Jodie Jacobs – Page 101 – Chicago Theater and Arts

Good outdoor art shows to see in July and August

Part of the fun of summer is walking around outdoor art fairs to see what a favorite artist is doing now, visit a suburb or neighborhood on the to do list and get the bod moving without having to exert the same muscles used for sports.

Outdoor art fairs are a chance to enjoy art and visit the host towns and neighborhoods. Jacobs photo

July 7-9 Downtown Chicago

After visiting the “Bean” in Millennium park, walk a couple blocks north on Michigan Avenue where you will spy the telltale white tents of an art show. About 130 artists will be there through 5 p.m. July 9. It’s the 9th annual Millennium Art Festival. For other information visit AmdurProductions.

July 15 & 16 Chicago’s Lakeview neighborhood

The 4th Annual Southport Art Festival, held in the Lakeview Nieighborhood, features about 130 artists on Southport Avenue from Waveland to Byron. It is hosted by the Southport Neighbor’s Association to benefits local causes. Hours are 10 a.m. to 5 p.m. For more information visit AmdurPrioductions.

July 22 & 23 Geneva

The Geneva Fine Arts Fair is a good chance to visit the charming town of Geneva, IL west of Chicago. The fair of approximately 175 exhibitors spreads out downtown from at 8 S. Third St. on Saturday and Sunday from 10 a.m. to 5 p.m. For more information visit EMEvents

July 29 & 30 Glencoe

About 130 artists set up booths downtown north suburban Glencoe the last weekend of July for the Annual Glencoe Festival of Art. The fair center is Park and Vernon Avenues. Hours are 10 a.m. to 5 p.m. BTW the interesting structure on Tudor Court a block north of Park Avenue is Writers Theatre designed by Jeanne Gang’s Studio Gang Architects. More information: Amdur Productions.

Aug. 5 & 6 Glenview

Art at the Glen features 185 arts in The Glen Tower Center, a section of Glenview, IL that used to hold the Glenview Naval Base that now has a mix of housing and commercial properties plus the Kohl Children’s Museum. Fair hours are 10 a.m. to 5 p.m. For other information visit Amdur Productions.

Aug. 19 & 20 Oakbrook

The Oak Brook Fine Art Festival is a chance to mix art and fall apparel shopping.It’s held at the Oakbrook Center Oakbrook Shopping Center, 100 Oakbrook Center. Hours are Saturday, 10 a.m. to 6 p.m. and Sunday, 11 a.m. to 6 p.m.. For more information visit Amdur Productions .

Aug. 26 & 27 Oak Park

The suburb of Oak Park, just west of Chicago is holding its Oak Park Avenue-Lake Arts Crafts Show in Scoville Park at Oak Park Ave and Lake Street. Operated by the American Society of Artists, the hours are Saturday, 11 a.m. to 7 p.m. and Sunday 9 a.m. to 5 p.m. Tip: You might want to look up Frank Lloyd wright’s Oak Park designed structures before you go so you know where to look on the way to or from the art fair. For more information visit the American Society of Artists. For other information visit American Society of Artists.

August 26 & 27 Highland Park

Among the top most popular art fairs, The Port Clinton Art Festival draws entries from all over the world and visitors from across the Midwest. About 265 artists’ booths take over the Port Clinton outdoor shopping square, Central Avenue and 1st and 2nd Streets. Hours are 10 a.m. to 6 p.m. For other information visit Amdur Productions.

August 26 & 27 Chicago’s Bucktown Neighborhood

The last weekend in August is also the Annual Bucktown Arts Fest. Approximately 200 artists will be in Senior Citizens Memorial Park, 2300 N. Oakley Ave & 2300 W. Lyndale St.11 am to 7 pm 200 Artists The Bucktown Arts Fest is a non-profit, all volunteer-run, neighbourhood celebration of the arts. The fair benefits arts education programming at Holstein Park and in the Bucktown/Wicker Park neighborhoods. For other information visit Bucktown Arts Fest.

Drury Lane deals a winning hand with ‘The Gin Game’

RECOMMENDED

In both life and cards, we must play the hands we are dealt. That truism is powerfully revealed in Pulitzer winner “The Gin Game” now playing at Drury Lane Theatre in Oakbrook Terrace.

