There is no question that Goodman Theatre has opened its 2017-18 season with a very special production of Arthur Miller’s ‘A View From The Bridge.’
How you feel about this production will depend on whether you are comfortable with an intense, minimalist concept as developed by Director Ivo Van Hove within a severe black box, or if you relate better to a story told on a stage with scenery and possibly video and other set accoutrements that establish time and place.
Set in an Italian American area near the Brooklyn Bridge in a 1950’s America that is not immigration-friendly (sound familiar?), the play is supposedly based on a true tragedy.
Its theme, a married man becoming so obsessed with a niece living with them that he will go to any lengths to ward off possible suitors, belongs in the Greek Tragedy genre.
Take away the wife’s illegal Italian family members who have come to live with them, and the story is still about a husband’s obsession.
Similar to a Greek play, the show opens with the sounds of a beautiful but foreboding chorus. However, it is not the chorus that explains the action but Alfieri, interpreted perfectly by Ezra Knight.
Alfieri is an attorney who notes that dissatisfaction and disagreements are supposed to be handled by a lawyer as a bridge that meets halfway between combatants.
When Eddie (Ian Bedford), a dock worker who tries to keep his niece, Catherine (Catherine Combs), first from taking a job, and then from going out with Rodolpho (Daniel Abeles), one of the two relatives who are staying with them, he learns from Alfieri that he can’t stop them from dating.
Eddie’s wife, Beatrice (Andrus Nichols) who can see what is happening tries to intervene but to no avail.
Eddie is told that the only action might be to report his wife’s cousins, Rodolpho and Marco (Brandon Espinoza) to immigration but he knows he will then become a pariah in the Italian community if he does so.
Low, ominous sounding background music plus the elimination of any intermission between the play’s two acts, heightens the feeling of doom.
DETAILS: “A View From The Bridge” is at Goodman Theatre, 170 N. Dearborn St., now through Oct. 22, 2017. Running time : 2 hours. For tickets and other information call (312) 443-4800 and visit Goodman Theatre.
More tickets to Lin Manuel Miranda’s hit musical, ‘Hamilton,’ will become available beginning at 10 a.m. Aug. 29, 2017, according to producer Jeffrey Seller.
Announced in conjunction with Broadway in Chicago, he noted that a 16 week block of tickets can be purchased from 10 a.m. to 5 p.m. at The PrivateBank Theatre’s box office, 18 W. Monroe St., online at BroadwayinChicago and by calling the Broadway In Chicago Ticket Line at (800) 775-2000.
The new block of tickets extends the run to April 29, 2018. The box office had been selling tickets only through Jan 7 of next year.
Tickets range in cost from $65 to $190. However, the online lottery for $10 seats will continue.
The lottery can be entered through a new app at HamiltonBroadway and at BroadwayinChicago. Access to the new lottery is 11 a.m. (Central Time) two days before the performance and through 9 a.m. the day before the performance.
The show is based on Ron Chernow’s biography of Founding Father Alexander Hamilton. More on the musical can be found at “Hamilton is worth the hype.”
Jeff Equity Nominations
Check the list to see if a theater production you saw and liked made the Jefferson Committee’s equity nomination list. Nominations fall into 33 categories.
Shows had to be running between Aug.1, 2016 and July 31, 2017. The 49th Annual Equity Jeff Awards ceremony will be held Nov. 6 at Drury Lane Theatre, 100 Drury Lane, Oakbrook Terrace.
Drury Lane Productions took the most nominations at 19 followed by Paramount and Writers Theatres with 15, Goodman Theatre at 14, Porchlight Music Theatre with 13, Court Theatre at 11 and Marriott Theatre with 10.
Here is a list of nominees in the plays and musicals categories for the show, director, actor and actress.
Late summer seems a time to get ready for back-to things such as school,a fall sport, workout classes if they stopped and volunteer activities. But August is also a good time to plan ahead to catch shows you’ll want to see. With about 250 theatre companies in the area the season can be overwhelming without checking out some of the offerings ahead of time.
The last two round-ups of what’s coming to area theatres were listings for the northern and western suburbs.
This one is for downtown Chicago. If you go you will find the venues have interesting, historic homes.
