Old is new again in refreshed ‘Chicago’

 

HIGHLY RECOMMENDED

It was a very appreciative audience, some dressed as flappers, who packed the house opening night of “Chicago” at Drury Lane Oak Brook.

Alena Watters (Velman Kelly) and ensemble in 'Chicago' at Drury Lane Theatre, photo by Brett Beiner
Alena Watters (Velman Kelly) and ensemble in ‘Chicago’ at Drury Lane Theatre, photo by Brett Beiner

The Bob Fosse and Fred Ebb script with music by John Kander is iconic due in no small part to its signature song “All that Jazz.”

This new production is fresh and energetic with a set worthy of a full-fledged Broadway production. The costumes (or lack thereof) were tastefully sensuous with no hint of vulgarity.  Every performance was spot on and the choreography of Jane Lanier was an entertaining mix of classic Fosse with a hint of Busby Berkeley.

It’s hard to explain how a story line that follows the escapades of a number of imprisoned female murderers plotting their strategies to elude prosecution can be so amusing. However this dark subject matter manages to find humor in the abject cynicism of the characters and the media’s interest in salacious subject matter.

The two co-equal leading ladies Alena Watters (as Velma Kelly) and Kelly Fethous (as Roxie Hart) are smitten with the idea of parlaying their infamy as murderesses into bankable fame on the vaudeville stage upon their seemingly inevitable acquittals.

Velma and Roxie’s certainty of release is based on the flawless record of their attorney one Billy Flynn skillfully played by Guy Lockhard.

Cast of 'Chicago' at Drury Lane Theatre, photo by Brett Beiner
Cast of ‘Chicago’ at Drury Lane Theatre, photo by Brett Beiner

These three characters drive the story aided by Matron Mama Morton (E. Faye Butler) and Roxie’s pathetic husband Amos Hart (Justin Brill) who interject a good deal of humor, notably Amos’ song “Mr. Cellophane” and a charming duet, “Class” by Velma and Mama Morton.

The character of Mary Sunshine (J. London) is also delightful as is her solo “A Little Bit of Good” dynamically sung in an operatic style.

The action takes place in the 1920’s, so suitably, the play’s style harkens back to productions from that era.

It is more of a musical revue based around a loose storyline, rather than a more traditional play that utilizes songs to further the plot – – which is the formula of modern American Musicals of the post WWII era

In this way the production is closer in style to George Cohan than Rodgers and Hammerstein while the overall mood is reminiscent of ‘ Cabaret’ and ‘A Three Penny Opera.’

‘Chicago’ is a fun evening, suggested as appropriate for children 13 and older.

Details: ‘Chicago’  is at Drury Lane Theatre, 100 Drury Lane, Oakbrook Terrace, IL now through June 18, 2017.  For tickets and other information call (630) 530-0111 and visit Drury Lane.

By Reno Lovison

(Guest reviewer Reno Lovison produces business videos. His interest in theater began very young. He studied with the Jack & Jill Players Children Theater and earned his Equity Card appearing in several professional Chicago productions at the Goodman Theatre, Mill Run, Melody Top and Ivanhoe. Reno does content writing, blogging and business articles and has authored two non-fiction books. See business video at Renoweb.)

 

 

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