TheatreInChicago – Page 2 – Chicago Theater and Arts

Dickens tale visited by Manual Cinema puppets and ghosts

Manual Cinema’s Christmas Carol started out online during the Pandemic and has now moved live to Writers Theatre.

5 Stars

Hold onto the change-of-life theme of Charles Dickens’ famed holiday story. But toss aside your idea of puppets and a puppet theater before walking into “Manual Cinema’s Christmas Carol” at Writers Theatre in Glencoe, IL.

Manual Cinema is an award-winning film/video and live performance and design company, so be prepared for an unusual theatrical experience.

What to expect: Ghosts, hand-designed shadow puppets and their scenic backgrounds, a puppet theater, zoom on a computer and on an old film screen using an old projector (they call it “vintage),” a complicated sound system and outstanding acting by LaKecia Harris as Aunt Trudy.

Aunt Trudy has been asked by her late husband Joe’s relatives to do the Christmas Carol puppet show that he did annually. She says she’s not really an aunt to the relatives watching on zoom since she never married “husband” Joe.

La Kecia Harris and Jeffrey Paschal in Manual Cinema's Christmas Carol at Writers Theatre. (Photos by Liz Lauren) — La Kecia Harris and Jeffrey Paschal in Manual Cinema’s Christmas Carol at Writers Theatre. (Photos by Liz Lauren)

Her unhappiness loudly comes across at the start of the show. An approaching storm arrives, the power goes out, ghostly “puppets” intervene as Trudy realizes she must continue the Christmas Carol story with the shadow puppets, theater and ghosts. She, as was scrooge, is a different person by the end of the play.

The cast is as much behind the scenes as identifiable on stage so shout outs go to puppeteers Lizi Breit, Julia Miller and Jeffrey Paschal and also to Ben Kauffman who does lead vocals, piano, keys, and voice overs, plus Emily Meyer for violin and vocals and Kyle Vegter for cello, keys, bass and voice overs. In addition, Sarah furnace is a puppeteer understudy.

This is a must-see production because Manual Cinema brings extra layers of meaning to stories we think we know.

DETAILS: Manual Cinema’s Christmas Carol is at Writers Theatre, 325 Tudor Court, Glencoe, IL now through Dec. 24. Running time: 70 minutes with no intermission. For tickets and more information visit Manual Cinema’s Christmas Carol | Writers Theatre. For Manual Cinema info see Manual Cinema | Theater | Film | Music.

Children under age 6 not permitted.

Jodie Jacobs

For more shows visit Theatre in Chicago

‘Outside Mullingar’ proves it is never too late

Left: Laura Leonardo Ownby (Rosemary), Right: Ross Frawley (Anthony). Photo by North Shore Camera Club.

3 Stars

When John Patrick Shanley’s play, “Outside Mullingar,” opened on Broadway, January 2014, it received accolades as a new kind of rom-com. For one thing, instead of young people, it featured older adults embarking on new relationships.

Thus is the play recreated at Citadel Theatre with four outstanding actors who bring the story to life. Set in Ireland, the play involves two families who own farms right next to each other.

Anthony and Rosemary have grown up together. Rosemary has been harboring unrequited feelings of love for Anthony her entire life. Anthony, who is painfully shy and unaware, still lusts over Fiona who went screaming the other way when he revealed his true feelings for her.

The major issue in the show is whether or not Anthony should inherit his family’s farm upon the death of his father. His cranky dad wants to leave the farm to his nephew Adam from New York City.

When I first read of the plot, it seemed vaguely familiar. That’s because the play had been turned into the 2020 movie, “Wild Mountain Thyme” starring Emily Blunt, Jamie Dornan and Jon Hamm. The screenplay was written as well as directed by Shanley, based on his play.

Audience members will get caught up in the play from the very beginning as Irish music welcomes them into the theatre.

Left: Laura Leonardo Ownby (Rosemary), Susan Hofflander (Aoife). in Outside Mullingar at Citadel Theatre. (photo by North Shore Camera Club)

The four principals include: Susan Hofflander as widow Aoife Muldoon, Jack Hickey as widow Tony, Laura Leonardo Ownby as Rosemary and Ross Frawley as Anthony.

