Playwright Selina Fillinger’s brilliant dialogue and profound character interaction, alone, should enter ‘Faceless’ into the ranks of important courtroom dramas.
Add the spot on direction of B.J Jones, the insightful scenic design by John Culbert lighting by Heather Gilbert, costumes by Izumi Inaba, music and sound by Andre Pluess and projection design by Stephan Mazurek, and you have a must-see world premiere at Northlight Theatre.
On trial is a white, teenage girl who has been radicalized on the Internet and wants to emigrate to join ISIS. A federal prosecutor has asked a U.S. born, Harvard educated, Muslim female in his office to take on the case.
The action unfolds in a spellbinding 80 minutes that should give audiences a clearer picture of some of society’s and family problems currently making headlines.
Susaan Jamshidi, who has been seen in Chicago with Remy Bumppo, Lookingglass and Victory Gardens (among others) is exceptional as prosecutor Claire Fathi. Lindsay Stock who has been in Goodman and Collaboraction productions is amazingly believable as defendant Susie Glenn.
Chicago veteran actor Timothy Edward Kane (Northlight, Court, TimeLine, Writers, et al.), does a fine job as Scott Bader, an arrogant lead federal prosecutor. Joe Dempsey, another Chicago veteran who was in Northlight’s ‘Inherit the Wind’ and productions at Goodman, Paramount, Lookingglas, Court, et al.), plays the highly sympathetic figure of Susie’s father, Alan Glenn.
Audiences are very familiar with five-time Jeff Award Winner Ross Lehman who is masterful as Mark Arenbergb, Susie Glenn’s defending attorney.
The show should spark discourse. Post show discussions will be held Feb. 8, 9, 12, 15, 16, 23 and March 1, 2.
Details: ‘Faceless’ is at Northlight Theatre in the North Shore Center for Performing Arts, 9501 Skokie Blvd., Skokie, IL, now through March 4, 2017. For tickets and other information visit Northlight and call (847) 673-6300.
The Green Mill is always a good choice for hot jazz on a cold winter night. But who would have thought to add the Civic Opera House to the mix?
The Green Mill
The Bruce Barth Trio Tour is landing at the Green Mill, Feb. 3-4, 2017. Barth on the piano, Dave Baron on the bass and Montez Coleman on drums will be heating the Green Mill Jazz Club from 9 p.m. to 1 a.m. Friday and 8 p.m. to midnight Saturday. Green Mill is at 4802 N. Broadway Ave., Chicago, IL 60640 (773-878-5552. Cover is $15.
Civic Opera House
You know “Hamilton” pulls together hip hop, jazz, blues and pop. But you can thank opera star Renée Fleming for showing Chicago that indeed, the city spawns great jazz, blues, pop, rock, gospel, folk, hip hop and classical music. To hear all that in one place snag a ticket to Chicago Voices. Saturday. On stage will be Kurt Elling, Shemekia Copeland, Jessie Mueller, Lupe Fiasco, Renée Fleming Michelle Williams, The Handsome Family, Matthew Polenzani, and John Prine. Fleming has been working with the Lyric’s outreach arm to encourage more Chicagoans to express themselves in music. Click Chicago Voices to find out more.
For ticket information visit Lyric Opera/Concert or call (312) 827-5600. The Civic Opera House is at 20 N. Wacker Drive, Chicago, IL 60606.
When life is going nowhere, dance it out. That’s the gist of “Saturday Night Fever,” the latest musical to open at Drury Lane Theatre in Oakbrook Terrace.
Based on the 1977 hit film, “Saturday Night Fever” the musical follows Brooklyn teenager Tony Manero, who escapes his dead-end job at a paint store by spending weekends at the 2001 Odyssey disco. It’s the role that launched John Travolta to stardom and made white suits a style icon of that generation.
A love triangle, betrayal, an ominous war, a necessary death – all centered on a strong woman, is perfect opera fare.
The brilliant 19th century composer Vincenzo Bellini found such a plot in “Norma, ou L’infanticide” a play by Alexandre Soumet.
