Experiencing ‘Jesus Christ Superstar,’ Andrew Lloyd Webber and Tim Rice’s rock opera at the Lyric, is akin to attending a high-powered rock concert.
Amps are set on high much of the time so audiences really do need to already know the lyrics. The high intensity stage lighting designed by Lee Curran echoes those of Super Bowl half times.
The main tenors, Jesus Christ (Heath Saunders) and Judas Iscariot (Ryan Shaw) mix singing with high-pitched, grating screams, and they, plus Pontius Pilate (Michael Cunio who is also a tenor) play their guitars on stage. In addition, the singers use mikes. Indeed, the mike handling is often a part of the choreography.
In other words, the Lyric production would gladden the hearts of today’s Millennial Generation.
Say Ferguson and you are likely to get a reaction on race conflicts and prejudice without even having to identify the place as a suburb of St. Louis
Some people may not even remember that it was the shooting of unarmed, black teenager Michael Brown by police officer Darren Wilson in 2014 that shot Ferguson into the national spotlight.
But to feel the event’s impact on people who live in the area, see playwright, actress Dael Orlandersmith’s stunning ‘Until the Flood.’
A one-person show, Orlandersmith presents with heartfelt-emotions, the reactions of eight characters ranging from teen-aged to middle age and older and from locals to other suburbanites to transplants with different careers and levels of education. Some are black. Others are white.
They are composites of people she interviewed after being commissioned by the Repertory Theatre of St. Louis for a play regarding the event. It premiered there in 2016. BTW, Orlandersmith, a Goodman Artistic Associate and Alice Center Resident Artist, has a composite name. She was born Donna Dael Theresa Orlander Smith Brown.
Now, following its showing at the Milwaukee Repertory Theatre, the production is at the Goodman Theatre’s Owen Theatre space only through May 12. Unfortunately, that is way too short a time given the importance of Orlandersmith’s play and her superb portrayals of different character types.
At the April 29th opening night performance, the playwright certainly put across the different perspectives as the audience zoned in on each portrayal with laughter, gasps and sighs.
Directed by Neel Keller with explanatory projections by Nicholas Hussong, set design by Takeshi Kata and costume design by Kaye Voyce, ‘Until the Flood’ is a remarkable theater experience.
DETAILS: ‘Until the Flood’ is at Goodman Theatre, 170 N. Dearborn St., Chicago through May 12, 2018. Running time: 70 minutes, no intermission. For tickets and other information call (312) 443-3811 and visit Goodman Theatre.
This classic, Tony-Award-nominated musical comes to life in the hands of Kokandy Productions in Theater Wit. The moment you enter, the elegant set creates a warm ambience and violin and percussion sounds welcome you.
Up above and off stage, you hear the sounds of a crowd. Then, once the narrator, the good Colonel Doctor begins, the production takes off like a shot.
With book by Luther Davis, music and lyrics by Robert Wright, George Forrest and Maury Yeston, ‘Grand Hotel’s 1989 Broadway production earned 12 Tony Award nominations and won five.
Based on the 1928 play/novel “Menschen im Hotel” (People in a Hotel) and the 1932 MGM movie, the musical focuses on life and death, success and failure, love and murder all told through music and dance.
People come and go through the revolving door, with everything happening in the Grand Hotel’s lobby during one defining weekend. Read More
Of course audiences going to Marriott Theatre’s ‘Oklahoma’ will hear and love Rogers and Hammerstein’s highly singable “Oh, What a Beautiful Mornin,” “Kansas City,” “I Can’t Say No,” “People Will Say We’re in Love” and “Oklahoma.”
Some folks were singing those popular, ingrained –in-American-culture songs as they left the theatre Wednesday night after the show’s official opening.