You don’t have to be a Jane Austen fan to enjoy ‘Miss Bennet: Christmas at Pemberley,’ a world premier now at Northlight Theatre.
You merely have to appreciate that Austen incorporated English society’s attitudes and expectations of women, marriage and social position of the late 18th century in such books as ‘Sense and Sensibility,’ published early 19th century in 1811 and ‘Pride and Prejudice,’ published in 1813.
Take the creative minds of children and a Scottish playwright who wants to change from churning out formula plays for the London stage to recapturing his youthful imagination in order to write an amazing play, and you will understand ‘Finding Neverland.’
A touring Broadway musical in Chicago now through Dec. 4, 2016, the production reveals how J.M. Barrie came up with his world-famous, beloved ‘Peter Pan’ stories.
If lucky enough to still snag a ticket to the Lyric Opera’s ‘Les Troyens’ (The Trojans), Hector Berlioz’ grand opera tribute to Virgil’s Aeneid, don’t worry about its length.
Berlioz’s music, grandly interpreted by Lyric Music Director Sir Andrew Davis, sweeps through the Lyric’s hall like a waterfall that fascinates and pulsates with danger.
Add to that, the incredible vocals by Christine Goerke as Trojan Princess Cassandra, Susan Graham as Carthage Queen Dido, Brandon Jovanovich as Trojan hero Aeneas (Énée) and Lucas Meachem as Cassandra’s lover, Chorebus, and the opera has transcended from a good experience to become a once-in-a-lifetime event.
At a time when opposing philosophies are ridiculed, the Lyric Opera of Chicago steps in with a reminder there must be room in the world for idealists and dreamers.
Jules Massenet’s ‘Don Quichotte,’ based on Cervante’s ‘Don Quichotte’ (Don Quixote) and influenced by Jacques Le Lorrain’s play, ‘Le chevalier de la longue figure,’ is both love story and tale of a knight-errant who seeks chivalrous adventures to right the world’s wrongs.
A charming and fun adaptation of The Nutcracker’ is at Marriott Theatre now through Dec. 20, 2016. As part of Marriott’s Theatre for Young Audiences series, the Mouse King is comic rather than scary but with deft direction and choreography by Matt Raftery, the show will delight all ages.
In ‘King Charles III,’ a comic-tragic “future history” play, author Mike Bartlett brilliantly tackles Britain’s succession to the throne when 90-year-old Elizabeth II dies. His “what if” takes place within the perfect background of Chicago Shakespeare’s Courtyard Theater, a Globe and Swan Theatre-like setting.
“Crazy For You” is a musical rom-com warmly embraced by the music and lyrics of George and Ira Gershwin.
Now running at Drury Lane Theatre in Oakbrook Terrace, the song-and-dance extravaganza is loosely based on the 1930s Gershwin musical “Girl Crazy. The original production starred Ginger Rogers and marked the stage debut of Ethel Merman.
“Annie” at Chicago’s Cadillac Palace Theatre now through Nov. 13, 2016, is a pre-Thanksgiving family treat.
The current touring production feels so fresh that even if you have seen past “Annies” you will be glad to be back watching Miss Hannigan’s orphans prance across the stage and a pugnacious Annie change everyone’s outlook on life and business from Oliver Warbucks to FDR.