‘An Artist and The Ember’ has a warm glow

Maddie Sachs and Zach Tabor in ‘An Artist and the Ember’ (Photos by Nick Murhling)
Maddie Sachs and Zach Tabor in ‘An Artist and the Ember’ (Photos by Nick Murhling)

In “An Artist and The Ember,” long suffering musical composer Eve (Maddie Sachs) struggles to create songs and a libretto for a musical she is writing based on a premise provided by her collaborators Sam (Taylor Snooks ) and Daniel (Quinn Rattan).

At the same time, she is constantly tormented and cajoled by her alter ego and fiery inner passion personified in the character, Ember (Zach Tabor).

The device of the character, Ember, is the genius of this play. Who among us has not been (at least from time-to-time) bedeviled by our inner voice? Ember has a Faustian quality though he makes no promises. It is a more cerebral or modern psychological spin on an old theme.

Continue reading “‘An Artist and The Ember’ has a warm glow”

Shagimuratova worth the ticket to ‘La traviata’

L-R: Giorgio Berrugi/Alfredo, Mario Rojas/Gastone, Albina Shagimuratova/Violetta -- in La Traviata at Lyric Opera of Chicago. (Photo: Todd Rosenberg)
L-R: Giorgio Berrugi/Alfredo, Mario Rojas/Gastone, Albina Shagimuratova/Violetta — in La Traviata at Lyric Opera of Chicago. (Photo: Todd Rosenberg)

3 stars

Giuseppe Verdi’s music always gets four stars and played by the Lyric Opera orchestra conducted by Michael Christie, the popular La traviata, certainly is no exception.

The music and Francesco Maria Plave’s libretto  beautifully express the emotions of fun-loving, delightful, but doomed (think Camillia ) courtesan Violetta.

Gloriously sung by Russian soprano Albina Shagimuratova, her “È strano! … Ah, fors’ è lui…” (“Ah, perhaps he is the one”) and her famed, declared choice of freedom “Sempre libera” (“Always free”) are opera highlights. Just hearing her is worth the trip.

La traviata also has one of opera’s great drinking songs. Alfredo Germont, who loves Violetta toasts her with the crowd at her party in “libiamo ne’ lieti calici” (“Let’s drink from the joyful cups”).

Italian Giorgio Berruci making his Lyric debut as Alfredo, is OK, but he doesn’t have the full, soaring voice of other tenors who have played the role. However, as the opera ends and the lovers are reunited though Violetta is fading away, their  “Parigi, o cara, noi lasceremo,” (“We will leave Paris, O beloved”) and their “Gran Dio!…morir sì giovane” (“Great God!…to die so young”) are beautiful and touching. Continue reading “Shagimuratova worth the ticket to ‘La traviata’”

‘Anna Karenina’ impresses with new choreography and sets

 

Alberto Velazquez and Victoria Jaiani in The Joffrey Ballet’s 'Anna Karenina..' (Photo by Cheryl Mann)
Alberto Velazquez and Victoria Jaiani in The Joffrey Ballet’s ‘Anna Karenina..’ (Photo by Cheryl Mann)

4 stars

The Joffrey Ballet has accomplished a a near impossible feat. With Yuri Possokhov’s choreography to Ilya Demutsky’s score and dramaturg Valeriy Pecheykin’s libretto, the Joffrey has turned Leo Tolstoy’s 800-page “Anna Karenina” into an extraordinary ballet only a little over two hours long that is both classic and contemporary.

A co-production with The Australian Ballet, “Anna Karenina” is an exciting new work commissioned by The Joffrey that opened Feb. 13. Unfortunately, it is only at the Auditorium Theatre through Feb. 24, 2019 before touring.

From the steamy, sensuous divan scene between the illicit lovers, Victoria Jaiani as Anna and Alberto Velazquez as Count Vronsky, and the gorgeous  Joffrey company’s dance scenes, to the fascinating,  evocation of cinema-like atmosphere by Tom Pye’s set designs, David Finn’s lighting and Finn Ross’ projections, this new work is destined to be in high demand.

Other notable performances during its opening week (I saw the Feb. 16 matinee) were Fabrice Calmels as Anna’s unhappy, aristocratic husband, Count Alexey Karenin, Anais Bueno as Princess Kitty Shcherbatsky and Yoshihisa Arai as her pursuer, Konstantin Levin.

Possokhov’s choreography, backed by Dtmustskhy’s score played by the Chicago Philharmonic, totally puts across the ardor, agony and expectations of the Russian aristocracy of Tolstoy’s “Anna.”

This is a ballet to see again and again.

DETAILS: The Joffrey Ballet production of “Anna Karenina” is at the Auditorium Theatre of Roosevelt University, 50 E. Ida B. Wells (Congress Expressway at Michigan Avenue)  through Feb. 24, 2019. Running time: about 2 hrs. 10 min. with one intermission. For tickets and other information visit Joffrey/Anna.

Jodie Jacobs

Related article: Joffrey to debut new ballet.

