Underscore Theatre Company in association with Theater Wit is moving “Haymarket” from the Den Theatre to Theater Wit, 1229 W Belmont Ave, Chicago to extend the run from Aug. 3 to Sept. 2, 2018.
Performances of the show which tells the story of the infamous Haymarket riot will continue at
The Den Theatre, 1331 N. Milwaukee Ave., Chicago through July 22. For tickets and more information and tickets call (773) 975-8150 and visit Underscoretheatre.
No one looked at the aging process of the human body quite like Chicago artist Ivan Albright (1897–1983). His obsession with the body’s physical decay earned him the well-deserved title, “master of the macabre.”
The Art Institute of Chicago has curated more than 30 Albright in a retrospective called “Flesh,” now showing through August 5, 2018.
Based on Albright’s 1928 “Flesh,” the exhibit covers many of his paintings. They demonstrated every wrinkle, boil and fold of human skin, equally depicting unflattering portraits of men and women.
Albright’s process was painstaking and labored, often taking him many years to complete a work. Some paintings he just gave up on to pursue other projects.
“That Which I Should Have Done I Did Not Do (The Door),” considered his most important work, is a prime example of a painting that took him ten years. But it leaves us with an acknowledgement of life’s brevity and the road often not taken.
Former Indiana University faculty member, Jerry Findley, PhD, said, “This work focuses on moments that humanity finds hard to address – about regrets and the human experience.”
Albright’s portrayal of the body’s decay led him to his most important commission – painting The Picture of Dorian Gray for the 1945 film of Oscar Wilde’s haunting novel. This hideous, well-detailed portrait captures the essence of Wilde’s “Gray” as he descends into madness.
“The works they selected were excellent choices of Albright’s depiction of flesh of the human body… the vulnerability of time that overtakes all of humanity,” said Findley.
In exploring “the way of all flesh” throughout his career, Albright purposefully pushes the envelope of decency to shock his viewers.
“Flesh” is at the Art Institute of Chicago, 111 S. Michigan Ave., Chicago, through Aug. 5, 2018. For more admission and other information, call (312) 443-3600 and visit AIC/IvanAlbright.
Originally presented as “The HIV Monologues” by Dragonflies Theatre, London in 2017, this production renamed “Pink Orchids” at The Buena, Pride Arts Center is five soliloquies presented by four different actors intertwined to tell one connected story.
Barney (Nick Dorado) is producing a semi-autobiographical play about his lover who died of aids.
Alex wins the coveted role, assuring Barney that he is sympathetic to the challenges by claiming his support for his own HIV-positive lover, Nick (Don Baiocchi).
In reality, at that moment, Nick is merely a passing acquaintance who Alex tried to ditch once he found out about Nick’s positive status.
Irene (Kathleen Puls Andrade) is a nurse who cared for Barney’s lover. She gives witness to the story of his humanity, humor, and pathos while in the process of losing his struggle with the dreaded disease.
The performance is a bit like a storytelling “slam” a la the “Moth,” where individuals tell well-crafted, entertaining but often heart rending personal tales.
Each vignette was skillfully written by Patrick Cash and directed by Brennan T. Jones. Both the writer and director were obviously cognizant of the need to keep this subject matter from becoming too dark.
While humorous at times, it is not a joke. Rather, it is a sincere portrayal of a serious fact of life for a considerable number of individuals who contend daily with an inescapable reality.
Each character is a distinctive personality type and each actor makes a point of connecting personally with the audience in this very intimate space.
The simple set by Evan Frank cleverly consists of a series of hanging shelves with a variety of mementos alluded to during the various sketches including a couple of bags of crisps, a plate of mini-cupcakes, a few photos and a number of potted pink orchids.
Produced by Pride Films and Plays, this well-performed presentation is part of the Pride Arts Center Summer Pride Fest.
DETAILS: “Pink Orchids” is at The Buena at Pride Arts Center 4147 N. Broadway, Chicago, through July 7. Running time: about 80 minutes with no intermission. For tickets and other information call (866) 811-4111 or (773) 857-0222 or visit Pride Films and Plays.
