“Mlima’s Tale,” a Midwest Premiere by Griffin Theatre, is a sensitive and heartrending depiction of greed, and specifically, the corruption associated with the illegal sale of elephant ivory that results in the daily slaughter of approximately 100 of these endangered animals.
The production follows the life and death of Mlima, a roughly 45-year-old male African elephant. Described as a “big tusker,” he is killed by poachers while living in a protected refuge in Kenya.
The old “It’s hard to keep track without a scorecard” certainly applies to Chicago’s huge theater offerings each year. So consider the “Sneak Peak”series your personal scorecard where you can put a check next to those shows you think you would like to see.
Because there are more than 200 theater production companies in the Chicago area the series is divided into regions. Not all companies are listed because some still have to finalize their season and not all theater venues are included because some are multi-purpose and host several events other than plays. However, the series still is a way to find out what a company you like has planned and what shows will be coming in the 2018-19 season.
As mentioned before, some companies and venues use theater and others use theatre. Part Four lists many of the companies in the Ravenswood and north to Evanston region.
Black Ensemble Theater
Located at 4450 N Clark St., Black Ensemble is currently doing “Rick Stone: the Blues Man,” extended through Sept 9, followed by “Women of Soul” Oct. 20 –Dec.2, 2018.
The venue is at 1623 W. Howard. St. The Factory Theater plans “The Darkness After Dawn” for Fall, “.38 and Baile” for Spring and “Prophet$” for Summer. Also in the venue, the Aleatoric Theatre is doing “Come ‘n Go” Sept. 7-30.
There is nothing ragged about this Griffin Theatre version of Tony Award-winning ‘RAGTIME.’
Re-imagined by Director Scott Weinstein, the 1996 musical with book by Terrence McNally, lyrics by Lynn Ahrens and music by Stephen Flaherty, has new orchestrations by Matt Deitchman and is perfectly scaled to the intimate Den Theatre stage.
A tight ensemble follows the adventures of three groups of individuals from various cultural and socio-economic strata at the turn of the 20th century by using the new music of the era – Ragtime. It has become the soundtrack of the age.
The new sound’s syncopation punctuates the changing rhythms of the increasingly fast-paced times that introduced industrialization along with such social challenges that defined pre-WWI America as European immigration, urban racial integration, unionization and women’s independence.
Taken from E.L. Doctorow’s novel, the musical throws together African American domestic worker Sarah (Katherine Thomas), her baby and the baby’s piano playing daddy, “Coalhouse Walker Jr. (Denzel Tsopnang), into the household of an upper middle class, white suburban (New Rochelle) family
“Father” (Scott Allen Luke) is a fireworks manufacturer and part-time world explorer who leaves his wife to manage the business. In the process she finds opportunities to explore her own independence.
This brings “Mother” (Laura McLain) into contact with “Teteh,” a recent Jewish immigrant (enthusiastically played by Jason Richards), and his pre-teen daughter (Autumn Hilava) who recently arrived in New York seeking the American dream.
“Little Boy” (Ben Miller) opens the play by introducing the characters to the title tune “Ragtime.” “The Little Boy” weaves among the characters throughout the rest of the production and is on some level the thread that pulls them together and toward one another.
The “Family” household additionally includes “Grandfather” (Larry Baldacci who also appears as industrialist J.P. Morgan). He just wants some quiet.
Then there is “Mother’s Younger Brother” (Matt Edmonds). He finds meaning in his life by embracing the plight of the underclass “Negroes” and mistreated workers.
There are appearances by historical notables Harry Houdini, Booker T. Washington, Henry Ford, Emma Goldman and “Specialty Entertainer/Celebrity” Evelyn Nesbit (Caitlain Collins), who provides periodic comic relief. Their vignettes supply political and social context of the time that drives the action.
Every character has a musical opportunity to shine resulting in a production with many glittering gems that come together like a charm bracelet; each with an individual tale commemorating a specific experience but in the end working together to tell the story of one grand shared adventure.
The entire cast is comprised of excellent singers. Laura McClain gave us everything she had in “Back to Before.” Katherine Thomas was a joy every moment she sang including “Your Daddy’s Son” and the show stopper duet “Wheels of Dream” with Denzel Tsopnang.
Pianists Jermaine Hill and Ellen Morris with Clarinet Dan Hickey perform in costume onstage providing outstanding accompaniments in a production where the music virtually never ends.
Details RAGTIME is at the Den Theatre at 1333 N. Milwaukee Ave., Chicago, now through July 16, 2017. For tickets and other information visit Griffin Theatre or call (866) 811-4111.