Hurricane damaged house exposes and repairs family problems

HIGHLY RECOMMENDED

Their Staten Island house ravaged by Hurricane Sandy is not the only thing that needs extensive repair when 60-something-year-olds Marty and Mary Murphy return to what had always been their home.

Penny Slusher (Mary Murphy) and Francis Guinan (Marty Murphy) return to their Hurricane Sandy ravaged home in 'By the Water' at Northlight Theatre. Photo by Michael Brosilow
Penny Slusher (Mary Murphy) and Francis Guinan (Marty Murphy) return to their Hurricane Sandy ravaged home in ‘By the Water’ at Northlight Theatre. Photo by Michael Brosilow

In Sharyn Rothstein’s ‘By the Water,’ a Chicago premiere now at Northlight Theatre, attempts by the stubborn Marty to live there again and convince his neighbors to return, antagonize his friends who want to accept a bailout and move where safe from a repeat disaster.

But that is minor compared to how those efforts finally reveal Marty’s serious past mistakes, the feelings of his long-suffering Mary, and how and why his adult sons feel the way they do towards each other and their dad.

Well directed by Cody Estle, audiences will find there is a lot more going on then seen in the first 20 minutes of a play that only lasts an hour and 45 minutes.

Marty, brilliantly played by Francis Guinan, starts out as a sympathetic character who wants to rebuild the house his father gave him.

But sympathies start to erode as he shows little love and appreciation for his successful eldest son Sal, nicely interpreted by Jordan Brown, and instead empathizes with his recently released from prison younger son, Brian, charmingly played by Joel Reitsma.

His character draws even less sympathy as he continues to dominate Mary, exceptionally portrayed by Penny Slushier.

Amanda Drinkall is very believable as recently divorced Emily Mancini, Brian’s love interest. Her parents, the neighboring couple Andrea and Philip Carter, are well played by Janet Ulrich Brooks and Patrick Clear.

Jeffrey D. Kmiec’s impressive scenic design perfectly accomplishes the impression of a hurricane disaster while still offering a skeletal place to stay and greet family and neighbors.

‘By the Water’ by Sharyn Rothstein is at Northlight Theatre, 9501 Skokie Boulevard, Skokie, IL, now through April 23, 2017. For tickets and other information visit Northlight and call (847) 673-6300.

 

‘Circus 1903’ resurrects entertainment before TV and tech toys

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Circus 1903 brings back the old-fashioned kind of sideshow and acts that visited small towns years ago. Mark Turner Photo.
Circus 1903 brings back the old-fashioned kind of sideshow and acts that visited small towns years ago. Mark Turner Photo.

Ladies and gentlemen, step right up to a funny sideshow with a great contortionist, thrilling main acts of accomplished aerialist and high-wire performances, terrific juggler, fine acrobats and a ringmaster who beguiles kids and adults with patter that is both charming and insightful.

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Mind and body influences turn out to be a hard problem in new Stoppard play

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Viewed in its purist form, ‘The Hard Problem,’ Tom Stoppard’s newest cerebral play, has members of a brain science institute arguing about Darwinism, matter, biology and neuroscience versus the influence of consciousness and psychology.

It’s a mind-body question and equation that might be tempered by computer intelligence and statistics.

Chaon Cross in 'The Hard Problem' at Court Theatre. Photo by Michael Brosilow
Chaon Cross in ‘The Hard Problem’ at Court Theatre. Photo by Michael Brosilow

Religion and philosophy are not supposed to enter into their discussions.

A complicating factor is that venture capital and hedge funds pay for the institute’s existence.

However, Hilary, a psychologist who works there, believes in God and prays for the well-being of a daughter she had when a teenager and gave up for adoption.

But after seeing the play, now at Court Theatre, and thinking about how it ends with Hillary, beautifully interpreted by Chaon Cross, leaves the institute and has her prayers answered, there is another way to view the story.

The question may legitimately be asked if after years of academic-style arguments, is Stoppard now asking intellectuals to not take themselves too seriously and loosen-up to see and acknowledge other views and influences?

Director Charles Newell and scenic designer John Culbert  encourage the play’s dichotomy by having the arguments play out in an uncluttered white box -type setting where an important prop is the candle Hillary uses when she prays.

Vary appropriately produced in a theater on the University of Chicago’s north campus, the play should be seen with someone who enjoys the type of arguments and balancing behaviors Stoppard puts forth in this play.

‘The Hard Problem’ by Tom Stoppard is at Court Theatre, 5535 S. Ellis Ave., Chicago, IL, now through April 9, 2017. For tickets and other information call (773) 753-4472 and visit Court Theatre.

Live “telenovela” of overly dramatic scenes and plot twists make for a fun evening

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If ‘Destiny of Desire’ sounds like the title of a soap opera you would be very close to right.

