A million dollar evening’s worth

Nat Zegree, Shaun Whitley, Rustin Cole Sailors and Christopher J. Essex around the piano as in their characters' pose in the famed Million dollar Quartet photo
Nat Zegree, Shaun Whitley, Rustin Cole Sailors and Christopher J. Essex around the piano as in their characters’ pose in the famed Million dollar Quartet photo

4 stars

Going to Marriott Theatre for “Million Dollar Quartet” is like going to an amazing concert.

Some of the story-line is there on how and why future pianist extraordinaire Jerry Lee Lewis, the already famous Elvis Presley, the growingly popular Johnny Cash and the originator of “Blue Suede Shoes,” singer Carl Perkins, had all stopped by Sam Phillips’ Sun Records Memphis recording studio and service on the same December day in 1956.

But the reason to go to the show is to hear and see those four personalities come alive  during an extraordinary 90 plus minutes jamming of “I Walk the Line,” “That’s All Right (Mama),” Who Do You Love,” “Great Balls of Fire”  and their other hits.

The event, the only time these four future legendary entertainers were at the same place at the same moments, was captured by Phillips in a photo that would become famous. I saw it in the museum that is the Sun Records building in Memphis. The building is definitely worth a visit.

Phillips who became known as the “Father of Rock and Roll,” had recognized a future in syncing what was considered at the time to be “Negro” sounds and rhythms with other beats.

What the Marriott show doesn’t go into is the part radio personality Marion Keisker, a collaborator at Phillips’ Memphis Recording Service, played in bringing Elvis on board.

Originally conceived and directed by Floyd Mutrux with book by Colin Escott and Mutrux, the show is basically a jukebox musical. Premiered in Florida in 2006, it was produced in Chicago in 2008 first at Goodman Theatre and then moved to the Apollo Theater where it ran until fall 2014.

However, it does include short, spotlit, freeze points where Phillips interacts with each performer he developed while the other entertainers are in stop-action shadows.

It has Elvis accompanied by girlfriend Dyanne, portrayed with pizzazz by Laura Savage. She does a great “Fever” torch song during the jam session. As an aside, some stories about the event say he was accompanied by girlfriend Marilyn Evans.

From L. Laura Savage, Nat Zegree, Rustin Cole Sailors and Christopher J. Essex in Million Dollar Quartet at Marriott Theatre Lincolnshire. (Photos by Liz Lauren)
From L. Laura Savage, Nat Zegree, Rustin Cole Sailors and Christopher J. Essex in Million Dollar Quartet at Marriott Theatre Lincolnshire. (Photos by Liz Lauren)

What does matter is that the whole Marriott cast is terrific. Christopher J. Essex who has played the role elsewhere, really sounds like Johnny Cash. Rustin Cole Sailors who has been in several musicals on the West Coast does a fine Elvis impression. Shaun Whitley who reprises his Carl Perkins role during part of the Apollo Theater run has the perfect voice and plays a mean guitar.

But the person who usually makes this musical fun and exciting for me is the pianist portraying Jerry Lee Lewis. After more than 300 performances as Jerry Lee, as the famed entertainer is often called, Nat Zegree can not only play the piano with one hand, backwards, upside-down and certainly not sitting, but he can also do it blind-folded and does so during the encore.

Longtime actor David Folsom who has performed in shows from California to New York is a believable Sam Philips. Other important characters, although they are off to the side, are Zach Lentino reprising his role in the Apollo production as Jay Perkins, brother of Carl Perkins, on bass, and Kieran McCabe as drummer W.S. “Fluke” Holland which he has also played in other “Million Dollar” productions.

I also liked the use of the usually darkened, glassed-in room where Marriott Theatre’s  musicians usually perform turned into Sun Records’ recording room.

Indeed, the entire staging was handled well. It felt as if we were all there at Sun Records.

