Writers Theatre – Chicago Theater and Arts

Food prep and relationships stir the pot in ‘Hot Wing King’

Joseph Anthony Byrd (from left), Jabari Khaliq, Breon Arzell, Thee Ricky Harris and Jos N. Banks star in "The Hot Wing King" at Writers Theatre.

(From left) Joseph Anthony Byrd, Jabari Khaliq, Breon Arzell, Thee Ricky Harris and Jos N. Banks in “The Hot Wing King” at Writers Theatre. (Photo by Michael Brosilow) in ‘The Hot Wing King’ at Writers Theatre

Recommend

Winner of the 2021 Pulitzer Prize for Drama, Writers Theatre audiences learn there’s a lot more to “The Hot Wing King” than food prep for the Annual Hot Wing Festival taking place the next day in Memphis.

As Cordell (Breon Arzell) prepares his marinade and chicken wings with boyfriend Dwayne (Jos N. Banks) and friends the backstory of their relationship and their family problems boil over when Dwayne’s nephew, 16-year-old Everett (Jabari Khaliq), knocks at their door.

Written by Katori Hall and directed by Lili-Anne Brown, the story slowly unfolds with dropped remarks until the audience fully realizes all the problems facing the characters just as the production breaks for intermission.

The nice, upscale house on stage is owned by Dwayne who is manager of an upscale Memphis hotel and likes to manage people’s lives. Cordell, moved from St. Louis to Tennessee when the two fell in love. Everett is the son of Dwayne’s sister who tragically died a couple of years ago. Dwayne feels responsible for her death.

The acting is excellent, but I think the audience would appreciate the problems the partners faced if they understood more of the back story earlier instead of just clues from remarks.

The good news is that it all works out.

Details: “The Hot Wings King” is at Writers Theatre ,325 Tudor Court, Glencoe through July 21, 2024. Run time: about 2 hours, 20 minutes with one intermission. For tickets and other information visit Writers Theatre or call (847) 242-6000.

Jodie Jacobs

For more shows visit Theatre in Chicago

Two diverse cultures wonderously offer support during an accidental overnight visit

Egyptian band members, Rom Barkhordar and Armand Akbari, hear Israeli cafe owner Dina’s (Sophie Madorsky) thoughts in “The Band Visit – The Musical” at Writers Theatre. (Photo by Michael Brosilow).

Highly Recommended

When an Egyptian Police Unit’s professional band ends up in the desert Israeli town of Bet Hatikva overnight instead of at the cultural center in a large Israeli community due to the similarity in town names, both sides, the musicians and town residents, take away a better understanding of their own lives by dawn. That is the basic plot of “The Band’s Visit.”

I loved the show when it was simply a 2007 screenplay by Eran Kolirin because it delicately entered the life situations of the band members and of the residents.

Audience members of Writers Theatre in Glencoe where it is now appearing through March 17, will find the basic premise is still there but the production, now a 2018 multi-Tony Award-winning Broadway musical by composer David Yazbek and book writer Ithamar Moses, has drastically changed the show. I don’t think it is better or worse. It’s just different. There is even a roller-skating rink (with appropriate musical number) in this desert town.

Audiences who saw “Once” at WT will recognize and love the introductory musical number and closing number as similar in beat, musical instruments and choreography. Not sure why they were used here unless they somehow represent the music at the destination’s cultural center but they don’t change the story line.

Directed by Zi Alikhan, the characters present their situations with sensitivity and also compassion for each other.

Dina, a cafe owner interpreted by Sophie Madorsky, is both sensual and empathetic as she interacts with Tewfiq, the band’s leader played by Rom Barkhordar. They sing “Something Different.” By the story’s end you learn of Tewfiq’s tragic family story.

During the show you watch other band members getting to know and interact with residents who are having relationship problems. However different the musical is from its original intent, ‘The Band’s Visit” is a heartwarming and beautiful short story of two cultures coming together with support for each other.

DETAILS: “The Band’s Visit” is at Writers Theatre, 325 Tudor Court, Glencoe, IL., now through March 17,2024. Run time: 95 minutes with no intermission. For tickets and more information call (847) 242-6000) or go to www.writerstheatre.org.

Jodie Jacobs

For more shows visit www.theatreinchicago.com.