Ruth Livier (Fabiola Castillo), Ricardo Gutierrez (Dr. Jorge Mendoza) and Evelina Fernandez (Sister Sonia) in 'Destiny of Desire' at Goodman Theatre. Photo by Liz Lauren
Ruth Livier (Fabiola Castillo), Ricardo Gutierrez (Dr. Jorge Mendoza) and Evelina Fernandez (Sister Sonia) in ‘Destiny of Desire’ at Goodman Theatre. Photo by Liz Lauren

On stage at Goodman Theatre now through April 16, the “soap” that audiences sit in on as it is supposedly being televised in an empty Chicago theater (note the lighting props), is a Latino “telenovela.”

It has all the overemphasized drama of the Latino mini TV series that has even made the format the show of choice in Eastern Europe and Asia. Read More

High school students perform on “Hamilton” stage and see the show

The atmosphere inside the PrivateBank Theatre was electric March 15 as hundreds of Chicago high school students filed in to watch their peers perform on the “Hamilton” stage.

Alexander Hamilton and cast. Joan Marcus photo
Alexander Hamilton and cast. Joan Marcus photo

It was the third of what would be 10 student performances during 2017.

By the end of a  special education program tying “Hamilton’” to their American History studies, 20,000 Chicago high school students will have seen their peers perform in the morning followed by a regular Hamilton matinee.

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‘Upright Grand’ at Citadel is 90 minutes of amazing theater

Charlotte Mae Ellison (Kiddo) and Mark Ulrich (Pops) in 'Upright Grand.' Photo by North Shore Camera Club
Charlotte Mae Ellison (Kiddo) and Mark Ulrich (Pops) in ‘Upright Grand.’ Photo by Kyle Techentin.

HIGHLY RECOMMENDED

Citadel Artistic Director Scott Phelps has taken a riviting script about parent-child relationships by playwright Laura Schellhardt (think Auctioning the Ainsleys and the Aportecary’s Daughter) and placed it in the intelligent hands of Jeff award winning director Scott Weinstein.

But to really pull off multiple messages on growing up, fulfilling dreams and responsibilities,  Citadel cast the play with Chicago area veterans who ought to be up for Jeff nominations in their “Upright Grand” roles.

The father, a talented pianist called Pops who tells personal stories while playing at the Broken Man’s Bar is Mark Ulrich.

Charlotte Mae Ellison as his daughter, Kiddo, is perfect as a 12–year-old with all the angst of a teenager who is suspended for writing “School is crap” on her academy’s wall, later, as the sophisticated accomplished 21-year-old who is on a concert circuit and at the end when she comes home and…. OK, won’t put in spoiler alert here.

The third figure is Matt Edmonds who literally plays as the Accompanist. He is a shadowy figure for father and daughter, a piano tuner who compares people to pianos that are out of tune or in tune. Later he is Todd, son of Pops’ friend Toady from the bar.

Premiered at Theatre Works in Pal Alto, CA at its 2012 New Works Festival, the play examines how one’s parental role and responsibility or lack, influences the next generation and how sometimes those actions are not understood until years later.

Pops goes through life as an absentminded professor who doesn’t know how old his daughter is at different stages but “retires’ from the bar to encourage her to focus on piano when he learns she is gifted. He sees his own dad as far from encouraging him with his musicianship.

By the play’s end, a successful Kiddo understand what her father went through and voices what probably many adults think when she says “I’d go back if I could.”

A charming part of the play is that throughout the different stages, Kiddo asks her father for one of his stories and audiences get to hear snatches from classical and popular music.

Something to think about is how to characterize a person or family. Pops’ family were farmers. He plays an upright piano. His wife’s family are wealthy and have endowed a musical academy. They have a grand  piano.

A phrase to think about that is said during the show is “We’re more upright than grand.”

Unfortunately,  “Upright Grand”  is only at Citadel through March 26, 2017.

Citadel is at 300 S. Waukegan Rd., Lake Forest, IL. For tickets and other info call (847-) 735-8554 and visit Citadel.

 

Sex and self-destruction in a high-pressure environment

SOMEWHAT RECOMMENDED

It is hard to appreciate ‘The Scene,’ Thersea Rebeck’s darkly satirical play set against New York’s  hyper TV and acting professions.

Clea (Deanna Myers), Charlie (Mark L. Montgomery) and Lewis (La Shawn Banks) in 'The Scene' at Writers Theatre. Photo by Liz Lauren
Clea (Deanna Myers), Charlie (Mark L. Montgomery) and Lewis (La Shawn Banks) in ‘The Scene’ at Writers Theatre. Photo by Liz Lauren

Chicago stage and TV actor Deanna Myers is so good at playing the obnoxious Clea, an ambitious, amoral, vacuous young woman who recently moved to New York, that it is difficult to understand how she can attract the play’s two male characters.

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Around Town: Now and Coming

There is always so much going on in Chicago it is easy to miss something you will want to see or find that the tickets you wanted are gone. So check out the following events and opportunities.

