Glorious voices do justice to Lerner and Loewe music and lyrics

 

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The wonderfully lyrical songs and the delightfully fun numbers in Alan Jay Lerner and Frederick Loewe’s ‘My Fair Lady’ plus the gorgeous voice of Lisa O’Hare as Eliza Doolittle and Anthony Powell’s costumes are reasons enough to see the Lyric’s show.

Eliza Doolittle (Lisa O'Hare) and Mrs. Higgins (Helen Carey) and cast at Ascot. Todd Rosenberg Photography
Eliza Doolittle (Lisa O’Hare) and Mrs. Higgins (Helen Carey) and cast at Ascot. Todd Rosenberg Photography

Bryce Pinkham who played  Monty Navarro on Broadway in “A Gentleman’s Guide to Love and Murder,” was a treat to hear as he sang “On the Street Where You Live” as Freddy Eynsford Hill. So was the ensemble, many of whom either hailed from the Lyric Opera Chorus or past Lyric operas.

Powell’s period costumes made exceptional fashion statements that defined the characters.

The voices, music, lyrics and the story based on George Bernard Shaw’s “Pygmalion” make up for some of the production’s deficiencies.

Richard E. Grant as Henry Higgins appears unaccountably childish, particularly when he waves his arms about in his mother’s home and when back at his office.

In addition, the acts don’t flow well. There is a what-are-we-supposed–to-do-now moment when Eliza visits her father after she has become a lady, and the excellent dancers in Alfred Doolittle’s drunken pre-marriage morning scene move in a way more appropriate for a Parisian Apache street then one in London.

Eliza appears dressed for the ball with Henry Higgins (Richard E. Grant) at his desk and Colonel Pickering (Nicholas Le Prevost) standing. Todd Rosenberg Photography
Eliza appears dressed for the ball with Henry Higgins (Richard E. Grant) at his desk and Colonel Pickering (Nicholas Le Prevost) standing. Todd Rosenberg Photography

Set Designer Tim Hatley’s Ascot scene, shown first in silhouette, perfectly emulated the stiff, no emotion can be shown, restraint expected of the British upper class and O’Hare was grandly shocking in her close encounter with the race and Mrs. Higgins friends.

However, that same stiffness seemed to pervade the production except for Hill’s song and when Eliza encounters him outside Henry Higgens home.

The music, conducted by Broadway veteran David Chase, reminded audiences why “My Fair Lady” continues to be a draw more than 60 years after it debuted.

Directed by Olivier Fredj, the Lyric’s show is the Robert Carsen production for Paris’ Théâtre du Châtelet starring a new cast.

Details: ‘My Fair Lady’ is at the Lyric’s Civic Opera House, 20 N. Wacker Drive, Chicago, April 28 through May 21, 2017. For tickets and other information call (312) 827-5600 or visit My Fair Lady.

 

Lyric stage appropriate for this fair lady

If you sometimes think you “Could have danced all night” or become exasperated when others take credit and say “You Did It” to each other for something brilliant that you worked hard to achieve, you can relive those experiences and appreciate how Eliza Doolittle felt in ‘My Fair Lady.’

'My Fair Lady' starring Lisa O'Hare Richard E. Grant opens April 28, 2017 at the Lyric Opera of Chicago.
‘My Fair Lady’ starring Lisa O’Hare and Richard E. Grant opens April 28, 2017 at the Lyric Opera of Chicago.

An Alan Jay Lerner and Frederick Loewe hit musical based on George Bernard Shaw’s ‘Pygmalion,’  ‘My Fair Lady’ will be Lyric’s fifth Broadway show to come at the end of its regular opera season.

Opening April 28 and running through May 21, 2017, the Lyric’s offering stars TV, film and stage veteran Richard E. Grant as Henry Higgins and opera, Broadway and TV regular Lisa O’Hare as Eliza Doolittle.

Directed by Olivier Fredj and conducted by David Chase, the show is the American premiere of Robert Carsen’s  production for Paris’ Théâtre du Châtelet but with a new cast.

Lyric goers know that fair ladies, transformations, thwarted dreams, unusual relationships and not perfect happily-ever-afters are typical opera fare, so presenting such issues in a hit musical by American composers at the Civic Opera House should be expected.

Indeed, the Lyric opera stage is a natural setting for shows by American musical composers, according to Diva Renée Fleming, Lyric’s creative consultant since 2010.

“After 100 years in this country, the American musical has achieved “classic” status, and opera companies with extraordinary artistic resources are uniquely positioned to present productions at the highest level as part of the standard repertory. We needn’t wait for Broadway touring companies to present works that are tailor-made for the Chicago community,” Fleming said when Lyric launched the series.

Details: ‘My Fair Lady’ is at the Lyric’s Civic Opera House, 20 N. Wacker Drive, Chicago, April 28 through May 21, 2017. For tickets and other information call (312) 827-5600 or visit My Fair Lady.