Hofflander is powerful and yet sympathetic as the widow Muldoon, while Hickey is a gruff, crabby old man who is filled with regret at some of his choices. Ownby shines as Rosemary and is the most animated character in the play. Frawley as Anthony plays his part with strong emotion and fervor. You’re rooting for both of them to finally break through.

What’s fascinating about the play is that you meet the parents and experience their interaction with their offspring. Then, it’s just the younger generation who must forge ahead.

Directed by Beth Wolf who was moved by the theme of loneliness in the play, “Outside Mullingar” really draws upon the idea of it’s never too late. Founder and artistic director of the free-Shakespeare-in-the park company Midsommer Flight, Wolf directed Citadel’s production of The Roommate two years ago.

Kudos to Eric Luchen for his innovative set design, flipping one farmhouse kitchen to another, without moving sets.

Outside Mullingar really gets inside its characters with sweetness and charm.

DETAILS: “Outside Mullingar” is at Citadel Theatre, 300 S. Waukegan Rd., Lake Forest, through March 13. Run Time: approximately 90 minutes with no intermission. For tickets and more information visit Citadel Theatre.

State COVID restrictions in effect at the time will be enforced at Citadel’s 144-seat performing space.

Mira Temkin

For more shows visit Theatre in Chicago

West Side Story still relevant

West Side Story at Marriott Theatre Lincolnshire (Photo by Liz Lauren)

4 Stars

While “West Side Story” is based on William Shakespeare’s “Romeo & Juliet,” the tale of the star-crossed lovers remains a contemporary look at rival gangs that’s just as timely as the daily news reports.

But Marriott Theatre in Lincolnshire creates a dynamic new twist to this production with a fresh look and new talents who bring this story to life.

For those who haven’t seen Steven Spielberg’s award-winning recent redo of the 1961 classic movie, West Side Story takes place on the Upper West Side of Manhattan in the 1950’s.

There’s tension in the hood between the Sharks and the Jets about who controls the turf. Hate, racism and violence rears its ugly head giving way to tragedy and sorrow on both sides of the fence.

West Side Story at Marriott Theatre (Photo by Liz Lauren)

This well-loved show features the brilliant music of Leonard Bernstein with such tunes as “Somewhere,” “Tonight,” “I Feel Pretty,” and “America.”

Using the traditional choreography from Jerome Robbin’s original production, Marriott’s high energy cast delivers the dance with amazing precision and youthful energy. It will leave you breathless.

Based on the book by Tony Award-winner Arthur Laurents, music by Tony and Grammy Award-winner Leonard Bernstein and Lyrics by Tony, Grammy, Pulitzer Prize and Academy Award-winner Stephen Sondheim, West Side Story is a trifecta of creative excellence.

The production is directed by critically acclaimed, award-winning stage veteran Victor Malana Maog who beautifully captures the passion and power of the show.

Musical direction is by Jeff Award winner Ryan T. Nelson and choreography is by Jeff Award nominee, Alex Sanchez.

West Side Story at Marriott Theatre (Photo by Liz Lauren)Making her Marriott Theatre debut is Lauren Maria Medina who plays an exquisite “Maria.” She has the voice of an angel with pipes big enough to completely fill the stage.

Also making their debuts on the Marriott stage are Jake David Smith as “Tony” who wins our hearts and Vanessa Aurora Sierra as “Anita” who sings and dances her way into the stratosphere.

Mention must be made of Marisa Fee as “Anybodys” whose gender issues are much more realized in this production. Originally a “tomboy,” Fee appears with the rest of the girls in a ballet, wearing a gown, a strong departure from the original.

Jeffrey D. Kmiec’s set design makes great use of the in-the-round stage with realistic appearance of a fire escape and other urban settings to reflect the cold stark reality of the neighborhood.

Kudos to costume designer Amanda Vander Byl for her realistic 1950s costumes and of course, to musical supervisor Patti Garwood and her orchestra who play the haunting score to perfection.

