Lookingglass takes ‘Steadfast Tin Soldier’ to another level

The cast of “The Steadfast Tin Soldier” at Lookingglass Theatre. (Photos by Liz Lauren)
The cast of “The Steadfast Tin Soldier” at Lookingglass Theatre. (Photos by Liz Lauren)

4 stars

At Lookingglass Theatre audiences see a charming screen a few minutes before Hans Christian Andersen’s “The Steadfast Tin Soldier” story is pantomimed on stage.

The actors, dressed as figures that might be found in a young European child’s nursery or at a “Panto,” take turns on stage opening  windows that reveal children’s toys – except one that shows a fire.

And thus, perceptive audiences might pick up the clue that as with many of the famed Danish author’s fairy tales such as “The Little Mermaid,” life will not be very smooth for the lead character but the ending can offset what appears to be devastating consequences. Read More

Appreciate Jane Austin once again with ‘Mansfield Park’

Heidi Kettenring (Mrs. Norris) tells Kayla Cargter (Fanny Price) she can never say no at Mansfield Park while Kate Hamill (a maid) helps change Price's clothing. (Michael Brosilow photos)
Heidi Kettenring (Mrs. Norris) tells Kayla Cargter (Fanny Price) she can never say no at Mansfield Park while Kate Hamill (a maid) helps change Price’s clothing. (Michael Brosilow photos)

3 stars

Readers familiar with Jane Austen’s novels know this author sees through surface-only charm, social pretense and people who talk about manners but are not at all well-mannered.

These readers also know to expect thinly cloaked feminism about a century before the women’s rights movements were causing waves and making some progress in England and the United States.

But given Austen’s first two books, “Sense and Sensibility” in 1811 and “Pride and Prejudice” in 1813, audiences who see “Mansfield Park,” now at Northlight Theatre, will find in Austen’s third novel, out in 1814, that practicality no longer wins arguments. They will also note that one of “Mansfield Park’s theme stresses that financial benefit doesn’t excuse slavery.

“Mansfield Park’s heroine Fanny Price is portrayed to perfection by Kayla Carter. She convincingly takes her character from a young girl trying to adapt to her relative’s moneyed and mannered life when sent there as a servant and companion, to her metamorphosis as an independent young lady who does not succumb to pressure and who is willing to lead an impoverished life.

Read More

‘Joseph:’ A Citadel show of biblical proportions

Joseph (Jacob Barton) shows off his “coat of many colors” to his jealous brothers. (Photo by North Shore Camera Club)
Joseph (Jacob Barton) shows off his “coat of many colors” to his jealous brothers. (Photo by North Shore Camera Club)

3.5 stars

First performed on Broadway in 1982, this interpretation of the Old Testament’s story of Joseph and his brothers through contemporary eyes is a fun, high-energy show featuring a delightful chorus of local children.

Based on Joseph’s “coat of many colors” from the Book of Genesis, the story shows what can happen when a parent plays favorites.

From the get-go, the show begins with two narrators instead of the traditional one and takes off like a rocket from the very first musical number, “Any Dream Will Do.”

Read More

Superb voices meet Verdi’s ‘Il Trovatore’ challenge

Tamara Wilson (Lenora) in Il Trovatori at Lyric Opera of Chicago (Todd Rosenberg photo)
Tamara Wilson (Lenora) in Il Trovatori at Lyric Opera of Chicago (Todd Rosenberg photo)

3.5 stars

Thanks goodness, the Lyric Opera of Chicago’s “Il Trovatore” has much more going for it than the famed “Anvil Chorus” (“Vedi le fosche notturne”) in which some of the workers overdo their loud clangs, forgetting that the gypsies are singing to Verd’s music and the anvils ought to be an interesting accompaniment.

This production is an opportunity to hear Soprano Tamara Wilson, making her Lyric debut as Leonora . Wilson lets the audience know right away that she was well chosen as the doomed heroine with her “Tacea la note placida, a beautiful cavatina with its high c, and the passionate “Di tale amor che dirsi” aria made even more impressive by its trills.

It is also an opportunity to hear mezzo-soprano Jamie Barton, last heard at the Lyric in as Giovanna in Donizett’s Anna Bolena in 2014. Read More

‘Miss Saigon’s’ heat is on!

Anthony Festa (Chris) and Emily Bautista (Kim) in Miss Saigon at the Cadillac Palace Theatre. (Matthew Murphy photo)
Anthony Festa (Chris) and Emily Bautista (Kim) in Miss Saigon at the Cadillac Palace Theatre. (Matthew Murphy photos)

4 stars

After its 25th anniversary revival on Broadway in 2017, “Miss Saigon” is reappearing this year on a national tour.  Directed by Laurence Connor, the music is by Claude-Michel Schönberg and Alain Boublil, with lyrics by Boublil and Richard Maltby, Jr.

Loosely based on Puccini’s opera, “Madame Butterfly,”  “Miss Saigon” follows the final days of the Vietnam War.