Next will be neighborhood Chicago theatres. When you see how many shows are at each venue you’ll understand how easy it is to miss one you really want to catch.
Louis Sullivan’s iconic performing arts hall showcases productions by the Joffrey Ballet and other dance companies ranging from Shen Wei Dance Arts, Ensemble Espanol and Alvin Ailey to Les Ballets de Monte Carlos, Hubbard Street Dance Chicago, Ballet Nacional Cuba and Giordano Dance Chicago.
In addition, its season includes musical groups and singers such as Jonathan Lee, and the Jazz Gospel Messiah’s “Too Hot to Handel.” In between are lectures, documentary presentations, comedians and tributes to pop and jazz stars.
Here is the Joffrey Ballet Schedule: Gisselle Oct. 18-29, Dec. 1-30, 2017, Modern Masters (George Balenchine, Myles Thatcher, Nicolas Blanc, Jerome Robbins) Feb. 7-18, 2018, Midsummer Night’s Dream April 25-May 6.
For other production dates and the full calendar click Auditorium. The Auditorium Theatre of Roosevelt University is at 50 E. Congress Parkway, (312) 341.2300.
Broadway in Chicago
Touring Broadway shows are typically in four venues: Cadillac Palace, 151 W. Randolph St., Oriental, 24 W. Randolph St., PrivateBank Theatre, 18 W. Monroe St. and Broadway Playhouse. Tickets are available at Broadway in Chicago and also Ticket Master by clicking on individual shows at Broadway Chicago and at the theatres’ box offices. Also call (800) 775-2000.
Of course everyone knows that the mega hit, “Hamilton” is still in town at The PrivateBank Theatre. Tickes are currently available through April 29, 2018.
At the Cadillac Palace Theatre, Disney’s “Aladdin” is there now through Sept. 10 followed by “Motown the Musical” Oct. 3-8 and “Les Miserable” Oct. 11-29. Then there is “School of Rock” Nov. 1-19 followed by Irving Berlin’s “White Chirstmas” Nov. 21-Dec. 3, 2017. “Beautiful – the Carole King Musical” returns to town, Dec. 5, 2017 and goes to Jan 28, 2018. The play, “The Humans,” comes Jan 30-Feb. 11 followed by ”Love Never Dies” Feb. 14-March 4. Then it’s “On Your Feet!” March 21-April “ followed by “Waitress,” July 3-22.
At the Oriental Theatre “Escape to Margaritaville” is Nov. 9-Dec. 2, 2017. “Wicked” is there Dec. 6-Jan. 21 2018 and “The Color Purple” goes on July 17-29, 2018.
At the Broadway Playhouse, “90210: The Musical” will be there Sept. 13- Sept. 17 followed by Ken Ludwig’s ‘Twas the Night Before Christmas” Nov. 11-Dec. 31. 2017. Also during that time is Gobsmacked” Dec. 5-10.
The company has expanded its venue at Navy Pier to include The Yard so some of the shows are there and others in its regular hall. Check when buying tickets.
“The Taming of the Shrew is Sept.16 – Nov. 12 and James Thierrée’s “The Toad Knew” opens The Yard Sept. 19 – 23. “Amarillo” is Oct. 17 – 29, 2017 and “Red Velvet” is Dec 1, 2017 –Jan 21, 2018. “Short Shakespeare – A Midsummer Night’s Dream” is Feb 3-March 10, “Macbeth” is April 25-June 24 and “Waiting for Godot” is May 23- June 3, 2018.
For details visit Chicago Shakes and call (312-595-5600. Chicago Shakespeare is at 800 E. Grand Ave. on Navy Pier, Chicago.
The historic venue has something going on every weekend but some of the seasons highlights are Fleet Foxes, Oct. 3-4,Steve Martin and Martin Short Oct. 6-7, Tori Amos, Oct. 27 Dream Theater in contcrt, Images, Words and Beyond Mov. 3 An evening with the Avett Brothers Nov. 9-11 Celtic thunder Symphony Tour dec. 7 Joe Biden American Promise tour Dec. 11 For more information visit Chicago Theater. The Chicago Theater is at 175 N State St. For tickets call (800) 745- 3000 or go to Ticketmaster.com.