Paula Scrofano and John Reeger in 'The Gin Game' at Drury Lane Theatre. Photo by Brett Beiner — Paula Scrofano and John Reeger in ‘The Gin Game’ at Drury Lane Theatre. Photo by Brett Beiner

Fonsia Weller and Weller Martin are two reluctant residents of a shabby senior-living home, having run out of money and options. They strike up an acquaintance and begin playing gin to pass the time. As their games and conversation progress intimate secrets are revealed and they begin to discover each other’s weaknesses in both cards and life.

The two-character drama by D.L. Coburn brings together the legendary talents of real-life married couple and Jeff Award winners Paula Scrofano as Fonsia and John Reeger as Weller. They dodder and totter about the stage as though the infirmities of advanced age were real.

Both exhibit vast emotional range as the relationship between their characters builds to its explosive conclusion.

Scrofano and Reeger have appeared in over 150 plays in the Chicagoland area, 30 of them at Drury Lane. With “The Gin Game,” they join an illustrious roster of duos who have performed these roles, among them Jessica Tandy and Hume Cronyn, Mary Tyler Moore and Dick Van Dyke, and Cicely Tyson and James Earl Jones.

The Drury Lane production is artfully directed by Ross Lehman, who last directed the couple in 1986.

The show begins before the audience is fully seated as two non-speaking crew members dressed as nursing aides in medical scrubs set the stage with apathy. They lounge about, one smoking a cigarette and checking her cell phone, and the other reading a magazine. They grudgingly leave only when Weller enters the scene.

Kudos also to the creative team which includes scenic designer Katherine Ross, lighting designer Lindsey Lyddan and projection designer Mike Tutaj.

Drury Lane is known for highly detailed set design, and the “Gin Game” follows suit. The play takes place on an unkempt patio, which is decked out with mismatched furniture, an overturned chair, stray hoses and flower pots, and a weary-looking Santa Claus yard ornament. At the back of the set, images of the home’s resident activities, drab furnishings and medical equipment are projected at intervals to reveal the hopelessness inside.

“The Gin Game” is not a pleasant story. The subject matter is bleak, and the second act especially is pounded with profanity. But it’s worth seeing, just to watch theater icons Scrofano and Reeger in yet another transformation.

DETAILS: “The Gin Game” is at Drury Lane Theatre, 100 Drury Lane, Oakbrook Terrace through Aug. 13. For tickets and other information, call (630) 530-0111 or visit Drury Lane Theatre.

By Pamela Dittmer McKuen

You only think you know Paul Gauguin

Go to the Art Institute of Chicago to see some fascinating paintings of Breton and Tahitian women or of Martinique landscapes by Eugène Henri Paul Gauguin.

Gauguin, 1889 "In the Waves (Ondine I), oil on canvas Photo taken at the exhibit by Jodie Jacobs — Gauguin, 1889 “In the Waves (Ondine I), oil on canvas.
Photo taken at the exhibit by Jodie Jacobs

Or go to the museum to see extraordinary ceramics by Gauguin. He called them his “monstrosities. They really aren’t.

Or go the museum to see Gauguin’s fine prints and woodwork.

But no matter what you expect to see in the Gauguin exhibit now at the Art Institute of Chicago through Sept. 10, 2017, you will be astonished.

As Gloria Groom, curator of “Gauguin: Artist as Alchemist” says in a video on the museum site, “Just when you think you know what he is doing he does something extraordinary and surprises you.”

What you will see are images that may start as drawings or be used on a ceramic piece and end up in paintings. You will also see decorative art.

But also look up on the walls. There are quotes by Gauguin that offer insight into the man, the painter, the philosopher, the traveler and the artist who influenced other artists. So don’t hurry through the exhibit.

“I must work seven or eight months at a stretch absorbing the character of the people of the country, which is essential for good painting… You must remember that I have a dual nature,” says a quote high on one of the exhibit walls.

The introductory panel at the entrance explains the exhibit’s title. “As an alchemist converts one element into another, Gauguin believed in the artist’s ability to take raw materials and transform them into something entirely new.”

