Opera lovers who hoped to see “La boheme,” Lyric’s attractively updated version directed by Richard Jones when the 2018-19 season opened in the fall, still have a few opportunities.
After the musician’s strike cancelled one performance, this fresh version of Giacomo Puccini’s popular opera is back with more January dates added to the schedule.
The new production is beautifully sung, featuring Zachary Nelson (Marcello), Michael Fabiano (Rodolfo) and Maria Agresta (Mimi). In the performance I saw, Ann Toomey (Musetta) stood in for Danielle De Niese who had a cold.
With everything you have to do, places to go, people to visit there might not have been time to fit in everything you hoped to see by Dec. 31. No worries. Some of the fun shows, exhibits and festivals will still be around in January, 2019.
Lyric Opera’s delightful “Cendrillon” (Cinderella ) runs through Jan. 20 and its exceptional “La boheme” continues at the Lyric Opera House, 20 N. Wacker Dr., Chicago, through Jan. 31. For tickets and more information visit Lyric Opera.
“Steadfast tin Soldier at Lookinggglass Theatre in the Chicago Water Works at 821 N. Michicagn Ave. runs through Jan. 13. For tickets and other information visit Lookingglass.
“Wonderland Express” is at the Chicago Botanic Garden, 1000 Lake Cook Rd., Glencoe (just east of Edens Expressway) through Jan. 6. (This is a time and date ticketed show) For tickets and other information visit . For parking check Chicago Botanic.
“Zoo Lights” at Lincoln Park Zoo, 2001 N. Clark St.,, Chicago, is open New Year’s Day and continues through Jan. 6.
Chicago area theaters put on so many excellent productions that picking our top 10 shows is not merely challenging, it also reflects individual points of view, entertainment preferences and theater and music backgrounds. Readers are welcome to disagree and comment with their own suggestions.
This year, we also are including Broadway in Chicago and Lyric Opera contenders because Chicago audiences attend those productions and support those organizations with subscriptions.
A bit about our reviewers: Reno Lovison, Pam McKuen, Francine Friedman, Mira Temkin and editor Jodie Jacobs are professional writers who have contributed over the years to a variety of publications. Read more in the About section of Chicago Theater and Arts. Their selections could each have extended to five and more but were narrowed down to two apiece.
“Haymarket” was an important Chicago story, well performed and included appropriate Bluegrass music reminiscent of labor-oriented folk songs. See review of this Underscore Theatre Company’s production at Haymarket.
“The End of TV”
“The End of TV” made me a Manual Cinema fan, offering a fresh way to experience live performance utilizing old and new technologies. See review of the Manual Cinema production at The End of TV.
(***: In spite of my two picks I find myself periodically thinking about “Arcadia” and “Fear and Misery in the Third Reich” but probably more as a result of the playwright than the players.)
A Paramount Theatre production, “Once” is a sweet but short-lived romance with an imaginative set and an upbeat cast of congenial music-makers that was put on at a suburban jewel. See review of Once.
“On Your Feet”
A Broadway in Chicago presentation at the Cadillac Palace, “On Your Feet” is the life story of Emilio and Gloria Estefan. It has everything you’d want in a musical: global hits, glitzy costumes, dramatic lows and comedic punches. I’d see it again. See review at On Your Feet.
Loosely based on the opera “Madame Butterfly,” the musical “Miss Saigon” embraces the relationship between an American GI and a young Asian woman while it follows the final days of the Vietnam War. The play’s touring company of wonderful actors, singers and dancers, along with real photos of orphaned, war-born American/Asian children displayed in its second act, brought the musical to life. See review at Miss Saigon.
“Women of Soul”
At the Black Ensemble Theater through Jan. 21, 2019, “Women of Soul” is a tribute to many well-known female singers, covering their different genres and numerous years. In addition to the wonderful performers who sing their famous tunes, many newly-revealed details of how their careers blossomed and how some of their lives ended adds insight to their backgrounds. And the closing tribute to the Queen of Soul, Aretha Franklin, brought everyone to their feet. See the review of Women of Soul.
“The Buddy Holly Story”
An American Blues Theater production, this high-energy biopic of singer/songwriter Buddy Holly kept the music going at a frenetic pace as a testament to the amazing talents of star, Zachary Stephenson and the entire cast. Even though “it was day the music died, according to Don McLean,” the audience never wanted it to end. See review at Buddy Holly Story.
“A Shayna Maidel”
What is family? Can it be created or reborn? “A Shayna Maidel” performed as a revival by TimeLine Theatre, answers these thoughtful questions in a most profound way. See review at A Shayna Maidel.
(*** Also agree that “Miss Saigon” is among the year’s best. This new versio, now on on tour ,takes out all the stops in theatrics, wowing audiences as one of the most spectacular musicals ever written and produced. Contemporary theatre goers can’t help but get caught up in the past, knowing how the war ended with the cost in human life and how many Vietnamese orphans the U.S. left behind.)
Lyric Opera of Chicago’s “La boheme” was extraordinary theater. It had everything from inventive scenery and creative staging to exceptional acting, singing and orchestration. Fortunately, it continues in January, 2019. See the review at La boheme.
“Steadfast Tin Soldier”
Audiences have come to expect unusual presentations from Lookingglass Theatre. However, Mary Zimmerman’s adaptation and direction of the “Steadfast Tin Soldier,” has to be seen to really appreciate its outstanding pantomime and puppetry. See the review at Steadfast Tin Soldier.
Giacomo Puccini’s “La bohème”opened the Lyric Opera of Chicago’s 64th season Oct. 6. And what an opening it was.
Not only is the set more creatively stylized from the one opera goers have seen at the Chicago Opera House for more than 40 years, Puccini’s lyrical music and the drama in Luigi Illica and Giuseppe Giacosa’s libretto were also given more depth by English director Richard Jones and Venezuelan-Swiss conductor Domingo Hindoyan then in earlier Lyric productions.
Based on Henri Murger’s “Scènes de la vie de bohème,”the playful interactions of poet Rodolfo (American tenor Michael Fabiano) and his friends, painter Marcello (American baritone Zachary Nelson), musician Schaunard (Puerto Rican baritone Ricardo José Rivera) and philosopher Colline (Romanian bass Adrian Sampetrean), are emphasized as are Marcello’s temperament and Rodolfo’s multi-faceted character.
But what really made the opening a “happening” was Fabiano’s soaring delivery of each aria from “Che gelida manina” to “La più divina delle poesia,” to “Ebenne no, non lo so.”
Thank you, Lyric, for introducing this amazing tenor and his powerfully rich voice to Chicago audiences. Fabiano has already wowed audiences with his Rodolfo at London’s Royal Opera House in 2017 and at the Met earlier in 2018.
Hear the voices from the Broadway and opera stages at two free concerts in Chicago’s Jay Pritzker Paviion at Millennium Park
First, and this comes quickly on the calendar, is the Broadway In Chicago Summer Concert, Aug. 13 at 6:15 p.m. So grab a blanket for the grass or get there early for a seat to hear songs from the following shows on the Broadway tour:
“The Book of Mormon,” “Hello Dolly,” “A Bronx Tale: The Musical,” “ Ronald Dahl’s Charlie and the Chocolate Factory,” “Heartbreak Hotel,” “Dear Evan Hansen,” “Anastasia,” “ Miss Saigon,” “Fiddler on the Roof,” “Cats,” “ Falsettos” and “Come From Away.”
Hosted by ABC 7 Chicago entertainment reporter Janet Davies Pre=Broadway “Tootsie” star Santino Fontana, the concert is sponsored by Channel 7 and presented by the City of Chicago department of cultural Affairs and Special Events.