Top holiday shows and shopping plus light sights

The Joffrey Ballet's Nutcraker at Aurditorium Theatre. (Photo by Cheryl Mann)
The Joffrey Ballet’s Nutcraker at Aurditorium Theatre. (Photo by Cheryl Mann)

If you don’t want to be saying “Oops” this holiday season then 1. Don’t wait to get tickets to the shows you or your family want to see and  2. Do put those holiday events you want to go to on the calendar.

The good news is that there are numerous great holiday shows and happenings in the Chicago area. The problem news is that the many places to go, things to do and see make it hard to narrow down the choices to what is doable.

Tip: Be realistic when weighing what is manageable with kids, tired feet and meal breaks.

The following suggestions offer three Chicago area choices in each category – shows, shopping and spectacular lights and sights:

 

Shows

A Christmas Carol At Goodman Theatre (2017 photo by Liz Lauren)
A Christmas Carol At Goodman Theatre (2017 photo by Liz Lauren)

What: Goodman Theatre’s “The Christmas Carol” Nov. 17-Dec. 30, 2018

Where: In Goodman Theatre’s Albert Theatre at 170 N. Dearborn St., Chicago

Why: Goodman’s production of Charles Dickens’ “The Christmas Carol” is  a Chicago tradition that never gets old with new staging often added. But the show is also a talking point for families on what is important.

How:: See ticket and other information at Goodman Theatre/Carol

 

What:  Joffrey Ballet’s “The Nutcracker” Dec. 1-30, 2018

Where: Auditorium Theatre of Roosevelt University, 50 E. Ida B. Wells Dr. (50 E. Congress Pkwy) at Michigan Ave.

Why: Going to the Joffrey’s “Nutcracker” is also a Chicago holiday tradition. It was beautifully re-imagined  last year by choreographer Christopher Wheeldon as a visit by Marie and her mother to the 1893 World’s Fair. The mysterious Great Impresario turns the visit into an adventure. And it is all set to Peter Ilyich Tchaikovsky’s gorgeous music.

How: Find tickets and information at Joffrey Nutcracker

 

What: Lookingglass Theatre’s “The Steadfast Tin Soldier,” Nov. 7, 2018 through Jan. 13, 2019.

Where: Lookingglass theatre is in the Chicago Water Works at 821 N Michigan Ave, Chicago.

Why: Lookingglass productions are highly innovative, well acted and engrossing. This tale based on a Hans Christian Andersen story is being staged as an exciting spectable by ttalented, creative Mary Zimmerman.

How: Tickets and information are at Lookingglass Theatre.

 

Shopping

Good gift shopping at the Field Museum (J Jacobs photo)
Good gift shopping at the Field Museum (J Jacobs photo)

What: The Field Museum Store, anytime

Where: The Field is at 1400 S. Lake Shore Dr., Chicago, the furthest west building on the Museum Campus.

Why: The museum has a fantastic gift shop with items that would appeal to all ages.

How: For hours and admission visit Field Museum or shop on line

 

What: Christkindlmarket Chicago, daily Nov. 16-Dec. 24, 2018 and Naperville Thursday through Sunday Nov. 23-Dec. 24 2018.

Where: In Chicago at Daley Plaza on Washington Street between Dearborn and Clark Streets and in Naperville  at Naper Settlement, 523 S. Webster St.

Why: It’s fun to see, buy and taste the type of Bavarian gifts and treats popular at holiday markets in Germany.

How: More information is at Christkindlmarket

 

What: Art Institute of Chicago Gift Shop, anytime

Where:  On line and at the museum, front entrance at 111 S. Michigan Ave. and the Modern Wing entrance at 159 E. Monroe St.

Why: Gift shop entrances do not need admission fees or tickets. The shops carry one-of-a kind gifts that won’t bust the budget. The Modern Wing has good glass items and the main gift shop has excellent jewelry and ties. Both  shops have Frank Lloyd Wright  items and gifts inspired by other artists. Also visitors like to take holiday  photos with the wreathed lions in front.

How: For hours visit the museum at artic.

Spectacular lights and sights

Zoo Lights at Lincoln Park Zoo
Zoo Lights at Lincoln Park Zoo

What: Lincoln Park Zoo Lights Nov. 23-Jan.6

Where: In Lincoln Park at 2001 N. Clark St., Chicago

Why: See the animals while strolling among 2,5 million lights thanks to Com Ed and Invesco. Also visit Santa, watch ice carving, sip warm spiced wine, snack on holiday treats and watch a 3D light show.

