In an age when social media has usurped our lives, it’s refreshing to visit a time when people actually spoke to each other, and with eloquence. As in all her stories, Jane Austen’s fourth novel is an 1815 comedy of manners set in Georgian-Regency England. The title character, however, is unlike Austen’s other heroines in that Emma is pretty, smart and rich, but also strong-minded, overindulged and rather full of herself.
“Stick Fly,’ Lydia R. Diamond’s intelligent dramedy now at Writers Theatre, has so many angles and thought-provoking lines that audiences are likely not to notice it runs somewhat more than two and a half hours (with an intermission).
Early on there is the realization that “wasps” don’t have a patent on upper-middle class expectations regarding their progeny’s careers or mates. The story presents the wealthy, highly educated African American LeVay family as they settle in for a relaxing weekend at their second home, a well-appointed “cottage” on Martha’s Vineyard.
During the repressive 1960’s a gay man was forced to become very secretive about everything. Being “in the closet” was how most homosexuals survived being hassled or, quite often, brutally attacked for what was perceived as a perverted life style. A small percentage of men braved all the hostility and met their peers at the few underground gay bars and bath houses located primarily in certain large cities
Mart Crowley wrote his groundbreaking “Boys in the Band” in response to the prevalent oppressive social attitude of that time. The lives of every homosexual was threatened daily with violence and unfair laws. Gay men continually were the brunt of heterosexual jokes, degradation anger and, although claiming to not be an activist, Crowley felt the need to expose this oppressing milieu to the world through the theatre.
There is a lot of leeway when staging the 1960 Harvey Schmiidt (music) Tom Jones (lyrics) “The Fantasticks.” The show, now at the intimate Citadel Theatre in Lake Forest, is among the best productions I’ve seen of a play that normally makes my “least favorite” list. I’ve seen it overly long and boring and overly clever and gimmicky.
However, under the direction of Pat Murphy (“A Christmas Carol,” Deathtrap”) Citadel’s show charmingly mixes old-timey, unsophisticated character portrayals with humorous, burlesque-style staging, set design and movement.
The Chicago Botanic Garden’s annual Orchid Show takes on another dimension in 2020.
“We’ve done destinations. This time it’s more modern,” said Visitor Events and Programs Coordinator Sara.Harlow.
Titled “Brilliance,” the show also calls attention to orchids’ colors. “Color is important because it is part of the survival strategies of wild orchids so they can reproduce,” Harlow said, referring to how color attracts pollinators.
When visitors walk in to the exhibit in the Garden’s Regenstein Center, they will see towers of colorful orchids in the Nichols Hall, gorgeous groupings with bromeliads at their base and interesting pipe ensembles above and around them in the area leading to the greenhouses. The bromeliads add even more color.
The exhibit continues around to the left in a semi-circle of greenhouses. On the way to each greenhouse, the corridor’s walls tell stories about the importance of color and offer more orchid information. The greenhouse walls along the corridor display charming metallic circle planters filled with artistically arranged orchids.
What visitors will see during the day are sun-lit orchids seemingly planted along colored stones, orchids filling towering frames and orchids hanging from the ceiling between colorful tubes of light.
However, those rivulets of stones really cover lighting circuitry that will create a different dimension during special evening hours, according to Harlow.
“Visitors should also try to come at night We are doing After Hours Thursdays. It will look different,” she said.
The Orchid Show is at the Chicago Botanic Garden, 1000 Lake Cook Rd., Glencoe (just east of Edens Expressway) through March 24. General hours are 10 a.m. to 4 p.m. daily. After Hours goes until 8 p.m. on Thursdays and Feb. 14. For tickets, parking and more information visit Chicago Botanic/Orchid.
Five years ago this highly-anticipated stage version of the 1951 Gene Kelly/Leslie Caron musical film classic burst upon Broadway. After playing Paris, New York and the West End, and launching a two-year National Tour that played Chicago, we finally have our own regional production.
It is truly magnificent. It’s elegant, romantic, gorgeously produced and beautifully danced and sung. For anyone who adores those classic movie musicals and big, old-fashioned, splashy theatrical productions, this is the show for you.
