For ‘Once’ it’s about music and love and chance encounters

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Every once in a while, someone remarkable touches our lives for a short time-and changes everything.

Such is the heartwarming theme of ‘Once,’ the Tony Award-winning musical now playing at Paramount Theatre in Aurora. Helmed by artistic director Jim Corti and musical director Tom Vendafreddo, it’s the musical’s first Chicago-area regional staging.

In case you haven’t heard the buzz, ‘Once’ is a story about a couple of Irish musicians in modern-day Dublin who meet and fall in love as they write songs together.

Tiffany Topol (Girl) and Barry DeBois (Guy) perform the Oscar-winning song “Falling Slowly” in Once, at the Paramount Theatre in Aurora. (Liz Lauren photos)
Tiffany Topol (Girl) and Barry DeBois (Guy) perform the Oscar-winning song “Falling Slowly” in Once, at the Paramount Theatre in Aurora. (Liz Lauren photos)

It started out as a low-budget indie movie in 2007 and its signature song, “Falling Slowly,” won an Oscar for Best Original Song the following year. The film was directed by John Carney; the music and lyrics were written by Glen Hansard and Marketa Irglova who also played the lead roles.

‘Once’ saw second life as a Broadway musical based on the book by playwright Enda Walsh. In 2012, it took home eight Tony Awards including Best Musical.

But back to Paramount. As the story goes, the encounter between the two leads is so fleeting, only a week, that we never learn their names. Tiffany Topol plays Girl and Barry DeBois plays Guy. Both actors have ‘Once’ national touring credits in real life.

In the Paramount production,  Girl and Guy are accompanied, quite literally, by a cast of congenial music-makers who double as the orchestra. They’re a fun bunch to watch, even though the lyrics sounded muddled half the time.

Topal and DeBois duet well with adequate chemistry, but she stands out better on her own. She’s an enchanting vocalist and charmingly funny without seeming to try.

Other noteworthy players include Alex E. Hardaway, a stuffy bank manager with performance dreams of his own. It’s written as a humdrum role with a solo, “Abandoned in Bandon,” that Hardaway executes as a champion. And Jon Patrick Penick shows great comedic chops as rough-and-tumble music shop owner Billy.

The starlet of the show is red-headed lassie, 6-year-old Everleigh Murphy as Girl’s daughter Ivonka.

Not only is she adorable, but she’s a fine Irish step-dancer and violinist as well. Her talent runs in the family. Cousin Madeleine played the same role on Broadway.

Also, just as on Broadway and in the national tour, the stage is designed as an operational pub. The audience is invited to step up and purchase beverages pre-show and at intermission. With a few props and a little imagination, the stage is segmented for additional scenes. Scenic designer is Jeffrey D. Kmiec.

DETAILS: “Once” is at Paramount Theatre, 23 E. Galena Blvd., Aurora, through June 3. For tickets and other information, call (630) 896-6666 or visit Paramount.

Pamela Dittmer McKuen

For more shows visit Theatre in Chicago

 

Music of my soul is rock ’n roll

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Liam Quealy (L) as Huey Calhoun and Aeriel Williams as Felicia Farrell in 'Memphis at Porchlight Music Theatre. (Michael Courier photos)
Liam Quealy (L) as Huey Calhoun and Aeriel Williams as Felicia Farrell in ‘Memphis at Porchlight Music Theatre. (Michael Courier photos)

There’s a long list of reasons to see the wonderful musical, ‘Memphis,’ a story of rock ‘n roll in the 1950s at Porchlight Music Theatre.

The dancing is incredible. The singing is fantastic. The acting is superb. But wait . . . there’s so much more.

A Tony Award-winning Best Musical with lyrics and music by David Bryan and lyrics and book by Joe DiPietro, the story takes place in underground nightclubs in Memphis, TN.

The audience is swinging and swaying when the music begins playing but as the story continues many important issues are revealed.

Huey Calhoun, played by Liam Quealy, is loosely based on DJ Dewey Philips, a new white voice on Memphis radio in the 1950s.

Continue reading “Music of my soul is rock ’n roll”

Super JCS production takes over Lyric stage

Jesus Christ Superstar at the Lyric Opera (Todd Rosenberg Photography 2018)
Jesus Christ Superstar at the Lyric Opera
(Todd Rosenberg Photography 2018)

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Experiencing ‘Jesus Christ Superstar,’ Andrew Lloyd Webber and Tim Rice’s rock opera at the Lyric, is akin to attending a high-powered rock concert.

