Tornado chasing may sound familiar but how about eclipse chasing?
‘Chasing Eclipses,’ a new exhibit opening at the Adler Planetarium March 25, has a terrific “Eclipses Over America” floor map that includes the primary watching path for the total solar eclipse US residents will experience on Aug. 21, 2017.
Visitors can see that the Aug. 21 eclipse will be moving diagonally across the country from Salem, Oregon through Carbondale, IL to Charleston South Carolina. It also shows the paths of other eclipses. Read More
The atmosphere inside the PrivateBank Theatre was electric March 15 as hundreds of Chicago high school students filed in to watch their peers perform on the “Hamilton” stage.
It was the third of what would be 10 student performances during 2017.
By the end of a special education program tying “Hamilton’” to their American History studies, 20,000 Chicago high school students will have seen their peers perform in the morning followed by a regular Hamilton matinee.
Maybe Clarence Darrow’s ghost will appear. But even if you don’t see him, you will hear how his view of populism differs from what is being expressed by today’s politicians when the Annual Clarence Darrow Symposium takes place March 13, 2017.
Titled “Robber Barons & Populists: Would Clarence Darrow recognize today’s Populism,” the event begins with a commemorative ceremony at 10 a.m. near the Clarence Darrow Bridge behind the Museum of Science and Industry (where you might see the ghost). Darrow died March 13, 1938.
Ceremony guests include Ald. Leslie Hairston, activist Bernardine Dohrn, ACLU of Illinois Associate Legislative Director Khadine Bennett and Gene Winkler, adjunct faculty at the Divinity School, University of Chicago.
John A. Farrell, author of “Clarence Darrow: Attorney For The Damned,” will speak in the Museum of of Science and Industry’s Rosenwald Room beginning at 10:45. Refreshments will be served.
“Specimens: Unlocking the Secrets of Life,” takes Field Museum visitors behind the scenes in a new exhibit.
What any scientist knows that few Field visitors grasp as they try to see everything in the museum, is that what’s out there is less than one percent of millions of collection items.
But few Field guests get to see some of those items where they are stored or where the curators work.
Therefore, some of those objects, such as a giant clamshell, a very long sawfish snout (rostrum), a few dinosaur bones and some extinct species have been temporarily moved into a main floor exhibit hall accompanied by videos and interactive tables so visitors get to see some of what the Field collects and why.
“Lots of people don’t realize that we have collections behind the scenes, let alone collections numbering over 30 million objects,” says Director of Exhibitions Jaap Hoogstraten.
The exhibit’s videos and a reconstructed curator’s office with maps showing locations of water beetles, remind visitors that the Field is way more than a place to see interesting items.
“…the Museum is an active research institution where scientists work and make discoveries based upon these collections,” Hoogstraten said.
Some of the specimens reveal chemical and other changes in their environment such as the mercury levels in oceans over time.
Another display shows creatures and plants that lived millions of years ago. It includes fossils from Mason Creek such as the Tully Monster. The area is an exceptional site south of Chicago that was an inland sea about 300 million years ago.
“Museum collections are a way to preserve the past so that we can learn from it in the future,” Hoogstraten said.
“Specimens: Unlocking the Secrets of Life” is at The Field Museum, 1400 S. Lake Shore Drive, March 10, 2017 through Jan. 8, 2018. For admission and other information visit Field or call (312) 922-9410.
Try to define “art.” Think beyond typical words that come to mind. Think creative use of shapes, color, scenery, structures or materials. Then head over to the Art Institute of Chicago to see ‘Helio Oiticia: To Organize Delirium.’
At ‘Helio Oiticia,’ at the museum now through May 7, 2017, you not only see the famed Brazilian artist’s definition, you experience it. Be prepared to take off your shoes.
When you first walk into the Regenstein Hall you see Oiticia’s fondness for shapes and color. Then you find his actions and reactions to his country’s political upheavals and social issues.
But after exploring his large, room-like installations, his sandy beach complete with live, colorful birds and his dark room with a bouncy floor, you see that during Oiticia’s short life (1937-80) he liked to physically share his view of the world.
You will not be a mere viewer of the Art Institute’s show because Oiticia wants you to be a participant.
His “Spatial Reliefs” are hanging structures. “Nuclei” are suspended panels. His famed “Tropicália,” a large installation of sand, birds and foliage done in 1967 contrasts tropical images with what was really going on under Brazil’s dictatorship.
Organized by the Art Institute of Chicago; Carnegie Museum of Art, Pittsburgh; and the Whitney Museum of American Art, New York, ‘Helio Oiticia: To Organize Delirium’ is a fascinating retrospective worth seeing and discussing.
The Art Institute of Chicago is at 111 S. Michigan Ave., Chicago, IL 60603. For other information call (312) 443-3600 and visit AIC.
There is always so much going on in Chicago it is easy to miss something you will want to see or find that the tickets you wanted are gone. So check out the following events and opportunities.
If you love the music of Pyotr Ilyich Tchaikovsky, you will love his beautiful, dramatic “Eugene Onegin” opera. The Lyric Opera of Chicago completes its 2016-2017 series with the musically lush opera starting Feb. 26 and going through Mar. 20, 2017.
Based on a Alexander Pushkin’s poetic novel about ill-fated romantic attractions, the Lyric production stars soprano Ana Maria Martinez as Tatiana Larina and baritone Mariusz Kwiecień as Eugene Onegin. The Lyric production is at the Civic Opera House, 20 N. Wacker Drive, Chicago. For tickets and other information visit Lyric Opera.