Brian Jagde’s powerful tenor and Ana Maria Martinez’s delicate and expressively lyrical soprano were worth the slosh through the snow for Lyric Opera’s opening of “Madama Butterfly,” Thursday.
No matter how audiences feel about Giacomo Puccini’s anti-hero, US Navy Lieutenant B. F. Pinkerton, and his callous disregard of a 15-year-old Geisha’s heart, or the disastrous results, it is the composer’s arias, duets and a subtle chorus that make “Madama Butterfly” an opera-house staple and featured in concerts.
However, what original director Michael Grandage’s bare-bones production (revived by director Louisa Muller with set and costume designed by Christoper Oram), does, is to deliberately allow the leads to shine without the distraction of elaborate set changes and people movement.
Many people familiar with Airbnb these days can probably appreciate issues related to inviting visitors into your home or at least dealing with travelling public.
In this popular Agatha Christie mystery, five distinctly eccentric individuals have each booked their stay on the inaugural weekend opening of Monkswell Manor, a country guesthouse owned and operated by Mollie and Giles Ralston (Kate Fry, Allen Gilmore).
“Riverdance” has played for a quarter of a century. Now appearing in Chicago at the Cadillac Palace Theatre, the company is celebrating its 25th anniversary.
Composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, Riverdance’s folk-driven exciting sounds and steps have been loved by people of all ages.
In 1995, the show’s premiere was in Dublin with Irish and international music and dance. Then it went to London followed by a hugely successful tour begn in New York in 1996.
During the next two decades, “Riverdance” toured North America, Asia, Europe, Oceania, South Africa, and South America. It has been a favorite Grammy Award-winning show all over the world!
The Riverdance Irish troupe was 24 dancers, with the six principals being Will Bryant, Maggie Darlington, Anna Mai Fitzpatrick, Patrick O’Mahony, Jason O’Neill, and Gianna Petracic.
The Riverdance tappers were Lamont Brown and Tyler Knowlin. And there were also additional dancers in the Russian folk dance troupe.
Not only was the audience thrilled with the dancing, but the singers, drums, saxophone, fiddles and whistles made the music fabulous. And the background showed many places, beginning with the river and continuing through many areas with spectacular lighting and beautiful costume designs.
DETAILS: “Riverdance” is at Broadway In Chicago’s Cadillac Palace Theatre at 151 W. Randolph St., Chicago through Feb. 9 2020/. Running time: 2 hours with one intermission. For tickets and other information, call Broadway In Chicago at (800) 775-2000, or go visit Broadway in Chicago.
Instead of worrying about getting to a grocery store to find roses, consider an immersion in orchids. The Chicago Botanic Garden Orchid Show stays open late on Thursdays for its After Hours event when drinks and food are available. However, to celebrate Valentine’s Day, After Hours will also happen on Feb. 14, 2000. For cost and hours visit Chicago Botanic/Orchid.
In addition, a heart-shaped cake and glass of Champagne will be available at the Garden View Café and during Orchids After Hours. The Chicago botanic Garden is at 1000 Lake Cook Road Glencoe. For more information call (847) 835-6801 or Main: (847) 835-5440 or visit Chicago Botanic Garden.
Ocean Prime brings back popular seafood dish
Try a special dish in an upscale downtown Chicago restaurant with a view of the Chicago River. Created last year, Cameron Mitchell’s Ocean Prime will have its roasted sea bass over Alaskan King Crab gnocchi with Champagne cream on its valentine’s Day menu. Accompanied by a baby carrot salad, the dish will be $62 at the Chicago location.
For reservations and more information call (312) 428-4344 or visit Ocean Prime Chicago. The restaurant is next to the London House Hotel, 87 E. Wacker Dr., Chicago.
Kids and grandparents decorate cookies at Max and Benny’s
To give parents a night out or include them, Max and Benny’s, a Northshore deli, is holding a special cupcake/cookie decorating event on Feb. 14, 2020. Families will do dinner at the deli, then go into the event room to decorate a cupcake or cookie to eat there or take home. Registration is suggested but not required. For more information visit Max and Benny’s events.
Max and benny’s is in the strip mall at 461 Waukegan Rd., Northbrook.