While watching the excellent portrayals of Ellen Phelps as Sharon and Laurie Carter Rose as Robyn, in Citadel Theatre’s “The Roommate, you may not agree with all their choices but you clearly get the message that they are seeking ways to begin their lives anew.
There are many quotable lines in this play by Jen Silverman, but one that delivers the show’s “raison d’etre,” is when Sharon says in Scene 2, “I guess everybody wants to start over. Just burn it all down and start over.”
A dark comedy, “The Roommate” brings together a recently divorced Iowan housewife searching for company and a way to split the bills and a lesbian, former Brooklyn con artist who really seems to want to escape her past in a small-town, farming community.
Their seemingly simple plans go awry as Sharon becomes interested in Robyn’s former life and Robyn realizes she may be a dangerously corrupting influence.
In addition, both women seem to have alienated their adult children. Neither Sharon’s son nor Robyn’s daughter want to call Mom until they realize through their parent’s strange, long distance calls that something is changing.
Even though I had seen the play and enjoyed it at Steppenwolf last year, I was appreciating the show once again until the last line which I objected to then and still do.
Depressed by her once again empty house because Robyn leaves, Sharon first says, “I don’t know where to start…. Except over again” Fine. The play should have ended there.
But then Sharon, handling some stuff Robyn left behind, adds what Robyn had said earlier in another context, “There is a great liberty in being BAD.”
Perceptively directed by Beth Wolf and staged on a believable, well-designed set by Eric Luchen, “The Roommate” offers a somewhat exaggerated but fun and interesting “what if” scenario on life when people reach middle age and wonder what should come next.
“The Roommate” is at Citadel Theatre, 300 S. Waukegan Rd., in a Lake Forest School District building, through March 3, 2019. Running time: 90 min., no intermission. For tickets and other information call (847) 735-8554, ext. 1 or visit Citadel Theatre.
First performed on Broadway in 1982, this interpretation of the Old Testament’s story of Joseph and his brothers through contemporary eyes is a fun, high-energy show featuring a delightful chorus of local children.
Based on Joseph’s “coat of many colors” from the Book of Genesis, the story shows what can happen when a parent plays favorites.
From the get-go, the show begins with two narrators instead of the traditional one and takes off like a rocket from the very first musical number, “Any Dream Will Do.”
Revived on Broadway in 2017 where it received six Tony Award nominations, “The Little Foxes,” Lillian Hellman’s blistering tale of a Southern family’s greed is replayed at Citadel Theatre with all the destructive power that made this drama a classic.
Brilliantly cast with Jeff Award-nominated Saren Nofs as the ruthless Regina Giddens, frustrated by not holding the family’s financial reins, the drama steam rolls to its necessary conclusion leaving audiences saying “whew.”
Regina is not the only family member who suffers under the accepted norm of male inheritance and domination prevalent at the turn of the last century.
Not all memorable theater is in the city. Chicago’s suburban theaters put on Jeff award-winning productions. But whether looking to the city or suburbs or both, one way to not miss a show you want to see is to save this Sneak Peak Series and mark productions for tickets or theaters for subscriptions. Enjoy! (Note: Some companies spell their work and space theater but others use theatre. Both are correct.)
The theatre is in a school building at 300 S. Waukegan Rd. Lake Forest.
Citadel is doing “The Little Foxes, Sept. 28-Oct. 28 followed by Joseph and the Amazing Technicolor Dreamcoat” Nov. 16-Dec. 23. An early 2019 show is TBA but then “Sentimental Journey” is Apr. 26-May 26.
For tickets and other information call (847) 735-8554 and visit Citadel Theatre.
The theatre does professional musical productions in the Marriott Resort at 10 Marriott Dr,. Lincohnshire.
The season continues with “Murder for Two” through Aug. 26 followed by Sweet Charity” Sept. 5-Oct. 28, “Shrek the Musical” (children’s show) Oct. 5-Dec 30 and concludes with “Holiday Inn” Nov. 7-Jan. 6.
In addition to the shows, the theatre is hosting a fundraising concert in memory of director/choreographer Rachel Rockwell Sept. 17 called “We Three” featuring the stars of Marriott’s “Mama Mia,” Meghan Murphy, Cassie Slater and Danni Smith.
For show tickets call (847) 634-0200 and visit Marriott Theatre. To get tickets to “We Three” call the Marriott or order on line tickets at Ticket Master.
