Art fairs are not over

Summer is over but Chicago area art fairs in 2024 are not gone.

While covering Art on the Square in Lake Forest this past weekend for an article, I came across a booth with stunning glass pieces by Robert Lagestee of Crete IL. When asked where he will be showing next in the area he mentioned Art in the Barn Barrington (artinthebarn-barrington.com)

Robert Lagestee

An excellent fine art show of 150 juried-in exhibitors, Art In the Barn isn’t until September 28-29. It is an annul art fair held on the grounds of Advocate Good Shepherd Hospital, 450 W. Highway 22, Barrington, IL. Hours are 10 a.m. to 5 p.m. Admission $5 with no charge for children under age 12. No pets.

However, there are also a couple of art fairs coming up earlier. They are:

Paint the Prairie, a small, fun, casual fair of 30-40 exhibitors Sept. 7 & 8 at Techny Prairie Park & Fields, 1700 Techny Rd., Northbrook.
Hours: Saturday, painting 7:30am-4:30pm, exhibit & sale, 
Sunday with painting 7:30 a.m.-1 p.m. Judging begins at 2 p. m. with awards, reception, show and sale from 3:30 p.m.-6:30 p.m. For more info: www.nbparks.org

The 68th Annual Park Forest Art Fair, Sept. 21 – 22 in the
Village Green at Main Street, downtown Park Forest. Hours are
Saturday and Sunday, 10 a.m. to 5 p.m. featuring 80 artists. 
For more info: www.tallgrassarts.org.

Jodie Jacobs

 

 

 

 

Independence brilliantly portrayed

 

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L-R Tyrick Wiltez Jones as Samuel Adams, Lucy Godinez as Richard Henry Lee and Richard R. Henry as Benjamin Franklin in “1776” at Marriott Theatre. (Photo by Liz Lauren)

Four Stars

The first act of “1776” at Marriott Theatre merely sets the scene for this Broadway hit that has music and lyrics by Sherman Edwards and book by Peter Stone. But then comes Act II.

It’s magnificent. Audiences might wonder what there is to say about the Declaration of Independence, a document written by Thomas Jefferson of Virginia, modified by some of the delegates to the Continental Congress and whose wording we presumably learned in elementary school. But under Nick Bowling’s direction the scene comes alive with terrific acting by a well-chosen cast and Tanji Harper’s choreography.

Marriott’s in-the-round stage is perfect for the scenery design by Regina Garcia. Not least is the period’s costume design by Theresa Ham.

In one corner of the stage, the names of the original 13 colonies are listed as delegations on a board, ready for a vote.  They are the members of the Continental Congress who are meeting in Philadelphia at what would become knowns as Independence Hall.

A date calendar is hanging on a post at the opposite corner. Congressional custodian, Andrew McNair, (played by Karl Hamilton) usually brings in liquid refreshment for the delegates and changes the date.  It’s countdown time.

As mystery books often say when a situation sounds almost easy – “what can go wrong?” After all, we know the outcome.

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L-R Tyrick Wiltez Jones as Massachusetts delegate John Adams confronts Heidi Kettenring as the staunch British loyalist and anti-independence voter from Pennsylvania named John Dickinson. (Photo by Liz Lauren)

Early on, the delegates vote. Coming from different backgrounds and different viewpoints, six are for independence from Great Britain and six appear to be against, with New York politely passing on the vote.

However, even if a majority is obtained, John Dickinson throws out what may become the most important obstacle to overcome. Dickinson says the vote for independence must be unanimous.

Kudos to popular Chicago theater actor Heidi Kettenring who shoulders the vociferous Pennsylvania delegate John Dickinson’s anti-independence stance. She does her usual exceptional acting in a tough role that makes no friends among the Marriott audience.

Wiltz, who is making his debut at Marriott, may not be familiar to its audiences. He has mostly been in regional productions and on Broadway. But after his commanding performance as the “difficult” John Adams, he is likely to be back. 

Audiences may remember Richard R. Henry in Marriott’s Man of La Mancha.” As a Massachusetts delegate, he delightfully replicates Ben Franklin’s humor.

Chicago and Regional actor Erik Hamilton returns to Marriott as the brilliant but reluctant writer, Thomas Jefferson, a role he underplays rather than dominates. 

Mathew Hommel as South Carolina delegate Edward Rutledge becomes a pivotal vote for independence but will be remembered in this production for his “Molasses to Rum” song rendered in a “Les Mis” operatic style. 

