There are two ways to consider Lyric’s ‘Magic Flute’ production. On one hand it will likely appeal to youngsters though they will have to sit for three hours and 20 minutes (intermission comes about an hour and 15 minutes into the opera).
Kathryn Lewek as Queen of the Night and Andrew Staples as Prince Tamino in the Lyric Opera of Chicago’s ‘The Magic Flute.’ Todd Rosenberg photo
Sometimes it takes a holiday week or weekend to fit in some of the places we’ve been meaning to go and the shows we want to see. Here are some suggestions to move from sometime to the do now list for the coming holidays.
Moholy-Nagy Constructs. Photo by Jodie Jacobs
Moholy-Nagy: Future Present, an exceptional retrospective of one on the 20th century’s most influential artists and designers, is at the Art Institute of Chicago, but only through Jan. 3, 2017. Moholy, as the artist is popularly known, founded the New Bauhaus school in Chicago that became the Illinois Institute of Technology’s Institute of Design. Containing more than 300 works, the exhibit features several photomontages, sculptures, constructs, works in Plexiglas, color slides and abstract paintings. Organized by AIC, the Guggenheim Museum in New York and the Los Angeles County Museum of Art, the exhibit next moves to LACMA mid February, 2017. The Art Institute of Chicago is at 111 S. Michigan Ave., Chicago IL 60603. For other information call (312) 443-3600 and visit AIC Moholy
It’s easy to get so caught up in holiday shopping and preparations that before you know it you’ve missed a show or program you wanted to see. Here are four events for your calendar. Three will disappear after this weekend. The fourth one will take a winter break if you don’t catch it by next week.
Angela Ingersoll as Judy Garland in Porchlight production of “End of the Rainbow’ Photo by Michelle Leatherby
Experience ‘It’s A Wonderful Life’ with James Stewart as George Bailey, at Orchestra Hall. The Chicago Symphony Orchestra accompanies the film with Dimitri Tiomkin’s score and the CSO Chorus, Dec. 9 at 7 p.m. or 3 p.m. Dec. 10 or Dec. 11. Chicago Symphony Center, 220 S. Michigan Ave. Chicago. Call (312)294-3000 or visit CSO.
Reserve a ticket for ‘Handel’s Messiah’ with the Apollo Chorus of Chicago. Performances are 7 p.m. Dec. 10 and 2 p.m. Dec. 11 at the Harris Theater for Music & Dance, 2015 E. Randolph Drive, Chicago. Call (312) 427-5620 or visit Apollo Chorus.
Catch Peter Quilter’s ‘End of the Rainbow’ musical about Judy Garland before it leaves Dec. 11. It’s a wonderful Porchlight Music Theatre production that brings back her talent, songs and struggles. The show is at Stage 773, 1225 Belmont, Chicago. Call (773) 327-5252 or visit Stage 773
Watch ‘The Magic Flute,’ a charming fairy tale opera by Wolfgang Amadeus Mozart. The Lyric Opera of Chicago will be performing the opera through Jan, 27, 2017 but to see it in 2016 go Dec. 10, 12 or 14. Running time is 3 hours 20 minutes including 1 intermission. The Lyric is at the Civic Opera House, 20 N. Wacker Drive, Chicago. Call (312) 827-5600 or visit Lyric Opera.
If you’ve lived in the Chicago area more than a year or have visited it during the holidays in past years, some shows and events spring quickly to mind when talking about traditional doings. Others are less likely to make it to the calendar simply because they’re not necessarily headliners in a city rich in good theater, music, dance and art.
‘Nutcracker’ returns with World Fair setting at Auditorium Theatre. Joffrey Ballet photo
You don’t have to be a Jane Austen fan to enjoy ‘Miss Bennet: Christmas at Pemberley,’ a world premier now at Northlight Theatre.
You merely have to appreciate that Austen incorporated English society’s attitudes and expectations of women, marriage and social position of the late 18th century in such books as ‘Sense and Sensibility,’ published early 19th century in 1811 and ‘Pride and Prejudice,’ published in 1813.
Cast of ‘Miss Bennet: Christmas at Pemberley’ Charles Osgood Photography
Take the creative minds of children and a Scottish playwright who wants to change from churning out formula plays for the London stage to recapturing his youthful imagination in order to write an amazing play, and you will understand ‘Finding Neverland.’
Kevin Kern (J.M. B arrie) and Tom Hewitt (Capt. Hook) and cast in ‘Finding Neverland’ Photo by Carol Rosegg
A touring Broadway musical in Chicago now through Dec. 4, 2016, the production reveals how J.M. Barrie came up with his world-famous, beloved ‘Peter Pan’ stories.
If lucky enough to still snag a ticket to the Lyric Opera’s ‘Les Troyens’ (The Trojans), Hector Berlioz’ grand opera tribute to Virgil’s Aeneid, don’t worry about its length.
Lucas Meachem and Christine Goerke in ‘Les Troyens.’ Todd Rosenberg photography
Berlioz’s music, grandly interpreted by Lyric Music Director Sir Andrew Davis, sweeps through the Lyric’s hall like a waterfall that fascinates and pulsates with danger.
Add to that, the incredible vocals by Christine Goerke as Trojan Princess Cassandra, Susan Graham as Carthage Queen Dido, Brandon Jovanovich as Trojan hero Aeneas (Énée) and Lucas Meachem as Cassandra’s lover, Chorebus, and the opera has transcended from a good experience to become a once-in-a-lifetime event.
At a time when opposing philosophies are ridiculed, the Lyric Opera of Chicago steps in with a reminder there must be room in the world for idealists and dreamers.
Jules Massenet’s ‘Don Quichotte,’ based on Cervante’s ‘Don Quichotte’ (Don Quixote) and influenced by Jacques Le Lorrain’s play, ‘Le chevalier de la longue figure,’ is both love story and tale of a knight-errant who seeks chivalrous adventures to right the world’s wrongs.
‘Don Quichotte’ at Lyric Opera of Chicago. Todd Rosenberg photo
A charming and fun adaptation of The Nutcracker’ is at Marriott Theatre now through Dec. 20, 2016. As part of Marriott’s Theatre for Young Audiences series, the Mouse King is comic rather than scary but with deft direction and choreography by Matt Raftery, the show will delight all ages.
In ‘King Charles III,’ a comic-tragic “future history” play, author Mike Bartlett brilliantly tackles Britain’s succession to the throne when 90-year-old Elizabeth II dies. His “what if” takes place within the perfect background of Chicago Shakespeare’s Courtyard Theater, a Globe and Swan Theatre-like setting.
Robert Bathurst as Charles at Parliament Photo by Liz Lauren