How: Find hours and admission at LPZoo Zoolights.

 

What: Chicago Botanic Garden Lights and Wonderland Express Nov. 23-Dec. 21,2018

Where: 1000 Lake Cook Road, Glencoe

Why: the Garden’s event is called Wonderland Express but before going into the building that has trains zipping through Chicago landmarks, see trees and walkways lit by thouands of lights and visit the greenhouses’ topiaries and poinsettias. Then don’t worry about the “snow” falling on shoulders inside the exhibit building. It’s all about fun and winter wonders.

How: For hours and admission visit Chicago Botanic/Wonderland

 

What: Morton Arboretum Illumination Nov. 17, 2018-Jan 1, 2019

Where: The grounds of the Morton Aroboretum at 4100 IL Hwy 53, Lisle.

Why: These lights don’t stay still. They change color, they move to music, they’re interactive and Illumination, supported by Com Ed and Invesco, is fun.

How:: See hours and admission at MortonArb/Lights

 

Jodie Jacobs

 

 

 

‘Frankenstein’ viewed through Manual Cinema eyes

Cast and production crew of Manual Cinema's Frankenstine at Court Theatre (Michael Brosilow photos)
Cast and production crew of Manual Cinema’s Frankenstine at Court Theatre (Michael Brosilow photos)

4 Stars

It is supposed that our most ancient cave dwelling predecessors told supernatural cautionary tales of adventure that included encounters with fantastic creatures.

Their flickering fires casting out-sized, ominous, and at times, grotesque shadows on the wall amplified the sense of dread and danger. Add the slow beating of a drum mimicking the ever increasing beating of hearts, mixing with the mysterious sounds of nature lurking in the darkness and you begin to see the primeval recipe that Manual Cinema has tapped into in the telling of their version of Mary Shelley’s “Frankenstein.”

Manual Cinema is a singular theatrical experience that has elements of street theater and silent film. The company mixes live action, silhouettes, puppets, shadow puppetry, masks, video, slide projection and all manner of theatrical techniques, ancient and modern to create a captivating monochromatic video mash-up, reminiscent of a nickelodeon feature, assembled and projected on stage before your eyes.

Continue reading “‘Frankenstein’ viewed through Manual Cinema eyes”

Around town early November

 

Modern by Design at the Chicago History Museum is a stop on Design Chicago's Near North Day. (Photo courtesy of Chicago History
Modern by Design at the Chicago History Museum is a stop on Design Chicago’s Near North Day. (Photo courtesy of Chicago History Museum)

Art Design Chicago event Nov. 10

Try to catch at least one of the places on Art Design Chicago’s free Near North Design Day.

From 10 a.m. to noon, activities range from celebrating the Zepher and “Chicago Streamlines America” exhibit at the Chicago History Museum (1601 N. Clark St.) to the Newberry Library’s (60 W. Wsalton St.) lecture and Ghawazee belly dancing related to its “Pictures from an Exposition:  Visualizing the 1893 World’s Fair” exhibition

Then, from noon to 4 p.m. they range from a clay printmaking workshop with Sharon Bladholm related to “Clay printmaking inspired by Edgar Miller at Art on Sedgwick to a photo workshop from 2 to 4 p.m. at the DePaul Art Museum (935 W. Fullerton Ave)  related to “Yasuhiro Ishimoto: Someday, Chicago” exhibition.

Art on Sedgwick is at 1408 N. Sedgwick and the Sedgwick Stjudio is at 1544 N. Sedgwick.

There is also a viewing of the Roger Brown Study Collection at 1926 N. Halsted Ave. For the complete schedule of places and times visit Art Design Chicago.

A free trolley going between sites makes it easier to fit in at least a couple of places. Art Design Chicago is a Terra Foundation for American Art project to heighten awareness of Chicago’s role as a design center

 

Speaking of design

If you haven’t visited the Richard Norton Gallery at 612 Merchandise Mart Plaza, stop by to see “Kenn Kwint Linear Expressions” which opened Nov. 8 and some of the other artists represented by this major Chicago gallery. For more information visit Richard Norton Gallery.

 

And speaking of Near North

“Replay Lincoln Park,” a popular pop up bar at 2833 N. Sheffield is back beginning Nov. 9, The theme this year is “Friends” and includes Monica’s apartment and Chandler and Joey’s place. For more information, please call (773) 665-5660 or visit Replay Lincoln Park.