Covid Protocols: Marriott Theatre guests are currently required to wear face coverings and present proof of COVID-19 vaccination, or an appropriate negative COVID-19 test to attend performances in the theatre. Details at MarriottTheatre.com

DETAILS: “West Side Story” is at the Marriott Theatre, 10 Marriott Dr., Lincolnshire through March 27. Run Time: 2.5 hours with a 15-minute intermission. For tickets and more information, call The Marriott Theatre Box Office at 847.634.0200 or visit Marriott Theatre.

For more shows visit Theatre in Chicago

Mira Temkin

‘Kate’ battles Shakespeare and ex at Marriott

Susan Moniz and Larry Adams battle it out in Kiss Me Kate at Marriott Theatre.( Liz Lauren photo)

Three stars

In a season overflowing with feel-good holiday fare, the Marriott Theatre in Lincolnshire has chosen to balance the offerings with the controversial “Kiss Me Kate.”

Go for this production’s superb vocals, comedic moments and excellent dance numbers. But beware, the 1948 musical written by Bella and Samuel Spewack with music and lyrics by Cole Porter, is based on William Shakespeare’s “The Taming of the Shrew.”

What you see is a show within a show presented by a traveling troupe as its stars battle on stage and off in a mirror image of the plot.

No matter how good the production is of the Shakespearean version (and I have seen good ones, including at Chicago Shakespeare), it still is misogynistic.

So, if bothered by the theme, blame Shakespeare.

If out for a night at the theater, sit back and enjoy director Johanna McKenzie Miller’s clever staging, Alex Sanchez’s choreography and the outstanding voices of Susan Moniz as leading lady Lilli Vanessi who plays Katharine (supposedly as a shrew) and Larry Adams, Lilli”s ex-husband, Fred Graham, who plays Petruchio (shrew tamer) and who is also directing the troupe.

Also dance shout-outs to Alexandra Palkovic who is Lois Lane, Kate’s overly-sweet little sister, Bianca, and to Jonathan Butler-Duplessis who leads the showstopping “Too Darn Hot” number.

You get to hear such familiar songs as “Wunderbar,” So in Love,” “Always True to You in My Fashion,” and “From this Moment On.” To audiences who have missed the theater due to COVID, the opening number “Another Op’nin’, Another Show,” offers a hopeful note.

DETAILS: “Kiss Me Kate” at Marriott Lincolnshire Theatre, 10 Marriott Dr., Lincolnshire, is on now through Jan 16, 2022. Run time: 2 hours and 30 minutes, with a 15-minute intermission. For tickets and more information visit Marriott Theare. (Check Covid safety protocols.)

Jodie Jacobs

For more shows visit Theatre in Chicago

An overly exuberant new holiday nusical

‘The Land of Forgotten Toys’

Mary-Margaret Roberts and Bre Jacobs in "Land of Forgotten Toys" at Greenhouse Theater. (Zeke Dolezalek photo) — Mary-Margaret Roberts and Bre Jacobs in “Land of Forgotten Toys” at Greenhouse Theater (Zeke Dolezalek photos)

2 ½ stars

Amidst a growing crop of holiday productions, Chicago is being treated to yet another new family friendly show. Chirpy, relentlessly over-exuberant and with very few moments of reflection or subtlety, this new holiday musical could really use some layers and a bit of variety. As it now plays in its world premiere, the production is a little overpowering. It’s a little like sitting in the front row of an IMAX theatre: there’s no escape.

Created by the writing team of twins Jennifer and Jaclyn Enchin, the plot of this new play is fresh and fun, although vaguely familiar. The songs are a different matter.

Continue reading “An overly exuberant new holiday nusical”

‘Burning Bluebeard’ a tragic Christmas story

Burning Bluebeard at Porchlight Music Theatre. (Photo Michael Courier)

3 stars

“Burning Bluebeard” literally comes alive in front of a scorched proscenium arch on a ruined stage depicting the aftermath of an inferno that destroyed the Iroquois Theater in Chicago (set design by Jeff Kmiec based on the original design of Lizzie Bracken).