Paul Gauguin 1890-91 "Portrait of the artist with the Yellow Christ" Musee d'Orsay. Photo thanks to Art Institute of Chicago — Paul Gauguin 1890-91 “Portrait of the artist with the Yellow Christ” Musee d’Orsay. Photo thanks to Art Institute of Chicago

Look for objects including furniture that Gauguin decorated. Also take time to watch some of the videos that show how the artist worked with different materials.

A short movie near the entrance talks about trying to define Gauguin’s style and changing focus. It offers more insight into the artist and his works.

In the video on the Art Institute site, Groom says, “This man is so amazingly layered. He’s so complex.”

So, it is very likely that what “Gauguin: Artist as Alchemist” does for viewers is introduce them to an artist they only thought they knew.

The Gauguin exhibit at the Art Institute requires tickets. Tip: get the ear phones available near the exhibit entrance. They are quire helpful. The exhibit will go to Grand Palais in Paris in October 2017.

The Art Institute of Chicago is at 111 S. Michigan Ave., Chicago, Illinois. For ticket and other information call (312) 443-3600 and visit AIC.

A covered bridge uncovers hidden emotional needs

RECOMMENDED

When Francesca, the central female character in “The Bridges of Madison County,” wonders aloud how Robert, a National Geographic photographer, came to her doorstep in Winterset, Iowa, she answers herself with the wonderful line, “The patron saint of Iowa housewives sent you to me.”

Kathy Voytko and Nathaniel Stampley in 'Bridges of Madison County' at Marriott theatre. Photo by Liz Lauren — Kathy Voytko and Nathaniel Stampley in ‘Bridges of Madison County’ at Marriott Theatre. Photo by Liz Lauren

And so, it might explain how and why a woman whose husband and two kids are off to snag a prized-steer award at a neighboring state fair might seriously consider an extramarital affair and even consider leaving home for a new-found love.

Francesca, who winds up on an Iowa farm after leaving Italy with an American soldier, is brilliantly portrayed by Broadway and Jeff-Award winning actress, Kathy Voytko.

Well-directed by Nick Bowling at Marriott Theatre, the show is a heartbreaking romance that uncovers buried emotional needs.

Voytko’s face and body movements are so expressive it is easy to empathize with this housewife who suddenly feels appreciated as a woman and is fascinated by someone who travels the world for work.

What also helps are Marsha Norman’s script (book) and Jason Robert Brown’s thoughtful and moving music and lyrics.

There is “What Do You Call a Man Like That?” which Voyko beautifully sings on the covered Roseman Bridge she helped Robert locate. It alerts the audience that more than a casual relationship will develop.

Then there is the terrific, first-act ending “Falling into You,” the beautifully sensual duet Voyko sings with Robert, insightfully played by Nathaniel Stampley.

Although based on the novel by Robert James Waller, the musical is not a reproduction of it or the 1995 Clint Eastwood film that won Meryl Streep an Oscar nomination. (Voytko’s performance ought to bring her a Jeff Award nomination). The musical’s ending is different though won’t be revealed here.

Francesca’s family which is periodically interjected into the action includes husband Bud, maybe deliberately understated by Bart Shatto to promote the contrast between farmer and lover, daughter Carolyn played with spirited angst by Brooks MacDougal and son Michael who does not want to become a farmer as explained by Tanner Hake. An older Carolyn in Act II is Allyson Graves.

Their neighbors are Marge interpreted with sympathy by Wydetta Carter (she also sings “Get closer”) and her husband, Charlie, nicely played by Terry Hamilton.

Emily Berman does a fine memory-style interlude with a guitar when she sings “Another Life” as Marian, Robert’s ex-wife.

The Iowa scenery is well captured by Anthony Churchill’s projections on the theatre’s walls. Set design by Jeffry D. Kmiec features the bridge, a masterful centerpiece.

Details: “The Bridges of Madison County” is at Marriott Theatre, 10 Marriott Dr, Lincolnshire, IL through Aug. 13, 2017. For tickets and other information call (847) 634-0200 and visit Marriott Theatre.