The first lead character that opens the show is The Engineer played by Red Concepcion. The Engineer runs Dreamland, a steamy bar and brothel in Saigon that’s packed with beautiful Vietnamese women whom he has lined up for American soldiers.

Read More

‘Twelfth Night’ is wickedly funny

Front, l to r, Andrea San Miguel, Jennifer Latimore, and Matthew C. Yee, and back, William Brown in Twelfth Night at Writers Theatre (Photos by Michael Brosilow)
Front, l to r, Andrea San Miguel, Jennifer Latimore, and Matthew C. Yee, and back, William Brown in Twelfth Night at Writers Theatre (Photos by Michael Brosilow)

4 stars

William Shakespeare’s “Twelfth Night” (subtitled “Or What You Will”) must be Writers Theatre’s holiday gift to show lovers who enjoy witty entertainment.

Its outstanding cast and superb direction bring out all the deliberate jests, entertaining horseplay, subplots and musical interludes that mark the Bard’s wicked sense of humor.

Meant as entertainment that befits the bawdy disorder that had traditionally been part of the Eve of the Feast of Epiphany, the play hinges on Shakespeare’s fondness for females dressed as males and the ensuing falling-in love confusion.

There are also the playwright’s deceptively honest answers such as when Olivia, a woman in mourning whom Duke Orsino hopes to wed, asks his emissary, Cesario (really Viola, dressed as a young man), if she is a comedian (another term for actor). She answers “I am not that I play.”

Read More

‘Holiday Inn’ dances joyous path through the holidays

 

Holiday Inn cast at Marriott Theatre with Johanna McKenzie Miller and Will Burton in the center. (Liz Lauren photos)
Holiday Inn cast at Marriott Theatre with Johanna McKenzie Miller and Will Burton in the center. (Liz Lauren photos)

3.5 stars

Irving Berlin’s “White Christmas,” now playing at Marriott Theatre, is among the composer’s delightful story-telling songs in “Holiday Inn.” But don’t confuse Berlin’s “Holiday Inn,”  a musical that has a book by Gordon Greenberg and Chad Hodge, with the show, “White Christmas.”

Based on the 1942 Universal film with Bing Crosby and Fred Astaire, “Holiday Inn” packs “Blue Skies,” “Steppin’ Out With My Baby,” “Heat Wave,” “Shaking the Blues Away,” “It’s a Lovely Day Today”, “Be Careful, It’s My Heart” and “Let’s Take an Old-Fashioned Walk” into a delightful, old-fashioned-style hokey, song and dance musical that ends with happily ever after.Read More

Top holiday shows and shopping plus light sights

The Joffrey Ballet's Nutcraker at Aurditorium Theatre. (Photo by Cheryl Mann)
The Joffrey Ballet’s Nutcraker at Aurditorium Theatre. (Photo by Cheryl Mann)

If you don’t want to be saying “Oops” this holiday season then 1. Don’t wait to get tickets to the shows you or your family want to see and  2. Do put those holiday events you want to go to on the calendar.

The good news is that there are numerous great holiday shows and happenings in the Chicago area. The problem news is that the many places to go, things to do and see make it hard to narrow down the choices to what is doable.

Tip: Be realistic when weighing what is manageable with kids, tired feet and meal breaks.

The following suggestions offer three Chicago area choices in each category – shows, shopping and spectacular lights and sights:

 

Shows

A Christmas Carol At Goodman Theatre (2017 photo by Liz Lauren)
A Christmas Carol At Goodman Theatre (2017 photo by Liz Lauren)

What: Goodman Theatre’s “The Christmas Carol” Nov. 17-Dec. 30, 2018

Where: In Goodman Theatre’s Albert Theatre at 170 N. Dearborn St., Chicago

Why: Goodman’s production of Charles Dickens’ “The Christmas Carol” is  a Chicago tradition that never gets old with new staging often added. But the show is also a talking point for families on what is important.

How:: See ticket and other information at Goodman Theatre/Carol

 

What:  Joffrey Ballet’s “The Nutcracker” Dec. 1-30, 2018

Where: Auditorium Theatre of Roosevelt University, 50 E. Ida B. Wells Dr. (50 E. Congress Pkwy) at Michigan Ave.

Why: Going to the Joffrey’s “Nutcracker” is also a Chicago holiday tradition. It was beautifully re-imagined  last year by choreographer Christopher Wheeldon as a visit by Marie and her mother to the 1893 World’s Fair. The mysterious Great Impresario turns the visit into an adventure. And it is all set to Peter Ilyich Tchaikovsky’s gorgeous music.

How: Find tickets and information at Joffrey Nutcracker

 

What: Lookingglass Theatre’s “The Steadfast Tin Soldier,” Nov. 7, 2018 through Jan. 13, 2019.

Where: Lookingglass theatre is in the Chicago Water Works at 821 N Michigan Ave, Chicago.

Why: Lookingglass productions are highly innovative, well acted and engrossing. This tale based on a Hans Christian Andersen story is being staged as an exciting spectable by ttalented, creative Mary Zimmerman.