The Ruffians with director Halena Kays and choreographer Ariel Triunfo have devised a clever way to tell this story based on an actual 1903, tragic event that claimed the lives of 600 theater patrons, many of them children and their mothers, attending a Christmastime performance of a popular Broadway blockbuster entitled “Mr. Bluebeard.”

Continue reading “‘Burning Bluebeard’ a tragic Christmas story”

Renee Fleming shines a light in ‘Piazza’

Solea Pfeiffer and Renée Fleming in LThe Light in the Piazza. (Liz Lauren photo) — Solea Pfeiffer and Renée Fleming in The Light in the Piazza. (Liz Lauren photo)

3stars

No question that soprano Renée Fleming, an opera superstar who has sung leading ladies from Donna Elvira in Mozart’s “Don Giovanni” to Nettie Fowler in Rodgers and Hammerstein’s “Carousel” is a fine fit as Margaret Johnson in Adam Guettel and Craig Lucas’ “The Light in the Piazza.”

Her remarkable voice, joyfully greeting Florence in the opening scene, heartbreaking in “Dividing Day” following a phone call back home when she realizes her own marriage lacks love, and later swelling with a renewed understanding of love versus risks in her final song, “Fable,” makes going to this production at Chicago’s Lyric Opera House worth attending.

Continue reading “Renee Fleming shines a light in ‘Piazza’”

Q Brothers take ‘A Christmas Carol’ to a hip ‘ad-rap-tation’ level

Q Brothers Christmas Carol at Chicago Shakespeare Theater on Navy Pier.

4 stars

Victorian author Charles Dickens might be surprised, and maybe a little proud, at how his story about one curmudgeon’s redemption has been adapted for the stage, film, opera and every other form of media.

This production, “Q Brothers Christmas Carol,” back by popular demand at Chicago Shakespeare Theatre, has fast become one of the Windy City’s favorite holiday events, especially among younger, hipper audiences. It’s a terrific, cleverly-written and utterly captivating piece of theatre that deserves the high praise it’s received.

Continue reading “Q Brothers take ‘A Christmas Carol’ to a hip ‘ad-rap-tation’ level”

You Gotta Have Friends

Bette: Xmas at the Continental Baths

Cailin Jackson as Bette Midler at Mary's Attic. (Photo by Rick Aguilar Studios) — Cailin Jackson as Bette Midler at Mary’s Attic. (Photo by Rick Aguilar Studios)

3stars

Wrap that towel around you, settle back with a stiff one and get ready to enjoy The Divine Miss M, at her holiday best.

Once again it’s the early 1970’s, and we’re at Manhattan’s popular gay bathhouse where Bette Midler, portrayed at Mary’s Attic by the incomparably talented Caitlin Jackson, came to prominence.

Jackson, her tumbler filled with vodka, is cheerfully serving up an hour of some of Midler’s best, most beloved tunes. She also treats the audience to a few of Bette Midler’s bawdy Sophie Tucker jokes.

Continue reading “You Gotta Have Friends”

Old fashioned musical fills Cadillac Palace Theatre with joy

(L-R) Kelly Sheehan and Jeremy Benton and company itap dancing to “I love a Piano” in Irving Berlin’s White Christams. (Jeremy Daniel Photography

4stars

It didn’t matter that outside temperatures were diving into the icy teens because inside the Cadillac Palace Theatre, Tuesday, “Irving Berlin’s White Christmas” was warming the hearts of families and veterans with “Happy Holidays,” “Count Your Blessings” and “We’ll Follow the Old Man.”

But good as Berlin’s music and lyrics and David Ives and Paul Blakes’ book are, what makes the touring production now playing in Chicago worth its four stars is its talented cast and Randy Skinner’s excellent choreography and direction.

There are the perfectly executed dance numbers by a superb ensemble and the wonderful dancing of Kelly Sheehan as Judy Haynes and Jeremy Benton as Phil Davis. Plus, there is the beautiful voice of Kerry Conte as Betty Haynes and the Martha Raye-style singing and acting of Lorna Luft as Martha Watson.

Continue reading “Old fashioned musical fills Cadillac Palace Theatre with joy”