“Make no little plans; they have no magic to stir men’s blood.” Daniel Burnham.
Daniel Burnham is probably best known as the person who gave Chicago its grid layout and network of municipal parks.
Architectural partners Burnham & Root or maybe Root & Burnham submit the winning proposal to design and supervise the building of the 1893 World’s Columbian Exposition to commemorate Columbus’ “discovery” of the Americas.
The massive world’s fair project was not without its many business and personal challenges.
Spoiler alert: “Burnham’s Dream: The White City,” A Lost and Found Productions (visiting company at Theater Wit), shows how Burnham and group manage to pull the fair project off so the event is a huge success.Read More
Mix really funny song interpretations with fine operatic voices and you have the hilarious, wonderfully entertaining “The Pirates of Penzance” at Music Theater Works.
Director Rudy Hogenmiller and choreographer Clayton Cross have the not so ferocious Pirate King (Larry Adams) stretched out horizontally across his comrades in his name song. They have the daughters of the Major- General stumbling as they take-off shoes and stockings to wade then, hurriedly attempt to put them back on when pirate apprentice Frederic (Ben Barker) announces his presence.
After all, Frederic feels it’s his duty and the honorable thing to do to say he is watching. Similarly, if you listen to his lyrics, he doesn’t sugar coat his plea to the daughters for one of them to come with him, even if she is too pimply or plain to attract other beaus.Read More
Len Cariou’s solo performance of “Broadway & The Bard, An Evening of Shakespeare and Song” is best described as a “performance collage” ripped from fragments of “The Complete Works of William Shakespeare” and bits of faded American musical librettos. They are pasted together to create a new work of art representing the autobiographical portrait of a noted actor’s life in the theater.
During roughly eighty minutes, the audience is treated to non-stop snippets from “Twelfth Night” “Henry V,” “Richard II,” “Othello,” “King Lear” and more, as well as melodic strains borrowed from Richard Rodgers, Lorenz Hart, Charles Strouse, Leonard Bernstein, Stephen Sondheim and others.
A worthy theatrical experience cannot stand on reference and nostalgia alone, and in this regard collaborators Len Cariou, Barry Kleinbort and Mark Janas have sidestepped that pitfall by doing an admirable job of creating a piece that may be enhanced by one’s own theatrical insight but does not require you to come equipped with an encyclopedic knowledge of the material included.Read More
French author Jules Verne’s farsighted (1870) Nautilus submarine takes readers on a voyage below the oceans’ surface where Captain Nemo encounters sea creatures and destroys ships in “Twenty Thousand Leagues Under the Sea: A Tour of the Underwater World.” BTW twenty thousand depicts the journey’s length not ocean depth.
Disney productions saw wonderful, pictorial possibilities so came out with a fine adventure film in 1954 that starred Kirk Douglas, James Mason, Paul Lukas and Peter Lorre.
Now Lookinglass Theatre, known for creatively depicting such stories enjoyed by youngsters and adults, alike, as “Alice” from Lewis Carroll’s stories, Robert Louis Stevenson’s “Treasure Island” and Herman Melville’s “Moby Dick,” has brought the Verne adventure to life on stage with David Kersnar and Althos Low’s adaption and Kersnar’s direction in “Twenty Thousand Leagues Under the Seas.” (Yes, the play say Seas).Read More
I first attended the 57th Street Art Fair when I was a young teen going to high school in the area.
Back then I remember a lot of hippie types selling pottery and turquoise jewelry. I still have a pen and ink drawing I bought that year. It’s hard to imagine that in 1970 the fair was already in its 33rd year.
Well here it is 48 years later and I have missed very few. My wife and I traditionally see this first major outdoor art fair of the season as our summer kick-off for all that Chicago has to offer.
Weather is often a factor the first week of June and you can plan on rain, wind and sometimes cold. This year Mother Nature played along, providing pleasant temperatures in the mid-seventies with rain only late in the evening on Saturday having very little effect.Read More
Idle Muse Theatre Company presents the world premier of “Girl Found” which was written by Barbara Lhota and inspired by true events.
The play begins with a very happy ending. An eleven-year old girl disappears from her Detroit home and six years later a 17 year-old called Sophie (Clara Byczkowski) turns up at a homeless shelter in Canada.
Except for her name, she cannot recall much about her past. The lost girl is now found, her family is notified, and they are so relieved. Her Aunt Ellie (Katherine Swan) travels to Canada to pick up Sophie and bring her back home.
