minutes (not including the intermission) of wonderfully lyrical and dramatic acting and singing guided by revival director Paula Suozzi and conductor Alejo Pérez. Read More

Around Town: Now and Coming

There is always so much going on in Chicago it is easy to miss something you will want to see or find that the tickets you wanted are gone. So check out the following events and opportunities.

Tchaikovsky opera 'Eugene Onegin' opens at the Lyric Opera of Chicago. Lyric photo
Tchaikovsky opera ‘Eugene Onegin’ opens at the Lyric Opera of Chicago. Lyric photo

Lyric Opera

If you love the music of Pyotr Ilyich Tchaikovsky, you will love his beautiful, dramatic “Eugene Onegin” opera. The Lyric Opera of Chicago completes its 2016-2017 series with the musically lush opera starting Feb. 26 and going through Mar. 20, 2017.

Based on a Alexander Pushkin’s poetic novel about ill-fated romantic attractions, the Lyric production stars soprano Ana Maria Martinez as Tatiana Larina and baritone Mariusz Kwiecień as Eugene Onegin. The Lyric production is at the Civic Opera House, 20 N. Wacker Drive, Chicago. For tickets and other information visit Lyric Opera.

 

Rolling Stones

Tickets are available for the Chicago stop of “Exhibitionism,” the first major touring exhibit of Rolling Stones memorabilia. Opened first in London and currently in NYC, the show will take over Navy Pier’s Festival Hall April 15 –July 30, 2017. Time dated tickets range from StonesExhibitionism.com.  $25- $35 for adults to $20-$22 for juniors. Special tickets are $80 for two visits, any time, fast-track entry.m Group tickets are available from  Broadway In Chicago Group Sales at (312) 977-1710. Navy Pier is at 600 E. Grand Ave. Chicago.

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Alluring music, seductive leading lady and golden voiced lover makes this ‘Carmen’ a must see

HIGHLY RECOMMENDED

‘Carmen,’ the popular opera by Georges Bizet’ where nearly all the music sounds very familiar, is an audience pleaser at the Lyric Opera of Chicago.

A new production directed and choreographed by Rob Ashford who did the Lyric’s Carousel’ two seasons ago, the opera has the kind of important touches that make Broadway musicals special.

Ekaterina Gubanova (Carmen) teases Joseph Calleja (Don Jose) in 'Carmen' at the Lyric Opera of Chicago. Photo by Todd Rosenberg
Ekaterina Gubanova (Carmen) teases Joseph Calleja (Don Jose) in ‘Carmen’ at the Lyric Opera of Chicago. Photo by Todd Rosenberg

There is fine acting of major roles, an outstanding voice, that of tenor Joseph Calleja as Don José, a leading lady, mezzo-soprano Ekaterina Gubanova who seems born to the part of Carmen, modern dance movements that capture audience attention during musical interludes, and exciting music thrillingly played by the Lyric Opera Orchestra that has people tapping their toes during the opera and humming during intermission.

Ashford’s staging is creative. The final scene where Don José stabs Carmen rather than have her go to her most recent lover, the dashing bullfighter Escamillo (Christian Van Horn), is  set against the dramatic, high back of a bullfighting arena where its audience is silhouetted against a red-orange sky.

Excellent set design by David Rockwell and costumes by Julie Weiss beautifully fit the period, location and atmosphere.

But make no mistake. This is opera. Bizet’s music and the libretto by Henri Meilhac and Ludovic Halévy have turned Prosper Mérimée’s ‘Carmen’ novella about seduction, jealousy and death into a dramatic opera, beautifully sung at the Lyric.

The takeaway from Lyric’s ‘Carmen’, a co-production with the Houston Grand Opera, is Gubanova’s ‘Habanera’ and ‘Seguidilla,’ Van Horn’s ‘Toreador Song’ and Calleja’s gorgeous ‘Flower Song.’

Details: ‘Carmen’ by Georges Bizet is at the Lyric Opera of Chicago in the Civic Opera House, 20 N. Wacker Drive, Chicago, now through March 25. For tickets and other information visit Lyric Opera and call (312) 827-5600.

