Four very different Chicago shows extend performances

 

Chicago’s theater productions are not only numerous and doing well, they are often extended to accommodate demand. Here are four show extensions with widely-different styles and themes that you might want to see.

Front, Rashada Dawan, Back left to right Emma Sipora Tyler and Tyler Symone. (Photo by Marisa KM)
Front, Rashada Dawan, Back left to right Emma Sipora Tyler and Tyler Symone. (Photo by Marisa KM)

Caroline, Or Change

A moving story with book and lyrics by Pulitzer Prize winner Tony Kushner (Angels in America) and score by Jeanine Tesori (Fun Home, Violet) the show has been extended to Nov. 11, 2018. It is a Firebrand Theatre/ TimeLine Theatre production at The Den Theatre, 1329-1333 N. Milwaukee Ave. For tickets and other information call (773) 697-3830 and visit Firebrandtheatre. For more about the show visit Change can be difficult.

 

Downstate

Steppenwolf Theatre Company extends its world premiere production of a difficult subject by Pulitzer Prize-winning ensemble member Bruce Norris through Nov. 18, 2018. For reviews of the show visit TheatreInChicago. For tickets call (312) 335-1650 and visit Steppenwolf.

 

WaistWatchers The Musical

The Chicago premiere of this funny salute to friendship, fitness and food at the Royal George Theatre, 1641 N Halsted St.,has been extended through Dec. 31, 2018.  For tickets and more information visit WaistWatcher the Musical. For a review of the show visit WaistWatchers.

 

Hamilton Company at Private Bank Theatre Photo by Joan Marcus
Hamilton Company at Private Bank Theatre Photo by Joan Marcus

 

Hamilton

Once again, Lin-Manuel Miranda’s mega hit about Alexander Hamilton co-starring his wife and her family and his fellow founding fathers, has been extended. Tickets are available through May 26, 2019. The show is at the Private Bank Theatre, 18 W. Monroe St. For tickets and other information visit Broadway In Chicago. For more about the show and to see a review visit Hamilton is worth the hype.

 

Jodie Jacobs

 

 

Change Can Be Difficult

 

Front, Rashada Dawan, Back left to right Emma Sipora Tyler and Tyler Symone. (Photo by Marisa KM)
Front, Rashada Dawan, Back left to right Emma Sipora Tyler and Tyler Symone. (Photo by Marisa KM)

HIGHLY RECOMMENDED

Set during a changing period in recent history near New Orleans in 1963 “Caroline, or Change” is an emotionally charged story about the power of money and fear of change.

Caroline (Rashada Dawan) is a maid in a modest Jewish household in Lake Charles, Louisiana. Her employer Stuart Gellman (Jonathan Schwart) is a widower who has recently married one of his deceased wife’s friends, Rose (Blair Robertson) who hails from the Upper West Side of New York.

For Rose change is manifest in the challenges presented by her new life in the South which include a despondent husband, his eight year-old grieving son Noah (Alejandro Medina) and “negro” housekeeper whose life is slowly unraveling as she quietly struggles to keep it together.

It is the dawn of the civil rights movement, times are changing, President JFK has just been assassinated. Caroline is recently divorced, has three girls (Bre Jacobs, Princess Isis Z. Lang and Lyric K. Sims) at home and a grown son in Vietnam. To make matters worse she is under employed and feeling like she has no skills that would allow her to change her circumstances.

Caroline’s oldest daughter Emmie Thibodeaux (Bre Jacobs ) represents the new generation and the change that is coming.

The term “change” takes on a double meaning as the plot pivots around Noah’s habit of leaving loose change in his pants pockets where Caroline routinely finds it while doing the laundry and where the odd coins become a catalyst for a change in attitudes.

One can nit-pick but every member of this perfect cast turned in wonderful performances in a nearly flawless production directed by Lili-Anne Brown with a nearly flawless script featuring book and lyrics by Tony Kushner, and music by Jeanine Tesori.

The actors are accompanied by the musical direction and keyboard of Andra Velis Simon with her excellent four piece band, Yulia Block (percussion), Kimberly Lawson (violin) Emily Beisel (reeds) and Myles Bacon (guitars).

There is virtually no break in the music from beginning to end so it is difficult to single out individual performances. But, the charming jump rope style song “Roosevelt Petrucius Coleslaw” sung by  Caroline’s adorable daughters and joined by Noah in Act One, as well as her own show stopping “Lot’s Wife” toward the end of Act Two were memorable moments for me.

If you are unfamiliar with this play I suggest you definitely put it on your “must see” list. And I will venture to say, that you are not going to get a much better chance than this Firebrand Theatre presentation of “Caroline, or Change.”

DETAILS: “Caroline, or Change,” a Firebrand Theatre production, is at The Den Theatre’s Heath Main Stage, 1331 N. Milwaukee Ave. through Oct. 28, 2018. Running time: 2 hrs., 30 min. For tickets or other information visit Firebrand Theatre.

Reno Lovison

For more shows visit Theatre in Chicago