A note has to be included on Jay Westbrook as the Courier who quietly, sadly sings “Momma Look sharp.”

Fall 2024 is developing as a full theater season of excellent shows. However, Marriott Theatre’s “1776” should definitely be on that “don’t miss” list.

Details: “1776” is at Marriott Theatre, 10 Marriott Drive, Lincolnshire, IL now through Oct. 13, 2024. For tickets and more information visit Marriott Theatre.

Jodie Jacobs 

For more shows and reviews visit Theatre In Chicago

 

 

 

 

 

 

 

 

 

 

 

 

Take a spin on this Carousel

 

 

Center, Maliha Sayed and Conor Jordan with cast of “Carousel.” (Photo by Brett Beiner)

 

Highly Recommended

Named the “Best Musical of the 20th Century” by Time Magazine, “Carousel” comes to life once again in the Music Theater Works production at the North Shore Center for the Performing Arts in Skokie.

With music by Richard Rogers and book and lyrics by Oscar Hammerstein II, this Golden Age classic continues to wow audiences with its beloved songs and heartfelt story.

Directed by Sasha Gerritson and choreographed by Andrew Waters, “Carousel” stands the test of time with such popular songs as “If I Loved You,” “You’ll Never Walk Alone,” “June is Busting Out All Over” and other favorites

Music Director Michael McBride conducts a live orchestra of 17 and a cast of more than 20 actors.    

With plenty of New England warmth and charm, “Carousel” tells the love story between carnival barker Billy Bigelow and millworker Julie Jordan. When the jealous carousel owner fires Billy, he’s left without a job to provide for his family. He turns to crime and the results are tragic. Carousel is his story in search of redemption from beyond.

From the moment the curtain rises, Music Theatre Works has created an innovative approach to this timeless show with a fresh interpretation. It’s this new perspective blended with traditional tunes, enchanting, high-energy  choreography, and a poignant plot that keeps the audience engaged.   

The staging of the carousel is a remarkable feat showcasing the inspiration of scenic designer Shane Cinal.  

Maliha Sayed as Julie has a beautiful voice and wistful expression that makes the audience fall in love with her, cheering her on. Conor Jordan as Billy Bigelow is handsome with a powerful, looming voice that carries the show.

What was unexpected were the strong performances of the supporting characters such as Will Koski as Enoch Snow who made the stage come alive with his operatic voice. Alicia Berneche as Nettie Fowler was excellent with powerful vocals that led the cast in the big musical numbers.  

Kudos to costume designer Rachel Sypniewski for her colorful, authentic period costumes.

Not only was “this a real nice clambake,” but a spectacular show as well!

Next up for Music Theatre Works is “Little Shop of Horrors” from October 24 to November 17 and “Legally Blonde” from December 19 – December 29, 2024.

Details: “Carousel” is at the North Shore Center for the Performing Arts, 9501 Skokie Blvd. in Skokie. Running time: 2 hours and 45 minutes with one intermission. For tickets and information, call the Music Theater Works box office at the North Shore Center, 847.673.6300 or visit musictheaterworks.com.  

Mira Temkin

For more shows visit Theatre In Chicago

Jeff Equity nominations and awards date

The Joseph Jefferson (Jeff) Awards honor outstanding theatre shows and their artists annually since 1968.  This week, they have announced their nominees for the 56th Equity Awards. The Award ceremony will be Sept. 30, 2024, at Drury Lane Theatre in Oakbrook Terrace, IL.

The nominees total 193 in 34 categories in shows that ran July 1, 2023 to June 30, 1924. As an example of the nominees note that Goodman Theatre received 20 nominations from nine productions of which two were co-produced with other companies. Next most was Mercury Theater Chicago with 18 nominations and Marriott Theatre with 17 nominations. 

Here are some of the categories and their nominees. For the full list visit Joseph Jefferson Awards.

