TheatreInChicago – Page 5 – Chicago Theater and Arts

Old fashioned musical fills Cadillac Palace Theatre with joy

(L-R) Kelly Sheehan and Jeremy Benton and company itap dancing to “I love a Piano” in Irving Berlin’s White Christams. (Jeremy Daniel Photography

4stars

It didn’t matter that outside temperatures were diving into the icy teens because inside the Cadillac Palace Theatre, Tuesday, “Irving Berlin’s White Christmas” was warming the hearts of families and veterans with “Happy Holidays,” “Count Your Blessings” and “We’ll Follow the Old Man.”

But good as Berlin’s music and lyrics and David Ives and Paul Blakes’ book are, what makes the touring production now playing in Chicago worth its four stars is its talented cast and Randy Skinner’s excellent choreography and direction.

There are the perfectly executed dance numbers by a superb ensemble and the wonderful dancing of Kelly Sheehan as Judy Haynes and Jeremy Benton as Phil Davis. Plus, there is the beautiful voice of Kerry Conte as Betty Haynes and the Martha Raye-style singing and acting of Lorna Luft as Martha Watson.

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‘Twelfth Night’ revisited

3 stars

If I might borrow from Chicago’s city motto “Urbs in Orto” (translated as “City in a Garden”) this production of “Twelfth Night” can be described as “Theatrum in Orto” (“Theater in a Garden”) as Midsommer Flight presents their popular perennial production of one of Shakespeare’s silliest plays, energetically performed, amid the (house-plants run amok) tropical flora collection in the Lincoln Park Conservatory’s Show House Room.

Directed by Dylan S. Roberts the comedy is intimately staged more-or-less in-the-round, costumed in 20^th Century modern dress.

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‘The Christmas Foundling’ or five men and a baby

The Christmas Foundling at Buena Arts Center. (Photo courtesy of Pride Films and Plays)

3 Stars

Five men in a small mining camp circa 1850s California find the meaning of family with the addition of a baby boy. It is an upbeat holiday story that explores the meaning of family and serves to illustrate the need for humans to band together forging family bonds in whatever circumstances they happen to be while also exploring the tug of bloodline ties.

This sentimental Pride Films & Plays (PFP) production directed by Danne W. Taylor will rival anything you might find on the Hallmark Channel this holiday season and may require an extra dose of insulin.

The well written script by Normal Allen is inspired by stories of 19^th Century author Bret Harte and is best served by Michael D. Graham as Old Jake, the glue that keeps this production together. Graham seems to have the best grasp of the cadence and pace of the men of this period and circumstance.

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Snarky Santaland Diaries Worthy of the Naughty List

Steven Strafford in the one-man-show of The Santaland Diaries at Goodman Theatre. (Cody Nieset photo)

3 stars

I still remember the first time I heard the caustic wit of David Sedaris as he performed his “The Santaland Diaries” monologue on NPR’s “This American Life.” I was gobsmacked. This snarky, irreverent essay quickly became a holiday staple in our house, revered as much as our other annual, if slightly less irreverent, family favorite, “A Christmas Story.”

Still, I had never seen the wickedly funny monologue on stage until this week when I headed to the Goodman’s Owen Theatre to spend an hour with Steven Strafford as the not-always-lovable elf named Crumpet. Continue reading “Snarky Santaland Diaries Worthy of the Naughty List”

‘A Christmas Carol’ still delights at Goodman

Larry Yando as Ebenezer Scrooge in A Christmas Carol at Goodman theatre (Photo by Liz Lauren)

3 ½ stars

Goodman Theatre’s annual “A Christmas Carol,” now in its 42 appearance, continues to draw thousands of families downtown Chicago for Charles Dickens’ 19th century story about redemption.

Originally called A Christmas Carol. In Prose. Being a Ghost Story of Christmas when published in 1843, the tale does feature four ghosts. At Goodman, the production also features Larry Yando making his 12th appearance as Ebenezer Scrooge, the Charles Dickens character whose name is synonymous with miser.

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‘Annie’ celebrates bright optimism at Citadel

Annie at Citadel Theatre (Photo courtesy of Citadel theatre) — Annie at Citadel Theatre
(Photo courtesy of Citadel theatre)

4 stars

One of the most popular comic strips of all time, “Little Orphan Annie” comes to life at the Citadel Theatre. recently extended until January 5, 2020.