Metropolis Performing Arts Center
The Center, at 111 W. Campbell St., Arlington Heights, is currently doing “Beehine” through Aug. 25, then “Chorus Line” Sept. 20-Nov. 3 and “James and the Giant Peach Jr. Nov. 8-10. In 2019, productions continue with “Mouse Trap” Jan. 31-March 16 and “A Funny Thing Happened on the Way to the Forum” May 16-June 29 and “Buddy, The Buddy Holly Story” July 18-Aug. 24.
There are enough politically incorrect attitudes in “The Explorer’s Club” to offend anyone who isn’t a member of a good old boys WASP (White, Anglo-Saxon Protestant) group.
So just remember if seeing the show, now playing at Citadel Theatre, that it is a farce about the kind of men’s club (right, no females allowed) that would have felt comfortable during Queen Victoria’s reign.
This club’s focus is not wealth or lordship. It is for adventurers and scientists who seek glory with trophy killings, experiments and “discovery” of cultures to be exploited that have not yet been revealed in their part of the world.
Who says you can’t change tradition? Certainly not Doug Post, who wrote this world premiere musical based on Charles Dickens’ “A Christmas Carol.”
‘Scrooge and the Ghostly Spirits,’ now playing at the Citadel Theatre in Lake Forest, is delightful family entertainment that is perfect for the holiday season.
Once again, Scrooge is the main character, but the ghostly spirits go deeper into why he’s grown into such a flawed soul.
When Scrooge sees what people really think of him and his actions, he takes steps to redemption, transforming from darkness and gloom to joy and love for humanity.
In between, the beautiful, haunting music played by three on-stage musicians, serves to uplift the characters and the story.
Veteran Chicago actor, Frank Farrell, leads the cast as Ebenezer Scrooge, mean and miserly as ever. He previously played the role of Scrooge in Citadel’s 2011 non-musical production of “A Christmas Carol” and understands the role and its transformation.
The show is masterfully directed by Citadel Artistic Director Scott Phelps with music direction by Benjamin Nichols and choreography by Ann Delaney.
Post’s all-new musical score pays homage to 19th Century English songs in a highly theatrical way. Post says, “The first song that came to me, and it practically wrote itself, is called ‘Mankind Was My Business.’ It’s Jacob Marley’s lament to Scrooge that in life, Marley neglected his “business” of concern for others.”
Stand outs include Coco Kasperowicz in multiple roles with a magnificent voice that beautifully interprets the score, and baritone Will Rogers, an affable delight every time he appears on stage.
DETAILS: ‘Scrooge and the Ghostly Spirits’ is at Citadel Theatre, 300 S. Waukegan Rd., Lake Forest, through Dec. 23, 2017. Running time: 90 minutes without intermission.For tickets and more information call(847) 735-8554 and visit Citadel Theatre.
Chicago’s gift bag of holiday shows has something for everyone from Scrooge’s dreams and dreaming of a white Christmas to Santa’s naughty and nice lists and his overgrown Elf.
‘TWAS THE NIGHT BEFORE CHRISTMAS,’ a Ken Ludwig’s Emerald City Theatre production, is at the Broadway Playhouse now through Dec. 31. The show is a a fun take on Santa’s list which mysteriously disappears and how it is recovered in time for his gift deliveries.At just 45 minutes long, the show is perfect for elementary age youngsters. The Broadway Playhouse is at Water Tower Place 175 E. Chestnut. For tickets and other information visit Broadway in Chicago Twas.
‘Scrooge And The Ghostly Spirits,’ is a new musical for the entire family based on Charles Dickens’ “A Christmas Carol.” Written by Douglas Post, it is at Citadel Theatre Nov. 17 through Dec. 23. Citadel is in a Lake Forest School property at 300 S. Waukegan Rd., Lake Forest. For tickets and other information call (847) 735-8554 or visit Citadel Theatre.
‘A Christmas Carol,’ a beloved Goodman Theatre creative but traditional holiday retelling of Charles Dickens’ classic, goes from Nov. 18 through Dec. 31. Goodman Theatre is at 170 N. Dearborn St., For tickets call (312) 443-3800 or visit Goodman Theatre
(The non-ballet) ‘Nutcracker,’ a House Theatre production is at the Chopin Theatre. It does use dance and songs to tell the story. The show runs now through Dec. 30 at The Chopin Theatre, 1543 W Division St. For tickets visit House Theatre.
Coming Thanksgiving week
‘White Christmas,’ Irving Berlin’s classic musical is at the Cadillac Palace Theatre Nov. 21 through Dec. 3. The Cadillac Palace is at 151 W. Randolph St. For tickets and other information visit Broadway In Chicago.
