‘Legends the Musical: A Civil Rights Movement Yesterday, Today, Tomorrow’
Jackie Taylor, the amiable creative heart and soul of Chicago’s beloved Black Ensemble Theater, has declared 2020 as the company’s Season of Change. She opens with this original, ambitious, musical battle cry, a movement against the injustice and bigotry that’s overtaking our country today thanks to an administration that has set our country back 200 years.
And this is just the beginning of Taylor’s aggressive theatrical approach to helping combat the racism that’s reared its ugly head in America.
Imagine what it was like in 1964 when Judy Garland and her daughter, 18-year-old Liza Minnelli, performed together for the first time at The Palladium Theatre in London. This was the only time these two superstars performed in a live concert together and it was electrifying.
Now, Chicago theatre-goers can experience the thrill of “Judy & Liza — Once in a Lifetime: The London Palladium Concert – A Tribute” at the Greenhouse Theater Center. The show is co-produced by Greenhouse and Nancy Hays Entertainment, Inc.
We were invited to attend a kick-off event and sneak preview for “Hit Her WithThe Skates” a new regionally inspired musical that will have its world premiere March 18, 2020, at the Royal George Theatre on North Halsted Street in Chicago.
Seeing “Almost Heaven,” will bring recollections of John Denver’s backstory.
Denver’s music was considered to be more or less middle-of-the-road if not downright conservative in the wake of rising stars like Janis Joplin and Jimi Hendrix.
This issue is confronted early in the latest jukebox boomer music revival, “Almost Heaven-John Denver’s America,” at The Theatre at the Center in Munster, IN..
The popular singer/songwriter eventually emerged as the nascent voice of the environmental movement with songs like “Calypso” that championed the work of Jacques Cousteau, as well as “Rocky Mountain High,” “Take Me Home, Country Roads,” “Wild Montana Skies” and “Sunshine on My Shoulders.” They unabashedly and exuberantly celebrated the magnificence and simple beauty of nature.
They sound like a good idea on paper, and there have been dozens bouncing around Broadway and on National Tours over the years, but the jukebox musical isn’t much more than a concert with some narrative.
There are two formats in this style of musical theatre. There’s the show that creates an original story and characters, but instead of using new music to further the plot, the songs of one or more artists are featured instead.
In an age when social media has usurped our lives, it’s refreshing to visit a time when people actually spoke to each other, and with eloquence. As in all her stories, Jane Austen’s fourth novel is an 1815 comedy of manners set in Georgian-Regency England. The title character, however, is unlike Austen’s other heroines in that Emma is pretty, smart and rich, but also strong-minded, overindulged and rather full of herself.
There is a lot of leeway when staging the 1960 Harvey Schmiidt (music) Tom Jones (lyrics) “The Fantasticks.” The show, now at the intimate Citadel Theatre in Lake Forest, is among the best productions I’ve seen of a play that normally makes my “least favorite” list. I’ve seen it overly long and boring and overly clever and gimmicky.
However, under the direction of Pat Murphy (“A Christmas Carol,” Deathtrap”) Citadel’s show charmingly mixes old-timey, unsophisticated character portrayals with humorous, burlesque-style staging, set design and movement.
Five years ago this highly-anticipated stage version of the 1951 Gene Kelly/Leslie Caron musical film classic burst upon Broadway. After playing Paris, New York and the West End, and launching a two-year National Tour that played Chicago, we finally have our own regional production.
It is truly magnificent. It’s elegant, romantic, gorgeously produced and beautifully danced and sung. For anyone who adores those classic movie musicals and big, old-fashioned, splashy theatrical productions, this is the show for you.
A “Salute to the Duke” with concept by Donald McKayle, direction and choreography by Brenda Didier and Florence Walker Harris, “Sophisticated Ladies” celebrates Porchlight’s 25th Anniversary Mainstage season by taking the big jazz band era of the Duke to new heights.
Featuring music by jazz composer, pianist and band leader Duke Ellington who composed thousands of songs during his 50-year career, the Duke is recognized as one of the most important composers in American musical history.
The show, a Porchlight Theatre production, takes the audience through Duke’s legendary career with a treasure trove of hits, that include “Mood Indigo,” “Take the “A” Train,” “It Don’t Mean a Thing,” “In a Sentimental Mood” and “Satin Doll.”