Chicago has long been known as a city of industry and labor. As Carl Sandburg said, “Hog Butcher for the World….Stormy, husky, brawling, City of the Big Shoulders.” It is against the post-civil-war backdrop of this version of Chicago that “Haymarket” presented by Underscore Theatre Company at The Den Theatre plays out.
The energetic cast of twelve talented actor/musicians, tell the story of four ill-fated so called “anarchists” and their wives through approximately 19 bluegrass/folk songs with limited dialogue.
The “co-conspirators” were nascent labor activists fighting for among other things an eight hour work day, which we, of course, take for granted with little thought of those who fought and died to make this and other fair labor practices a reality.
“Make no little plans; they have no magic to stir men’s blood.” Daniel Burnham.
Daniel Burnham is probably best known as the person who gave Chicago its grid layout and network of municipal parks.
Architectural partners Burnham & Root or maybe Root & Burnham submit the winning proposal to design and supervise the building of the 1893 World’s Columbian Exposition to commemorate Columbus’ “discovery” of the Americas.
The massive world’s fair project was not without its many business and personal challenges.
Spoiler alert: “Burnham’s Dream: The White City,” A Lost and Found Productions (visiting company at Theater Wit), shows how Burnham and group manage to pull the fair project off so the event is a huge success.Read More
For am interesting night at the theater and a chance to catch how playwrights view the world, get tickets to the Chicago One-Minute Play Festival, 8 p.m. June 26 or the 27th.
Audiences see different takes on current topics by about 70 Chicago playwrights. Known as 1MPF, the event will be at the Den Theatre, 1331 N. Milwaukee Ave.
“We’ve reached nine years of 1MPF in Chicago, at a cultural and political moment in our nation that is full of strife, uncertainty and a feeling that we are more divided than ever,” said 1MPF Producing Artistic Director Dominic D’Andrea.
Len Cariou’s solo performance of “Broadway & The Bard, An Evening of Shakespeare and Song” is best described as a “performance collage” ripped from fragments of “The Complete Works of William Shakespeare” and bits of faded American musical librettos. They are pasted together to create a new work of art representing the autobiographical portrait of a noted actor’s life in the theater.
During roughly eighty minutes, the audience is treated to non-stop snippets from “Twelfth Night” “Henry V,” “Richard II,” “Othello,” “King Lear” and more, as well as melodic strains borrowed from Richard Rodgers, Lorenz Hart, Charles Strouse, Leonard Bernstein, Stephen Sondheim and others.
A worthy theatrical experience cannot stand on reference and nostalgia alone, and in this regard collaborators Len Cariou, Barry Kleinbort and Mark Janas have sidestepped that pitfall by doing an admirable job of creating a piece that may be enhanced by one’s own theatrical insight but does not require you to come equipped with an encyclopedic knowledge of the material included.Read More
Idle Muse Theatre Company presents the world premier of “Girl Found” which was written by Barbara Lhota and inspired by true events.
The play begins with a very happy ending. An eleven-year old girl disappears from her Detroit home and six years later a 17 year-old called Sophie (Clara Byczkowski) turns up at a homeless shelter in Canada.
Except for her name, she cannot recall much about her past. The lost girl is now found, her family is notified, and they are so relieved. Her Aunt Ellie (Katherine Swan) travels to Canada to pick up Sophie and bring her back home.
“Girl Found” brings up all kinds of questions as the family tries to adjust their past with the present.
While attempting to rectify everything, the play leads the audience into a complex world of drugs, human trafficking and child abuse. Ellie is Sophie’s legal guardian because her sister, Sophie’s mother, Eva (Tricia Rogers), is a former drug addict who finds it difficult to tell the truth.
Noah (James Mercer) is Ellie’s ex-fiancé and Sophie’s father figure who left town after Sophie vanished
Sophie’s return brings Ellie and Noah back together, yet their problems don’t evaporate because trying to attain a compatible domestic life is difficult with the myriad past troubles that are revealed.