‘Q Brothers Christmas Carol,’ a very hip hop take on Dickens’ story is in The Yard at Chicago Shakespeare on Navy Pier, Nov. 21- Dec. 31. For tickets visit ChicagoShakes.
‘Elf: The Musical,’ based on the 2003 Will Ferrell movie, is at the Paramount Theatre, 23 E. Galena Blvd, Aurora, Nov. 22, 2017 through Jan. 7, 2018. For tickets and other information call (630) 896-6666 or visit Paramount Aurora.
‘The Christmas Schooner,’ a moving, true-story musical that has become a Chicago tradition is at the Mercury Theater, 3745 N. Southport Ave., Nov. 24 through Dec. 31. For tickets and other information call (773) 325-1700 and visit Mercury Theater.
On stage from the beginning of December
‘The Nutcracker,’ The Joffrey’s re-imagined production of Tchaikovsky’s ballet, choreographed by Christopher Wheeldon is at the Auditorium Theatre Dec 1-30. The Auditorium Theatre is in Roosevelt University at 50 E. Congress Parkway at Michigan Avenue. For tickets visit Joffrey.
‘Tidings of Tap’ presented by the Chicago Tap Theatre is at the North Shore Center for Performing Arts at 3 p.m. Dec. 10, only. The venue is at 9501 Skokie Blvd, Skokie. For tickets and other information visit Tap.
‘Peter Pan’ is a delightful Music Theater Works (formerly Light Opera Works) musical based on J.M. Barrie’s play. It will run at cahn auditorium, 600 Emerson St., Evanston, Dec. 23, 2017 through Jan.1, 2018. For tickets call (847) 920-5360 or visit Music theater Works.
Audiences don’t have to ask themselves what do playwrights sometimes think about directors, actors and backers. Moss Hart gives his answer in his 1948 spoof, ‘Light Up the Sky.’
Now at Citadel Theatre, the play offers a behind-the-scenes scenario where a veteran director and actress and a new backer go from fairly confident before the curtain rises, to devastated when they think the show is a failure, to we-have-a-hit exultation when the reviews come in.
Usually co-authoring a play with George S. Kaufman in the 1930s such as ‘You Can’t take it with you’ and Merrily We Roll Along,’ Hart wrote ‘Light Up the Sky alone in the late 1940s. It was first produced in 1948. BTW, Hart moved to writing screenplays in the 1950s.
He already had several successes by this time but in the play, the playwright is portrayed as a newbie who speaks from his gut about the state of the world. The actors and audience aren’t sure what it is about, however the backer feels it is important and a winner.
But on opening night the playwright doesn’t even stay for the curtain. Everyone feels it was a dud and they are ready to close it. The playwright leaves for the airport.
Then, a Shriner at the hotel for a very noisy convention, stops at the room to apologize for this friends and says he would like to back a future play because he wants to be part of the theater business. He brings reviews which show that the critics unanimously love what the playwright is trying to do.
Brought back to the hotel from the airport by force upon a request of the backer who has with mob connections, the playwright is venomous in his condemnation of directors, actors, backers and audiences. And yes, he did have a chance to read the reviews at the airport.
Rather than a tribute to show business, the play is more like a comedic, deliberately exaggerated, putdown of the people who populate it. and audiences who don’t understand a show’s message. But it also seems to declare that if play writing is in your blood you learn to put up with others’ foibles and develop a hard shell.
At the end, the playwright is convinced by a seasoned playwright to persevere. So he decides to stay and fix his play for the remaining out-of-town tryouts before going to Broadway.
All the action takes place in the leading lady’s suite at the Ritz in Boston, the town where the play is premiering before possibly heading to Broadway.
The veteran playwright who has worked with the leading lady in his plays, is visiting her in her suite before the show. He calms the young playwright with advice about accepting both the good and frustrating aspects of show-business.
Directed by Pat Murphy, the play is populated by characters with over-the-top personalities such as Carleton Fitzgerald, interpreted as an emoting, emotional director by Geoff Isaac and as Francis Black, played by Sarah-Lucy Hill as a NYC, nasally-sounding, ice-skating, show-girl married to backer Sidney Black.
Surprisingly, Rob Frankel as Sidney who has mob connections, doesn’t sound like a gangster but plays the role with terrific, intelligent, take-charge fortitude. Similarly, Laurie Carter Rose isn’t overly dramatic as the leading lady Irene Livingston but still personifies celebrity.
The sanity foils to the overblown persona in this show are Chuck Quinn, very believable as veteran playwright Owen Turner, Irene Currie who is charming as Livingston’s bio-ghostwriter Miss Lowell, and Jim Heatherly as Shriner William H. Gallagher.