So kudos to director James Moye, music director Ryan T. Nelson, set designer Jeffrey D. Kmiec, sound designer  Robert E. Gilmartin and lighting designer Jesse Klug.

On the nit-picking side of what is otherwise a great show, I found the constant lighting up of cigarettes to be a distraction even though smoking was very popular mid last century. I also thought there were too many dead spots mixed in with Zegree’s rant about devil music. The other characters looked as though they were supposed to say something but didn’t and those time lapses were too long.

But the Marriott production is good enough to see more than once and share with friends.

DETAILS:  “Million Dollar Quartet” is at Marriott Theatre, Ten Marriott Drive, Lincolnshire, IL through March 16, 2019. Running time: approximately 100 min. no intermission. For tickets and other information call (847) 634-0200 and visit Marriott Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

 

 

Academy Awards nominations announced

 

Oscar poster 2013. (Image courtesy of the Academy of Motion Picture Arts and Sciences.
Oscar poster 2013. (Image courtesy of the Academy of Motion Picture Arts and Sciences.

Did you see a movie last year that you thought worthy of an Oscar or a performance that should be nominated for that golden statuette handed out by the Academy of Motion Picture Arts and Sciences?

BTW the statuette is supposed to be a knight holding a crusader’s sword. He stands on a film reel with five spokes that represents  actors, directors, producers, writers and technicians.

Maybe the movie or performance you liked is among the list of Oscar nominees announced this morning by the Academy.

Top three categories

Best Motion Picture nominations: Black Panther, BlackkKlansman, Bohemian Rhapsody, The Favorite, Green Book, Roma, A Star is Born and Vice.

Best leading actor: Christian Bale (“Vice”), Bradley Cooper (“A Star Is Born”), Willem Dafoe (“At Eternity’s Gate”), Rami Malek (“Bohemian Rhapsody”) and Viggo Mortensen (Green Book”)

Best leading actress: Yalitza Aparicio “Roma,” Glenn Close (“The Wife”), Olivia Colman (“The Favourite”), Lady Gaga (“A Star Is Born”) and Melissa McCarthy (“Can You Ever Forgive Me?”)

For the complete list visit www.oscar.com.

What you might want to put on your calendar

The 91st Oscar Awards will be Feb. 24, 2019 at the Dolby Theatre, Hollywood and televised on the ABC Network.  (Voting takes place from Feb. 12 through Feb. 19.)

Ten trivia facts

You might want to know these if holding an Oscar Party or just to impress your friends:

  1. Number of eligible feature motion pictures … 347
  2. Countries submitting foreign language films… 87
  3. Number of voting members (as of 12-21-18)…7,902
  4. S. audience for 90th Oscars…26.54 million
  5. Number of Oscar statuettes given at 90th Oscars…48
  6. Oscar statuette height…13 ½ inches
  7. Oscar statuette weight…8 ½ pounds
  8. Longest Oscars telecast…4 hrs., 23 min. in 2002
  9. Shortest Oscars telecast…1 hr. 40 min. in 1959
  10. Most often Oscar host… Bob Hope with 19

Jodie Jacobs

 

Puppet Master: Global Fest returns

Huber Marionettes Gypsy Dancer. (Photo courtesy of Huber Marionettes)
Huber Marionettes Gypsy Dancer. (Photo courtesy of Huber Marionettes)

Depending on your generational reference, the word “puppet” may elicit memories of Shari Lewis’ adorable Lamb Chop or the stage-managing Kermit the Frog of “The Muppets Show.”

But puppetry actually is an ancient tradition of storytelling that is rooted in diverse global cultures. More recently, technical and creative innovations have launched the art to new heights of theatrical expression.

The 3rd Chicago International Puppet Theater Festival celebrates this renaissance through Jan. 27. More than 100 performances of 24 shows and events are being given at 19 Chicago venues by professional puppeteers from 11 countries.