Eugene O’Neill comedy at Goodman is lighthearted and profound

RECOMMENDED

Perfect for a month that includes the Fourth of July, Eugene O’Neill’s “Ah, Wilderness,” is about hope, wistfulness, freedom and coming of age in an idyllic family setting at the turn of the last century.

The extended Miller family in Eugene O'Neill's "Ah, Wilderness!" at Goodman Theatre. Photo by Liz Lauren — The extended Miller family in Eugene O’Neill’s “Ah, Wilderness!” at Goodman Theatre. Photo by Liz Lauren

So don’t, when you see the play is by O’Neill who penned the Pulitzer Prize-winning, semi-autobiographical play, “Long Day’s Journey into Night,” think dark family drama.

They both take place on a Connecticut seashore but “Ah, Wilderness” is a lighthearted comedy that likely presents the type of family O’Neill wished he had.

You will meet the Miller family during the Fourth of July. Nat, the father is presented intelligently and with empathy by Randall Newsome as a fine newspaper editor and family man who pretty much goes along with whatever wife Essie (Ora Jones) and second son Richard (Niall Cunningham) want.

It’s easy to see that Essie, nicely played by Ora Jones, softly wears the “pants” in the family. Richard, brilliantly interpreted by Niall Cunningham as an intellectual high school student who favors flowery, somewhat purple prose and poetry, adores neighboring sweetheart Muriel McComber (Ayssette Monoz).

Thus the title is taken from a translation of the Rubaiyat of Omar Khayyam, a favorite poem of Richard. Many people will recognize at least part of the stanza. It goes “A Book of Verses underneath the Bough, A Jug of Wine, a Loaf of Bread – and thou Beside me singing in the Wilderness – Oh, Wildernesss were Paradise enow!

The rest of the family consists of eldest son Arthur (Travis A. Knight) who attends Yale where Richard is expected to go, daughter Mildred, played with spunk by Rochelle Therrien, and youngest son Tommy, a cute turn by Matthew Abraham as a boy still in knee pants.

Their extended family include relatives Lily Miller, Nat’s sister who is wistfully interpreted by Kate Fry as the former fiancée of Sid Davis, Essie’s brother. They still love each other but he can’t change because he loves drink, gambling and “ladies of the night” too much. Davis is done with humor but without remorse by the talented Larry Bates.

Rounding out the picture are Norah, a funnily clumsy maid played with wonderfully comedic moves by Bri Sudia and Belle, the “fast” woman delightfully handled by Amanda Drinkall whom Richard is paired with at a local dive.

Muriel’s dad, David McComber, is portrayed as the dislikeable but understandably protective father by Ricardo Gutierrez. Also in the show are the dive’s bartender (Joe Dempsey) and The Salesman at the bar (Bret Tuomi).

The production also works now in 2017 even though its time period is 1906 because of the fine directing of Steve Scott (remember the insightful and comedic turns of his Vanya and Sonia and Masha and Spike). Scott is retiring this summer after several years as a Goodman Theatre producer and director.

Of course there is also Todd Rosenthal’s charming set and Amy Clark’s fine costumes that are wonderfully evocative of the period.

“Ah, Wilderness! is a sweet but not saccharine play of a family that deals philosophically with a teenager going through romantic and philosophical challenges. It even includes a heart-to-heart father-son discussion that almost touches on growing up hormones.

“Ah, Wilderness! is at the Goodman Theatre, 170 N. Dearborn St., Chicago through July 23, 2017. For tickets and other information call (312) 443-3800 or visit Goodman.

Classic tale comes alive on stage

HIGHLY RECOMMENDED

To get teenagers away from their cell phones for a while and interested in learning more about a classic novel or excited about going to a stage show, take them to ‘Moby Dick’ at Lookingglass Theatre.

