April 2017 – Page 2 – Chicago Theater and Arts

Stoneism rolls through past rock eras with Exhibitionism

If you’re a fan of legendary rockers Mick Jagger and Keith Richards and their Rolling Stones band you needn’t ask why go to Navy Pier to see Exhibitionism.

Rolling Stones instruments and more in Exhibitionism. Photo by Jodie Jacobs

An all encompassing retrospective, the traveling show that opens April 15 and goes through July 30, 2017, has rooms of costumes, films, posters, art, recordings, instruments and personal paraphernalia, that are likely to bring back memories of concert tours and albums.

But even if other bands have had you screaming and shaking, the exhibit is still worth seeing as a cultural and musical phenomenon that goes back to the 1960s and continues in the 21st century.

A British export that is a combo of blues and rock ‘n’ roll, the band was inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. But they proved they could still draw crowds with their record breaking concerts: Voodoo Lounge Tour in 1994–95 and Bridges to Babylon Tour, 1997–98, to their Licks Tour in 2002–03 and A Bigger Bang Tour, 2005–07.

Band recording studio in Exhibitionism show. Jodie Jacobs photo — Band recording studio in Exhibitionism show.
Jodie Jacobs photo

What to expect at “Exhibitionism.” The show recreates the Chelsea (London) flat in Edith Grove shared in 1962 by Jagger, Richards and Brian (Jones shared in 1962. Also recreated is a Stones’ recording studio and a backstage area. There is a guitar room that includes Richards’ Maton that came apart during “Gimme Shelter.”

But where some visitors may be snapping photos and selfies is the fashion gallery of impressive costumes. They’re devilishly wild and what would be expected of the Stones. Save time to watch the films that include a concert near the exhibit’s end.

Jagger and Richards explained on the Rolling Stones website the why behind “Exhibitionism.”

Rolling Stones costumes in Exhibitionism at Navy Pier. Jodie Jacobs phto — Rolling Stones costumes in Exhibitionism at Navy Pier.
Jodie Jacobs photo

“We’ve been thinking about this for quite a long time but we wanted it to be just right and on a large scale,” said Mick. “It’s not going to be like walking into a museum. It’s going to be an event, an experience. It’s about a sense of The Rolling Stones – it’s something we want people to go away talking about it.”

“While this is about The Rolling Stones, it’s not necessarily only just about us,” said Keith. “It’s also about all the paraphernalia and technology associated with a group like us, and it’s this, as well as the instruments that have passed through our hands over the years, that should make the exhibition unforgettable.”

Details: “Exhibitionism is at Navy Pier, 600 E. Grand Av., Chicago, April 15 to July 30, 2017. For tickets and other information visit Stones Exhibitionism.

CSO features Stravinsky and Fauré Requiem

There’s still a chance to hear the Chicago Symphony Orchestra do the “Funeral Song,” a recently rediscovered work of Igor Stravinsky.

Conducted by renowned Stravinsky interpreter Charles Dutoit who is guest conducting the CSO now through April 15, the “Funeral Song” is on the program tonight, April 8, at 8 p.m. and again April 11 at 7:30 p.m.

Dutoit guest conductor at CSO. Photo compliments of CSO

Stravinsky wrote the piece after the death of his teacher, Rimsky-Korsakov more than a century ago, but it was only rediscovered when its orchestral parts, found at the St. Petersburg Kimsky-Korsakov State Conservatory, were recently pieced backed together.

The Stravinsky work leads off a program that includes Dvorak’s Cello Concerto in B Minor with soloist Truls Mork and Prokofiev’s Symphony No. 5 in B-flat Major.

For a special Easter program Dutoit will conduct the CSO in Fauré’s Requiem featuring the Chicago Symphony Chorus, soprano Chen Reiss and baritone Matthias Goerne April 13,14 and 15.