“Girl Found” brings up all kinds of questions as the family tries to adjust their past with the present.
While attempting to rectify everything, the play leads the audience into a complex world of drugs, human trafficking and child abuse. Ellie is Sophie’s legal guardian because her sister, Sophie’s mother, Eva (Tricia Rogers), is a former drug addict who finds it difficult to tell the truth.
Noah (James Mercer) is Ellie’s ex-fiancé and Sophie’s father figure who left town after Sophie vanished
Sophie’s return brings Ellie and Noah back together, yet their problems don’t evaporate because trying to attain a compatible domestic life is difficult with the myriad past troubles that are revealed.
As the audience tries to fit the pieces together of Sophie and her family’s missing years, the play is set on a stage that is simultaneously split into various locations with different characters: Sophie’s home and her childhood friend (Whitney Dottery); the Canadian shelter and its social worker (Sara Robinson); an FBI office; and a psychologist, Dr. Cole (Kathrynne Wolf), whose therapeutic sessions with Sophie try to produce explanations of what went on in the past, while uncovering traumas.
Directed by Alison Dornheggen, Idle Muse’s “Girl Found” features a high-quality ensemble of actors.
DETAILS: ‘Girl Found’ is at The Edge Theater, 5451 N. Broadway St., Chicago, through June 10, 2018. Running time is 2 hours and 30 minutes with one intermission. For tickets and other information call (773) 340-9438 or visit IdleMuse.
Maybe audiences watching the deeply felt new mother issues playing out at Northlight Theatre’s “Cry It Out” remember when, about a decade ago, such child-parent support concerns as maternity/paternity leave and day-care availability were in the news. Companies even were rated as best to work for regarding those benefits.
Those worries are potently brought to life again in playwright Molly Smith Metzler’s “Cry It Out.”
Author of the highly successful “Elemeno Pea” that premiered in 2011 at the Actors Theatre of Louisville as part of the Humana Festival of New American Plays, Metzler’s “Cry It Out” was commissioned by the Actors Theatre and then premiered there last year.
BTW, cry it out is a phrase some people use for letting a baby bawl until worn out instead of picking the child up, walking with it or taking other soothing actions. But Metzler’s play goes far deeper than baby-rearing techniques.Read More
Widower Fredrik Egerman (Peter Robel) seeks to regain his youth by wedding eighteen year old Anne (Rachel Guth). However, his home from seminary, son Henrik (Jordan Dell Harris), falls in love with her even while learning “the ways of the world” from housemaid Petra (Teressa LaGamba).
Meanwhile, as a result of Anne’s sexual inexperience, Fredrik seeks solace in the arms of his more mature former lover and stage phenomenon, Desiree Armfeldt (Kelli Harrington).
Their dalliance is complicated by her relationship with Count Carl-Magnus Malcom (Christopher Davis) and his wife Countess Charlotte Malcom (Stephanie Stockstill).
Mme. Armfeldt (Marguerite Mariama) and her granddaughter Fredrika (Isabelle Roberts) are observers who offer the perspective of experience and youth to this sordid but humorous tale of infidelity, romance and search for love in all the wrong places.
An ensemble of minor players (Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda) fill in various roles and act as a kind of Greek Chorus adding commentary and moving the plot along.Read More
Imagine living through more than 100 years of historic events and changing cultural attitudes. What would you predict might happen?
The Delany sisters, Bessie who lived to 104 (died 1995) and Sadie who lived to 109 (died 1999), thought a woman would eventually become president but not a colored man. They disliked the term black “We’re not black, we’re brown, we’re colored.” They also were OK with the formal race designation of Negro.
The sisters tell their story in “Having Our Say: The Delany Sisters’ First 100 Years,” playing now at Goodman Theatre.
Raised in a family of achievers (lawyers, a judge, doctor, teachers and dentists, their father was the first colored person (they also didn’t like the term, African-American. “We’re American” they shout) to rise to bishop status in the Episcopal Church in the US. Read More
There are enough politically incorrect attitudes in “The Explorer’s Club” to offend anyone who isn’t a member of a good old boys WASP (White, Anglo-Saxon Protestant) group.
So just remember if seeing the show, now playing at Citadel Theatre, that it is a farce about the kind of men’s club (right, no females allowed) that would have felt comfortable during Queen Victoria’s reign.
This club’s focus is not wealth or lordship. It is for adventurers and scientists who seek glory with trophy killings, experiments and “discovery” of cultures to be exploited that have not yet been revealed in their part of the world.