The Goodman starts fall with Arthur Miller’s “A View From the Bridge” Sept 9 – Oct 15 followed by Charles Dickens’ “A Christmas Carol” Nov 18 – Dec 31, 2017. Rogelio Marinez’ “Blind Date” (Ronald Reagan and Mikhail Gorbachev) is Jan 20- Feb. 25, 2018 followed by Henrik Ibsen’s “An Enemy of the People” Mar. 10-Apr 15. Emily Mann’s “Having Our Say: The Delany Sisters’ First 100 Years” is May 5-June 10 and Ellen Fairey’s “Support Group for Men” is June 23-july 29.
In addition, Goodman’s Annual New Stages Festival is Sept 20-Oct. 8. The Festival features new works by Christina Anderson, David Cale, Mikhael Tara Garver, Rebecca Gilman, Ike Holter, Jose Rivea, Mat Smart and Bess Wohl.
Goodman Theatre is at 170 N. Dearborn St. For for information visit Goodman. or call (312) 443-3800.
Harris Theatre for Music and Dance
October features Sir John Eliot Gardiner, the Monteverdi Choir, and the English Baroque Soloists have announced an ambitious international tour, with concert performances of all three operas – L’Orfeo, Il ritorno d’Ulisse in Patria, and L’incoronazione di Poppea – and Rennie Harris Puremovement and Arias a dn Barcarolle by Lincoln center chamber music society .
Nov. has “Hot Sardines” comeing. Cec. Brandenburg concertos. By lincon chentr chambermusic society . Jan Brian Brooks dance Companyh, and lc chanmber doing Brahms and dvorak . Feb American Ballet and chamber doing Vienna to Hollywood
March is Mark Morris dance group with the Silk Road Ensemle and then Christian Scott aTude Adjuah May is chamber duoing Tempost in C Minor.
The Harris Theater is at the north end of Millennium park at 205 E. randolph St. For tickets and more events visit Harris and call (312) 334-7777.
Lookingglass is in the historic Water Works across form Water Tower Place. The theatre company is known for artistic innovation and interpretation that often includes gymnastics.
Next season features “Hard Times” Oct. 4, 2017 – January 14, 2018, “Plantation” Feb. 21 – Apr. 22 ending with “20,000 Leagues Under the Sea” May 23, Aug. 19, 2017.
Lookingglass Theatre is at 821 N Michigan Ave, Chicago, IL 60611. For tickets and more information visit Lookingglass or call (312) 337-0665.
Take a look and enter it on the calendar so you don’t miss a great show.
Perfect for a month that includes the Fourth of July, Eugene O’Neill’s “Ah, Wilderness,” is about hope, wistfulness, freedom and coming of age in an idyllic family setting at the turn of the last century.
So don’t, when you see the play is by O’Neill who penned the Pulitzer Prize-winning, semi-autobiographical play, “Long Day’s Journey into Night,” think dark family drama.
They both take place on a Connecticut seashore but “Ah, Wilderness” is a lighthearted comedy that likely presents the type of family O’Neill wished he had.
You will meet the Miller family during the Fourth of July. Nat, the father is presented intelligently and with empathy by Randall Newsome as a fine newspaper editor and family man who pretty much goes along with whatever wife Essie (Ora Jones) and second son Richard (Niall Cunningham) want.
It’s easy to see that Essie, nicely played by Ora Jones, softly wears the “pants” in the family. Richard, brilliantly interpreted by Niall Cunningham as an intellectual high school student who favors flowery, somewhat purple prose and poetry, adores neighboring sweetheart Muriel McComber (Ayssette Monoz).
Thus the title is taken from a translation of the Rubaiyat of Omar Khayyam, a favorite poem of Richard. Many people will recognize at least part of the stanza. It goes “A Book of Verses underneath the Bough, A Jug of Wine, a Loaf of Bread – and thou Beside me singing in the Wilderness – Oh, Wildernesss were Paradise enow!
The rest of the family consists of eldest son Arthur (Travis A. Knight) who attends Yale where Richard is expected to go, daughter Mildred, played with spunk by Rochelle Therrien, and youngest son Tommy, a cute turn by Matthew Abraham as a boy still in knee pants.