Reiss, an Israeli soprano who has performed with conductors Zubin Mehta, Sir Simon Rattle and James Levine, will be making her CSO debut. Goerne, a German baritone who has appeared at the Met, Covent Garden and the Vienna State Opera, is returning to Symphony Center for the “Requiem.”

Dutoit is chief conductor and artistic adviser of the Royal Philharmonic Orchestra. He is also music director of the Verbier Festival Orchestra and conductor laureate of the Philadelphia Orchestra.

The programs are at Symphony Center, 220 S. Michigan Ave., Chicago. For tickets and other information call (800) 223-7114 or visit CSO.

Beyond the daylight world

RECOMMENDED

The power of ‘Beyond Caring,’ now premiering in the US at Lookingglass Theatre, is how ordinary the characters and their circumstances seem.

J Nicole Bbrooks, Wendy Mateo and Caren Blackmore in 'Beyond Carin' at Lookingglass Theatre. Liz Lauren photo — J Nicole Brooks, Wendy Mateo and Caren Blackmore in ‘Beyond Caring’ at Lookingglass Theatre. Liz Lauren photo

They are three female temp workers, two blacks and one Hispanic, that are so desperate for work that they take the night cleaning shift in a sausage factory and put up with an alpha-male boss who seemingly doesn’t care about their problems.

A fourth worker is an intelligent, black male who also does the shift but has been there for about two years.

After 90 minutes (no intermission) of watching Caren Blackmore as rheumatoid arthritis worker Ebony-Grace, J. Nicole Brooks as strong-willed, single mother, Tracy and Wendy Mateo as Sonia, a penniless Hispanic woman who is likely homeless, plus Edwin Lee Gibson as Phil, their depression-wracked co-worker, you deplore what they have to go through to keep overseer Keith D. Gallagher (Ian) happy.

It gets even worse towards the end of the play when the already exhausted workers are requested to stay longer because of a new sausage trial so they have to clean previously used grinding and other machines.

It’s ugly. But sitting just to one side of the action as a fly on dirty, bare walls, it feels as if what is viewed is a normal way of life for people who have no other recourse.

Edwin Lee Gibson and Caren Blackmore in 'Beyond Caring'. Liz Lauren photo — Edwin Lee Gibson and Caren Blackmore in ‘Beyond Caring’. Liz Lauren photo

The feeling of coming into an actual, barren workplace, carefully created by scenic designer Daniel Ostling, is enhanced by the audience having to walk into the set through heavy, see-through plastic panels that separate the work room from the lockers.

The only part of the experience that would have been helpful would have been stronger back story definition so the audience could better understand the three women’s circumstances.

Written and directed by Alexander Zeldin, the US premiere is his Americanized adaptation of the National Theatre production of his play that debuted in London. The Lookingglass play is a Dark Harbor Stories production by David Schwimmer and Tom Hodges.

Post –show conversations will be held following the 2 p.m. matinees on April 9, 16 and 23. In addition, Lookingglass is partnering with Chicago Worker’s Collaborative to bring people from Englewood, Elgin, Little Village and Waukegan to see the show at no cost, on April 9, 23, 30 and May 7.

Details: ‘Beyond Caring’ is at Lookingglass Theater in the Chicago Water Works building at 821 N. Michigan Ave., Chicago, now through May 7. For tickets and other information call (312-) 337-0665 or visit Lookingglass Theatre.

‘Silent Sky’ – the stars are in alignment

HIGHLY RECOMMENDED

Oh, heavenly days. “Silent Sky” is the true story of Henrietta Swan Leavitt, a historic but unsung astronomer at Harvard University’s observatory in the early 1900s. She made ground-breaking advances despite never being allowed to use a telescope.

Cassandra Bissell as Henrietta, an unsung 1900s "computer lady" in Harvard University's observatory. Photo by D. Rice — Cassandra Bissell as Henrietta, an unsung 1900s “computer lady” in Harvard University’s observatory. Photo by D. Rice

Lauren Gunderson’s “Silent Sky” is a poignant and sweet look at Leavitt’s ambition, desires and accomplishments, cleverly punctuated with bursts of humor. Melanie Keller artfully directs the Chicago premiere at First Folio Theatre in Oak Brook.

