Many admirers of the art of photography are familiar with Ansel Adams’ remarkable shots of the US western landscape taken in the 1970s. Arguably less known or viewed in an exhibition are Adams’ prints from the 1920 through the 1950s.
Now, “Ansel Adams: Early Works” a traveling exhibit organized by art2artCirculating Exhibitions, LLC, and sponsored at the Bess Bower Dunn Museum by the Lake County Forest Preserves’ Preservation Foundation and Dan and Shirley Mayworm, opens a portal to the famed photographer’s interests, artistic development and his thoughts on his objectives. The works are from the collection of Michael Matts and Judith Hockberg.
Wander through the Dunn Museum, worth a trip on its own for its early Illinois history and objects, to see “Moonrise” which proved, as a video in the exhibit explains, that some, great photography moments are unplanned.
Read the plaques that accompany the exhibit for insight into some of Adams’ observations of photography’s power. Going through the exhibit then retracing ones steps brings out changes in his artistic and unique view of nature.
One plaque reads: “When I first made snapshots in and around Yosemite, I was casually making a visual diary – recording where I had been and what I had seen – and becoming intimate with the spirit of wild places. Gradually my photographs began to mean something in themselves; they became records of experiences as well as of places. People responded to them, and my interest in the creative potential of photography grew apace.”
The show’s prints are part of Adams’ photo output. But to better understand the photographer don’t miss the plaques next to some of the photos. This one is next to Mount Brewer, Circa 1925, a vintage gelatin silver print.
“When I first made snapshots in and around Yosemite, I was casually making a visual diary – recording where I had been and what I had seen – and becoming intimate with the spirit of wild places. Gradually my photographs began to mean something in themselves; they became records of experiences as well as of places. People responded to them, and my interest in the creative potential of photography grew apace.”
Another plaque says that trees are not just trees. Look for a photo where the forest looks lacy then look for “Aspens” that is a study in design and contrast.
Dan Mayworm who worked with Adams for a few weeks includes some pointers in the exhibit that he gleaned from Adams including “Expose for the shadows and develop for the highlights.”
A sample of what is in the exhibit can be found virtually at Ansel Adams Early Works Arc.
“Ansel Adams: Early works is at the Bess Bower Dunn Museum of the Lake County Forest Preserves, 1899 W. Winchester Rd., Libertyville, IL from Nov. 6, 2021 through March 27, 2022.
For more information visit Dunn Museum | Lake County Forest Preserves (lcfpd.org) or call (847) 968-3400. To see an exhibit virtual sample visit Exhibitions.
Jodie Jacobs