Three holiday shows that change a personality

Writers Theatre, Glencoe does Manual Cinema Christmas Carol (Photo by Liz Lauren)

Lots of shows to choose from this holiday season. So if wondering how to whittle them down, here are a few recommendations all based on age appeal and the message of change.

For the whole family

It doesn’t matter if you have seen Goodman Theatre’s production of Charles Dickens’ “A Christmas Carol.” It’s always a little different each year but the story still is a feel-good message of what is important and that people can change. It’s also a tradition in many Chicago area households with all-age appeal.

The show runs from Nov. 18 to Dec. 31, 2023. For tickets and more information visit A Christmas Carol 2023 – Goodman Theatre

For adults and older teens who want something different

At Writers Theatre in Glencoe, Manual Cinema presents a different take on Scrooge and how to present the Christmas Carol story. First, Manual Cinema often uses shadow puppets to tell a story in a somewhat unusual way so give the action and production time to develop its theme. It’s not as chaotic as first appears. Secondly, by the show’s end, audiences realize the woman presenting the story starts out with a Scrooge-style personality.

The show runs Nov. 16 to Dec. 24, 2023. For tickets and more information visit Manual Cinema’s Christmas Carol | Writers Theatre

For youngsters

“How the Grinch Stole Christmas” at the Cadillac Palace Theatre is yet a third view of how a Scrooge-type character, this time called a Grinch,” developed that way and can change.

The show runs Dec. 19-Dec. 31, 2023. For tickets and more information visit Dr. Seuss’ How The Grinch Stole Christmas! The Musical – Broadway In Chicago.

Jodie Jacobs

A few shows to add before toasting a new year

Music Theatrer Works cast of White Christmas at the North Shore Center for the Performing Arts. (All photos by Brett Beiner. — Music Theater Works cast of White Christmas at the North Shore Center for the Performing Arts. (All photos by Brett Beiner.

Certainly, holiday shows such as Joffrey Ballet’s “The Nutcracker,” on stage to Dec. 27, and Goodman Theatre’s “A Christmas Carol,” up through Dec 31, were on our calendars two months ago to plan the outing. Both are traditional go-to shows for many Chicagoans.

But the season for holiday shows won’t be over until the last toast hails a new year. So here are a few shows that may not have caught your attention. One is a good-old standby that still merits a seat while one is a startling new take on an old stand-by and one is fun for youngsters. They can fit into the remaining count-down days of 2022.

“White Christmas” just opened at the North Shore Center for the Performing Arts in Skokie with Irving Berlin’s music and lyrics and a new book by David Ives and Paul Blake. it’s a post WWII feel-good, rom/com with joyous music and such lasting melodies as “Blue Skies,” “Count Your Blessings,” and “How Deep is the Ocean.” Presented by Music Theater Works which used to use Cahn Auditorium in Evanston, “White Christmas” continues through Jan. 1, 2023 at 9501 Skokie Blvd, Skokie. For tickets call (847) 673-6300 or visit musictheaterworks.

Lizi Breit and LaKecia Harris in "Manual Cinema's Christmas Carol" at Writers Theatre (Liz Lauren photographer) — Lizi Breit and LaKecia Harris in “Manual Cinema’s Christmas Carol” at Writers Theatre (Liz Lauren photographer)

Manual Cinema’s Christmas Carol” at Writers Theatre is not a Goodman Theatre-style production although it mostly uses Dicken’s storyline. Aunt Trudy has been asked by her late husband Joe’s relatives to do the “Christmas Carol” puppet show that he did annually. She says she’s not really an aunt to the relatives watching on zoom since she never married “husband” Joe and her unhappiness comes across at the start of the show. A storm arrives, the power goes out and ghostly “puppets” intervene until Trudy realizes she has no choice but continue the Christmas Carol story with shadow puppets and ghosts. She, as was Scrooge, is a different person by the end of the play. Manual Cinema’s “Christmas Carol” is at Writers Theatre, 325 Tudor Court, Glencoe, through Dec. 24. For tickets and more information visit Writers Theatre. Masks are highly recommended. (Audience most be age 6 and older).

