What's happening on the arts scene – on stage, in museums and at fairs and festivals
3 stars
Youngsters recently made up the majority of the “Princess and the Pea” audience, now at Marriott Theatre. But their parents and grandparents were also in for a treat.
Although the show, a new musical, is part of Marriott’s series geared to the young set with productions a mere hour long, followed by a Q and A, the cast is made-up of in-demand Chicago actors.
‘Summer: The Donna Summer Musical’
3 stars
They sound like a good idea on paper, and there have been dozens bouncing around Broadway and on National Tours over the years, but the jukebox musical isn’t much more than a concert with some narrative.
There are two formats in this style of musical theatre. There’s the show that creates an original story and characters, but instead of using new music to further the plot, the songs of one or more artists are featured instead.
‘Emma’
4 stars
In an age when social media has usurped our lives, it’s refreshing to visit a time when people actually spoke to each other, and with eloquence. As in all her stories, Jane Austen’s fourth novel is an 1815 comedy of manners set in Georgian-Regency England. The title character, however, is unlike Austen’s other heroines in that Emma is pretty, smart and rich, but also strong-minded, overindulged and rather full of herself.
4 stars
“Stick Fly,’ Lydia R. Diamond’s intelligent dramedy now at Writers Theatre, has so many angles and thought-provoking lines that audiences are likely not to notice it runs somewhat more than two and a half hours (with an intermission).
Early on there is the realization that “wasps” don’t have a patent on upper-middle class expectations regarding their progeny’s careers or mates. The story presents the wealthy, highly educated African American LeVay family as they settle in for a relaxing weekend at their second home, a well-appointed “cottage” on Martha’s Vineyard.
Continue reading “A witty and acerbic view of family dynamics and expectations”
‘The Boys in the Band’
4 stars
During the repressive 1960’s a gay man was forced to become very secretive about everything. Being “in the closet” was how most homosexuals survived being hassled or, quite often, brutally attacked for what was perceived as a perverted life style. A small percentage of men braved all the hostility and met their peers at the few underground gay bars and bath houses located primarily in certain large cities
Mart Crowley wrote his groundbreaking “Boys in the Band” in response to the prevalent oppressive social attitude of that time. The lives of every homosexual was threatened daily with violence and unfair laws. Gay men continually were the brunt of heterosexual jokes, degradation anger and, although claiming to not be an activist, Crowley felt the need to expose this oppressing milieu to the world through the theatre.
3 stars
There is a lot of leeway when staging the 1960 Harvey Schmiidt (music) Tom Jones (lyrics) “The Fantasticks.” The show, now at the intimate Citadel Theatre in Lake Forest, is among the best productions I’ve seen of a play that normally makes my “least favorite” list. I’ve seen it overly long and boring and overly clever and gimmicky.
However, under the direction of Pat Murphy (“A Christmas Carol,” Deathtrap”) Citadel’s show charmingly mixes old-timey, unsophisticated character portrayals with humorous, burlesque-style staging, set design and movement.
Continue reading “‘The Fantasticks’ becomes a delightful throwback at Citadel”
The Chicago Botanic Garden’s annual Orchid Show takes on another dimension in 2020.
“We’ve done destinations. This time it’s more modern,” said Visitor Events and Programs Coordinator Sara.Harlow.
Titled “Brilliance,” the show also calls attention to orchids’ colors. “Color is important because it is part of the survival strategies of wild orchids so they can reproduce,” Harlow said, referring to how color attracts pollinators.
When visitors walk in to the exhibit in the Garden’s Regenstein Center, they will see towers of colorful orchids in the Nichols Hall, gorgeous groupings with bromeliads at their base and interesting pipe ensembles above and around them in the area leading to the greenhouses. The bromeliads add even more color.
The exhibit continues around to the left in a semi-circle of greenhouses. On the way to each greenhouse, the corridor’s walls tell stories about the importance of color and offer more orchid information. The greenhouse walls along the corridor display charming metallic circle planters filled with artistically arranged orchids.
What visitors will see during the day are sun-lit orchids seemingly planted along colored stones, orchids filling towering frames and orchids hanging from the ceiling between colorful tubes of light.
However, those rivulets of stones really cover lighting circuitry that will create a different dimension during special evening hours, according to Harlow.
“Visitors should also try to come at night We are doing After Hours Thursdays. It will look different,” she said.
To learn more about the orchids in the show from Cattleya to Cypripedium visit Chicago Botanic/Orchid Species.
The Orchid Show is at the Chicago Botanic Garden, 1000 Lake Cook Rd., Glencoe (just east of Edens Expressway) through March 24. General hours are 10 a.m. to 4 p.m. daily. After Hours goes until 8 p.m. on Thursdays and Feb. 14. For tickets, parking and more information visit Chicago Botanic/Orchid.
Jodie Jacobs
An American in Paris
4 stars
Five years ago this highly-anticipated stage version of the 1951 Gene Kelly/Leslie Caron musical film classic burst upon Broadway. After playing Paris, New York and the West End, and launching a two-year National Tour that played Chicago, we finally have our own regional production.
It is truly magnificent. It’s elegant, romantic, gorgeously produced and beautifully danced and sung. For anyone who adores those classic movie musicals and big, old-fashioned, splashy theatrical productions, this is the show for you.
4 stars
Brian Jagde’s powerful tenor and Ana Maria Martinez’s delicate and expressively lyrical soprano were worth the slosh through the snow for Lyric Opera’s opening of “Madama Butterfly,” Thursday.
No matter how audiences feel about Giacomo Puccini’s anti-hero, US Navy Lieutenant B. F. Pinkerton, and his callous disregard of a 15-year-old Geisha’s heart, or the disastrous results, it is the composer’s arias, duets and a subtle chorus that make “Madama Butterfly” an opera-house staple and featured in concerts.
However, what original director Michael Grandage’s bare-bones production (revived by director Louisa Muller with set and costume designed by Christoper Oram), does, is to deliberately allow the leads to shine without the distraction of elaborate set changes and people movement.
Continue reading “Glorious vocals shine against spare set in ‘Madama Butterfly’”
4 stars
Many people familiar with Airbnb these days can probably appreciate issues related to inviting visitors into your home or at least dealing with travelling public.
In this popular Agatha Christie mystery, five distinctly eccentric individuals have each booked their stay on the inaugural weekend opening of Monkswell Manor, a country guesthouse owned and operated by Mollie and Giles Ralston (Kate Fry, Allen Gilmore).
Continue reading “Nothing cheesy about ‘The Mousetrap’ at Court Theatre”