2024 EQUITY JEFF AWARD NOMINEES

Production – Play (Large)
“Birthday Candles” – Northlight Theatre
“Joe Turner’s Come and Gone” – Goodman Theatre
“The Lehman Trilogy” – Broadway in Chicago and TimeLine Theatre Company
“Little Bear Ridge Road” – Steppenwolf Theatre Company
“The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years” – Goodman Theatre
“Purpose” – Steppenwolf Theatre Company
“A Streetcar Named Desire” – Paramount Theatre
“Twelfth Night” – Chicago Shakespeare TheaterProduction – Play (Midsize)
“Blues for an Alabama Sky” – Remy Bumppo Theatre Company
“Gods and Monsters” – Frame of Reference Productions
“Silent Sky” – Citadel Theatre
“Turret” – A Red Orchid Theatre
“A View from the Bridge” – Shattered Globe Theatre

Production – Musical (Large)
“Anything Goes” – Porchlight Music Theatre
“Beautiful: The Carole King Musical” – Marriott Theatre
“Guys and Dolls” – Drury Lane Productions
“The Matchbox Magic Flute” – Goodman Theatre
“Meredith Willson’s The Music Man” – Marriott Theatre
“Next to Normal” – Paramount Theatre

Production – Musical (Midsize)
“Jersey Boys” – Mercury Theater Chicago
“Rock of Ages” – Mercury Theater Chicago
“She Loves Me” – Citadel Theatre
“Young Frankenstein” – Mercury Theater Chicago

Production – Revue
“Ain’t Misbehavin'” – Drury Lane Productions
“A Taste of Soul” – Black Ensemble Theater
“The Time Machine: A Tribute to the 80s” – Black Ensemble Theater

Ensemble – Play
“English” – Goodman Theatre and the Guthrie Theatre
“The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years” – Goodman Theatre
“The Penelopiad” – Goodman Theatre
“POTUS: or, Behind Every Great Dumbass Are Seven Women Trying To Keep Him Alive”
– Steppenwolf Theatre Company
“Purpose” – Steppenwolf Theatre Company

Ensemble – Musical or Revue
“Ain’t Misbehavin'” – Drury Lane Productions
“Illinoise” – Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann
“Meredith Willson’s The Music Man” – Marriott Theatre
“A Taste of Soul” – Black Ensemble Theater
“The Time Machine: A Tribute to the 80s” – Black Ensemble TheaterNew Work
Levi Holloway – “Turret” – A Red Orchid Theatre
Samuel D. Hunter – “Little Bear Ridge Road” – Steppenwolf Theatre Company
Branden Jacobs-Jenkins – “Purpose” – Steppenwolf Theatre Company
Nambi E. Kelley – “Stokely: The Unfinished Revolution” – Court Theatre
Brett Neveu – “Revolution” – A Red Orchid Theatre
Sufjan Stevens, Justin Peck and Jackie Sibblies Drury – “Illinoise” – Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann
Mary Zimmerman – “The Matchbox Magic Flute” – Goodman Theatre

Director – Play (Large)
Susan V. Booth – “The Penelopiad” – Goodman Theatre
Nick Bowling and Vanessa Stalling – “The Lehman Trilogy” – Broadway in Chicago and TimeLine Theatre Company
Lili-Anne Brown – “The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years” – Goodman Theatre
Joe Mantello – “Little Bear Ridge Road” – Steppenwolf Theatre Company
Tyrone Phillips – “Twelfth Night” – Chicago Shakespeare Theater
Phylicia Rashad – “Purpose” – Steppenwolf Theatre Company

Director – Play (Midsize)
Mikael Burke – “Blues for an Alabama Sky” – Remy Bumppo Theatre Company
Louis Contey – “A View from the Bridge” – Shattered Globe Theatre
Levi Holloway – “Turret” – A Red Orchid Theatre
Chuck Smith – “The Reclamation of Madison Hemings” – American Blues Theater
Paul Oakley Stovall – “Gods and Monsters” – Frame of Reference Productions
Beth Wolf – “Silent Sky” – Citadel TheatreDirector – Musical (Large)
Jim Corti – “Next to Normal” – Paramount Theatre
Jessica Fisch – “Beautiful: The Carole King Musical” – Marriott Theatre
Katie Spelman – “Meredith Willson’s The Music Man” – Marriott Theatre
Michael Weber – “Anything Goes” – Porchlight Music Theatre
Mary Zimmerman – “The Matchbox Magic Flute” – Goodman Theatre

Director – Musical (Midsize)
Matthew Silar – “She Loves Me” – Citadel Theatre
L. Walter Stearns – “Young Frankenstein” – Mercury Theater Chicago
L. Walter Stearns and Brenda Didier – “Jersey Boys” – Mercury Theater Chicago

Director – Revue
Daryl D. Brooks – “The Time Machine: A Tribute to the 80s” – Black Ensemble Theater
E. Faye Butler – “Ain’t Misbehavin'” – Drury Lane Productions
Deidre Goodwin – “Beehive: The 60’s Musical” – Marriott Theatre

 

 

Georgia on a New York Mind

 

 

Painting featuring a dense city view bisected by a bright blue river with a tugboat headed right. Factory smokestacks and industrial structures define the far bank. The near back features a mass of close-together structures in different styles and heights. A smoky haze permeates the view, softening the sharp diagonals and corners of the cityscape.