The 2019 edition of the biennial Festival showcases an entertaining and eclectic array of experiences and cultures from around the world. A wide range of puppet styles and approaches are presented including marionettes, shadow puppets, Bunraku puppets, paper scrolls and even anthropomorphized plastic shopping bags.

Some of the productions are lighthearted and family-friendly, while others are dramatic or political. Some incorporate dance, song, multimedia, live music, kites–or total silence. All are thought-provoking and moving examples of the power of puppetry to foster compassion and spark insight into lives beyond our own..

 

A few of the shows that are coming up

“Pescador/Fishermen” by Silencio Blanco of Chile is a series of quiet portraits of men at sea. Engrossed in their solitary work, fishermen absorb nature’s overwhelming immensity.

In “Suspended Animation,” the stunning Huber Marionettes from Cookeville, Tenn., dance, play musical instruments and perform complex acrobatic tricks.

“Schweinehund” is inspired by the true story of Pierre Seel, a Frenchman deported to a concentration camp in 1941 on suspicion of homesexuality. Performed on a wooden table, skeletal puppets interact with projected video-animations evoking powerful snapshots of the atrocities Seel endured juxtaposed with wistful memories of yesteryears. It was produced by puppeteers Andy Gaukel of New York and Myriame Larose of Montreal.

This year’s schedule also includes the Neighborhood Festival Tour, a series of 12 free performances by Italian and Puerto Rican puppeteers.

The Chicago International Puppet Theater Festival was formed in 2014 to establish Chicago as a center for the advancement of the art of puppetry. Founder and artistic director Blair Thomas, known for his work in spectacle theater, previously co-founded the now-defunct Redmoon Theater.

DETAILS: The Chicago International Puppet Theater Festival runs in various city theaters and venues through Jan. 27. For tickets and a full schedule, visit  ChicagoPuppetFest.

Pamela Dittmer McKuen

(Ed note: McKuen saw the first show, “Ajijaak on Turtle Island” but because it isn’t on the continuing agenda, she didn’t write a review for readers who might want to go. However she said she would have given it our top rating of 4 stars.)

For more shows visit Theatre in Chicago

 

Where it’s summer: No plane ticket needed

 

Don’t let Chicago’s Brr-rated temps keep you from going out when you could be enjoying beach and equator-like weather and fun. One of the places you can shed coats, hats and gloves and sit in a deck chair is The Beach at Navy Pier. The other place envelopes you in tropical warmth and greenery at The Chicago Botanic Garden in Glencoe.

 

Go to The Beach at Navy Pier. (Photo courtesy of Navy PIer)
Go to The Beach at Navy Pier. (Photo courtesy of Navy PIer)

The Beach Chicago

You know you experience is going to be interesting when one of the rules to enter The Beach is to empty pockets of keys, jewelry, phones and fit-bits because they can be lost, not in the sand but in an ocean of a million plastic balls.

Play, relax and watch youngsters uninhibitedly dive because this ocean is safe. BTW, no shoes allowed so wear fun socks.

Designed by Snarkitecture founder Daniel Arsham and his crew, The Beach is a fun architectural installation that has gone into an arena in Tampa, a national museum with a large lobby in Washington D.C. and now, the large ballroom at Navy Pier.

Opened Jan. 19 and going through Feb. 3, 2019, The Beach is just in time to counteract Chicago’s icy winds.

But check rules ahead of time for dos and don’ts such as no strollers, eating or drinking or throwing the balls and do use self-service lockers for valuables.

Presented by Navy Pier and Expo Chicago, entry to The Beach is free. For parking fees and locations and public transportation check Navy Pier. To see the Tampa installation visit Youtube TampaBeach. To learn more about the beach installation visit Snarkitecture. Navy Pier is at 600 E. Grand Ave., Chicago, IL 60611. For more information  call 1-800 595-PIER (7437) and visit The Beach Chicago.