Mattie Hawkinson, Kelly Abell, Javen Ulambayer and Cordelia Dewdney in 'Mob y Dick' at Lookingglass theatre. Ulambayar is Mungun. the three woman are the Fates and other roles. All photos are by Liz Lauren — Mattie Hawkinson, Kelly Abell, Javen Ulambayer and Cordelia Dewdney in ‘Moby Dick’ at Lookingglass theatre. Ulambayar is Mungun. the three woman are the Fates and other roles. All photos are by Liz Lauren

Following rave reviews on tour, the show is back in town where it first appeared and received four Jeff Awards in 2015. It’s now back home in Lookingglass’ black-box space in the historic Water Tower Water Works (a Chicago Fire survivor) through Sept. 3, 2017.

The way Lookingglass’ David Catlin has adapted and directs the Herman Melville seafaring epic, the story leaps off the pages with great physicality and graphic portrayals.

In addition to an exceptional ensemble, the production is done in association with The Actors Gynmnasium. They are aided and abetted by the fantastic, curving bone-like scenery that mimics the inside of a whale designed by Courtney O’Neill and the rigging designed b y Isaac Schoepp.

But the novel, and thus the show, is more than a tale about a fierce adventure surrounding a white whale called Moby Dick. As the crew of the Pequod find out after they’ve signed on, Captain Ahab who lost a leg to Moby Dick, wants vengeance in a manor reminiscent of Shakespearean tragedies. The story really is about obsession.

Anthony Fleming II, Nathan Hosner, Jamie Abelson and Cordelia Dewdney, Kelly Abell and Mattie Hawkinson in 'Moby Dick' — Anthony Fleming II, Nathan Hosner, Jamie Abelson and Cordelia Dewdney, Kelly Abell and Mattie Hawkinson in ‘Moby Dick’

Ahab, intensely interpreted by Nathan Hosner, becomes madder to the point of not caring who dies as he pursues his goal.

The story is told by Ishmael, the only crew member who survives the pursuit. Jamie Abelson and Walter Owen Briggs alternate in the role.

On another level, the story is also about men, such as Queequeg, played magnificently by Anthony Fleming III, who seek adventure in place of responsibility, and Starbuck (really, long before the coffee chain) who seeks income through whaling oil.

This is a show that teens and adults who appreciate a well-told, well-presented yarn will appreciate.

‘Moby Dick’ is at Lookingglass Theatre in the Water Works at 821 N. Michigan Ave. through Sept. 3, 2017. For tickets and other information call (312) 337-0665 and visit Lookingglass.

Around Town mid June 2017

From bike riding to strawberry munching and concerts in a garden to music on a lawn, summer fun is tempting us to find our outdoor muse during or after work.

Chicago Botanic Garden soothes smooths away stress after work. Photos by Jodie Jacobs

Bike to work

First, don’t be surprised if you see more groups of bikers around Chicago, this week. The annual Bike commuter Challenger is upon us asking people to ride a bike to work instead of a train or car. To participate in its fun events and “pit stops” go to Bikedown to register.

TGI M/T after work music

Then, for a different way to enjoy a balmy early evening, check out music with a Latin or Swing beat at the Chicago Botanic Garden. Different nights and different weeks feature different musical sounds and bands. For example, Mondays at 5:30 p.m. there are carillon bells and Tuesday, the music shifts over to the Esplanade for bluegrass or big band sounds.

Visit Chicago Botanic Garden Evenings for more information. The concerts are free but unless you are a member there is a parking fee per car. The Chicago Botanic Garden is east of Edens Expressway at 1000 Lake Cook Rd, Glencoe.

Ravinia Festival's lawn is a great place to meet friends for an after-work supper. — Ravinia Festival’s lawn is a great place to meet friends for an after-work supper.

After-work stress-relieving music

Or get a lawn ticket (best price is ahead of time, not at the gate) to hear perfect after-work music at Ravinia Festival in Highland park.

The Julliard String Quartet is June 20. It’s in the Martin Theatre but usually those programs are broadcast on the lawn.

In the Pavilion are Gypsy Kings June 23, Common June 24, Michael McDonald and Boz Scraggs June 27 and Diana Krall June 28.

For show times and other info visit Ravinia.

Have a Strawberry weekend

Long Grove festivals are a chance to see the village.

If everything or anything strawberry excites the taste buds, go over to downtown Long Grove, a cute historic village northwest of Chicago, June 23-25.