Don’t worry, in the opera Norma threatens her betraying lover with infanticide but doesn’t kill their children. What Bellini did was to turn the story into what has become the iconic bel canto opera.
Now, the Lyric Opera of Chicago which has only done “Norma” three previous times beginning with Maria Callas in 1954, is doing a new-to-Chicago, co-production starring opera’s current Norma favorite, Sondra Radvanovsky.
There’s so much going on in Chicago it’s a challenge to figure out what to try and do and see. Or, to wonder the why and wherefore of the crowd outside Goodman Theatre Jan. 19, 2017. ‘Around Town’ is an occasional feature to help sort through at least some of the city’s events.
You might think the scenery hasn’t changed when you look north on Dearborn Street near Randolph Street. Butif there fter Jan. 19, 2017, you should see the lights of Goodman Theatre’s tall marquee during the day.
The old marquee, damaged in an electrical fire last spring, has been replaced with a similar version but with an important difference. You will see it lit 24/7. The lights are LED, color-changeable and each letter is programmable.
“Our marquee is the brightest, most visible symbol of Goodman Theatre’s 30+ year commitment to high quality productions, cultural and aesthetic diversity on and off our stages, and proactive engagement in our Chicago community—a commitment that has distinguished us, and redefined what a major cultural institution can be,” said Artistic Director Robert Falls.
The Jan. 19 illumination was a deliberate date choice to call attention to the The Ghostlight Project, a national American theater initiative of inclusiveness.
“As part of the Ghostlight Project, we will stand with our theater colleagues across the country at the same time and pledge to protect the values of equality, inclusion, justice—and empathy for everyone, regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity or sexual orientation,” Falls said.
Maybe you noticed that during the past few years the Museum of Contemporary Art has evolved into a multi-media venue that presents dance, music and theater programs, aside from its changing menu of art exhibits.
So, the addition of dance performances up on the fourth floor during the opening weekend of ‘Merce Cunningham: Common Time,’ a multi-media exhibit, seems almost like a given.
Former Merce Cunningham Dance Company members will incorporate important pieces from the past 60 years into performances called Events, Feb. 11 and 12., 1:30 to 2 p.m. and 4 to 4:30 p.m.
Staged and arranged by Andrea Weber, the Event showcases dancers Dylan Crossman, Silas Riener, Jamie Scott and Melissa Toogood. The accompanying musicians are Hanna Brock, Nicolas Collins, Kg Price, Katharine young and their arranger, Stephan Moore.
There will be free events across Chicago in February honoring Black History Month. Among them are stage related segments coordinated by the Goodman Theatre under the umbrella “Black Words Mater: Celebrating Black Voices on Stage and Beyond.”
Among the events are a reading of “Gee’s Bend” by Elyzabeth Gregory Wilder at the DuSable Museum of African American History (740 E. 56th Place,) Feb. 7 at 2 p.m. and film screening August Wilson’s “The Piano Lesson” at AMC Dine-In Theatres at Block 37 (108 N. State St. (availability limited).
In addition, “Playwrights from past to present” is a lecture by Goodman Theatre Resident Director Chuck smith at the Harold Washington Library (400 S. State St) Feb. 23 at 6:30 p.m. and a panel discussion on “Diversity in theater administration and Intern/apprentice networking” at Goodman Theatre’s Alice Rapoport Center for Education and Engagement (107 N. Dearborn St.), Feb. 27 at 5:30 p.m.
The Art Institute has a full Chinese menu of activities the last Saturday of January. If you at the Art Institute of Chicago Jan. 28, follow the exotic sounds you hear.
They will pull you into Gallery 101 at 10:30 a.m. and noon for Chinese Guzheng performances and to the Griffin Court in the Modern Wing at 11:30 a.m. for a Lion Dance. Then, it’s back to Griffin Court at 1 and 2 p.m. for the China National Peking Opera.
In addition to the performances there is a Mandarin tour of the museum’s Asian collection at noon and calligraphy demonstrations in the Ryan Learning Center (near the Modern Wing entrance) from 1:30 through 4 p.m.