In the hands of Jordan Golding, playwright Peter Sloan shows two sides: quiet and anger.
Added to the mix are the star’s mother, Stella Livingston, a delightful, gin-playing character performed with verve by Lauren Miller, and the star’s husband, Tyler Rayburn, a Wall Street broker, acted with great humor and facial expressions by Chuck Dribin.
Scenery by Eric Luchen and costumes by Paul Kim nicely set the right period and place.
The play offers interesting insight from different perspectives from a playwright who knows what it takes to get to Broadway. But though fun, it doesn’t have to be two and a half hours long. The first act definitely can be shorter. Perhaps one intermission of 15 minutes could replace the two ten minute breaks.
‘Light Up the Sky’ is at Citadel Theatre, 300 S. Waukegan Rd., Lake Forest, through Oct. 29, 2017. For tickets and other information visit Citadel.
Chicago theatres and entertainment venues have a terrific line-up of shows for the 2017-18 season. Now is a good time to plan what to see with season tickets or dropping hints for birthday or holiday presents.
Don’t just consider plays. There’s also one-and two-nighters of top entertainers at a couple of venues. With so many places to go for a night out the Chicago theatre scene has to be broken into different areas. Not everything to see is downtown or Near North. So, try some of the theatres and other venues north of the city.
Imagine children named for popular characters who then take on some of those people’s characteristics in situations similar to their namesake’s and you get some idea of what to expect in ‘Vanya and Sonia and Masha And Spike.’
Written by satirist and witty playwright Christopher Durang, and directed by Mark E. Lococo, Loyola University Director of Theatre, the play is currently bringing chuckles to the Citadel stage in Lake Forest.
When Vanya’s adopted sister, Sonia, says she had a bad dream – “I’m 52 and not married,” he answers, “You are 52 and not married.” He asks her if her dream was a documentary.
Seriously funny, the play is, in a sense, a tribute to Anton Chekhov’s understanding of sibling relationships, middle-aged angst and boredom.
A mash-up of Chekhov’s characters in ‘The Seagull,’ ‘Uncle Vanya’ and ‘The Three Sisters,’ the action plays out in a Bucks County, PA farmhouse in an increasingly attractive region outside of Philadelphia. Kudos to Scenic Designer Michael Lewis for creating a terrific setting on Citadel’s intimate stage.
Vanya and Sonia, named by their late parents who were professors, still live in the house where they grew up but it is owned by their sister Masha, a successful actress who pays the bills instead of an aging, male relative. Of course the land includes somewhat of a cherry orchard.
The play’s title, alone, clues audiences in to Durang’s play as a Chekhovian takeoff. Instead of an aging professor bringing his young, beautiful wife home, Masha shows off her young lover, Spike who likes to undress to show off his bod.
Add to the mix, Cassandra, a colorful psychic cleaning lady, blends Greek tragedy with Haitian voodoo for some delicious, almost Carol Burnett-style comedy.
It all works because of perfect, inspired casting.
Billy Minshall, Father Mark in Tony n’ Tina’s Wedding is the ideal, philosophical, gay Vanya. He is writing a play seen through the eyes of a molecule that is left when the earth destructs. His rage at Spike’s representing current cultural and societal change, is worth the price of admission.
Multi-talented actress/director Ellen Phelps wears the life-has-passed-me-by Sonia role so well she might have just stepped out of Chekhov’s world. But unlike a Chekhov play, she goes to a costume party, her first outing in years, and dresses as Maggie Smith going to an Oscar ceremony. Afterwards, Phelps does an amazing phone piece as a woman who doesn’t know how to respond when a man she met at the party calls for a dinner date.
Susie Steinmeyer, outstanding in Citadel’s ‘Lend Me A Tenor’ and ‘Jake’s Women,’ projects just the right amount of celebrity aura and angst as an actress who doesn’t want to admit shes aging.
Chicago Shakespeare Theater regular Colin Morgan is superb as the witless boy-toy Spike. Lizzie Schwarzrock is delightful as ingénue Nina, a next door neighbor who admires Masha and wants to be an actress.
Judy Lea Steele, a veteran of Chicago theater, brings the house down when she crazily warns of various misfortunes as Cassandra.
North Shore theater goers are lucky to have the production so close but it is worth a trip north for Chicagoans.
Vanya and Sonia and Masha And Spike’ is at Citadel Theatre, 300 S. Waukegan Rd. lake forest, now thru May 28, 2017. For tickets and other information call (847) 735-8554 or visit Citadel.