What's happening on the arts scene – on stage, in museums and at fairs and festivals
‘Summer: The Donna Summer Musical’
3 stars
They sound like a good idea on paper, and there have been dozens bouncing around Broadway and on National Tours over the years, but the jukebox musical isn’t much more than a concert with some narrative.
There are two formats in this style of musical theatre. There’s the show that creates an original story and characters, but instead of using new music to further the plot, the songs of one or more artists are featured instead.
‘Emma’
4 stars
In an age when social media has usurped our lives, it’s refreshing to visit a time when people actually spoke to each other, and with eloquence. As in all her stories, Jane Austen’s fourth novel is an 1815 comedy of manners set in Georgian-Regency England. The title character, however, is unlike Austen’s other heroines in that Emma is pretty, smart and rich, but also strong-minded, overindulged and rather full of herself.
3 stars
There is a lot of leeway when staging the 1960 Harvey Schmiidt (music) Tom Jones (lyrics) “The Fantasticks.” The show, now at the intimate Citadel Theatre in Lake Forest, is among the best productions I’ve seen of a play that normally makes my “least favorite” list. I’ve seen it overly long and boring and overly clever and gimmicky.
However, under the direction of Pat Murphy (“A Christmas Carol,” Deathtrap”) Citadel’s show charmingly mixes old-timey, unsophisticated character portrayals with humorous, burlesque-style staging, set design and movement.
Continue reading “‘The Fantasticks’ becomes a delightful throwback at Citadel”
An American in Paris
4 stars
Five years ago this highly-anticipated stage version of the 1951 Gene Kelly/Leslie Caron musical film classic burst upon Broadway. After playing Paris, New York and the West End, and launching a two-year National Tour that played Chicago, we finally have our own regional production.
It is truly magnificent. It’s elegant, romantic, gorgeously produced and beautifully danced and sung. For anyone who adores those classic movie musicals and big, old-fashioned, splashy theatrical productions, this is the show for you.
4 stars
A “Salute to the Duke” with concept by Donald McKayle, direction and choreography by Brenda Didier and Florence Walker Harris, “Sophisticated Ladies” celebrates Porchlight’s 25th Anniversary Mainstage season by taking the big jazz band era of the Duke to new heights.
Featuring music by jazz composer, pianist and band leader Duke Ellington who composed thousands of songs during his 50-year career, the Duke is recognized as one of the most important composers in American musical history.
The show, a Porchlight Theatre production, takes the audience through Duke’s legendary career with a treasure trove of hits, that include “Mood Indigo,” “Take the “A” Train,” “It Don’t Mean a Thing,” “In a Sentimental Mood” and “Satin Doll.”
Continue reading “‘Sophisticated Ladies’ sparkles like New Year’s Eve for the Duke”
Verboten
4 stars
Back in 1982, a group of talented Evanston tweens who shared a close friendship and a mutual love for creating music, formed their own punk rock band.
For the most part, the four youngsters just enjoyed writing songs and playing them in their basement for each other. But then things changed. Suddenly, they were performing at a bar.
3 1/2 stars
Director Scott Weinstein has chosen a cast that works together beautifully in Jim Jacobs and Warren Casey’s hit musical, “Grease,” a two-hour snapshot of late 1950’s Chicago-area (William Howard Taft High School) teenagers dealing with peer pressure, physical attraction and values.
Named after youth who called themselves greasers, the musical looks in on the lives of two groups at fictional Rydell High School, the Burger Palace Boys who sport leather jackets and their girl friends, the Pink Ladies. Nerds, cheerleaders and teachers also put in appearances.
Continue reading “‘Grease’ returns to the not so golden high school days”
3 stars
“Joseph’s Amazing Technicolor Dreamcoat” is the 2019 holiday fashion choice for Music Theater Works in Evanston and swan song of retiring stage director Rudy Hogenmiller.
The upbeat Vegas style variety show extravaganza commonly known as “Joseph” is – and in my mind – the least refined of the blockbuster musicals of composer Andrew Lloyd Webber and lyricist Tim Rice.
None-the-less, it enjoys wide acclaim and provides an evening’s worth of solid cheerful entertainment.
Continue reading “Joseph struts his dreamcoat at Cahn Auditorium”
‘The Land of Forgotten Toys’
2 ½ stars
Amidst a growing crop of holiday productions, Chicago is being treated to yet another new family friendly show. Chirpy, relentlessly over-exuberant and with very few moments of reflection or subtlety, this new holiday musical could really use some layers and a bit of variety. As it now plays in its world premiere, the production is a little overpowering. It’s a little like sitting in the front row of an IMAX theatre: there’s no escape.
Created by the writing team of twins Jennifer and Jaclyn Enchin, the plot of this new play is fresh and fun, although vaguely familiar. The songs are a different matter.
3stars
No question that soprano Renée Fleming, an opera superstar who has sung leading ladies from Donna Elvira in Mozart’s “Don Giovanni” to Nettie Fowler in Rodgers and Hammerstein’s “Carousel” is a fine fit as Margaret Johnson in Adam Guettel and Craig Lucas’ “The Light in the Piazza.”
Her remarkable voice, joyfully greeting Florence in the opening scene, heartbreaking in “Dividing Day” following a phone call back home when she realizes her own marriage lacks love, and later swelling with a renewed understanding of love versus risks in her final song, “Fable,” makes going to this production at Chicago’s Lyric Opera House worth attending.