Amps are set on high much of the time so audiences really do need to already know the lyrics. The high intensity stage lighting designed by Lee Curran echoes those of Super Bowl half times.

The main tenors, Jesus Christ (Heath Saunders)  and Judas Iscariot (Ryan Shaw) mix singing with high-pitched, grating screams, and they, plus Pontius Pilate (Michael Cunio who is also a tenor) play their guitars on stage. In addition, the singers use mikes. Indeed, the mike handling is often a part of the choreography.

In other words, the Lyric production would gladden the hearts of today’s Millennial Generation.

Continue reading “Super JCS production takes over Lyric stage”

Powerful performance delves into Ferguson

Dael Orlandersmith in Until the Flood at Rattlestick Playwrights Theater, NY. (Photo by Robert Altman)
Dael Orlandersmith in Until the Flood at Rattlestick Playwrights Theater, NY. (Photo by Robert Altman)

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Say Ferguson and you are likely to get a reaction on race conflicts and prejudice without even having to identify the place as a suburb of St. Louis

Some people may not even remember that it was the shooting of unarmed, black teenager Michael Brown by police officer Darren Wilson in 2014 that shot Ferguson into the national spotlight.

But to feel the event’s impact on people who live in the area, see playwright, actress Dael Orlandersmith’s stunning ‘Until the Flood.’

A one-person show, Orlandersmith presents with heartfelt-emotions, the reactions of eight characters ranging from teen-aged to middle age and older and from locals to other suburbanites to transplants with different careers and levels of education. Some are black. Others are white.

They are composites of people she interviewed after being commissioned by the Repertory Theatre of St. Louis for a play regarding the event. It premiered there in 2016. BTW, Orlandersmith, a Goodman Artistic Associate and Alice Center Resident Artist, has a composite name. She was born Donna Dael Theresa Orlander Smith Brown.

Now, following its showing at the Milwaukee Repertory Theatre, the production is at the Goodman Theatre’s Owen Theatre space only through May 12. Unfortunately, that is way too short a time given the importance of Orlandersmith’s play and her superb portrayals of different character types.

At the April 29th opening night performance, the playwright certainly put across the different perspectives as the audience zoned in on each portrayal with laughter, gasps and sighs.

Directed by Neel Keller with explanatory projections by Nicholas Hussong, set design by Takeshi Kata and costume design by Kaye Voyce, ‘Until the Flood’ is a remarkable theater experience.

DETAILS: ‘Until the Flood’ is at Goodman Theatre, 170 N. Dearborn St., Chicago through May 12, 2018. Running time: 70 minutes, no intermission. For tickets and other information call (312) 443-3811 and visit Goodman Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

Check into the Grand Hotel

Leryn Turlington and Jonathan Schwart with cast of Grand Hotel. (Evan Hanover photos)
Leryn Turlington and Jonathan Schwart with cast of Grand Hotel. (Evan Hanover photos)

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This classic, Tony-Award-nominated musical comes to life in the hands of Kokandy Productions in Theater Wit. The moment you enter, the elegant set creates a warm ambience and violin and percussion sounds welcome you.

Up above and off stage, you hear the sounds of a crowd. Then, once the narrator, the good Colonel Doctor begins, the production takes off like a shot.

With book by Luther Davis, music and lyrics by Robert Wright, George Forrest and Maury Yeston, ‘Grand Hotel’s 1989 Broadway production earned 12 Tony Award nominations and won five.

Based on the 1928 play/novel “Menschen im Hotel” (People in a Hotel) and the 1932 MGM movie, the musical focuses on life and death, success and failure, love and murder all told through music and dance.

People come and go through the revolving door, with everything happening in the Grand Hotel’s lobby during one defining weekend. Continue reading “Check into the Grand Hotel”

Marriott meshes veteran cast and outstanding dance numbers in ‘Oklahoma’

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Brandon Springman (Curly) and Jennie Sophia (Laurey) imagine riding on a surrey driven by snow-white horses in 'Oklahoma' at Marriott Theatre. (Photos by Liz Lauren)
Brandon Springman (Curly) and Jennie Sophia (Laurey) imagine riding on a surrey driven by snow-white horses in ‘Oklahoma’ at Marriott Theatre. (Photos by Liz Lauren)

Of course audiences going to Marriott Theatre’s ‘Oklahoma’ will hear and love Rogers and Hammerstein’s highly singable “Oh, What a Beautiful Mornin,” “Kansas City,” “I Can’t Say No,” “People Will Say We’re in Love” and “Oklahoma.”

Some folks were singing those popular, ingrained –in-American-culture songs as they left the theatre Wednesday night after the show’s official opening.