 

Escape wintery winds at the Chicago Botanic Garden Greenhouses. (Photo by J Jacobs)
Escape wintery winds at the Chicago Botanic Garden Greenhouses. (Photo by J Jacobs)

Chicago Botanic Garden Greenhouses

Escape to temperatures between 75 and 85 degrees (Fahrenheit) in the Semitropical Greenhouse surrounded by ferns, delightful  gardenia and bougainvillea. Look for  penguins and cranes. They won’t waddle or fly off. The Semitropical Greenhouse has topiaries around each corner.

Then feel the warmth of the Tropical Greenhouse and breathe in its wonderfully moist air. Look for cocoa pods on the “chocolate tree,” orchids growing on the Botanic Garden’s constructed trees and bromeliads  hanging from other constructions. Look for the large leaves and maroon-colored flowers of the banana plants.

Go from moist to dry climates in the Arid Greenhouse. Daytime here is really warm between 80 and 90 degrees but when the sun goes down these plants like cold so the temperature drops to half that. Look for interesting cacti shapes but don’t touch. Many of these plants are prickly.

Entry to to Chicago Botanic Garden is free. For parking fees and public transportation suggestions (about half a mile from the Braeside Metra stop) visit Chicago Botanic. The Chicago Botanic Garden is at 1000 Lake Cook Rd., Glencoe, IL 60022. For more information call (847) 835-5440.

Jodie Jacobs

 

Chicago Theatre Week has deals for you

 

Steppenwolf is among the theatre companies participating in Chicago Theatre Week. Kyle Flubacker photo
Steppenwolf is among the theatre companies participating in Chicago Theatre Week. Kyle Flubacker photo

Just as many Chicago restaurants are offering special prices and deals during Restaurant Week Jan. 25-Feb. 7, 2019, several Chicago theater companies will have particularly low ticket prices for shows the following week, Feb. 7 to Feb.17. ( BTW don’t be bothered that some companies spell theater the old-fashioned and British way of theater and others spell it theatre).

Ranging from $15 to $30 a ticket, Theatre Week deals are too good to pass up. The catch is that there are a limited number of tickets at the bargain price so theater-goers in the know snap them up ahead of time.

Of the Chicago area’s 250 theater companies, about 120 are participating with their current productions. A sampling includes Goodman Theatre’s “How to Catch Creation,” Paramount Theatre’s “The Producers,” Windy City Playhouse’s “Noises Off,” Shattered Globe Theatre with Theater Wit’s, “The Realistic Joneses” and Steppenwolf’s “A Doll’s House, Part 2.”

To see what shows are available at what discount price during Chicago Theatre Week visit, Choose Chicago, the city’s tourism site. Choose Chicago is working with the League of Chicago Theatres  (also known as ChicagoPlays).

Jodie Jacobs

 

 

 

Around Town: CubsCon and SoxFest

Sox cap photo by Mira Temkin
Sox cap photo by Mira Temkin

Just when you think mid and late January dates seem far off you realize they are already here. So, Chicago baseball fans closely following any tidbits of who has re-signed and what star might be added to the team’s firmament, might get some clues from events taking place this weekend, Jan. 18-20, 2019, at the Sheraton Grand Chicago or next weekend, Jan. 25-27, 2019 at the Hilton Chicago.

 

Cubs Convention 

Cubs cap photo by Jodie Jacobs
Cubs cap photo by Jodie Jacobs

Sorry, tickets are no longer available but fans can go online @ Cubs to check behind-the-scenes action and follow live streams of these four events (all CST): Opening Ceremony , 6 to 7 p.m.,Jan. 18, “Friday Night with Ryan Dempster” from 7:30 to 10 p.m. CT, same night, “In the Batter’s Box”  from 11 a.m. to noon Jan. 19 and “Cubs in Cooperstown” later that day from 3 to 4 p.m. Convention panels will also include “Joe Maddon & the Coaching Staff,” “Baseball Operations Update” and “Business Operations Update”

Who will be there

Among those players attending are pitcher Kyle Hendricks and outfielders Jason Heyward and Kye Schwarber. Among the alums are catchers Jody Davis and Randy Hundley, pitchers Fergiew Jenkins and Kerry Wood (of course Dempster), outfielder Andre Dawson and infielder Ryne Sandberg. To see the whole roster check Players and Alumni.