Tickets are available for the Chicago stop of “Exhibitionism,” the first major touring exhibit of Rolling Stones memorabilia. Opened first in London and currently in NYC, the show will take over Navy Pier’s Festival Hall April 15 –July 30, 2017. Time dated tickets range from StonesExhibitionism.com. $25- $35 for adults to $20-$22 for juniors. Special tickets are $80 for two visits, any time, fast-track entry.m Group tickets are available from Broadway In Chicago Group Sales at (312) 977-1710. Navy Pier is at 600 E. Grand Ave. Chicago.
‘Merce Cunningham: Common Time,’ now at the Museum of Contemporary Art Chicago, is an excellent example of how the arts can fall into neatly separated compartments and yet be integrated into an astonishingly workable whole.
Videos zoom in on Cunningham’s innovative choreography so that viewers understand that this famed dancer’s concentration on body movements revolutionized modern dance.
But although the title ‘Common Time’ may seem unusual for an exhibit that is a retrospective of a brilliant dancer and choreographer, it quite succinctly sums up how Cunningham pulled in art and music for his company’s performances.
You can beat the crowd by going to the Members’ Preview Feb. 10, 5-7:30 p.m. for cocktails and music ($30). Or go Feb. 11 or 12 from 10 a.m. to 4 p.m. when orchids will be sold in the Orchid Marketplace and experts will be around to answer your orchid questions. The show starts this weekend but is extended to March 26, 2017 so there is time to return with more friends and orchid growing questions.
Cost: Adults: members/nonmembers: $10/$12, seniors 62+ $8/$10, children age 3–12: 8/$10. Nonmember parking is extra but can be bought in advance for easier garden entry and there is a Two Pack deal for parking and two tickets. The Chicago Botanic Garden is at 1000 Lake Cook Road, Glencoe, IL 60022. Call (847) 835-5440.
It’s always interesting to see what’s going on at the museum and to check out two special programs there during Black History Month. But if you are an Illinois resident you can do so free of charges this week, Feb. 7-9, and next week, Feb. 14-16.
The Juried Art Exhibition, an annual show since 1970, features professional and aspiring black artists from across the country, now through Feb. 19, 2017.
The other program is the Innovation Studio where visitors learn about African American contributions to the sciences and can add their own ideas and solutions. It is there now through March 4, 2017. The Museum of Science and Industry is at 5700 S. Lake shore Drive, Chicago.
There’s so much going on in Chicago it’s a challenge to figure out what to try and do and see. Or, to wonder the why and wherefore of the crowd outside Goodman Theatre Jan. 19, 2017. ‘Around Town’ is an occasional feature to help sort through at least some of the city’s events.
You might think the scenery hasn’t changed when you look north on Dearborn Street near Randolph Street. Butif there fter Jan. 19, 2017, you should see the lights of Goodman Theatre’s tall marquee during the day.
The old marquee, damaged in an electrical fire last spring, has been replaced with a similar version but with an important difference. You will see it lit 24/7. The lights are LED, color-changeable and each letter is programmable.
“Our marquee is the brightest, most visible symbol of Goodman Theatre’s 30+ year commitment to high quality productions, cultural and aesthetic diversity on and off our stages, and proactive engagement in our Chicago community—a commitment that has distinguished us, and redefined what a major cultural institution can be,” said Artistic Director Robert Falls.
The Jan. 19 illumination was a deliberate date choice to call attention to the The Ghostlight Project, a national American theater initiative of inclusiveness.
“As part of the Ghostlight Project, we will stand with our theater colleagues across the country at the same time and pledge to protect the values of equality, inclusion, justice—and empathy for everyone, regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity or sexual orientation,” Falls said.
Maybe you noticed that during the past few years the Museum of Contemporary Art has evolved into a multi-media venue that presents dance, music and theater programs, aside from its changing menu of art exhibits.
So, the addition of dance performances up on the fourth floor during the opening weekend of ‘Merce Cunningham: Common Time,’ a multi-media exhibit, seems almost like a given.
Former Merce Cunningham Dance Company members will incorporate important pieces from the past 60 years into performances called Events, Feb. 11 and 12., 1:30 to 2 p.m. and 4 to 4:30 p.m.
Staged and arranged by Andrea Weber, the Event showcases dancers Dylan Crossman, Silas Riener, Jamie Scott and Melissa Toogood. The accompanying musicians are Hanna Brock, Nicolas Collins, Kg Price, Katharine young and their arranger, Stephan Moore.
There will be free events across Chicago in February honoring Black History Month. Among them are stage related segments coordinated by the Goodman Theatre under the umbrella “Black Words Mater: Celebrating Black Voices on Stage and Beyond.”
Among the events are a reading of “Gee’s Bend” by Elyzabeth Gregory Wilder at the DuSable Museum of African American History (740 E. 56th Place,) Feb. 7 at 2 p.m. and film screening August Wilson’s “The Piano Lesson” at AMC Dine-In Theatres at Block 37 (108 N. State St. (availability limited).
In addition, “Playwrights from past to present” is a lecture by Goodman Theatre Resident Director Chuck smith at the Harold Washington Library (400 S. State St) Feb. 23 at 6:30 p.m. and a panel discussion on “Diversity in theater administration and Intern/apprentice networking” at Goodman Theatre’s Alice Rapoport Center for Education and Engagement (107 N. Dearborn St.), Feb. 27 at 5:30 p.m.