Continue reading “Marriott meshes veteran cast and outstanding dance numbers in ‘Oklahoma’”

‘South Pacific’ enchants the evening with romance and hi jinks

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Samatha Hill (Nellie), center, Rachel Osting, Erica Evans, Ashley Jane Lanyon, Kayla Boye, Allie Dandy Pizzo and Erica Stephan in 'South Pacific' at Drury Lane Theatre. (Brett Beiner photo)
Samantha Hill (Nellie), center, Rachel Osting, Erica Evans, Ashley Jane Lanyon, Kayla Boye, Allie Dandy Pizzo and Erica Stephan in ‘South Pacific’ at Drury Lane Theatre. (Brett Beiner photo)

Nearly 70 years after winning 10 Tony Awards, including Best Musical, ‘South Pacific’ mostly wears well at the Drury Lane Oakbrook revival.

The entire cast is stellar, the beloved Rogers and Hammerstein standards are well-tuned and racial conflict remains a relevant issue.

The action centers around a naval base in the South Pacific island amid World War II. During a lull in the fighting, the players engage in merrymaking and fall in love.

Continue reading “‘South Pacific’ enchants the evening with romance and hi jinks”

Nature is perfect in imperfection according to Tchaikovsky but show about him is perfect

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Hershey Felder in his one-man show 'Our Great Tchaikovsky' at the upstairs Steppenwolf Theatre through May 13, 2018. Photos by Hershey Felder Presents.
Hershey Felder in his one-man show ‘Our Great Tchaikovsky’ at the upstairs Steppenwolf Theatre through May 13, 2018. Photos by Hershey Felder Presents.

Can people display numerous professions, some of which merge into one outstanding career, producing the most wonderful theatrical productions?

Not many. But there is one person who is currently in Chicago, pianist, actor, playwright, composer, producer and director Hershey Felder. He  is performing his fabulous play,‘Our Great Tchaikovsky’ upstairs in the Steppenwolf Theatre.

After creating highly regarded stage productions about Gershwin, Chopin, Beethoven, Bernstein, Berlin and others, Felder is now garnering some of his best reviews for ‘Our Great Tchaikovsky.’

Beautifully directed by Trevor Hay, the play is a one-man performance in which Felder shares Tchaikovsky’s life through his own acting, writing, and musical talents.

Continue reading “Nature is perfect in imperfection according to Tchaikovsky but show about him is perfect”

Global politics and power skewered in new farce

 

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Cast of Doppelganger at Steppenwolf. Photos by Michael Brosilow.
Cast of Doppelganger at Steppenwolf. Photos by Michael Brosilow.

You know when you see a stage set with multiple doors that the play will likely be a farce. Steppenwolf Theatre Company’s set of ‘Doppelgänger,’ a world premiere with the sub title of ‘an international farce,’ has all the elements needed to keep audiences  laughing, including 11 doors and another entrance.

Erlbach’s presentation of global political, economic and social issues of today works superbly well as a farce.

Clever lines come so quickly and author Matthew-Lee Erlbach’s obvious love of words so mesh in rhymes and tongue twisters that the first two hours speed by quickly.

No stereotype is spared from a hawkish general and a skinny, uptight  female British politician to an exiled African nation’s former brutal president, a bisexual Arab prince and a buxom, Brazilian money launderer.

Continue reading “Global politics and power skewered in new farce”

Where to celebrate Earth Day and Arbor Day

 

Think green and clean or flower power or planet health equals earth’s wealth.

Two April days, which isn’t much in the year’s calendar, are particularly set aside by people and organizations that care about planet Earth to keep it healthy and beautiful. Earth Day is April 22 and Arbor Day is April 29.

For Earth Day, enjoy gardens and community projects in the Andersonville neighborhood. Join with Lake County Forest Preserves naturalists for Bat Monitoring or a Woodpecker Walk. Take the Cardboard Challenge at Vernon Hills’ Hawthorn Mall. Or Party for the Planet at Brookfield Zoo.

The following weekend, head over to the Morton Arboretum for a Build-a-Tree workshop, Dress like a Tree or pick up a plant during a special sale.

These are a few of the activities to put on the April calendar.

Marguerite Gardens pops up at Foursided at the 2017 Andersonville Flower and Garden Show. Photo courtesy of Anderson Chamber of Commerce.
Marguerite Gardens pops up at Foursided at the 2017 Andersonville Flower and Garden Show. Photo courtesy of Anderson Chamber of Commerce.

Continue reading “Where to celebrate Earth Day and Arbor Day”