Georgia O’Keeffe. East River from the 30th Story of the Shelton Hotel, 1928. New Britain Museum of American Art, New Britain, Connecticut, Stephen B. Lawrence Fund. © Georgia O’Keeffe Museum on loan to Art Institute of Chicago

Highly Recommended

If you think you know something about Georgia O’Keeffe, be prepared to be pleasantly surprised.

Yes, there are one or two bleached skulls and a few super closeups of the interiors of flowers but overall this exhibit entitled “My New Yorks” focuses mainly on the work she did during the 1920s while married to famed American photographer and gallery owner Alfred Stieglitz.

The couple lived in the Shelton Hotel which at the time was one of the city’s tallest buildings offering the highest living space in NYC.  From this vantage point the two visual artists could witness the growth of the sprawling metropolis.

They each derived inspiration from the crush of towering buildings and the interesting shapes provided while looking up during walks at street level as well as from their particular bird’s eye view.

O’Keeffe continued her work with abstracts by making impressions of the city in which she hoped to capture not what it looked like but rather how it felt. Massive structures dominated her canvases and spilled off the edges as though they were unable to be contained.

Her styles at this time seems to have generally drifted away from her previous more colorful works and amorphous forms. Instead, they varied from monochromatic abstracts to more realistic sepia-toned cityscapes reminiscent of Stieglitz’ photos

They also went to more colorful waterfront images and compositions that included shocks of color between or behind a darker field of monolithic buildings as though the natural world was trying to breakthrough this concrete barrier.

It’s notable to mention that her work is virtually devoid of human subjects or foliage. One exception depicts a small sprig from what might be the stem of a flower comprised of a few green leaves on a windowsill with the sharp-edged shapes of the city below. This is one of the few organic and curved subjects in what is otherwise a collection of geometric designs drawn with nearly draftsman like precision.

It is during this time that O’Keeffe made the first of what would be many visits to the Southwest. She brought back at least one cow skull which adorned her apartment terrace and also many bleached bones. It is here in New York that she began to work with the subject matter that would be most identified with her.

Another odd exception that includes organic forms is the random placement of colorful flowers in a 1932 work entitled “Manhattan.”

The large composition of skyscrapers is, itself, more colorful. It has been suggested that the flowers are a nod toward her growing love and an interest in the American Southwest that will ultimately come to dominate the later part of her career.

It’s fitting that this collection be exhibited here in Chicago. Born in Sun Prairie, Wisconsin, she studied at the School of the Art Institute from 1905 to 1906. In later years, she made several donations of her work and the works of Stieglitz to the museum.

A complimentary audio tour is available on the free AIC app which can be listened to via your smartphone.

Details: Georgia O’Keeffe: “My New Yorks” is at the Art Institute of Chicago at Michigan Avenue and Monroe through September 22, 2024. General admission plus an extra fee for the exhibit is required. For details visit Georgia O’Keeffe: “My New Yorks” | The Art Institute of Chicago (artic.edu)

Reno Lovison

(For more about Georgia O’Keefe visit Fun Facts.)

 

Uncovering the Declaration of Independence

 

The scene is Independence Hall in Philadelphia. The players are the Founding Fathers of the United States of America who debated then actually unanimously adopted the Declaration of Independence in 1776. If that signing sounds easy or like a foregone conclusion, think again.

 The musical “1776,” with music and lyrics by Sherman Edwards and book by Peter Stone, is a time-travel journey back to colonial Philadelphia when statesman/attorney John Adams led the movement to have and sign a Declaration of Independence.

Premiering on Broadway in 1969 and winning three Tony Awards, “1776” is reprised at Marriott Theatre in Lincolnshire, August 21 (pre-shows) opening August 28 and running through October 13, 2024. 

To get a glimpse at what to expect we did a short phone interview with its Marriott director, Nick Bowling, founding Artistic Director of TimeLine Theatre Company and a frequent Marriott Theater director.

  1. In Marriott’s press release, you mentioned “the feeling in the room” which reminded of Lin Manuel’s song in Hamilton about where the action took place. Can you expand on that?

