Downtown Chicago has a slew of good shows scheduled for the 2018-2019 theater season but don’t miss out on the shows that are likely to be Jeff Award Winners in the city’s neighborhoods and suburbs.
Our next peek at what will be playing checks on the Near North/Lincoln Park neighborhoods including the multi-theater venues of the Ruth Page Center and Greenhouse Center. Some theaters in the area have not published their season yet so stand by for more info.
A Red Orchid Theatre
The theatre, 1531 N. Wells St., starts the fall with “Small Mouth Sounds” Oct. 18 then goes into winter with “Fullfillment Cente Jan. 31 and into spring with “The Killing Game” May 2. For tickets and more information visit Red Orchid and call (312) 943-8722.
What can happen when a lonely, middle-aged woman takes in a roommate for companionship and to share expenses?
In playwright Jen Silverman’s “The Roommate,” now at Steppenwolf Theatre, the answers are surprising and problematic.
Adeptly directed by Phylicia Rashad to achieve the highest impact possible during the 90 minute show, “The Roommate” transforms Sharon, an uptight, judgmental, highly moral, 50-something, empty-nester into an amoral woman willing to try anything.
The setting, perfectly depicted by scenic designer John Lacovelli, is Sharon’s kitchen in her large, old Iowa City home.
The catalyst for change is Robyn, another 50-something empty-nester from the Bronx, who, in photography terms, turns out to be the negative of Sharon.
Can people display numerous professions, some of which merge into one outstanding career, producing the most wonderful theatrical productions?
Not many. But there is one person who is currently in Chicago, pianist, actor, playwright, composer, producer and director Hershey Felder. He is performing his fabulous play,‘Our Great Tchaikovsky’ upstairs in the Steppenwolf Theatre.
After creating highly regarded stage productions about Gershwin, Chopin, Beethoven, Bernstein, Berlin and others, Felder is now garnering some of his best reviews for ‘Our Great Tchaikovsky.’
Beautifully directed by Trevor Hay, the play is a one-man performance in which Felder shares Tchaikovsky’s life through his own acting, writing, and musical talents.
You know when you see a stage set with multiple doors that the play will likely be a farce. Steppenwolf Theatre Company’s set of ‘Doppelgänger,’ a world premiere with the sub title of ‘an international farce,’ has all the elements needed to keep audiences laughing, including 11 doors and another entrance.
Erlbach’s presentation of global political, economic and social issues of today works superbly well as a farce.
Clever lines come so quickly and author Matthew-Lee Erlbach’s obvious love of words so mesh in rhymes and tongue twisters that the first two hours speed by quickly.
No stereotype is spared from a hawkish general and a skinny, uptight female British politician to an exiled African nation’s former brutal president, a bisexual Arab prince and a buxom, Brazilian money launderer.