 

Opening night crowd appreciates Bellini’s challenging bel canto ‘Norma’

 

RECOMMENDED

A love triangle, betrayal, an ominous war, a necessary death – all centered on a strong woman, is perfect opera fare.

Sondra Radvanovsky (Norma) and Elizabeth DeShong (Adalgisa) in Norma at the Lyric Opera of chicago
Sondra Radvanovsky (Norma) and Elizabeth DeShong (Adalgisa) in ‘Norma’ at the Lyric Opera of Chicago

The brilliant 19th century composer Vincenzo Bellini found such a plot in “Norma, ou L’infanticide” a play by Alexandre Soumet.

Don’t worry, in the opera Norma threatens her betraying lover with infanticide but doesn’t kill their children. What Bellini did was to turn the story into what has become the iconic bel canto opera.

Now, the Lyric Opera of Chicago which has only done “Norma” three previous times beginning with Maria Callas in 1954, is doing a new-to-Chicago, co-production starring opera’s current Norma favorite, Sondra Radvanovsky.

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Chicago arts venues celebrate Chinese New Year

UPCOMING

Arts venues from the Art Institute and Auditorium Theatre to the Chicago Cultural Center and Navy Pier are celebrating the Chinese Lunar New Year from mid January to Mid February, 2017.

Griffin Court in the Modern Wing of the Art Institute of Chicago. Photo by Jodie Jacobs
Griffin Court in the Modern Wing of the Art Institute of Chicago. Photo by Jodie Jacobs

Art Institute of Chicago

The Art Institute has a full Chinese menu of activities the last Saturday of January. If you at the Art Institute of Chicago Jan. 28, follow the exotic sounds you hear.

They will pull you into Gallery 101 at 10:30 a.m. and noon for Chinese Guzheng performances and to the Griffin Court in the Modern Wing at 11:30 a.m. for a Lion Dance. Then, it’s back to Griffin Court at 1 and 2 p.m. for the China National Peking Opera.

In addition to the performances there is a Mandarin tour of the museum’s Asian collection at noon and calligraphy demonstrations in the Ryan Learning Center (near the Modern Wing entrance) from 1:30 through 4 p.m.

But even before Jan. 28, the Art Institute is celebrating with drop-in Chinese New Year fun for kids in the Ryan Center, Jan. 17 through Feb. 11.

Best entrance to use for the celebration and Ryan Center is the Art Institute of Chicago’s Modern Wing at 159 E. Monroe St., Chicago, IL 60603.  General admission fee and free to children age 13 and younger and free to Chicago teens 14-17. Visit AIC.

Chicago Cultural Center

If all you have is the lunch hour to celebrate, go over to the Chicago Cultural Center Jan. 30 for Chinese dances, martial arts and music in the very impressive Preston Bradley Hall. Jackie Chan’s Long Yun Fung Fu Troupe will be performing from noon to 1 p.m (free).

For more information visit DCAS  The Chicago Cultural Center is across from Millennium Park at 78 E. Washington St., Chicago, IL 60602.

Celebrate Chinese culture at Navy Pier. Photo complements of Chinese Fine Arts Society
Celebrate Chinese culture at Navy Pier. Photo complements of Chinese Fine Arts Society

Auditorium Theatre

To see the full Long Yun Kung Fu Troupe’s program get tickets to show at the Auditorium Theatre Feb. 4. Tickets start at $33. Show time is 7:30 p.m. The discount code is CFAS. The program blends dance and martial arts. The Auditorium Theatre is  at 50 E Congress Pkwy, Chicago, IL 60605. Visit Auditorium  and call (312) 341-2300.

Navy Pier

The following week, Navy Pier’s ‘Neighborhoods of the World’ series spotlights the Chinese culture on Feb 12, from noon to 4 p.m. Go up to the Crystal Gardens for arts performances and a Chinese marketplace. Navy Pier is at 600 E Grand Ave Chicago, IL 60611. Visit CFA