With the pandemic still haunting the indoor entertainment scene, some show venues have taken their artistry to parks and parking lots.
Among them are Goodman Theatre which has been working with the Chicago Park District and Music Theater Works which has been using the parking lot of its new home, the North Shore Center for the Performing Arts in Skokie.
The longtime Evanston based production company formerly known as Light Opera Works, presents “Richard Rodgers’ Greatest Hits” Sept. 29, 2020 at 7 p.m. CT.
Divided into two parts of 15 numbers each, songs range from “I wish I were in love again” from Babes in Arms to “You’ll never walk alone” from Carousel.
The program is presented live in the Center’s rear parking lot, 9501 Skokie Blvd., Skokie and then online from October 2-11. For tickets and more information visit MusicTheaterWorks/summerconcertencore.
The Goodman show, “Fannie Lou Hamer, Speak on It! featuring E. Faye Butler, is being performed in some Chicago parks. Directed by Henry Godinez and adapted from Cheryl L. West’s play “Fannie,” the show brings back famed civil and voting rights activist Fannie Lou Hamer through storytelling and music.
Currently, it is scheduled for the front of Austin Town Hall, 5610 W. Lake St., for 6 p.m. Oct. 1, Homan Square in North Lawndale at 3559 W. Arthington St. at 6 p.m. Oct. 2 and in Ellis Park at 3520 Cottage Grove Ave. in Bronzeville at 3 p.m. Oct. 3. The Ellis Park performance is sold out.
Normally we would be talking about what productions are coming this fall and winter to the Lyric Opera, Goodman, Chicago Shakespeare, Steppenwolf, Broadway in Chicago, Lookingglass, Northlight, Court, Music Works, Citadel and several other Chicago area theater stages.
And normally, what’s coming would be divided up by regions because in 2019 there were about 250 theater companies in the area.
Maybe when the coronavirus is under control and artists and patrons feel safe attending live rather than virtual shows, we will know which Chicago theater groups survived the pandemic.
But here is a sample of what we are hearing now about our next theater season.
Calling the season “Our Next Act,” Artistic Director Robert Falls and Executive Director Roche Schulfer announced that the Goodman Theatre would have eight plays in its 2021 subscription (membership) series when safe for everyone. That number doesn’t include “A Christmas Carol” which isn’t a subscription show but details on the popular holiday show are expected to be out soon.
“We’re proud to announce four exciting world premieres, including a Goodman commission – Cheryl L. West’s “Fannie.” Directed by Henry Godinez, it is a passionate rallying cry inspired by the life of famed civil rights activist Fannie Lou Hamer that features E. Faye Butler in the title role,” said Falls.
Another world premiere is “the ripple, the wave that carried me home” by Christina Anderson, a co-production with Berkeley Repertory Theatre. “It is a stunning meditation on protest, legacy and reconciliation; and we’re delighted to welcome back Christina, whose bold, imaginative How to Catch Creation was a memorable favorite last year,” said Falls.
The third world premiere is “Good Night, Oscar” by Doug Wright, directed by Leigh Silverman and starring Sean Hayes (Will & Grace) as Oscar Levant.
Falls added, “Finally, we’ll produce the highly anticipated new musical we postponed due to COVID-19—”The Outsiders” based on the novel by S.E. Hinton and Francis Ford Coppola’s film. A beloved story of ‘haves’ and ‘have-nots’ that defined a generation it is told anew.” (Book is by Adam Rapp, music and lyrics by Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine, choreography by Lorin Latarro and directed by Liesl Tommy.)
Three Chicago premiers include “School Girls; Or, The African Mean Girls Play” by Jocelyn Bioh and directed by Lili-Anne Brown that was interrupted by the pandemic, “A Paris Love Story” featuring the Music of Claude DeBussy that is written and performed by Hershey Felder and directed by Trevor Hay and “American Mariachi” by José Cruz González, directed by Henry Godinez and is a coproduction with Dallas Theater Center.
In addition, Goodman will be doing “The Notebooks of Leonardo da Vinci” adapted and directed by Mary Zimmerman.
“We can’t wait to welcome back our audiences for our dynamic 2021 Season that exemplifies the very best of our art form,” said Falls. “As we continue to prioritize the health and safety of our artists and audiences, we remain flexible in our planning and will share production dates when the time is right.”
Subscription memberships to the upcoming season are available, including the “Whenever Membership” flexible package. A five-play Membership package starts at $100. Visit GoodmanTheatre.org/2021season. Single tickets will be available at a later date.