“Yes, the room where it happened. I was recently there – at Independence Hall.  It’s a small room. It’s supposed to be done like it was back then. But in the show, it’s done more in the spirit of the way it was,” said Bowling.

“Weve added voices to that room and the casting is more diverse than what there was. It reflects modern thinking. But you see the chamber. And you hear the issues – States Rights, Federal Rights, Civil Rights,” he said.

 

2.What in the show do you think will surprise people?

“The issues discussed were the beginning of the issues that would reverberate through the history of our country,” said Bowling.

 

3. I think I remember (from a previous show) that Southern slave holding delegates were reacting differently to the democratic ideas put forth by other delegates and that mattered as to getting them to sign the Declaration.

“Northern delegates were also slave owners. The delegates all agreed to not consider slavery as an issue in the Declaration of Independence.” he said.

“What you learn is about the characters who played a role,” Bowling added. 

He pointed out that the characters were not necessarily the way history generally portrayed them. “They were people. There were brilliant minds on both sides.”

 

4. I know the show had a couple of national tours but I wonder do you think this show would be applauded the same way in the deep South today as when it first came out in the 60’s.

“Yes. It would aloso play well in the South. It is funny and romantic. John Adams is the main character. But he is difficult, and slavery is a bargaining point,” Bowling said. 

“You have different points of view – conservative and liberal. It reflects the culture of the time and when it opened in the 1960s it still spoke to us then and today,” he said.

“It’s about compromise. It’s about the signing of the Declaration of independence. It’s about Democracy. We see what each person, each group, is willing to give up.”

 

For show tickets and more information visit Marriott Theatre.

 

Jodie Jacobs

 

 

 

 

 

Chicago Air and Water Show back in town

U.S. Army Parachute Team Golden Knights (Photo credit: Sgt. Brian Collett Courtesy of U.S Army Parachute Team)

Photos courtesy of DCASE (Dept of Cultural Affairs and Special Events) and the City of Chicago)

Figure now where you want to watch Chicago’s famed Air and Water Show, 10:30 a.m. to 3 p.m., Aug. 10 and 11, but also Aug. 9 in 2024.

The extra day isn’t a misprint or a rescheduling of the show. It is the Friday before the big weekend when pilots practice and check out the territory and weather.

North Avenue Beach is ground zero but the planes will be seen zooming overhead up and down Chicago’s lakefront. This year features the U.S. Navy Blue Angels and the U.S. Army Parachute Team Golden Knights. 

Tip: Looked forward to every year, the experienced visitors know that Friday is good because the beach venue is the least crowded and many of the performers, including those featured, will be around.

 

U.S. Navy Blue Angels (Photo credit Patrick L. Pyszka, City of Chicago)

Typically, the Blue Angels perform towards the end of the afternoon, but crowds gather early on the beach, so plan to spend the day watching all the action (bring sunscreen and hat protection). 

Crowds is an understatement. Begun in 1959, the Chicago Air and Water Show, has become the largest and oldest, free admission exhibition of its kind in the United States, attracting more than two million viewers during its two-day event.

Among this year’s showstoppers are military performers from the U.S. Marine Corps, U.S. Navy, U.S. Army, U. S. Air Force and the National Guard.

In addition, are aerobatics by such civilian pilots as Bill Stein and Kevin Coleman plus barnstormer Susan Dacy. 

Susan Dacy

 

For more information and the schedule visit City of Chicago :: Chicago Air and Water Show

Jodie Jacobs

Wells and Welles is a war of words

 

Wells & Wells

Highly Recommended

Two great minds collide over “A War of the Worlds.”

In 1938, twenty-five-year-old (George) Orson Welles became famous after his radio play based on this book shook the airwaves, purportedly nearly causing national panic.

The book’s seventy-five-year-old author, H.G. Wells, was not amused at how his intellectual property was, in his mind, misused without permission.

Based on an actual encounter in 1940 the two men, Wells and Welles, both happened to be on lecture tours finding each other in San Antonio, Texas on the same rainy night.

Done by Lucid Theater at City Lit, the production perfectly captures the moment in “Wells and Welles” when a young Orson Welles (Gerrit Wilford) arrives hat-in-hand at the motel room of H.G. Wells (Pete Blatchford) to – as he says – “bury the hatchet.”

The older Wells sees little need for further discourse as he has already agreed to drop any potential legal proceedings and makes it clear that, as the author of over fifty books, he considers the younger man’s endeavors in radio and film to be of little artistic value and simply sensational and crude.