Staged in a small, intimate space, the show features talented singers and dancers, a happy musical score, a delightful group of ragtag orphans and one adorable mutt, Sandy.

The plot revolves around poor Annie who lives in an orphanage, believing her parents are out there somewhere. She escapes her miserable life and tries to find them in New York City, without success. Continue reading “‘Annie’ celebrates bright optimism at Citadel”

Jukebox musical told anecdotal style

‘Always…Patsy Cline’

3 stars

The show is an amusing tale written by Ted Swindley based on a true story as told by Louise Seger (Harmony France).

Seger had met young Nashville chanteuse Patsy Cline (Christina Hall) at one of her early Houston performances in the 1950s. The meeting created a friendship that lasted until the legendary singer’s tragic death six years later at age thirty.

France’s energetic performance as Louise is the only real substance in this country music jukebox production which incidentally features a real jukebox as part of the honky-tonk set design of Lauren M. Nichols. Continue reading “Jukebox musical told anecdotal style”

Celebrate the Holidays with a ‘White Christmas’

Cast of White Christmas at Theatre at the Center (Michael Brosilow photo)

3 stars

Who doesn’t love a rousing tap number? If you do, then “White Christmas,” the holiday offering from Munster’s Theatre at the Center, is the holiday song-and-dance show for you.

The musical is the stage adaptation of my mom’s favorite Christmas movie starring Bing Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen and Dean Jagger. Irving Berlin’s White Christmas was turned into a stage show in 2000.

Munster’s version stars Matt Edmonds as Bob, Justin Brill as Phil, Casiena Raether as Judy, Erica Stephan as Betty and Neil Friedman as General Waverly.

It follows the story of Bob and Phil, singers who served under “The Old Man” in World War II before gaining fame and fortune as entertainers. Looking for romance, they follow sisters Judy and Betty to Vermont where the women are slated to perform on Christmas Eve.

When Bob and Phil learn that the inn is owned by the General who is facing financial ruin because there’s no snow, they rally the old troops to save him.

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Christmas at Pemberley saga continues with delightful Downton Abbey style intrigue

Will Mobley (George Wickham) and Jennifer Latimore (Lydia nee Bennet Wickham) in 'The Wickhams: Christmas at Pemberley' at NOrthlight Theatre. (Phots by Liz Lauren) — Will Mobley (George Wickham) and Jennifer Latimore (Lydia nee Bennet Wickham) in ‘The Wickhams: Christmas at Pemberley’ at NOrthlight Theatre. (Phots by Liz Lauren)

4 stars

Audiences move below the stairs in “The Wickams: Christmas at Pemberley,” the second part of a trilogy that started with “Miss Bennet: Christmas at Pemberley.

Co-written by playwrights Lauren Gunderson (“Book of Will”) and Margot Mekon (former Marin Theatre New Play Development Director) Jane Austen fans will recognize some of the characters, their foibles and charm, as inspired by Pride & Prejudice.

Indeed, the troubles between Fitzwilliam Darcy (Luigi Scottile) and George Wickham (Will Mobley) start in the famed Austen story and reach another scandalous level in Part Two about the Bennets and the Darcys.

In a letter to her sister, Lizzy (Elizabeth Darcy played by Netta Walker), Lydia Wickham, née Bennet, portrayed by Jennifer Latimore, says she is coming to Pemberley for Christmas. Lydia’s husband, George, a gambler and unscrupulous womanizer, is not welcome at the Darcy estate.

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‘The Niceities ‘ is a provocative new play

left to right Ayanna Bria Bakari(Zoe) and Mary Beth Fisher(Janine) in The Niceties at Writers Theatre. (Michael Brosilow Photos )

3 stars

Racism isn’t always a clear, conscious choice but activism and outrage regarding racism are choices in playwright Eleanor Burgess’ “The Niceties,” now at Writers Theatre.

When a well-regarded Caucasian Ivy-league history professor meets one of her students, a smart African-American anxious to turn in her paper on the American Revolution ahead of time so she can organize a protest at the school, their discussion dissolves from quiet, academic points to heated confrontation.

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