Jodie Jacobs

 

 

 

In ‘Siegfried’ playful staging mixes with outstanding voices

 

Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner's Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)
Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner’s Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)

3.5 stars

Opera goers who saw “Das Rheingold” in 2016 and “Die Walküre” in 2017, Lyric’s first two operas segments of Wagner’s four-part “Der Ring des Nibelungen,” will find the next segment, “Siegfried,” still has tall scenery towers bookending the stage. They deliberately remind audiences that Wagner’s The Ring cycle is theater.

It is theatrical and musical drama. But where the productions of the first two segments were highly creative but serious, “Siegfried” is playful, fanciful, serious fun.

The tone is set when a somewhat menacingly large, three-nail-claw and an eye of Fafner, the giant-turned dragon who guards the ring, appear under the curtain and draw audience laughter. The curtain then rises to reveal Siegfried’s playroom of oversized art work and children’s furniture including a tall playpen.

Continue reading “In ‘Siegfried’ playful staging mixes with outstanding voices”

Love’s Labour’s Lost – A timeless tale

HIGHLY RECOMMENDED

L-R: Amber Cartwright, Katherine Duffy, Rachael Soglin, Raina Lynn (Photos by Brian McConkey Photography
L-R: Amber Cartwright, Katherine Duffy, Rachael Soglin, Raina Lynn
(Photos by Brian McConkey Photography

This delightful Invictus Theatre experience proves once again that little has changed since Shakespeare penned this early comedy about the powerful drive of the passions of youth.

The young Ferdinand King of Navarre (Chad Bay) challenges his three besties  Berowne (Charles Askenaizer), Longaville (Taylor Glowac) and Dumain (Sam Cheeseman) to forsake romance and other distractions of the flesh such as eating for the purpose of devoting themselves fully to their studies for three years.

The pact does not last long due to the hunger of youth and the arrival of a young French Princess (Raina Lynn) and her posse of eligible young maids in waiting Rosaline (Rachael Soglin), Katherine (Amber Cartwright) and Maria (Katherine Duffy). Conveniently there is the requisite number of each sex for the two respective royal crews to square off.

The young men have soon forsaken their fasting and studies and have instead turned their hand to verses of love, while the ladies delight in disguising themselves and otherwise confounding their suitors for sport.

As with most of The Bard’s theatricals there are a few side trips not the least of which is a Spanish Lord Don Armado (Martin Diaz-Valdes) and doltish slave Costard (Johnny Kalita) pursuing the same country wench Jaquenetta (Daniela Martinez); and the play-within- a-play featuring the self-important teacher Holofernes (Alisha Fabbi) and his sycophant the curate Nathaniel (Jack Morsovillo). Continue reading “Love’s Labour’s Lost – A timeless tale”

Harry Truman anti-Semite or doula at birth of Israel

SOMEWHAT RECOMMEND

(left to right) Tim Kough and Catherine Dvorak in Greenhouse Theater Center and Forum Productions’ world premiere of Truman and the Birth of Israel. (Photo by Michael Brosilow)
(left to right) Tim Kough and Catherine Dvorak in Greenhouse Theater Center and Forum Productions’ world premiere of Truman and the Birth of Israel. (Photo by Michael Brosilow)

“Truman and the Birth of Israel” is a politically wonkish tale about a fictional encounter between the retired 33rd President and a young, future congresswoman, Bella Abzug (Catherine Dvorak).

At this point she is a rising New York attorney already showing a penchant for championing Zionist, feminist and civil rights ideals that will be her trademark in later years.

The action takes place in the home study and garden of Harry S. Truman (Tim Kough).  Abzug has been assigned to represent “Give’m Hell Harry” in a libel action the former President intends to initiate against an East Coast newspaper reporter who has allegedly defamed him by insulting his daughter’s singing talent.

Truman’s law firm assigns Bella Abzug to the case presumably because both she and the reporter are Jewish. Abzug feels certain that the defense will attack Truman for his past anti-Semitism and sets out to understand the complexities of a man who was once a card carrying member of the KKK but is also credited with helping to make the State of Israel a possibility.

Continue reading “Harry Truman anti-Semite or doula at birth of Israel”

Loss expressed with a Danish accent

RECOMMENDED

Linda Gehringer in Lady in Denmark at Goodman Theatre (Liz Loren photo)
Linda Gehringer in Lady in Denmark at Goodman Theatre (Liz Loren photo)

Maybe despair and loss can be emotionally handled when countered or balances with glimmers of hope.