The Lyric will open a reimagined fall season with “For the Love of Lyric,” a virtual concert from the Lyric Opera House, that will be available for free streaming beginning at 5 p.m. CDT Sept. 13, 2020.
The event is in place of the opening night opera and ball, according to Anthony Freud, Lyric’s general director, president and CEO. “…we are proud to present “For the Love of Lyric- a very special concert presentation available to the largest possible audience via streaming,” said Freud.
Renowned soprano Renee Fleming teams up with special guests including Tony and Grammy award-winner Heather Headley (Aida, Lion King), soprano Ailyn Perez, bass Soloman Howard and mezzo soprano J’Nai Bridges.
Formerly called Light Opera Works, Music Theatre Works is moving from its Evanston home at Northwestern University’s Cahn Auditorium to the North Shore Center for the Performing Arts, 9501 Skokie Blvd., Skokie, beginning with its 2021 season.
A 40-year-old, not-for-profit company that has produced several highly recommended shows, Music Theatre Works has basically honored the classics with great direction, voices and orchestrations that range from the best “Pirates of Penzance” and “Mame” that I have seen to what other CTA writers say is the best “Anything Goes” and “Into the Woods” that they have seen.
Administration and rehearsals will continue at the Paul S. Mavros Center and Joyce Saxon Rehearsal Hall.
The performance move to North Shore Center’s large and small venues means the organization can do more productions and have longer runs, better parking and more exposure.
“For 40 years, Music Theater Works has been a cornerstone of high-quality professional music theater in the Chicago area. Our history demonstrates our dedication to bringing great music and great theater to our audiences. The community along with the many artists, board members and staff have built the company to what it is today,” said Music Theater Works Producing Artistic Director Kyle A. Dougan.
“Music Theater Works’ move to its new performance home at the North Shore Center is a testament to our community’s support for our art. In addition, this outlet strengthens Music Theater Works’ pledge to explore the full spectrum of music theater with the availability of multiple performance spaces within the North Shore Center,” Dougan said.
North Shore Center for the Performing Arts General Manager Michael Pauken said, “It is very exciting to welcome this well-respected organization and its productions to the North Shore Center as I have long admired them as an audience member.”
Pauken added, “I know Music Theater Works’ customers will find the North Shore Center’s location near numerous restaurants, convenient access to public transportation and free parking to be an enhancement to their theatergoing experience and Music Theatre Works performers will enjoy ample backstage space and the technical capabilities of our facility.”
In advance of its formal move to the Center next year, Music Theater Works presented two sold out performances of “Richard Rodgers’ Greatest Hits,” August 28 and 29, as part of the North Shore Center’s outdoor concert series, “Out Back Summer Sessions.”
Music Theater Works presents the clever lyrics and memorable mid-century melodies of Alan J. Lerner and Frederick Loewe in “Lerner and Loewe’s Greatest Hits” at Evanston’s Nichols Concert Hall.
Directed by Rudy Hogenmiller with musical director Linda Madonia the show is an enjoyable trip down memory lane. It starts in the Highlands of Scotland, goes over the bumpy trails of the American West then travels through the streets of London, the salons of Paris and ends up in the woods and palaces of historic old England.
This cabaret style performance begins with the ensemble of Samantha Behen, Alicia Berneche, Billy Dawson and Martin L. Woods harmonizing to the theme from the far off sleepy village of “Brigadoon” which rising from the Scottish mist, awakens once every one hundred years.
Songs include “I’ll Go Home with Bonnie Jean” featuring tenor Dawson, “Almost Like Being in Love” and “Heather on the Hill.”
Part one continues before a fifteen minute intermission with selections from the Western themed “Paint Your Wagon” with Woods’ powerful baritone rendition of “They Call the Wind Maria” and an ensemble version of “Wand’rin’ Star.”
The production continues in Part Two with perhaps Lerner and Loewe’s most successful musical, “My Fair Lady,” in which virtually every song was a hit.
The audience enjoyed hearing “Wouldn’t It Be Loverly,” “On the Street Where You Live,” “I’ve Grown Accustomed to Her Face,” and the insomniac favorite “I Could Have Danced All Night” belted out by the soprano, Berneche.
The story of “Gigi” deals with love and romance in a most Parisian way and includes a nod to mature romance in songs like “I’m Glad I’m Not Young Anymore” and “I Remember it Well,” charmingly performed by Berneche and Woods.