Along with lots of booths with strawberry sandwiches and desserts there will be several music stages and stuff for kids. Entry is $5 anyone over age 12.

Hours are 11 a.m. to 11 p.m. Friday, 10 a.m. to 11 p.m. Saturday and 10 a.m. to 6 p.m.

Strawberry fest’s center is at 308 Old McHenry Rd, Long Grove. Visit Long Grove for more information.

Superb acting and singing make Lincoln Center ‘King and I’ a must see production

HIGHLY RECOMMENDED

Laura Michelle Kelly (Anna) and Baylen Thomas (Louis) arrive in Siam in 'The King and I' now on stage at the Oriental Theatre. Photos courtesy of Broadway in Chicago, — Laura Michelle Kelly (Anna) and Baylen Thomas (Louis) arrive in Siam in ‘The King and I’ now on stage at the Oriental Theatre. Photos courtesy of Broadway in Chicago,

Just when you think you have seen as many fine interpretations of how Rogers and Hammerstein’s classic ‘King and I’ musical ought to be done, along comes director Bartlett Sher’s beautiful and insightful Lincoln Center production.

Not only are all the voices in the outstanding category (and how often can you say that), Sher’s direction has brought forth all the characters’ strong motivations.

The songs everyone has come to know and love such as “I Whistle a Happy Tune and Hello Young Lovers” are beautifully sung by Laura Michelle Kelly as governess Anna Leonowens.

Manna Nichols and Kavin Panmeechao as doomed lovers in 'King and I.' — Manna Nichols and Kavin Panmeechao as doomed lovers in ‘King and I.’

“We Kiss in the Shadow” and “I have Dreamed” take on an added coating of sadness and desire when exquisitely sung Manna Nichols and Kavin Panmeechao as doomed lovers Tuptim and Lun Tha.

But you also have Jose Llana who really makes you understand the crossroads where he’s at between Siam’s traditional views and the “westernization” of his court he thinks will keep his country from colonization. He not merely sings, but acts “A Puzzlement.”

Based on the real Anna Leonowens’ memoirs as told by Margaret Landon in the 1944 novel, “Anna and the King of Siam,” the musical depicts how two strong characters, the independent governess Leonowens, and the King, known as Mongkut who sees women as servants, move from strongly-held beliefs to mutual respect, admiration and caring.

Joan Almedilla as Lady Thiang in 'King and I' — Joan Almedilla as Lady Thiang in ‘King and I’

Then there is Joan Almedilla as Lady Thiang (First Wife) singing “Something Wonderful.” The song does more than describe her feelings towards her husband, the King.

Almedilla’s exceptional expression of the words seemed to speak to many of the wives in the audience.

As to the youngsters in the show, “The March of Siamese Children” is charming and lighthearted but Graham Montgomery does a particularly fine job as Anna’s son, Louis, and Marcus Shane presented just the right amount of royal demeanor as Crown Prince Chulalongkorn when he stepped into a role opening night usually played by Anthony Chan.

Choreographer Christopher Gattelli’s “The Small House of Uncle Thomas,” a ballet meant to entertain visiting English dignitaries but actually is a message from Tuptim that slavery is wrong, is well put across by dancers Lamae Caparas as Eliza, Amaya Braganza as Uncle Thomas, Yuki Ozeki as Topsy, Rommel Pierre O’Choa as Simon Legree, Michiko Takemasa as Little Eva and Nobutaka Mochimaru as the Angel/George.

Jose Llana (King of Siam) and Laura Michelle Kelly (Anna Leonowens) in 'The King and I.' — Jose Llana (King of Siam) and Laura Michelle Kelly (Anna Leonowens) in ‘The King and I.’

The set design by Michael Yeargan was a creative mix of an Asian style wall backdrop, pillars and Buddha that places more emphasis on the action than ornamentation. That said, the set immediately captures attention when the curtains open with a a life-size boat coming onto the stage carrying Anna and Louis Leonowens.

Catherine Zuber’s costumes perfectly place the show into Leonowen’s period and location.