As the audience tries to fit the pieces together of Sophie and her family’s missing years, the play is set on a stage that is simultaneously split into various locations with different characters: Sophie’s home and her childhood friend (Whitney Dottery); the Canadian shelter and its social worker (Sara Robinson); an FBI office; and a psychologist, Dr. Cole (Kathrynne Wolf), whose therapeutic sessions with Sophie try to produce explanations of what went on in the past, while uncovering traumas.
Directed by Alison Dornheggen, Idle Muse’s “Girl Found” features a high-quality ensemble of actors.
DETAILS: ‘Girl Found’ is at The Edge Theater, 5451 N. Broadway St., Chicago, through June 10, 2018. Running time is 2 hours and 30 minutes with one intermission. For tickets and other information call (773) 340-9438 or visit IdleMuse.
Widower Fredrik Egerman (Peter Robel) seeks to regain his youth by wedding eighteen year old Anne (Rachel Guth). However, his home from seminary, son Henrik (Jordan Dell Harris), falls in love with her even while learning “the ways of the world” from housemaid Petra (Teressa LaGamba).
Meanwhile, as a result of Anne’s sexual inexperience, Fredrik seeks solace in the arms of his more mature former lover and stage phenomenon, Desiree Armfeldt (Kelli Harrington).
Their dalliance is complicated by her relationship with Count Carl-Magnus Malcom (Christopher Davis) and his wife Countess Charlotte Malcom (Stephanie Stockstill).
Mme. Armfeldt (Marguerite Mariama) and her granddaughter Fredrika (Isabelle Roberts) are observers who offer the perspective of experience and youth to this sordid but humorous tale of infidelity, romance and search for love in all the wrong places.
An ensemble of minor players (Nicole Besa, Rachel Klippel, Emily Goldberg, Lazaro Estrada and Ross Matsuda) fill in various roles and act as a kind of Greek Chorus adding commentary and moving the plot along.Read More
Sandra Holubow and Julia Oehmke, have partnered to present a joint exhibition at the Chicago Cultural Center’s Renaissance Gallery in celebration of Illinois’ 2018 two hundredth anniversary.
Located just inside the Randolph Street entrance, the space promotes programs created by or of interest to Chicago area seniors.
Holubow primarily focuses on buildings and likes to explore the contrast of urban elements together with natural elements while Oehmke specializes in portraits and people and leans towards Native American subjects.
In this joint exhibit they display their paintings side by side in a very thoughtful progression that compliments each other’s work.
An exhibition of multiple works from two artists working in tandem is much like a musical duet. Each part is distinctly different but they are both telling the same story. The placement of the work is where you begin to see the harmony.
It is difficult to express a vision of Illinois without including Frank Lloyd Wright. In this exhibit Oehmke’s portrait of the famed architect is displayed alongside Hulubow’s montage of his buildings.
Likewise, a portrait of trumpet legend Louis Armstrong is next to a jazzy vibrant urban cityscape.
Both women have strong, colorful, graphic styles that express a willingness to experiment and innovate. You can see that each painting is a new adventure, yet you can also see their individual point-of-view.
Part of the fun of viewing an exhibition is the chance to glimpse into an artist’s thought process while experiencing multiple pieces.
One gallery observer mentioned she thought every person that Julia paints looks a little like the artist, herself. I am not sure if that is entirely true but it is often said that all writing is biographical. All artists, no matter the medium, interject a bit of themselves into their finished product.
This exhibit has been approximately a two year journey since the idea first sprang to life with the aid of gallery director Crystal Warren, Regional Director for the City of Chicago Department of Family and Support Services.
The Sandra Holubow / Julia Oehmke Illinois Bicentennial Art Exhibit runs through July 5, 2018 at the Chicago Cultural Center, 77 East Randolph.
Reno Lovison (www.renoweb.net)
(Lovison, a videographer, has produced a documentary series that began with a half hour video portrait of each of Sandra Holubow and Julia Oehmke in their respective studios as they prepared the works for the exhibition. The videos can be seen on Youtube and have been aired on Chicago CANTV channel 19/21 during the past few months. The three part series will culminate in a third episode documenting the May 24th official opening of the exhibit.)