How: Tickets and information are at Lookingglass Theatre.

 

Shopping

Good gift shopping at the Field Museum (J Jacobs photo)
Good gift shopping at the Field Museum (J Jacobs photo)

What: The Field Museum Store, anytime

Where: The Field is at 1400 S. Lake Shore Dr., Chicago, the furthest west building on the Museum Campus.

Why: The museum has a fantastic gift shop with items that would appeal to all ages.

How: For hours and admission visit Field Museum or shop on line

 

What: Christkindlmarket Chicago, daily Nov. 16-Dec. 24, 2018 and Naperville Thursday through Sunday Nov. 23-Dec. 24 2018.

Where: In Chicago at Daley Plaza on Washington Street between Dearborn and Clark Streets and in Naperville  at Naper Settlement, 523 S. Webster St.

Why: It’s fun to see, buy and taste the type of Bavarian gifts and treats popular at holiday markets in Germany.

How: More information is at Christkindlmarket

 

What: Art Institute of Chicago Gift Shop, anytime

Where:  On line and at the museum, front entrance at 111 S. Michigan Ave. and the Modern Wing entrance at 159 E. Monroe St.

Why: Gift shop entrances do not need admission fees or tickets. The shops carry one-of-a kind gifts that won’t bust the budget. The Modern Wing has good glass items and the main gift shop has excellent jewelry and ties. Both  shops have Frank Lloyd Wright  items and gifts inspired by other artists. Also visitors like to take holiday  photos with the wreathed lions in front.

How: For hours visit the museum at artic.

Spectacular lights and sights

Zoo Lights at Lincoln Park Zoo
Zoo Lights at Lincoln Park Zoo

What: Lincoln Park Zoo Lights Nov. 23-Jan.6

Where: In Lincoln Park at 2001 N. Clark St., Chicago

Why: See the animals while strolling among 2,5 million lights thanks to Com Ed and Invesco. Also visit Santa, watch ice carving, sip warm spiced wine, snack on holiday treats and watch a 3D light show.

How: Find hours and admission at LPZoo Zoolights.

 

What: Chicago Botanic Garden Lights and Wonderland Express Nov. 23-Dec. 21,2018

Where: 1000 Lake Cook Road, Glencoe

Why: the Garden’s event is called Wonderland Express but before going into the building that has trains zipping through Chicago landmarks, see trees and walkways lit by thouands of lights and visit the greenhouses’ topiaries and poinsettias. Then don’t worry about the “snow” falling on shoulders inside the exhibit building. It’s all about fun and winter wonders.

How: For hours and admission visit Chicago Botanic/Wonderland

 

What: Morton Arboretum Illumination Nov. 17, 2018-Jan 1, 2019

Where: The grounds of the Morton Aroboretum at 4100 IL Hwy 53, Lisle.

Why: These lights don’t stay still. They change color, they move to music, they’re interactive and Illumination, supported by Com Ed and Invesco, is fun.

How:: See hours and admission at MortonArb/Lights

 

Jodie Jacobs

 

 

 

‘Frankenstein’ viewed through Manual Cinema eyes

Cast and production crew of Manual Cinema's Frankenstine at Court Theatre (Michael Brosilow photos)
Cast and production crew of Manual Cinema’s Frankenstine at Court Theatre (Michael Brosilow photos)

4 Stars

It is supposed that our most ancient cave dwelling predecessors told supernatural cautionary tales of adventure that included encounters with fantastic creatures.

Their flickering fires casting out-sized, ominous, and at times, grotesque shadows on the wall amplified the sense of dread and danger. Add the slow beating of a drum mimicking the ever increasing beating of hearts, mixing with the mysterious sounds of nature lurking in the darkness and you begin to see the primeval recipe that Manual Cinema has tapped into in the telling of their version of Mary Shelley’s “Frankenstein.”

Manual Cinema is a singular theatrical experience that has elements of street theater and silent film. The company mixes live action, silhouettes, puppets, shadow puppetry, masks, video, slide projection and all manner of theatrical techniques, ancient and modern to create a captivating monochromatic video mash-up, reminiscent of a nickelodeon feature, assembled and projected on stage before your eyes.

Read More

In ‘Siegfried’ playful staging mixes with outstanding voices

 

Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner's Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)
Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner’s Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)

3.5 stars

Opera goers who saw “Das Rheingold” in 2016 and “Die Walküre” in 2017, Lyric’s first two operas segments of Wagner’s four-part “Der Ring des Nibelungen,” will find the next segment, “Siegfried,” still has tall scenery towers bookending the stage. They deliberately remind audiences that Wagner’s The Ring cycle is theater.

It is theatrical and musical drama. But where the productions of the first two segments were highly creative but serious, “Siegfried” is playful, fanciful, serious fun.

The tone is set when a somewhat menacingly large, three-nail-claw and an eye of Fafner, the giant-turned dragon who guards the ring, appear under the curtain and draw audience laughter. The curtain then rises to reveal Siegfried’s playroom of oversized art work and children’s furniture including a tall playpen.

Read More