 

SoxFest

Yet a week away, there still are tickets available to SoxFest. Chicago Theater and Arts would ike to thank those fans who participated in the drawing for a free pair of SoxFest passes. The winning name, a resident of Highwood, IL,  was drawn of Jan. 14.

Who will be there (More will be added closer to SoxFest)

Among the players will be José Abreu, Yonder Alonso, Tim Anderson, Nicky Delmonico, Adam Engel, Jace Fry, Leury García, Lucas Giolito, Michael Kopech, Reynaldo López, Yoán Moncada, Daniel Palka and Yolmer Sánchez.

Alumni will include Harold Baines, John Cangelosi, Carlton Fisk, Ozzie Guillén, Ken “Hawk” Harrelson, Michael Huff, Bo Jackson, Ron Kittle, Carlos May.

 

Recap

The Cubs Convention moves into the Sheraton Grand Chicago (301 E. Water St.), Jan 18-20, 2019.

SoxFest takes over the Hilton Chicago (720 S. Michigan Ave.) Jan. 25-27, 2019.

 

Jodie Jacobs

 

 

Theater critic reviews own acts

 

Brendon Coyle in the Donmar Warehouse production of St. Nicholas. (Photo by Helen Maybanks
Brendon Coyle in the Donmar Warehouse production of St. Nicholas. (Photo by Helen Maybanks

3 stars

“…Power… I was a theater critic…,” says Brendan Coyle in “St. Nicholas.” The show, a one-person play by Conor McPherson is at Chicago’s Goodman Theatre fresh from its success at London’s popular Dormar Warehouse.

An Olivier Award winning actor from McPherson’s “The Weir,” Coyle drew laughter from Goodman’s opening night crowd of theater critics and patrons almost every time he said the word “critic.”

However, given that McPheron’s portrait of a critic contains more than a few resemblances to Oscar Wilde’s philosophical and Gothic  “The Picture of Dorian Gray,” it arguably would be better to ask a Goodman Theater patron how that person liked or felt about the play.

Continue reading “Theater critic reviews own acts”

Delightful ‘La boheme’ revisited

Parisian street scene in "La boheme at Lyric Opera of Chicago. (Todd Rosenberg photo)
Parisian street scene in “La boheme at Lyric Opera of Chicago. (Todd Rosenberg photo)

3 stars

Opera lovers who hoped to see “La boheme,” Lyric’s attractively updated version  directed by Richard Jones when the 2018-19 season opened in the fall, still have a few opportunities.

After the musician’s strike cancelled one performance, this fresh version of Giacomo Puccini’s popular opera is back with more January dates added to the schedule.

The new production is beautifully sung, featuring Zachary Nelson (Marcello), Michael Fabiano (Rodolfo) and Maria Agresta (Mimi). In the performance I saw, Ann Toomey (Musetta) stood in for Danielle De Niese who had a cold.

Continue reading “Delightful ‘La boheme’ revisited”

Joffrey to debut new ballet

 

Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez. (Photo by Cheryl Mann at The Richard Driehaus Museum)
Joffrey Ballet dancers Victoria Jaiani and Alberto Velazquez.
(Photo by Cheryl Mann at The Richard Driehaus Museum)

 

Imagine a story about Imperial Russian society, desire and betrayal as the body and bones for an exceptional novel. Leo Tolstoy did and penned “Anna Karenina” in a periodical series from 1873 to 1877, then as a book in 1878.

Tolstoy’s story of Anna’s scandalous extramarital affair with a dashing cavalry officer and the couple’s ensuing downfall has been the dramatic fodder of many media forms from opera to movies and ballets.