But even before Jan. 28, the Art Institute is celebrating with drop-in Chinese New Year fun for kids in the Ryan Center, Jan. 17 through Feb. 11.
Best entrance to use for the celebration and Ryan Center is the Art Institute of Chicago’s Modern Wing at 159 E. Monroe St., Chicago, IL 60603. General admission fee and free to children age 13 and younger and free to Chicago teens 14-17. Visit AIC.
If all you have is the lunch hour to celebrate, go over to the Chicago Cultural Center Jan. 30 for Chinese dances, martial arts and music in the very impressive Preston Bradley Hall. Jackie Chan’s Long Yun Fung Fu Troupe will be performing from noon to 1 p.m (free).
For more information visit DCAS The Chicago Cultural Center is across from Millennium Park at 78 E. Washington St., Chicago, IL 60602.
To see the full Long Yun Kung Fu Troupe’s program get tickets to show at the Auditorium Theatre Feb. 4. Tickets start at $33. Show time is 7:30 p.m. The discount code is CFAS. The program blends dance and martial arts. The Auditorium Theatre is at 50 E Congress Pkwy, Chicago, IL 60605. Visit Auditorium and call (312) 341-2300.
The following week, Navy Pier’s ‘Neighborhoods of the World’ series spotlights the Chinese culture on Feb 12, from noon to 4 p.m. Go up to the Crystal Gardens for arts performances and a Chinese marketplace. Navy Pier is at 600 E Grand Ave Chicago, IL 60611. Visit CFA
If looking for something a bit different to warm the spirit on a chilly winter night, check out the Salon Series at Amy Morton’s Found Kitchen and Social House in Evanston.
Veteran singer/songwriter Nicholas Barron who opened for Buddy Guy, James Taylor and Al Green, starts a regular Wednesday night gig Jan. 18, 2017 in Found’s intimate Salon Privé space. Cover charge is $10.
Or go the next night, Jan. 19, for the venue’s Quarterly Burlesque Review, an hour-long show (8 to 9 p.m.) staring Eva la Feva, Ray Ray Sunshine and Lady Jack. Cover is $20. Reserved seating is offered with a dinner reservation.
If the salon idea sounds retro it’s because Found is an eclectic place that fits Gertrude Stein’s 1920’s bohemian Paris.
It also fits its Chicago Avenue location in Evanston. This writer recalls while a student at Northwestern University many year ago, stopping in such places where a variety of intellectuals hung out.
Found Kitchen and Social House is at 1631 Chicago Ave., Evanston, IL. Visit Found or call (847) 868-8945.
You won’t have to ask what opera star Renée Fleming, Broadway star Jessie Mueller, folk singer/writer John Prine, R&B/gospel artist Michelle Williams, New Queen of Blues Shemekia Copeland, tenor Matthew Polenzani and The Handsome Family husband-wife duo have in common.
Merely, snag a ticket to their concert, Feb. 4, 2017 at the Civic Opera House, to see them perform.
You will experience a blend of styles and hear the program is a tribute to Chicago’s musical influence.
Mixing genres might sound unusual but think ‘Hamilton,’ a blockbuster musical that uses several styles (it’s not just rap or hip hop).
Led by Music Director Doug Peck, a five-time Jeff Award recipient, the eclectic program features and mixes musical styles.
Fleming, a creative consultant for the Lyric Opera, has been working with Lyric Unlimited, an outreach branch, to encourage Chicago residents to tell their stories through a variety of musical and rhythmic genres.
The legendary opera singer and Lyric Unlimited call the program Chicago Voices. Click on it to find out more.
“When violence in Chicago and a divided America are the headlines, Chicago Voices offers an example of unity, ” said Fleming. “On Feb. 4, we raise our voices to honor the musical heritage and rich diversity of the city we love,” she said.
For ticket information visit Lyric Opera/Concert or by call (312) 827-5600. The Civic Opera House is at 20 N. Wacker Drive, Chicago, IL 60606.