‘The King and I’ is at the Oriental Theatre, 24 W. Randolph, Chicago, now through July 2, 2017. For tickets and more information call (800) 775-2000 or visit Broadway in Chicago.

Bette Davis is back for another bow

HIGHLY RECOMMENDED

When I was a youngster, I would often hear my parents mention their favorite movie star, Bette Davis. Decades later, I gravitated toward old films and I, too, became a huge Davis fan.

Jessica Sherr does 'Bette Davis Ain't for Sissies' at the Athenaeum Theatre. Photo courtesy of Jessica Sherr — Jessica Sherr does ‘Bette Davis Ain’t for Sissies’ at the Athenaeum Theatre. Photo courtesy of Jessica Sherr

As I watched ‘Dark Victory, ‘Now, Voyager,’ and her many other movies—some of them numerous times—I found myself reciting a few of her lines along with her. I thought I knew almost everything about Ms. Davis until I recently saw the captivating play ‘Bette Davis Ain’t for Sissies’ currently at The Athenaeum Theatre.

The one-woman show, written and performed by Jessica Sherr, is a fascinating look at Davis’s life and career. It only took a few seconds to actually feel that the actress and playwright on stage was the real Bette Davis.

Jessica Sherr not only resembles the actress in her early thirties but her voice, expressive eyes and mannerisms emulate Davis. And the one-act play’s staging and set design are such that allow Sherr to change costumes while she continues talking to the audience, never missing a beat.

Often in just a sentence or two, Sherr takes the audience through various stages of Davis’s life, beginning with her relationship with her parents, especially her mother whom Bette called “Ruth” after her father left them when she was ten years old.

Sherr then touches on Davis’ career beginning when on stage in New York. Not being a blonde and no taller than five-foot three, she fondly reminisces about her earlier years by commenting, “They don’t care what you look like!”

Invited by an agent who saw Davis on stage, she left New York and traveled to Hollywood to begin life as a movie star. Even though she became known as a Hollywood “hometown girl,” she still missed New York and has said, “I hate California—it’s so damn sunny it makes me sick!”

This show is for anyone who wants a closer look at Bette Davis – the ten-time Academy Award nominee and two-time Academy Award Best Actress winner for her roles in ‘Dangerous’ and ‘Jezebel.’

Along with a closer view of her career, you’ll learn about Davis’s marriages, her relationships, her Hollywood friends, the others she avoided and how she stood up for what she wanted, plus how it eventually turned out. And there’ll be many laughs along the way.

Details: ‘Bette Davis Ain’t for Sissies” is at the Athenaeum Theatre, 2936 N. Southport Ave., Chicago. A last minute extension now continues the show through July 9, 2017. For tickets more information visit AthenaeumTheatre or call 773-935-6875.

-Francine Pappadis Friedman

It is art fair and festival time

It’s that time of year again when shirt-sleeve weather encourages folks who want something interesting or fun for the abode to check out area art fairs and festivals.

June 17-18, 2017

For Father’s Day weekend, two really big fairs may tempt Dad or at least get people strolling around Grant Park and downtown Evanston.

The mega Gold Coast Art Fair takes over Grant Park from 10 a.m. to 6 p.m., Saturday and Sunday. Operated by Amdur Productions, it is among the top fairs in the country attracting about 300 juried-in artists. For other information visit Amdur.

Also this weekend the Annual Custer’s Last Stand sprawls across Evanston’s Main Street-Chicago Avenue area with about 375 artists. Sponsored by the Evanston Festival Theatre and the Illinois Arts Council, it goes from 10 a.m. to 9 p.m. For other information call visit CusterFair or call (847) 328-2204.

June 24-25, 2017

If this weekend doesn’t work or more exercise is desired, the Randolph Street market is at 1340 W. Washington St but spills over surrounding streets with about 300 vendors. It goes from 10 a.m. to 5 p.m. The next market is the last weekend of July. For other info visit Randolph Street Market.

Back in the northern burbs, the Art Center of Highland Park holds its annual Festival of Fine Arts at the northeastern end of the suburb’s downtown on Sheridan Road south of Central Avenue. the fair goes from 10 a.m. to 5 p.m. See Festival of the Fine Arts.