A mysterious disappearance of the big bad wolf, a mainstay of some folk and fairy tales, leads traveling storytellers Mr. and Mrs. Pennyworth to quick stops with other famous characters such as the White Rabbit to find out if there are problems in their stories.
The journey to uncover the heart of the problem eventually takes them back to Norse mythology and the forces of Odin who was behind the Pennyworth’s travels.
There are two ways to consider Lyric’s ‘Magic Flute’ production. On one hand it will likely appeal to youngsters though they will have to sit for three hours and 20 minutes (intermission comes about an hour and 15 minutes into the opera).
You don’t have to be a Jane Austen fan to enjoy ‘Miss Bennet: Christmas at Pemberley,’ a world premier now at Northlight Theatre.
You merely have to appreciate that Austen incorporated English society’s attitudes and expectations of women, marriage and social position of the late 18th century in such books as ‘Sense and Sensibility,’ published early 19th century in 1811 and ‘Pride and Prejudice,’ published in 1813.
Take the creative minds of children and a Scottish playwright who wants to change from churning out formula plays for the London stage to recapturing his youthful imagination in order to write an amazing play, and you will understand ‘Finding Neverland.’
A touring Broadway musical in Chicago now through Dec. 4, 2016, the production reveals how J.M. Barrie came up with his world-famous, beloved ‘Peter Pan’ stories.
If lucky enough to still snag a ticket to the Lyric Opera’s ‘Les Troyens’ (The Trojans), Hector Berlioz’ grand opera tribute to Virgil’s Aeneid, don’t worry about its length.
Berlioz’s music, grandly interpreted by Lyric Music Director Sir Andrew Davis, sweeps through the Lyric’s hall like a waterfall that fascinates and pulsates with danger.
Add to that, the incredible vocals by Christine Goerke as Trojan Princess Cassandra, Susan Graham as Carthage Queen Dido, Brandon Jovanovich as Trojan hero Aeneas (Énée) and Lucas Meachem as Cassandra’s lover, Chorebus, and the opera has transcended from a good experience to become a once-in-a-lifetime event.
At a time when opposing philosophies are ridiculed, the Lyric Opera of Chicago steps in with a reminder there must be room in the world for idealists and dreamers.
Jules Massenet’s ‘Don Quichotte,’ based on Cervante’s ‘Don Quichotte’ (Don Quixote) and influenced by Jacques Le Lorrain’s play, ‘Le chevalier de la longue figure,’ is both love story and tale of a knight-errant who seeks chivalrous adventures to right the world’s wrongs.
A charming and fun adaptation of The Nutcracker’ is at Marriott Theatre now through Dec. 20, 2016. As part of Marriott’s Theatre for Young Audiences series, the Mouse King is comic rather than scary but with deft direction and choreography by Matt Raftery, the show will delight all ages.
In ‘King Charles III,’ a comic-tragic “future history” play, author Mike Bartlett brilliantly tackles Britain’s succession to the throne when 90-year-old Elizabeth II dies. His “what if” takes place within the perfect background of Chicago Shakespeare’s Courtyard Theater, a Globe and Swan Theatre-like setting.