Tchaikovsky opera 'Eugene Onegin' opens at the Lyric Opera of Chicago. Lyric photo
Tchaikovsky opera ‘Eugene Onegin’ opens at the Lyric Opera of Chicago. Lyric photo

Lyric Opera

If you love the music of Pyotr Ilyich Tchaikovsky, you will love his beautiful, dramatic “Eugene Onegin” opera. The Lyric Opera of Chicago completes its 2016-2017 series with the musically lush opera starting Feb. 26 and going through Mar. 20, 2017.

Based on a Alexander Pushkin’s poetic novel about ill-fated romantic attractions, the Lyric production stars soprano Ana Maria Martinez as Tatiana Larina and baritone Mariusz Kwiecień as Eugene Onegin. The Lyric production is at the Civic Opera House, 20 N. Wacker Drive, Chicago. For tickets and other information visit Lyric Opera.

 

Rolling Stones

Tickets are available for the Chicago stop of “Exhibitionism,” the first major touring exhibit of Rolling Stones memorabilia. Opened first in London and currently in NYC, the show will take over Navy Pier’s Festival Hall April 15 –July 30, 2017. Time dated tickets range from StonesExhibitionism.com.  $25- $35 for adults to $20-$22 for juniors. Special tickets are $80 for two visits, any time, fast-track entry.m Group tickets are available from  Broadway In Chicago Group Sales at (312) 977-1710. Navy Pier is at 600 E. Grand Ave. Chicago.

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Chekov drama confronts wasted lives

RECOMMENDED

The depressing atmosphere of a home where time is passing people by is immediately apparent with the set of “Uncle Vanya,” now at Goodman Theatre.

David-Darlow-Kristen-Bush-Tim-Hopper-Marilyn-Dodds-Frank-Larry-Neumann-Jr.-Caroline-Neff-and-Mary-Ann-Thebus-in-Goodman-Theatres-UNCLE-VANYA-adaptedby-Annie-Baker. Photo by Liz Lauren
David Darlow, Kristen Bush, Tim Hopper, Marilyn Dodds Frank, Larry Neumann Jr., Caroline Neff and Mary Ann Thebus in Goodman Theatre’s “Uncle Vanya”  adapted by Annie Baker. Photo by Liz Lauren

Designed by Todd Rosenthal, a once elegant country estate confronts audiences with ravished walls, a light bulb that hangs from a chandelier and decrepit furniture. Read More

‘Love’s Labor’ becomes lost in translation

SOMEWHAT RECOMMENDED

A parody of William Shakespeare is clever when performed by Second City or by another theater when advertised as a take-off by one of Chicago’s many production companies.

Rosaline (Laura Rook) and Berowne (Nate Burger) are attracted to each other. Others are Longaville (Madison Niederhauser), Dumaine (Juliam Hester), King of Navarre (John Tufts) and Princess of France (Jennie Greenberry) in 'Love's Labor Lost' at Chicago sheakespeare Theater. Photo by Liz Lauren
Rosaline (Laura Rook) and Berowne (Nate Burger) are attracted to each other. Others are Longaville (Madison Niederhauser), Dumaine (Julian Hester), King of Navarre (John Tufts) and Princess of France (Jennie Greenberry) in ‘Love’s Labor Lost’ at Chicago Sheakespeare Theater. Photo by Liz Lauren

But it was a surprise when opening night of Chicago Shakespeare Theater’s ‘Love’s Labor’s Lost,’ an early Shakespeare comedy, lines were intentionally overly emoted and humorous characters became caricatures.

Written in the 1590’s, CST’s version is nicely placed in the 18th century with a romantic, beautiful set by scenic designer Kevin Depinet and gorgeous costumes by Christina Poddubiuk.

There’s no question that the play, an ironic exposure of good intentions foiled by man’s innate nature, is a comedy.

Ferdinand, King of Navarre (John Tufts), and his three companions, Lords Berowne (Nate Burger) , Dumaine (Julian Hester), and Longaville (Madison Niederhauser), pledge to three years of study and fasting without the company of women. The King subsequently decrees that women will not be allowed within a mile of the court.

Complicating matters is a subplot of Spaniard Don Adriano de Armado (Allan Gilmore) betraying an affair between local lad Costard (Alex Goodrich) and local wench Jaquenetta (Maggie Portman). Adriano also likes her and discusses it with his page, Moth (Aaron Lamm).

Then the Princess of France (Jennie Greenberry) and her ladies, Maria (Jennifer Latimore), Katherine (Taylor Blim) and Rosaline (Laura Rook) arrive to speak with the King but they have to camp outside the court.

Of course, since this is a Shakespearean comedy, the king and his lords fall for the Princess and her ladies and messages are given to the wrong people.

Taking a playful approach similar to ‘A Midsummer Night’s Dream,’ a comedy also written in the 1590’s, should work. The problem, at least for fans of Shakespeare’s sophisticate language,  is when actors’ overblown actions distract from clever dialogue.

‘Love’s Labor’s Lost,’ directed by Marti Maraden, is at Chicago Shakespeare Theater, 800 E. Grand Ave. on Chicago’s Navy Pier, now through March 26, 2017. For tickets and other information call (312) 595-5600 and visit Chicago Shakes.