In “Lady in Denmark,” a one-person show currently playing at Goodman Theatre, Helene recounts her life in Denmark including rape when she was 14 and her current situation of desperate loneliness upon the recent death of husband Lars.

She replays their favorite Billy Holiday songs for the memories but try as she does, it doesn’t seem to work for her and is not enough to leave audiences feeling good about loss.

Indeed, theater goers who are experiencing or have gone through the kind of cancer battle that Helene just went through with her beloved Lars, might want to skip the show or see it at a much later time.

Part of the problem is that Linda Gehringer who received a Jeff nominee for “The Crowd You’re In With,” portrays Helene so well and with such intensity and depth of understanding it is easy to believe the person on stage is recounting her own experiences.

Written by Pulitzer Prize finalist Dael Orlandersmith, the playwright and actress of the highly acclaimed “Until the Flood,” her current play appears on the surface to be a tribute to Holiday, the “Lady” who visited Denmark and was happier in Europe than in America where she was subject to racial hatred and discriminatory laws.

It does partially retell Holiday’s interaction with a family in Denmark, the inspiration for “Lady in Denmark.” But with Gehringer’s heartfelt portrayal under Chay Yew’s direction, what the play does in its brief 90 minutes is to remind people that “rape lasts a lifetime” and that trying to get through loss “doesn’t get better.”

The action takes place in a home in Chicago’s Andersonville neighborhood, an elaborate, excellent set designed by Andrew Boyce, furnished in Danish Modern. Gehringer competently interjects Danish phrases and mentions favorite foods that add to the show’s ethnic angle.

Even told with a Danish flavor that has Billy Holiday songs in the background and referred to in the title, “Lady in Denmark” is about loss., an emotion that is universal.

DETAILS: “Lady in Denmark” is in the Owen theatre and Goodman Theatre, 170 N. Dearborn St., Chicago through Nov. 18, 2018. Running time: 90 min. no intermission. For tickets and other information call (312) 443-3800 and visit Goodman Theatre .

Jodie Jacobs

For more shows visit Theatre in Chicago

 

A salute to the queen . . . and other fabulous women

HIGHLY RECOMMENDED

Cast of A Woman of Soul at Black Ensemble Theater. (Alan Davis photo)
Cast of Women of Soul at Black Ensemble Theater. (Alan Davis photo)

The Black Ensemble Theater, founded in 1976 by Jackie Taylor, has been dazzling audiences ever since with original musicals.  Its current production, “Women of Soul,” written and directed by Associate Director Daryl D. Brooks, is a tribute to many powerful female singers who cover different genres and numerous years.

The female cast includes Cynthia Carter, Robin DaSilva, Hannah Efsits, Jerica Exum, Colleen Perry, Rhonda Preston, Jessica Seals, Ariel Williams and Jayla Williams-Craig.

These nine talented women —with one wonderful male cast member, Dwight Neal who plays their various partners—portray well over fourteen famous soulful singers.

The production also includes these fabulous musicians: Robert Reddrick, Adam Sherrod, Gary Baker, Mark Miller and Dolpha S. Fowler.

Cast members give the background of each of the well-known singers plus some newly-revealed details such as how their careers blossomed and how some of their lives unfortunately ended. Then the singer portrayed performs one of her hits.

From Mahalia Jackson’s “Trouble of the World,” Etta James’s “I’d Rather Go Blind” and Janis Joplin’s “Cry Baby” to Diana Ross’s “I’m Coming Out” and Natalie Cole’s “This Will Be An Everlasting Love,” the fabulous cast practically rocks people out of their seats.

An amazing salute to female vocalists, the production also includes hits of  Whitney Houston, Anita Baker, Janet Jackson, Mavis Staples, Gladys Knight, Donna Summer, Chaka Khan and more.

The musical ends with a medley of songs giving tribute to the Queen of Soul, Aretha Franklin, with “Ain’t No Way,” ” I Say a Little Prayer for You,” ” Respect” and “You Make Me Feel Like a Natural Woman.”

When the cast lined up in the lobby while audience members were leaving the theater, two statements came from my heart: their performances were fabulous and the closing tribute to Aretha Franklin brought joyful tears to my eyes. “Women of Soul” celebrates all women!