“Hershel and the Hanukkah Goblins” is playing at Strawdog Theatre in the Edgewater neighborhood. Based on the Caldecott Honor award-winning book by Eric Kimmel and adapted by ensemble member Michael Dailey with music and lyrics by Jacob Combs, the play follows a traveling troupe of actors who find no one in a town they visit are celebrating Hanukkah because goblins haunt the old synagogue. The production continues through 31, 2022 at The Edge Off-Broadway Theater. Tickets are free with reservations at www.strawdog.org. (COVID protocol: Audience members aged 2+ years must wear a mask covering their nose and mouth. Audience members aged 5+ years must provide, before entering the venue proof of full COVID-19 vaccination or proof of negative PCR test.)

Jodie Jacobs

For more shows visit Theatre in Chicago

Around Town Favorite Shows this past year

Ben Rappaport as Jack Paar and Sean Hayes as Oscar Levant in Doug Wright’s "Good Night, Oscar." (Liz Lauren photographer) — Ben Rappaport as Jack Paar and Sean Hayes as Oscar Levant in Doug Wright’s “Good Night, Oscar.” (Liz Lauren photographer)

The almost post-pandemic year of 2022 saw life return to Chicago’s stages. Here are a couple of our critic’s thoughts on some really well-done shows seen in 2022..

My favorite was the Goodman Theatre’s production of “Goodnight, Oscar” starring Sean Hayes. The play was funny, poignant and dealt with the issues of mental health, something even more relevant today than when the play took place in 1958. I knew when I reviewed it, that I had seen something quite extraordinary on stage. The ending was a triumph. The play is now headed to Broadway. Bravo! – Mira Temkin

Wow! “How (do) you hold a moonbeam in your hand?” It’s what I felt I learned walking out of Marriott Theatre Linconshire’s “The Sound of Music.” Yes, the musical has been done countless times, but it’s been a while since I have left a show thinking it was perfect. With so many factors to consider from vocals, acting and dance to script and music, some elements tend to outshine or are weaker than others in various productions. But upon leaving opening night of Marriott Theatre Lincolnshire’s “The Sound of Music,” April 20, 2022, the word that came to mind was “perfect.” – Jodie Jacobs

One of the best shows I was lucky enough to see in 2022 is still appearing through Dec. 24. It is “Manual Cinema’s Christmas Carol” at Writers Theatre in Glencoe, IL. An award-winning film/video and live performance and design company, Manual Cinema brings extra layers of meaning to stories we think we know. That was definitely true to Dicken’s “A Christmas Carol” reworked to apply to current situations and characters. If you go, be prepared for an unusual theatrical experience that includes ghosts, shadow puppets, an old film screen using an old projector (they call it “vintage,” and outstanding acting by LaKecia Harris as the main character, Aunt Trudy. – Jodie Jacobs

Dickens tale visited by Manual Cinema puppets and ghosts

Manual Cinema’s Christmas Carol started out online during the Pandemic and has now moved live to Writers Theatre.

5 Stars

Hold onto the change-of-life theme of Charles Dickens’ famed holiday story. But toss aside your idea of puppets and a puppet theater before walking into “Manual Cinema’s Christmas Carol” at Writers Theatre in Glencoe, IL.

Manual Cinema is an award-winning film/video and live performance and design company, so be prepared for an unusual theatrical experience.

What to expect: Ghosts, hand-designed shadow puppets and their scenic backgrounds, a puppet theater, zoom on a computer and on an old film screen using an old projector (they call it “vintage),” a complicated sound system and outstanding acting by LaKecia Harris as Aunt Trudy.

Aunt Trudy has been asked by her late husband Joe’s relatives to do the Christmas Carol puppet show that he did annually. She says she’s not really an aunt to the relatives watching on zoom since she never married “husband” Joe.

La Kecia Harris and Jeffrey Paschal in Manual Cinema's Christmas Carol at Writers Theatre. (Photos by Liz Lauren) — La Kecia Harris and Jeffrey Paschal in Manual Cinema’s Christmas Carol at Writers Theatre. (Photos by Liz Lauren)

Her unhappiness loudly comes across at the start of the show. An approaching storm arrives, the power goes out, ghostly “puppets” intervene as Trudy realizes she must continue the Christmas Carol story with the shadow puppets, theater and ghosts. She, as was scrooge, is a different person by the end of the play.

The cast is as much behind the scenes as identifiable on stage so shout outs go to puppeteers Lizi Breit, Julia Miller and Jeffrey Paschal and also to Ben Kauffman who does lead vocals, piano, keys, and voice overs, plus Emily Meyer for violin and vocals and Kyle Vegter for cello, keys, bass and voice overs. In addition, Sarah furnace is a puppeteer understudy.