He opens the final segment with Lancelot’s self-aggrandizing “C’est Moi” from “Camelot” that tells the story of a brief and shining moment from the legendary court of Arthur.
Behan as the ingénue gets a few slightly bawdy moments in “Lusty Month of May” before the emotional “Camelot” Finale Ultimo which I am certain brought the majority of this audience back to memories of a hopeful time in 1960 when the show premiered.
The singers are accompanied by Madonia (piano), Nina Saito (violin), Joseph Krzysiak (bass), and Joey Zymonas (drums).
Music Theater Works will end the 2019 season with “Joseph and the Amazing Technicolor Dreamcoat opening Dec. 21, 2019.”
The company’s Founder/General Manager Bridget McDonough and Artistic Director Hogenmiller are retiring on New Year’s Eve this year. Hogenmiller has personally told me he intends to travel and relax.
Incoming Producing Artistic Director Kyle A. Dougan assumes management of MTW on Jan. 1, 2020 when the new season will include “Mamma Mia!,” “Ragtime” and “Billy Elliot.”
DETAILS: “Lerner and Loewe’s Greatest Hits” is at Nichols Concert Hall, 1490 Chicago Ave., Evanston, IL through Oct. 13, 2019. Running time: about 2 hours with one intermission. For tickets and information call (847) 920-5360 or visit musictheaterworks.
I was curious to imagine how this epic story that features a soaring gothic cathedral in the heart of Paris would be portrayed at Music Theater Works’ Cahn Auditorium venue.
But from the moment the curtain rose revealing the stunning scenic set design and twenty-four member choir for MTWs’ “The Hunchback of Notre Dame,” the audience was thoroughly captivated.
Set around 1492 the essence of this operetta is derived from Victor Hugo’s epic novel of the same name with similar themes of intolerance, injustice, abuse of power, and “man’s inhumanity to man” as in his “Les Miserables.”
Experienced theater goers know that not all memorable plays are on stage in the city. Chicago’s suburban theaters also put on Jeff award-winning productions. To be sure to catch a show you want to see, copy it and save or mark those productions on the calendar. (Note: Some companies spell their work and space “theater,” others use “theatre.” Both are correct.) A look at the coming suburban theater season is the last round-up in Chicago Theater and Arts’ Sneak Peek Series.
The theatre is in a school building at 300 S. Waukegan Rd. Lake Forest.
Citadel is doing “Peter and the Starcatcher,” Sept. 18-Oct. 20 followed by “Annie,” Nov. 20-Dec. 22. “The Fantasticks” start out 2020 Feb. 5-Mar. 8, followed by “Brighton Beach Memoirs” Apr. 22-May 24.
For tickets and other information call (847) 735-8554 and visit Citadel Theatre.
The theatre does musical productions in the Marriott Resort at 10 Marriott Dr,. Lincohnshire.
“Darling Grenadine” continues through Aug. 18 followed by “ Something Rotten,” Aug. 28-Oct. 20 and “Oliver” Oct 30-Dec. 29, 2019. “Shrek the Musical” (children’s show) Oct. 5-Dec 30 and concludes with “Holiday Inn” Nov. 7-Jan. 6.
Marriott’s shows for young audiences feature “Junie B. Jones,” now through Aug. 11 and “Madagascar: A Musical Adventure” Oct. 4-Dec. 29.
For tickets and other information call (847) 634-0200 and visit Marriott Theatre.
Metropolis Performing Arts Center
The Center, at 111 W. Campbell St., Arlington Heights, is currently doing “Buddy: The Buddy Holly Story” through Aug. 31, then “Anything Goes” Sept. 19-Nov. 2., 2019. The new year begins with “Noises Off” Jan 20-Mar. 14, followed by “Dirty Rotten Scoundrels” May 14-June 27 and “Mama Mia! July 16 -Aug. 29.
The theatre is in the North Shore Center for the Performing Arts, 9501 Skokie Blvd. Skokie
Northlight is doing the Midwest premiere of “Mother of the Maid” Sept. 12-Oct. 20 and the world premiere of “The Wickhams: Christmas at Pemberley” Nov.7-Dec. 15, 2019. The season continues in the new year with the world premiere of “How a Boy Falls” Jan. 23-Mar. 1 followed by “Intimate Apparel” Mar. 12-Apr. 19 and “Songs for Nobodies” May 7-June 14. 2020.
For tickets and other information call (847) 673-6300 and visit Northlight.