Their extended family include relatives Lily Miller, Nat’s sister who is wistfully interpreted by Kate Fry as the former fiancée of Sid Davis, Essie’s brother. They still love each other but he can’t change because he loves drink, gambling and “ladies of the night” too much. Davis is done with humor but without remorse by the talented Larry Bates.
Rounding out the picture are Norah, a funnily clumsy maid played with wonderfully comedic moves by Bri Sudia and Belle, the “fast” woman delightfully handled by Amanda Drinkall whom Richard is paired with at a local dive.
Muriel’s dad, David McComber, is portrayed as the dislikeable but understandably protective father by Ricardo Gutierrez. Also in the show are the dive’s bartender (Joe Dempsey) and The Salesman at the bar (Bret Tuomi).
The production also works now in 2017 even though its time period is 1906 because of the fine directing of Steve Scott (remember the insightful and comedic turns of his Vanya and Sonia and Masha and Spike). Scott is retiring this summer after several years as a Goodman Theatre producer and director.
Of course there is also Todd Rosenthal’s charming set and Amy Clark’s fine costumes that are wonderfully evocative of the period.
“Ah, Wilderness! is a sweet but not saccharine play of a family that deals philosophically with a teenager going through romantic and philosophical challenges. It even includes a heart-to-heart father-son discussion that almost touches on growing up hormones.
“Ah, Wilderness! is at the Goodman Theatre, 170 N. Dearborn St., Chicago through July 23, 2017. For tickets and other information call (312) 443-3800 or visit Goodman.
If you heard that Goodman Theatre’s opening night for the world premiere of “Pamplona,” a play by Jim McGrath that features Stacy Keach as Ernest Hemingway, stopped early, then don’t worry. The Goodman put out the following notice:
“Goodman Theatre had to unexpectedly halt this evening’s performance of Pamplona by Jim McGrath. The show’s star, Stacy Keach, had not been feeling well earlier in the day, but made the decision to go on with the performance. When it became clear midway through that Mr. Keach was struggling, Director Robert Falls took the stage and announced that the performance would conclude. Performances are expected to resume as scheduled.”
It may not seem as long as 32 years ago for Chicago to hold its Gospel Music Festival but considering that Chicago takes credit for gospel music it probably feels as if the genre has been around forever, at least in city area churches.
So, this weekend, June 2 and 3, 2017, the city is holding its 32 Chicago Gospel Music Festival. The concerts are on Friday. They are free and are taking place outdoors in Millennium Park and indoors (it may rain on and off those days) in the Chicago Cultural Center. Gospel music combined with workouts and wellness activities are on Saturday.
Here is the schedule but acts and times may change
June 2, 2017
Randolph Square area on the first floor of the Cultural Center
– Noon is Iliani Morales, 12:40 p.m. is Selah St. Sabina Youth Choir
– 1:10 p.m. is R&R featuring Russ and Roe and 1:40 p.m. is Neicy Robertson and Friends
– 2:10 p.m. is “Chicago’s Next” with 2ndNature Band, Isaiah Freeman, Jazmin Jones and Denton Arnell Harris and 3:20 p.m. is Arthur Sutton & The Gift of Praise
Millennium Park in the Jay Pritzker Pavilion
– 5:30 p.m. is Glenn Johnson & The Voices of Innerpeace and 6 p.m. is University of Illinois Black Chorus conducted by Ollie Watts Davis
– 6:40 p.m. is Malcolm Williams & Great Faith and 7:20 p.m. is Celebration of Gospel Music Quartets with Evelyn Turrentine-Agee and The Warriors, God’s Posse, The Gospel Crusaders and The Stars of Heaven
– 8:30 p.m. is Jonathan McReynolds with special guests Anthony Brown and Travis Greene
June 3, 2017
Millennium Park’s Great Lawn
– 7 a.m. is Gospel Music Yoga with instructor Marta Bailey and 8 a.m. is Gospel Music Cardio Workout with instructor LaTonya Ellis
– 9 a.m. is Pilates with an East Bank Club instructor and 10 a.m. is Zumba® also with an East Bank Club instructor
In the North Promenade Tent at Millennium Park
– 11 a.m. to 5 p.m. is Health & Wellness Oasis with screenings offered by Oak Street Health and Be The Match
– Also from 11 a.m. to 5 p.m. are children’s activities in the Kids Activity Zone that include face painting, a balloon artist, Plaster of Paradise and the Imagination Playground
If you paint over a color you lived with for years would you be able to forget the original, familiar shade? What about your identity? If you identify your name with your family, could you comfortably give it up and adopt a different name and identity?