Wells mentions in passing that he considers himself a journalist. Seizing on this insight Orson manages to get the author’s attention with a summary of a film he is working on called “Citizen Kane.”

The story is based loosely on the life of media magnate William Randolph Hearst. But in reality, it is about a man who seemingly has it all. However, in the process, has lost everything that is most dear to him.

The ensuing conversation involves the perception of age, youth versus experience, and using artistic expression to share a vision of the future but also as a means to fulfill one’s perceived personal destiny.

As the play progresses, we gain insight into the lives and minds of both men. We find Welles has an ulterior motive. Whether or not it can be fulfilled is where the tension lies in this soft-spoken clash of intellectual titans.

The exceptionally well written dialogue by Chicago playwright Amy Crider is superbly performed by Blatchford and Wilford. Produced by Lucid Theater, it is the type of smart, emotional, intimate theater that is particularly well suited to City Lit.

Nicely directed by Amber Mandley, the pacing is excellent and the players move thoughtfully and meaningfully around Kevin Rolfs’ set design depicting the motel room of H.G. Wells. Technical director Alvaro Ledesma’s lighting and sound design did an effective job of setting the rainy evening ambience. 

Blatchford is a veteran Chicago actor who has performed in Scotland. His British accent is flawless.

Based on what I know of Welles, it is notable to say that the large fedora with matching topcoat, generally impeccable attire and the fastidious grooming of Wilford immediately made me believe I had encountered Orson Welles.

This world premiere play has national, indeed worldwide appeal and should be readily snapped up by other smaller theaters around the globe and acting pairs looking to showcase their abilities to embody two interesting and thought-provoking characters.

Details: “Wells and Welles” is at City Lit, 1020 W. Bryn Mawr Ave., Chicago, through August 11, 2024. Running time is 70 minutes with no intermission. For tickets visit Eventbrite.

Reno Lovison

For more reviews visit Theatre In Chicago

 

Plan details expansion and changes at Brookfield Zoo

 

Brookfield Zoo Chicago just released details of a transformational Next Century Plan that will reshape more than 100 acres (nearly half of the Zoo’s existing property) in innovative and inspiring ways for wildlife and guests.

Slightly edited to meet publication word-count, the plan blends historic structures with new animal zones. The Zoo will have immersive habitats that provide for the best in animal care while creating rich experiences for guests that engage audiences and connect to conservation.

Also in the plan is a more interesting and welcoming North Gate entrance and experience.

New North Gate

What to expect:  a 15-year campus plan in four phases, with further improvements projected over 30 years. This vision balances new, immersive experiences with the preservation of historical structures and includes nearly all existing Zoo areas.

It also calls for significant westward expansion and development of current Zoo property, blending new mixed-species environments inspired by 14 global eco-regions into the existing rich forest canopy.

With an investment expected to reach $500 million from public and private funding, the plan aims to not only to transform the physical campus but also solidify the Zoo’s role as a leader in global wildlife conservation.

According to Brookfield Zoo officials and partners, the plan should make a substantial economic impact on local communities, surrounding counties, and the state, as well as bolster the Zoo as a global destination.

The first phase of the Next Century Plan has already begun. It includes completed projects, such as the $10 million renovation of the Zoo’s Seven Seas dolphin habitat, reimagining of the Theodore Roosevelt Memorial Fountain, new animal habitats within the Hamill Family Nature Plaza, and opening of the Philip W. K. Sweet Jr. Animal Care and Conservation Center with state-of-the-art new office and collaborative spaces for animal and conservation teams.

(South African Forest area in New Gateway to Africa at Brookfield Zoo)

Well underway culminating the end of Phase 1 is– Tropical Forests, a $66 million project that creates four new outdoor habitats meticulously crafted to emulate the natural homes of gorillas, orangutans, and monkeys, set to open in 2025. The Tropical Forests project also incorporates a new Gorilla Conservation Center and the Zoo’s King Conservation Leadership Academy that provides educational opportunities for teens.