A theatre workshop/school at 927 Noyes St., Evanston, that also presents productions in co-operation with other groups. The Fleetwood-Jourdain Theatre presents“The Black Ballerina” in partnership with Piven, Dear Evanston and Dance Center Evanston, Aug. 10-25.
For Piven tickets and other information call (947) 866-8049 and visit Piven Theatre.
The theatre is in a small, historic, movie theater building at 7924 Lincoln Ave., Skokie
Skokie Theatre is doing “The Fantasticks” Sept. 6-Oct. 6 followed by “Marjorie Prime: Nov. 8-24, 2019. The season continues in 2020 with “Veronica’s Room” Feb. 7-Mar. 1.
For tickets and other information call (847) 677-7761 and visit Skokie Theatre.
Designed by architect Jeanne Gang and her Studio Gang, WT has two stages in an award-winning building at 325 Tudor Court, Glencoe; The Alexandra C. and John D. Nichols Theatre and the The Gillian Theatre.
The 2019-20 season opens with “Into the Woods” Aug. 14-Sept. 22, followed by “A Doll’s House” Sept. 25-Dec. 15, 2019. :The Niceties” is Nov. 6-Dec. 15. It continues in 2020 with “Stick Fly” Feb. 5-Mar. 15. and “The Last Match” Mar. 18-June 7. And “Mementos Mori” ay 6-June 14. .
For tickets and other information call (847) 242-6000 and visit Writers Theatre.
Drury Lane Theatre
The theatre is at the Drury Lane Resort, 100 Drury Lane, Oakbrook Terrace.
Drury Lane Theatre continues “And then There Were None” through Aug. 26 then is doing “The Color Purple” Sept. 13-Nov. 3. 2019 goes into 2020 with Mary Poppins” Nov. 15 –Jan. 19. “An American in Paris” is on stage Jan. 31-Mar. 29.
The theatre uses the rooms and grounds of the Mayslake Peabody Estate at 1717 W. 31st St. Oak Brook.
First Folio is doing “Henry V” through Aug. 18. Then, “Sherlock’s Last Case” Oct. 2-Nov. 3, 2019. Shows continue in 2020 with “Jeeves Saves the Day” Jan. 29-Mar.1 followed by “Louisa May Alcott’s Little women.” Mar. 25-Apr. 26.
Fir tickets and other information call(630) 986-8067 and visit First Folio.
Jedlicka Performing Arts Center
The Center at 3801 S. Central Ave., Cicero., is doing “In the Heights” with Vision Latino Theatre Company, fall of 2019. Dates TBA. For tickets and other information call (708) 656-1800 and visit Jpac Theatre.
Madison Street Theatre
The theatre, at 1010 Madison St. Oak Park, is a multi-venue building. For information call (312) 282-1750 and visit MSTOakPark.
Oak Park Festival Theater
The theater, 157 Forest Ave., has is doing “Much Ado About Nothing” through Aug. 31. Followed by “The Madness of Edgar Allan Poe: A Love Story” Oct. 24-Nov. 17, 2019.
The theatre is in a historic movie palace at 23 E. Galena Blvd., Aurora
Paramount is doing “Newsies” Sept. 4-Oct. 20, then “Beauty and the Beast” Nov. 13-Jan. 19, followed by “The Secret of My Success” Feb. 12-Mar. 29. “Kinky Boots” ends the season Apr. 29-June 14.
For tickets and other information call (630) 896-6666 and visit Paramount Aurora.
Sixteenth Street Theatre
The theatre, 6420 16th Street, Berwyn, is doing “His Shadow” Sept. 5-Oct. 12, 2019 and “Small Jokes About Monsters” Jan. 10-Feb. 16, then, “Good Enough” Mar. 14-Apr. 20, 2020. For tickets and other information call (708) 795-6704 and visit 16th Street Theater.
Theatre of Western Springs
The theatre is at 4383 Hampton Ave., Western Springs.
It is doing “Murder in the Studio” Sept. 5-15 followed by “Accomplice” Oct. 17-27. The new year starts with “The Nerd” Hab, 16-26. Then, “The Great Gatsby” is Feb. 27-Mar. 8 and “TheGame’s Afoot” May 28-June 7.
As anyone who attended Music Theater Works’ Frank Loesser’s “How to Succeed in Business Without Really Trying” recently learned, company co-founder and general manager Bridget McDonough and artistic director Rudy Hogenmiller announced they are making this 39th season their last one at the rudder.
