Grand entertainment online

 

Berliner Philharmonie. (Photo courtesy of Berliner Philharmonie)
Berliner Philharmonie. (Photo courtesy of Berliner Philharmonie)

Where are you? I’m working from home but am also at the Berliner Philharmoniker Digital Hall watching Sir Simon Rattle conduct Joseph Haydn’s “Oxford” Symphony No. 92 in G major  and Johannes Brahms Symphony No. 1 in C minor.

The concerts are free. The digital concert hall site asks you to redeem a voucher. Once done you go to trailers and/or the various concerts.

I’ve started with Concert 39 to hear the Oxford and the Brahms First but will return to check out the other concerts.

 

Metropolitan Opera is streaming Wagner's Ring cycle. (Photo courtesy of the Metropolitan Opera)
Metropolitan Opera is streaming Wagner’s Ring cycle. (Photo courtesy of the Metropolitan Opera)

Then, sad that the Lyric Opera of Chicago had to cancel its much anticipated  “Ring” this spring due to the C Virus,  I took a time-machine back the to the Metropolitan Opera’s Ring cycle that began in 2010.

The Met is doing nightly opera streams. However, it also has free videos that can be watched any time of day. During week 2, now through March 29, 2020, videos concentrate on Wagner.

I loved “Wagner Dreams,” a fascinating behind the scenes journey of producing an unusual Ring. It depended on a giant machine with moving steps and platforms and terrific lighting but also spectacular voices and performances. I will try “Wagner Leitmotifs,” later.

To watch “Gotterdammerung,” slated for today, March 27, 2020 which stars Deborah Voigt, Wendy Bryn Harmer, Waltraud Meier, Jay Hunter Morris, Iain Paterson, Eric Owens, and Hans-Peter König, (conducted by Fabio Luisi. From February 11, 2012) means signing up for a Met on Demand subscription. There is also a rental for about $5.

Jodie Jacobs

Related: Enjoy performances online

In ‘Siegfried’ playful staging mixes with outstanding voices

 

Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner's Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)
Matthias Klink (Mime) in playpen and Burkhard Fritz (Siegfried) in the third segment of Wagner’s Ring cycle at the Lyric Opera of Chicago. (Todd Rosenberg photos)

3.5 stars

Opera goers who saw “Das Rheingold” in 2016 and “Die Walküre” in 2017, Lyric’s first two operas segments of Wagner’s four-part “Der Ring des Nibelungen,” will find the next segment, “Siegfried,” still has tall scenery towers bookending the stage. They deliberately remind audiences that Wagner’s The Ring cycle is theater.

It is theatrical and musical drama. But where the productions of the first two segments were highly creative but serious, “Siegfried” is playful, fanciful, serious fun.

The tone is set when a somewhat menacingly large, three-nail-claw and an eye of Fafner, the giant-turned dragon who guards the ring, appear under the curtain and draw audience laughter. The curtain then rises to reveal Siegfried’s playroom of oversized art work and children’s furniture including a tall playpen.

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