 

 Four Key Zones 

The Next Century Plan provides an exciting and innovative new direction for Brookfield Zoo Chicago while weaving together elements of the Zoo’s past. Nearly half of the Zoo’s sweeping 235 acres in the Forest Preserves of Cook County will be re-imagined, expanding wildlife habitats, and transcending conventional zoo design for a fully immersive experience organized into four key zones:

  1. Historical Core: Preserving Brookfield Zoo Chicago’s historic features, including the iconic North and South Gates, the hand-carved Carousel, and the Theodore Roosevelt Memorial Fountain, this area will serve as a bridge between the Zoo’s rich history and its innovative future.
  2. Immersive Ecoregions: To the west, 14 regions will transform the Zoo into a dynamic, landscape-based experience inviting guests through portals to various parts of the world. Native animal species will anchor each deeply immersive ecoregion with environments that mimic their natural habitats, fostering an appreciation for wildlife and their ecosystems. These regions will transport guests, allowing them to experience and connect eye-to-eye with wildlife they otherwise may never have the opportunity to see. These natural habitats will provide enriched animal care and spacious, mixed-species groupings that ensure the animals’ optimal well-being.

Key project examples include:

 Gateway to Africa: Leading Phase 2 of the plan, Gateway to Africa will be a 35-acre haven where guests can witness firsthand the splendor of Africa’s wildlife and natural landscapes. A multi-species habitat with 12.5 acres for elephants, alongside rhinos, lions, giraffes, and other iconic species, the transformation will provide a new innovation in animal shifting capabilities for flexibility between the various habitats, linking together four distinct ecoregions: South African Forests, African Savannah, East African Forests, and Central African Forests. This flexibility will be possible thanks to the creation of the new Savannah Passage, a half-mile-long, multi-species transfer corridor that allows for rotational habitat expansion and variety. The Savannah Passage links multiple habitats across the northwest quadrant of the Zoo, facilitating a changing landscape for the animals and guests to experience.

(Pachyderm Building in Gateway to Africa)

 Also in Gateway to Africa – Pachyderm Building: The renovation of the beloved Pachyderm Building – one of the Zoo’s original structures – will reverse the current animal-guest relationship by replacing indoor animal space with exciting guest programs during the day, and private catering event space in the evening, offering expansive views to the flexible, mixed-species Savannah habitat north of the building. New animal facilities will be developed elsewhere that provide spacious indoor habitats and the best in modern zoological care.

*Southwest Australian Provinces: Guests will be instantly transported to the landscapes of Southwest Australia, venturing into scrublands with towering termite mounds and the mysterious call of tawny frogmouths, while vibrant rose-breasted cockatoos flit through the canopy. An elevated walkway will offer panoramic views of iconic species such as kangaroos and emus, and intimate encounters with koalas nestled in eucalyptus trees. Exiting through a forest portal, guests will reach the newly renovated historical Australia House, home to Tasmanian devils, wombats, and echidna in lush indoor and outdoor environments. This indoor sanctuary will showcase the rich tapestry of Australian wildlife, from tiny insects to elusive reptiles.

  • Pacific Coasts of the Americas: Sights and sounds of the Peruvian coast come to life in this immersive experience. Guests are greeted by the rhythmic sounds of crashing waves and the salty scent of the ocean breeze, transporting them to the rugged shores of South America. The centerpiece, Sea Lion Cove, features a sprawling habitat where guests can observe sea lions in their natural element through rocky shores and underwater viewing windows, offering a glimpse into their dynamic social behaviors. Adjacent to the sea lion habitat, a training and education area allows care staff to share stories of conservation efforts and to demonstrate the Zoo’s excellence in animal care. The new Humboldt Penguin habitat, inspired by Peru’s Punta San Juan Marine Protected Area, showcases the playful antics of Humboldt penguins alongside free-flying terns and gulls, highlighting the region’s rich biodiversity. Interactive storytelling and environmental education sessions provide guests with a deeper understanding of the importance of protecting these endangered species and the impact of climate change on their habitats.

(New Himalayan and Central Asian Steppe)

  • Himalayan and Central Asian Steppe: Tucked into the western reaches of the Zoo, this region – a part of Phases 3 and 4 that represents projects starting in 2034 and beyond – will highlight the rugged landscape that is home to snow leopards and takin. Taking advantage of natural old-growth forest on the Zoo’s property, from under a viewing trellis, guests will be able to search among the rocky outcrops to find camouflaged cats exploring their habitats. A nearly invisible barrier between the habitats will create visual continuity with the new takin habitat beyond, where these rock-climbing mammals will delight guests with their graceful movements.

