What's happening on the arts scene – on stage, in museums and at fairs and festivals
RECOMMENDED
‘Fun Home’ is an unforgettable show that just came to Chicago after winning five Tony Awards in 2015. Unfortunately, it is only at the Oriental Theatre now through Nov. 13, 2016.
An intimate, questioning look back at a father and family life from a daughter’s view during youth, college years and in mid-40s, the show probably deserves an intimate space. Continue reading “‘Fun Home’ tries to understand family truths and appearances”
HIGHLY RECOMMENDED
While the Cubs spectacularly reigned Wednesday at the Indians’ Progressive Field, audiences were treated to a spectacular ‘Dancing in the Rain’ production at Marriott Theatre Lincolnshire.
Mobile phones checked Cleveland during intermission while MGM’s 1953 hit musical that starred Gene Kelly was brought back to life in Lincolnshire.
Continue reading “At Marriott, ‘Singing in the Rain’ has a glorious feeling”
RECOMMENDED
To appreciate ‘How to Succeed in Business,’ now at Marriott Theatre, you have to go back in time to the 1950s when shirtwaist and little jacket dresses were in and large companies had a typing pool of secretaries who dreamed of marrying their boss.
Based on Shepherd Mead’s 1952 satirical book but adapted in 1961 into a Frank Loesser musical with book by Abe Burrows, Jack Weinstock and Willie Gilbert, the show is dated. The boss is just as likely to be female.
The second part of Mead’s title is ‘The Dastard’s Guide to Fame and Fortune.” If you haven’t seen the 1967 movie starring Robert Morse, the book’s full title is a clue that the show reveals how some businesses hire and promote employees, back then and, horrors, even now.
Continue reading “Review: ‘How to Succeed in Business’ is both dated and current”
HIGHLY RECOMMENDED
Light Opera Works’ “Mame” moves from one terrific scene to the next with never a let-up of charm, clever dialogue or fun.
The musical opens in New York with a terrific Roaring 20s party that begs the question of how can it hold on to such a high note. Well, it is beautifully choreographed by Clayton Cross and insightfully directed by Rudy Hogenmiller.
Continue reading “Review: “Life is a banquet” with Nancy Hays as Mame”