DETAILS: “Women of Soul” is at the Black Ensemble Theater, 4450 N. Clark St., Chicago, through Jan. 27, 2019. Running time: 2 hours, 30 minutes with one intermission. For tickets and other information call (773) 769-4451 or visit Black Ensemble Theater.

Francine Pappadis Friedman

For more shows visit Theatre in Chicago

 

 

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Around town: Ethnic and scary events end the month of October

 

See Young Frankenstein and Bride of Frankenstein at the CSO (Photo courtesy of CSO)
See Young Frankenstein and Bride of Frankenstein at the CSO (Photo courtesy of CSO)

Frankenstein is back in town

See the scary “Bride of Frankenstein” and funny “Young Frankenstein” movies with background music by the Chicago Symphony Orchestra at Symphony Center, 220 S. Michigan Ave.  Oct. 26 For tickets and other information call (312) 294-3000 and visit CSO.

Or see Remy Bumppo’s scary production of Mary Shelly’s “Frankenstein,” Oct. 28-30 (Oct. 27, 27 and 31 are sold out) at Theater Wit, 1229 W. Belmont Ave. For tickets and other information call (773) 975.8150 or visit RemyBumppo.

 

Historic African American Design exhibit

“2019 African American Designers in Chicago: Art, Commerce and the Politics of Race” opens Oct. 27, at the Chicago Cultural Center. The exhibit runs the advertising gamut from illustration, cartoons, and graphic design to architectural signage, product and exhibit design and sign painting.

Located up on the fourth floor and continuing   through Mar. 3, 2019, the exhibiti s part of the current Art Design Chicago events that explore the city’s art and design history. Art Design Chicago is partially funded by the Terra Foundation for American Art and The Richard H. Driehaus Foundation.

The Chicago Cultural Center is at 78 E. Washington St. For more information visit City of Chicago.

 

Historic designs by African Americans on exhibit at the Chicago Cultural Center. (Photo courtesy of City of Chicago)
Historic designs by African Americans on exhibit at the Chicago Cultural Center. (Photo courtesy of City of Chicago)

 

Hobnob with mummies

The Oriental Institute, an internationally known center for study of ancient Middle Eastern civilizations, is holding Mummy Tours every half hour Oct 27 from 4 to 7 p.m. Space is limited so registration is  needed. Admission is free but adults are asked for a $5 donation.  The event also includes Mummy Simulations. Tickets to the Mummy Simulations (also every half hour) are free to adults, $3 per child, and can be purchased at the event.  For registration and other information visit Oriental Institute. .For questions call the OI Public Education Office at (773) 702-9507. The Oriental Institute is at 1155 E. 58th St. on the University of Chicago campus..

 

Dia De Los Muertos

Maxwell Street Market is celebrating the Day of the Dead Oct. 28 from 10:30 a.m. to-2 p.m. with the dedication of a surrealist Mexican mural, pumpkin carving. An ofrenda (altar) workshop, other arts and crafts and live music. The Maxwell Street Market is at 800 S. Des Plaines Ave. For event times and more information visit Maxwell Street Market.

Jodie Jacobs

 

 

 

‘Hello Dolly’

HIGHLY RECOMMENDED

Betty Buckley & Hello, Dolly! National Tour Company. (Photos by Julieta Cervantes)
Betty Buckley & Hello, Dolly! National Tour Company. (Photos by Julieta Cervantes)

I’m glad you’re on stage in Chicago where you belong.

It doesn’t matter if Carol Channing, Bette Midler or Barbara Streisand come to mind, the current touring version with Theatre Hal l of Famer Betty Buckley as Dolly Levi, that  brash New York “meddler, matchmaker and miraculous handler of anything needed, is making her endearing way into audiences hearts.

Fortunately the tour is currently in Chicago at the Ford Oriental Theatre where audiences also get a terrific Horace Vandergelder in the person of consummate film and stage actor Lewis J. Stadlen and a talented supporting cast.

Both Nic Rouleau (Book of Mormon) as head Vanergelder clerk  Cornelius Hackl and his love interest, Analisa Leaming who  reprises her Broadway role as hat shopper owner Irene Malloy,enchant audiences with their wonderful rendition of  “It only Takes a Moment.”

While Jess LeProtto (Broadway “Hello, Dolly! Ensemble) pulls off exciting dance moves as junior clerk Barnaby Tucker and his love interest Kristen Hahn (Broadway, “A Gentleman’s Guide to Love & Murder), adds delightful comic relief as hat shop employee Minnie Fay.

Continue reading “‘Hello Dolly’”