The play opens with Leavitt leaving her Wisconsin home to become one of the backroom “computer ladies” who map the sky using photographic images on glass plates. It’s a tedious job far beneath the menfolk. Meanwhile, her sister stays behind to raise a family.

Leavitt immerses herself in the work. She not only discovers about 2,400 previously unknown variable stars but also discovered the relationship between luminosity and the period of Cepheid variable stars.

Her findings, for which she received little credit, paved the way for other astronomers to measure stellar distances.

Gunderson, who received the 2016 Lanford Wilson Award from the Dramatists Guild, explores societal themes that are relevant a century later: marriage and motherhood versus career, chauvinistic attitudes toward women in the workplace, and the quest for knowledge.

The script contains enough real science to lend authority but not so much that dazes the audience. The romantic interlude seems a bit contrived. However, it serves to show the sisters are not so different after all.

The entire cast delivers performances that sparkle. Especially notable is Cassandra Bissell, who plays Leavitt with both determination and vulnerability. Hayley Rice is the pleasant, kindly married sister Margaret.

Jeannie Affelder as Annie Cannon and Belinda Bremner as Williamina Fleming are Leavitt’s work colleagues who, by the play’s end, have joined the suffragette movement. Wardell Julius Clark is perfectly pompous as their boss.

Special mention goes to Michael McNamara, whose lighting design has us believing we truly are looking into the cosmos..

Details: ‘Silent Sky’ is at First Folio Theatre, Mayslake Peabody Estate, 1717 W. 31st St., Oak Brook, through April 30. For tickets and other information, call (630) 986-8067 or visit First Folio.

Reviewed by Pamela Dittmer McKuen

(Guest reviewer Pamela Dittmer McKuen is an independent journalist and author who specializes in home, architecture, fashion and travel. Her bylines have appeared in the Chicago Tribune plus dozens of consumer, trade, association, corporate and collegiate publications. Visit her travel blog at allthewriteplaces.)

Around Town in early April

So what if you have to walk between the raindrops. It’s April!

There are enough events in the Metropolitan Chicago area to brush aside gloomy weather and news outlooks for the entire month. Indeed, there is so much going on that here is just a first look at what’s happening so you can get tickets and fill in a couple of calendar spots.

Steam engines are again going around the Illinois Railway Museum tracks. Photo by Webster's Unabridged Inc and Illinois Railway Museum — Steam engines are again going around the Illinois Railway Museum tracks. Photo by Webster’s Unabridged Inc and Illinois Railway Museum

RR Fun

Visit a mid1800s train depot and hop on board some diesel and steam locomotives and assorted Pullmans, dining cars and cabooses at the Illinois Railway Museum. The museum is about an hour northwest of Chicago in Union City. Closed for the winter, it just opened April 2 for the 2017 season and will remain open weekends through October. Weekday hours go from May through September.

The Illinois Railway Museum is at 7000 Olson Rd., Union, IL 60180. For cost, hours, directions and other information visit Illinois Railway Museum or call (800) Big Rail (244-7245).

See robots

Head over to the Museum of Science and Industry for National Robotics Week activities April 8-9 and 14-15, 9:30 a.m. to 2 p.m.. Drone racing is April 8 and 9. .For more information visit MSI and MSI Robotics.

The Museum of science and Industry is at 5700 S. Lake Shore Drive, Chicago (773) 684-1414.

Listen to glorious music

Hear tenor Lawrence Brownlee (think bel canto) and bass-baritone Eric Owens (Lyric’s “Ring”) with pianist Craig Terry at a Lyric Opera recital at the Civic Opera House, 3 p.m. April 9.

The Civic Opera House is at 20 N. Wacker Dr, Chicago. For tickets and other information visit Lyric and call (312) 827-5600.