This is a must-see production because Manual Cinema brings extra layers of meaning to stories we think we know.

DETAILS: Manual Cinema’s Christmas Carol is at Writers Theatre, 325 Tudor Court, Glencoe, IL now through Dec. 24. Running time: 70 minutes with no intermission. For tickets and more information visit Manual Cinema’s Christmas Carol | Writers Theatre. For Manual Cinema info see Manual Cinema | Theater | Film | Music.

Children under age 6 not permitted.

Jodie Jacobs

For more shows visit Theatre in Chicago

Theater Comings and Goings

Mayslake Peabody Mansion home to First Folio Theatre. (J Jacobs photo)

Tis the season for a couple of major changes in suburban theaters.

Most everyone in Chicago’s theater community knows that Goodman Artistic Director Robert Falls had announced leaving in 2022 and that Anton Chekhov’s a “A Cherry Orchard” in Goodman’s 2022-23 season would be his last production.

But word is out now that Writers Theatre in north suburban Glencoe has found its new artistic director and that the founding executive director of First Folio Theatre in west suburban Oakbrook is retiring.

First, take advantage of seeing a fine Equity production in an atmospheric estate before this not-for-profit theatre in the western suburbs closes in 2023.

With the retirement of Executive Director David Rice after 25 years, First Folio Theatre will be saying goodbye to the remarkable Mayslake Peabody Estate it calls home in Oakbrook.

It’s worth going to the show just to see the estate, but the acting is excellent and the 2022-23 season has four shows representative of the kind of theater experience that gives First Folio a top-notch reputation.

Its final season features Margaret Raether’s “Jeeves Intervenes,” Louisa May Alcott’s “Little Women,” Ann Noble’s “And Neither do I Have Wings to Fly” and William Shakespeare’s “Twelfth Night.”

For tickets and more information visit www.firstfolio.org.

Writers Theatre in Glencoe. (Photo by J Jacobs)

Now, expect even more new shows and projects than Writers Theatre has accomplished in the past. Seattle Repertory Theatre, the largest not-for profit theater in the Pacific Northwest and known for premiers, is losing Artistic Director Braden Abraham to WT in 2023.

He will be coming to town shortly after the late December 2022 closing of the premier of “Mr. Dickens and His Carol” by Samantha Silva that Abraham developed and is directing.

Interim Artistic director Bobby Kennedy has been helming productions since WT co-founder Michael Halberstam resigned in July 2021.

Founded in 1992, WT has done more than 120 productions ranging from re- interpretations of classics to holding more than two dozen world premieres.

It also built a highly acclaimed theater complex designed by Jeanne Gang and her Studio Gang Architects.

Jodie Jacobs

Spend the night in good company with Pearl!

Felicia P. Fields and band. (Photo courtesy of Writers Theatre)

4 Stars

Closing out their 2021-2022 season at the Writers Theatre in Glencoe is Pearl’s Rollin’ with the Blues: A Night with Felicia P. Fields now through July 24, 2022.

Singing the blues is what Tony Award nominee Felicia P. Fields does best and boy, does she belt. With the help of her mighty talented 5-piece band, she takes the audience on a road trip through the blues.

Created by Fields and Ron OJ Parson who collaborated on WT’s Ma Rainey’s Black Bottom, they celebrate the pioneers of the past including Big Mama Thornton, Son House, Howlin’ Wolf and other blues greats.

They tell stories, engage with the audience and throw everything up for grabs as people listen in amazement.

Look out if you’re sitting at a table as no subject is taboo. But it’s all in good fun and laughs.

On a more serious side, Fields shares her journey about transferring to a high school on the north side of Chicago and the racism she encountered there.

Pearl’s Rollin’ with the Blues is a joyful concert celebration featuring Fields with music director Chic Street on guitar, Ricardo Jimenez on horn and harp, Frank Menzies at the keyboard, Harold Morrison on drums and Julie Poncé on base.

This show, an original and nothing like you’ve ever seen before, takes the blues to new heights.

(Writers Theatre is helmed by Executive Director Kathryn M. Lipuma and Interim Artistic Director Bobby Kennedy).

DETAILS: “Pearls Rolling in the Blues” is at Writers Theatre, 325 Tudor Court, Glencoe, through July 24,2022. Runtime: 90 minutes, no intermission. For tickets and more information visit Writers Theatre.

