Victorian author Charles Dickens might be surprised, and maybe a little proud, at how his story about one curmudgeon’s redemption has been adapted for the stage, film, opera and every other form of media.
This production, “Q Brothers Christmas Carol,” back by popular demand at Chicago Shakespeare Theatre, has fast become one of the Windy City’s favorite holiday events, especially among younger, hipper audiences. It’s a terrific, cleverly-written and utterly captivating piece of theatre that deserves the high praise it’s received.
Wrap that towel around you, settle back with a stiff one and get ready to enjoy The Divine Miss M, at her holiday best.
Once again it’s the early 1970’s, and we’re at Manhattan’s popular gay bathhouse where Bette Midler, portrayed at Mary’s Attic by the incomparably talented Caitlin Jackson, came to prominence.
Jackson, her tumbler filled with vodka, is cheerfully serving up an hour of some of Midler’s best, most beloved tunes. She also treats the audience to a few of Bette Midler’s bawdy Sophie Tucker jokes.
It didn’t matter that outside temperatures were diving into the icy teens because inside the Cadillac Palace Theatre, Tuesday, “Irving Berlin’s White Christmas” was warming the hearts of families and veterans with “Happy Holidays,” “Count Your Blessings” and “We’ll Follow the Old Man.”
But good as Berlin’s music and lyrics and David Ives and Paul Blakes’ book are, what makes the touring production now playing in Chicago worth its four stars is its talented cast and Randy Skinner’s excellent choreography and direction.
There are the perfectly executed dance numbers by a superb ensemble and the wonderful dancing of Kelly Sheehan as Judy Haynes and Jeremy Benton as Phil Davis. Plus, there is the beautiful voice of Kerry Conte as Betty Haynes and the Martha Raye-style singing and acting of Lorna Luft as Martha Watson.
Adapted from Eric Kimmel’s beloved holiday picture book which earned the 1990 Caldecott Honor Award, this 60-minute holiday presentation of “Hershel and the Hanukkah Goblins”is back for another Hanukkah season at Strawdog Theatre. The production is done almost totally in-the-round and without an intermission.
Written by ensemble member Michael Daily, this is a family entertainment piece that features spirited ethnic music and lyrics by Jacob Combs . A six-member troupe portray an array of characters who play a variety of musical instruments, pack up their belongings and take their act on the road.
Resembling a holiday variety show aimed at younger audiences, this lively, laugh-provoking entertainment is actually a play-within-a-play. Through music, folk dance, puppetry and the audience’s own imagination, the play tells the story of a Jewish folk hero named Hershel of Ostropol.
A clever trickster, kind of like a European version of Anansi the Spider or a witty Hebrew cousin of the American Br’er Rabbit, Hershel is portrayed this year with glee by ensemble member Jack Morsovillo.
He’s supported by a company of multi-talented actors and musicians who include Sarah Bacinich, Brianna Joy Ford, Cohen Kraus, Josh Pennington and Leo Zhu.
After traveling a long way, the troupe stops at a village where they ask the local innkeeper for food and a place to sleep. Penniless, the troupe leader offers to entertain the man and his guests (the audience) in exchange for his generosity. Finally, given the opportunity, the company of players perform the tale of Hershel of Ostropol.
In the play, Hershel has discovered a sad little town where Hanukkah is no longer celebrated. The reason for this, the townsfolk lament, is that their temple has been overtaken by goblins who forbid the townspeople to light the Menorah candles.
Hershel accepts the town’s challenge to spend the next eight nights in their temple, whereupon he’ll try to trick the goblins, including the fearsome Goblin King, into lighting the Menorah themselves, and thus bring brightness and holiday joy back to the village.
The production is guided with spirit and sparkle by Lauren Katz. She artfully draws out the skills and strengths from each of her ensemble members and keeps her production in constant motion. Yair Farkas musically directs this talented cast, all suitably attired in clownish costumes courtesy of Elle Erickson.
Prior to each performance, there are arts and crafts activities in the lobby. Strawdog Theatre’s second helping of the family holiday entertainment is foxy, fun and filled with music. It radiates with warmth, wonder and humor.
Youngsters already familiar with Eric Kimmel’s delightful picture book will enjoy seeing the story come to life. Learning how Hershel gets the best of a band of bogeymen in order to restore Hanukkah to a town plunged into darkness, is great fun for audiences of all ages.
DETAILS: “Hershel and the Hanukkah Goblins” is at Strawdog Theatre, 1802 W. Berenice, Chicago, Saturdays and Sundays, Dec.7-29, 2019. Running time: one hour. For tickets and other information visit Strawdog.
Colin Douglas
Additional information about this and other area productions can be found by visiting TheatreInChicago.
If I might borrow from Chicago’s city motto “Urbs in Orto” (translated as “City in a Garden”) this production of “Twelfth Night” can be described as “Theatrum in Orto” (“Theater in a Garden”) as Midsommer Flight presents their popular perennial production of one of Shakespeare’s silliest plays, energetically performed, amid the (house-plants run amok) tropical flora collection in the Lincoln Park Conservatory’s Show House Room.
Directed by Dylan S. Roberts the comedy is intimately staged more-or-less in-the-round, costumed in 20th Century modern dress.
Five men in a small mining camp circa 1850s California find the meaning of family with the addition of a baby boy. It is an upbeat holiday story that explores the meaning of family and serves to illustrate the need for humans to band together forging family bonds in whatever circumstances they happen to be while also exploring the tug of bloodline ties.
This sentimental Pride Films & Plays (PFP) production directed by Danne W. Taylor will rival anything you might find on the Hallmark Channel this holiday season and may require an extra dose of insulin.
The well written script by Normal Allen is inspired by stories of 19th Century author Bret Harte and is best served by Michael D. Graham as Old Jake, the glue that keeps this production together. Graham seems to have the best grasp of the cadence and pace of the men of this period and circumstance.
I still remember the first time I heard the caustic wit of David Sedaris as he performed his “The Santaland Diaries” monologue on NPR’s “This American Life.” I was gobsmacked. This snarky, irreverent essay quickly became a holiday staple in our house, revered as much as our other annual, if slightly less irreverent, family favorite, “A Christmas Story.”
Shopping the old fashioned way, leisurely browsing in person without worrying that the items will be gone by 8 a.m. or that the internet will be overloaded, can be a treat at museums and annual gift shows.
Listed here are two examples of excellent gift shows and really good, large museum shops. They are likely to take a while to explore and are fun excursions while filling the gift list. Continue reading “Where to find unusual gifts”
Around Chicago it’s that time of year to see such holiday shows as those listed in Holiday Happenings Part One and walk paths of twinkling, colored lights highlighted in Part Two.
Goodman Theatre’s annual “A Christmas Carol,” now in its 42 appearance, continues to draw thousands of families downtown Chicago for Charles Dickens’ 19th century story about redemption.
Originally called A Christmas Carol. In Prose. Being a Ghost Story of Christmas when published in 1843, the tale does feature four ghosts. At Goodman, the production also features Larry Yando making his 12th appearance as Ebenezer Scrooge, the Charles Dickens character whose name is synonymous with miser.