John Neumeier’s “Anna Karenina” using mostly Tchaikovsky’s music and moving the story to contemporary times, had its North American Premiere with the National Ballet of Canada in Nov. 10. 2018.

But fresh from the highly successful re-imaging of Tchaikovsky’s “Nutcracker Suite,” the Joffrey Ballet Company saw the potential of interpreting “Anna Karenina” in a new ballet with a new score.

To do so the company commissioned Russian composer Ilya Dtmutsky for the score and San Francisco Resident Choreographer Yuri Possokhov to interpret it in dance.

“It’s a real rarity for any ballet company to commission a full-length score. And it was a coup to secure Demutsky, one of the brightest lights in the world of music today,” said Joffrey Music Director Scott Speck.

About the choreography, Speck said, “Possokhov is very careful to be true to the score, so he is using Demutsky’s musical vision as the inspiration for his choreography. Ilya is the Tchaikovsky of this ballet.”

Accompanied by the Chicago Philharmonic led by Speck, Joffrey Ballet’s “Anna Karenina” will have its world premiere at the Auditorium Theatre of Roosevelt University, 50 E. Ida B. Wells (Congress  Expressway at Michigan Avenue) )Feb. 13 and continue through Feb. 24, 2019.

For tickets and more information visit Joffrey/Anna.

Jodie Jacobs

 

 

 

Greek gods and monsters populate Percy Jackson musical

 

Kristin Stokes,l, Chris McCarrell and Jorrel Javier go on a hero quest in The Lightning Thief: The Percy Jackson Musical. (Photo: Jeremy Daniel)
Kristin Stokes,l, Chris McCarrell and Jorrel Javier go on a hero quest in The Lightning Thief: The Percy Jackson Musical. (Photo: Jeremy Daniel)

2 ½ stars

Fans of Rick Riordan’s Percy Jackson series about the trials and friendships among children of god and mortal coupling should understand and enjoy “The Lightning Thief: The Percy Jackson Musical” now playing at the Oriental Theatre.

Adults not familiar with the series will get the idea from this low-budget (no real scenery changes), touring show that yeah, what Riordan calls “half-blood” youngsters not only have to please their mortal parent but also put up with and please their Greek god dad or goddess mom.

Because my granddaughter liked the series, I read the books, was hooked on their adventures and thought the show might be fun.

Well, it’s not bad. All it needs are some decent-singing voices aside from Chris McCarrell who does a fine job as Percy and his mom Sally, played by Jalynn Steele, who has the best voice in the cast.

The rest of the cast are certainly in character but it’s hard to understand all the words because they shout-sing in nasally, tinny voices.

Percy fans might not care but if a song is worth writing and singing it ought to be sung so audiences hear more than a couple of words.

And the songs, with music and lyrics by Rob Rokicki, are basically good. McCarrell puts over his frustration well in the “The Day I Got Expelled” and “Good Kid.”

Riordan’s page-turning story-telling, cleverly interpreted in the book by Joe Tracz, keeps audiences wondering what will happen next and how will these “kids” handle the next obstacle.

Director Stephen Brackett, scenic designer Lee Savage and lighting designer David Lander move the story along with obviously low-budget staging. Riordan fans likely don’t care. They just enjoy seeing how Percy, the love-child of powerful god Poseidon, handles his “hero quest” to bring his mom, struck down by a Minotaur,  back from the Underworld and also recapture Zeus’ lightning stolen by Hades.

The show is only in Chicago for a short time so Percy Jackson fans who want to see how Riordan’s story is interpreted on stage need to snag a ticket now.

DETAILS: “The Lightning Thief: The Percy Jackson Musical” is at the Oriental Theatre, 24 W. Randolph St., Chicago, through Jan. 13, 2019. Running time: 2 hours with one intermission. For tickets and other information call (800) 775-2000 and visit Broadway In Chicago.

Jodie Jacobs

For more shows visit Theatre in Chicago