In ‘Objects in the Mirror’ now at Goodman Theatre, Shedrick Kennedy Yarkpai, a young man who escaped to Australia from war-torn Liberia with his uncle John Workolo’s family, had to leave his mother, Luopu Workolo, and adopt his dead cousin Zaza’s name so that his uncle could use his name for another family member who also needed papers.
The name change haunts Shedrick throughout the play.
If ‘Destiny of Desire’ sounds like the title of a soap opera you would be very close to right.
On stage at Goodman Theatre now through April 16, the “soap” that audiences sit in on as it is supposedly being televised in an empty Chicago theater (note the lighting props), is a Latino “telenovela.”
It has all the overemphasized drama of the Latino mini TV series that has even made the format the show of choice in Eastern Europe and Asia. Read More
There’s so much going on in Chicago it’s a challenge to figure out what to try and do and see. Or, to wonder the why and wherefore of the crowd outside Goodman Theatre Jan. 19, 2017. ‘Around Town’ is an occasional feature to help sort through at least some of the city’s events.
You might think the scenery hasn’t changed when you look north on Dearborn Street near Randolph Street. Butif there fter Jan. 19, 2017, you should see the lights of Goodman Theatre’s tall marquee during the day.
The old marquee, damaged in an electrical fire last spring, has been replaced with a similar version but with an important difference. You will see it lit 24/7. The lights are LED, color-changeable and each letter is programmable.
“Our marquee is the brightest, most visible symbol of Goodman Theatre’s 30+ year commitment to high quality productions, cultural and aesthetic diversity on and off our stages, and proactive engagement in our Chicago community—a commitment that has distinguished us, and redefined what a major cultural institution can be,” said Artistic Director Robert Falls.
The Jan. 19 illumination was a deliberate date choice to call attention to the The Ghostlight Project, a national American theater initiative of inclusiveness.
“As part of the Ghostlight Project, we will stand with our theater colleagues across the country at the same time and pledge to protect the values of equality, inclusion, justice—and empathy for everyone, regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity or sexual orientation,” Falls said.
Maybe you noticed that during the past few years the Museum of Contemporary Art has evolved into a multi-media venue that presents dance, music and theater programs, aside from its changing menu of art exhibits.
So, the addition of dance performances up on the fourth floor during the opening weekend of ‘Merce Cunningham: Common Time,’ a multi-media exhibit, seems almost like a given.
Former Merce Cunningham Dance Company members will incorporate important pieces from the past 60 years into performances called Events, Feb. 11 and 12., 1:30 to 2 p.m. and 4 to 4:30 p.m.
Staged and arranged by Andrea Weber, the Event showcases dancers Dylan Crossman, Silas Riener, Jamie Scott and Melissa Toogood. The accompanying musicians are Hanna Brock, Nicolas Collins, Kg Price, Katharine young and their arranger, Stephan Moore.
There will be free events across Chicago in February honoring Black History Month. Among them are stage related segments coordinated by the Goodman Theatre under the umbrella “Black Words Mater: Celebrating Black Voices on Stage and Beyond.”
Among the events are a reading of “Gee’s Bend” by Elyzabeth Gregory Wilder at the DuSable Museum of African American History (740 E. 56th Place,) Feb. 7 at 2 p.m. and film screening August Wilson’s “The Piano Lesson” at AMC Dine-In Theatres at Block 37 (108 N. State St. (availability limited).
In addition, “Playwrights from past to present” is a lecture by Goodman Theatre Resident Director Chuck smith at the Harold Washington Library (400 S. State St) Feb. 23 at 6:30 p.m. and a panel discussion on “Diversity in theater administration and Intern/apprentice networking” at Goodman Theatre’s Alice Rapoport Center for Education and Engagement (107 N. Dearborn St.), Feb. 27 at 5:30 p.m.