(Writers Theatre requires all seated patrons to wear a mask during performances. If you attend without a mask, Writers Theatre will provide one for you. Visit writerstheatre.org/covid-safety for details).

For more shows visit Theatre in Chicago

Mira Temkin

‘Dishwasher Dreams’ captures immigrant trials and triumphs with humor and poignancy

Alaudin Ullah in Writers Theatre" 'Dishwasher Dreams'. (Photo by Amir Hamza) — Alaudin Ullah in Writers Theatre” ‘Dishwasher Dreams’. (Photo by Amir Hamza).

3.5 Stars

Closed for two years due to COIVD-19, Writers Theatre has reopened its 2021/2022 season with “Dishwasher Dreams.” A one-man show written and performed by Alaudin Ullah, it highlights the immigrant experience through the eyes of a father and son.

The show opens with and is accompanied by tabla percussionist Avirodh Sharma who adds a sense of cultural authenticity to the performance. Sharma is considered one of today’s leading exponents of the tabla, carrying on the tradition of percussion rhythm that originated in India.

Ullah is a stand-up comedian whose family came from a very small town in Bangladesh. He grew up in New York City but is in L.A. auditioning for a major film role that could change the course of his career. Unfortunately, a family crisis hurls him back to New York and puts his own dreams on hold.

He takes the audience on a hilarious journey through his family’s history from colonial India in the 1930s to Spanish Harlem in the 1970s to present-day Hollywood.

This exhilarating trek will have you laughing and crying at the same time as Ullah shares his experiences of immigration, the Yankees and the pursuit of the American Dream.

At heart, Ullah is a storyteller dedicated to changing the misperceptions of South Asians and Muslims in our society. His performance covers a range of emotions dealing with prejudice and racism on stage as he tries to become a successful American.

For both father and son, there is more to life than being an undocumented worker with little opportunity for advancement. Ullah shows us with humor and commitment how he overcame this!

A playwright and performer with several TV and film acting credits, Ullah was one of the first South Asian comedians featured nationally on HBO, MTV, BET, PBS and Comedy Central. He is currently working on a documentary of his book, “Bengali Harlem,” to be out next year.

The show is directed by Chay Yew, (formerly of Victory Gardens Theater) in association with Hartford Stage. Writers Theatre which recently changed leadership, is helmed by Executive Director Kathryn M. Lipuma and Interim Artistic Director Bobby Kennedy.

DETAILS: Dishwasher Dreams is at Writers Theatre, 325 Tudor Court, Glencoe, through January 16, 2022. Run Time: Approximately 90 minutes with no intermission. For tickets and more information, visit writerstheatre.org. (Visitors must show a valid Covid vaccination card and must be masked through the entire presentation.)

Mira Temkin

For more shows visit Theatre in Chicago

A Dickens of a story

One-Man A Christmas Carol by Writers Theatre (Photo by Joe Mazza)

3 1/2 stars

So many Dickens’ “A Christmas Carol” to see On Demand, stream live or hear, such as Goodman Theatre’s audio drama. And so little time. Wait! With the pandemic still going on there is plenty of time to catch a couple more interpretations.

Among them is Writers Theatre’s “One-Man A Christmas Carol” acted, narrated and adopted by Artistic Director Michael Halberstam, reviewed here. Another one that will be reviewed tomorrow is Manual Cinema’s “Christmas Carol.”

Because each production is different and brings the strengths of a professional team, all three shows merit time and ticket. Given Dickens’ adroit telling of his moralistic, ghostly novella, “A Christmas Carol” is a story worth repeating.

Viewers of the Writers Theatre’s show, produced in collaboration with HMS Media and directed by Stanton Long, are sure to get caught up in Halberstam’s portrayal of Scrooge, the ghosts, the Cratchit family and assorted other characters.

Background projections occasionally add interest to the telling although it would work as well as a radio show. What does work for me is that, though annotated, Halberstam does use Dickens’ original words and phrases.

What I didn’t expect, considering how often I’ve seen different productions of “A Christmas Carol,” is to tear up during the ghost of what’s to come’s visit to the Cratchit household.

That poignant scene really showcased Halberstam’s fine acting.

For ticket and other information visit Writers Theatre or call (847) 242-6000.

For more shows visit Theatre in Chicago.

Jodie Jacobs