 

  • Our Rivers to the Gulf: Also in this third phase, dolphins will have a new, indoor/outdoor shallow-lagoon simulating their home range at Sarasota Bay, Florida, where Brookfield Zoo Chicago leads the world’s longest- running dolphin conservation research program. A sweeping boardwalk will immerse guests in a mangrove forest where connections between the Illinois River and conservation efforts in the Gulf of Mexico are made.
  • (New Rivers to the Gulf)
  1. Wildlife Discovery: This zone will feature expanded attractions, recreational activities and interactive experiences to engage guests of all ages with the wonders of wildlife. New habitats at the Zoo’s former Bear Grottos will feature animals, including sloth bears, sun bears, wolverines, and red pandas. Designed to create a central, communal space to attract more new and diverse audiences to the Zoo, a spacious new amphitheater situated away from animal habitats will host programs from educational presentations to musical performances, such as the Zoo’s successful Roaring Nights concert series that supports the organization’s conservation programs around the globe. Additionally, a permanent butterfly house will provide year-round opportunities for visitors to learn about the lifecycle and migration of the important pollinators.

 

4. Conservation Campus: Located at the Zoo’s south end, this area will be a hub for scientists, educators and conservationists, featuring cutting-edge facilities and collaborative spaces. Bringing what are typically behind-the-scenes spaces forward to the public, an indoor viewing gallery will showcase live conservation research and interactive exhibits, fostering a deeper understanding of global conservation efforts. Additionally, the expansion of the veterinary hospital and enhanced education spaces at the Mary Ann MacLean Conservation Leadership Center will provide engaging learning experiences and highlight the Zoo’s commitment to wildlife care and conservation education. The campus will provide an opportunity to further showcase the Zoo’s several programs and partnership with the Forest Preserves of Cook County and work with local wildlife species such as turtles, otters, cranes, and more.

 “Our Next Century Plan reflects our core commitment as a zoo to save species and ecosystems. We inspire conservation leadership. We touch lives. We save animals,” said Dr. Michael Adkesson, President and CEO. “The plan boldly envisions the redevelopment and expansion of the Zoo’s physical campus to bolster our excellence in animal care and wellness, but our impact will also extend beyond our gates to reach local communities and global partners to provide a connection for people to develop empathy for wildlife and nature that drives positive action.”

 For more information, visit www.BrookfieldZoo.org

 

 

Double the pleasure at Northlight

 

Matthew McGloin and Adam LaSalle as dueling musicians in “2 Pianos 4 Hands” at Northlight Theatre (Photo by Liz Lauren).

Highly Recommended

It’s a play. It’s a concert. It’s a little bit of both. Recently extended until August 11, 2024, “2 Pianos 4 Hands” is a satisfying romp through the lives of two ambitious musicians who long for stardom in a highly competitive industry. 

Actors/musicians Adam LaSalle as Ted and Mathew McGloin as Richard, play a range of characters in this humorous, entertaining and poignant show. What they have in common is their quest for excellence on the keys.

The characters tell stories of pushy parents, maniacal teachers, and challenging professionals who bar their entry for further training.

In one scene, they’re both music students competing with each other for the top prize. In another, they act as piano teachers, complete with Italian and French accents.

In another scene, they play parents on both sides of the spectrum. One encourages his son to practice 30 minutes a day. The other criticizes his son for the amount of time he spends practicing at the risk of a normal childhood.

As someone who took piano lessons for many years, the play took me back to the long days of practicing scales and arpeggios, with hands cupped in the right position. And, banging on the piano when I couldn’t get it right, just like they did.

“2 Pianos 4 Hands” includes a treasure trove of classical music from Bach, Beethoven and Mozart as well as popular hits by Billy Joel, Elton John and John Lennon.

Luckily for the audience, their mastery of the piano is over-the-top and we get treated to an outstanding performance.

Written by Richard Greenblatt and Ted Dykstra, the show was directed by veteran actor/director Rob Lindley who says, “Sometimes you must adjust your dreams, never giving up on them. Be the best you can be today and keep working to be better.”

The play was originally produced in 1994 with the authors performing in their respective roles for more than 30 years. “2 Pianos 4 Hands” is simply timeless.

Details: “2 Pianos 4 Hands” is at the Northlight Theatre in the North Shore Center for the Performing Arts, 9501 Skokie Blvd in Skokie. Running time: 2 hours, 30 minutes with one 15-minute intermission. For tickets and information, visit Northlight Theatre | 2 Pianos 4 Hands or call the box office at (847) 673-6300.

Mira Temkin

For more shows visit Theatre In Chicago.