They also introduced producing artistic director designate Kyle Dougan who will step into a new position that combines their two job descriptions so that audiences know Music Theater Works will continue when they step down.
The bouncy overture winds down, the curtain rises and we find a young man in coveralls descending from above in the Music Theater Work’s “How to Succeed in Business Without Really Trying.”
J. Pierrepont Finch, an ambitious young window washer, is discovered reading Shepherd Mead’s tongue-in-cheek instructional book of the same name, while dangling from scaffolding above Madison Avenue.
Narrated for this production by NPR news quiz host, Peter Sagal, the book progresses chapter-by-chapter, charting the recommended course for Ponty’s rise to power in the business world.
Now, bear in mind that this how-to manual, a 1952 best-seller by Shepherd Mead, subtitled “The Dastard’s Guide to Fame and Fortune,” was written as a parody of the popular self-help books of that era. Between this book’s unfailing advice and Finch’s pluck and pizzazz, this likable kid is undoubtedly destined to rise to the top…or is he?
It’s hard to believe that this show which set a new standard for musical comedy satire, is almost 60 years old now. The hummable score by Frank Loesser (“Guys & Dolls,” “Most Happy Fellow”) features a libretto by Abe Burrows, Jack Weinstock and Willie Gilbert, adapted from Mead’s humorous book of the same name.
The musical has a field day lampooning the seeming ease with which an entry level employee can rise to the top of the corporate ladder. A film preserving the performances of most of the original cast was released in 1967. This 1962 Pulitzer Prize and eight-time Tony Award winner has been successfully revived twice on Broadway, earning additional Tony Award nominations and wins.
Throughout the play, whenever it seems the darkest, the young, eager beaver aligns with precisely the right people to learn from and suck up to, as well as the easiest loopholes to infiltrate, in order to reach the top. And when all those elements are out of reach, Ponty employs his considerable boyish charm, ultimately helping him to achieve success.
Music Theater Works in Evanston has put together a visually stunning production of Stephen Sondheim’s fairy-tale musical mashup, “Into the Woods.”
The opening tableau is like the first page of a richly illustrated children’s picture book that literally sets the stage for the primary characters.
Stage right is Cinderella (Kelly Britt) tending to the fire; center stage is the Baker (Daniel Tatar) and his wife (Alexis Armstrong) in their kitchen; and stage left is Jack (Christopher Ratliff) of beanstalk fame with his mother (Anne Marie Lewis) and cow Milky White (Milky White).
Behind the vignettes are the slightly ominous birch tree “woods” accented against a deep blue twilight sky hung with the words “Once Upon a Time.” But of course, this is not your child’s version of the stories presented.
Certainly Joffrey Ballet’s “The Nutcracker,” Goodman Theatre’s “A Christmas Carol” and Macy’s State Street holiday windows are on many folks’ traditional “do” list. But there are also other good shows to see and fun places to go as December 2018 turns into January 2019.
“Into the Woods,” Stephen Sondheim’s “not happily ever after” take on traditional fairy tales, is at Music Theater Works at Cahn Auditorium on Sheridan Road in Evanston Dec. 22-31. Music Theater Works was formerly called Light Opera Works.
“A Midsummer Night’s Dream” is about magic, love, and in this production at Chicago Shakespeare Theater, is backed by a mash-up of rock, jazz, blues and doo-wop., Dec. 6, 2018 -Jan 27, 2019.
“La Ruta” world premiere at Steppenwolf Theatre Dec. 13-Jan. 27. At U.S.-owned factories in Ciudad Juárez, Mexico, La Ruta is just a bus. But to the women who live, work and often disappear along the route, it’s much more.
Chicago Symphony Orchestra Brass plays numbers from Holst to Tchaikovsky, 8 p.,. Dec. 19, at Chicago Symphony Center, 220 S. Michigan Ave. and the CSO does Handel’s “Messiah” at 8 p.m. Dec. 20 at the Symphony Center.
Ice skate free in Millennium Park if you bring your skates, skate rental is $13 weekdays and $15 Friday-Sunday and holidays. Skating rink is street level on Michigan Avenue below Cloud Gate (The Bean) between Washington and Madison Streets. Hours and more information at Millennium Park.
Take a “Holiday Lights, City Lights’ bus tour with the Chicago Architecture Center, 111 E. Wacker Dr., Chicago and then check out CAC’s diorama on the main floor and skyscraper exhibit upstairs.