Five things to do Presidents’ Day weekend

 

The Weyard Sisters (Caitlan Taylor, Caroline Chu, and Emma Ladji) in Chicago Shakespeare Theater’s production of Short Shakespeare! Macbeth. (Liz Loren photo)
The Weyard Sisters (Caitlan Taylor, Caroline Chu, and Emma Ladji) in Chicago Shakespeare Theater’s production of Short Shakespeare! Macbeth. (Liz Loren photo)

Saturday

Shortened Shakespeare

See the 75 minute “Short Shakespeare! Macbeth” at Chicago Shakespeare Theater on Saturday at 11:00 a.m., Feb. 16. It will continue Saturdays through March 16, 2019. Chicago Shakespeare Theater is on Navy Pier, 800 E. Grand Ave., Chicago. For tickets and more information visit ChicagoShakes/Macbeth.

 

Seussical: The Musical

Dr. Seuss’ creative genius is on stage at the  Marriott Theatre for Young Audiences Feb. 16 at 10 a.m. The show continues through March 31, 2019. The theatre is at 10 Marriott Drive, Lincolnshire. Created by Lynn Ahrens and Stephen Flaherty (the Tony Award-winning team behind the acclaimed musicals Ragtime and Once on this Island), the production combines more than 14 Dr. Seuss stories. For tickets or more information call (847) 634-0200 or visit Marriott Theatre

 

Orchid in Chicago Botanic Garden Greenhouse. (photo by J Jacobs)
Orchid in Chicago Botanic Garden Greenhouse. (photo by J Jacobs)

Sunday

Orchids at the Chicago Botanic Garden

Warm up with the Chicago Botanic Garden’s annual Orchid Show, called “The Tropics” this year. The show is open from 10 a.m. to 4 p.m. For tickets and other information visit Chicago Botanic.

 

Monday 

Story Time

Chicago Botanic Garden holds Story Time for ages 2 to 5 on Mondays through March 25, 2019, including Presidents’ Day March18. Story Time goes from 10 to 11 a.m. in Lenhardt Library. Afterwards, get a bingo card to go find objecgts in the garden and greenhouses. No drop offs.A caregiver must be present.  The Chicago Botanic Garden is at 1000 Lake Cook Road, Glencoe, just east of the Edens Expressway. For more information visit Chicago Botanic or Story Time.

 

 

Hall leading to the Grainger Theater has fascinating space images. (J Jacobs photo taken of one of the hall's images)
Hall leading to the Grainger Theater has fascinating space images. (J Jacobs photo taken of one of the hall’s images)

Chicago Museum Campus

Go to the Chicago Museum Campus. All three of the museums on the Campus, the Adler Planetarium, Field Museum and Shedd Aquarium, have free general admission for Illinois residents on Feb. 18, 2019. (Free days’ general admission does not include special exhibits and shows.)

 

Adler Planetarium

The Adler Planetarium is at the far east end of the Museum Campus at 1300 S. Lake Shore Dr. General admission is free to Illinois residents Feb. 18-21. For more information on what to see and admissions visit Adler Planetarium .

 

The Field Museum

At the Field, all of February is free to Illinois residents. There is a lot to see that does not require a special exhibit ticket. The Field is at 1400 S. Lake Shore Dr. at the west end of the campus. For more information visit Field Free.

 

Shedd Aquarium

The Shedd is in the middle of the Museum Campus at 1200 S. Lake Shore Dr Free admission for Illinois residents is Feb. 18-22. For more information visit Shedd Free Days.

 

Jodie Jacobs

 

 

 

 

‘Dear Evan mixes great songs with needy plot

The North American touring company of Dear Evan Hanson. (Photos byh Matthew Murphy)
The North American touring company of Dear Evan Hanson. (Photos byh Matthew Murphy)

3 1/2 stars

It’s not breaking news that teenagers experience angst in high school from parental to peer pressure and from wanting to fit in to having a best friend and from feeling insecure or inadequate to not knowing how to express one’s self or experiencing bouts of depression. In addition there are teens on drugs, troubled teens and teens contemplating suicide.

It’s also not breaking news that actions go viral because someone is always around snapping and recording on a cell phone or that some of the so called stories out there are “fake news.”

Add to the mix that either teenagers think their parents don’t understand them or that they want something from them they are not able to manage. There is also the issue of parents who are so busy with other aspects of life that they are not around when needed.

In the hands of songwriters Ben Pasek and Justin Paul (who later did “La La Land”) and playwright Steven Levenson (Days of Rage) those issues coalesce in the Broadway hit musical, “Dear Evan Hansen,” directed by Michael Greif (“Rent,” “Next to Normal”).

There have been a lot of shows that deal with family problems but what seemed to set this one apart upon seeing it when the national tour hit Chicago this week, were the extraordinary songs that expressed Evan’s wistful feelings such as “You Will Be Found,” Waving Through a Window and “For Forever.” Evan’s mom, Heidi who after her husband left them, works and goes to class so is seldom around, also gets her heart wrenching song, “So Big, So Small.”

Continue reading “‘Dear Evan mixes great songs with needy plot”

Five shows to take the mind off winter

 

Writers Theatre in Glencoe is interesting outside and on stage. (Jodie Jacobs photo)
Writers Theatre in Glencoe is interesting outside and on stage. (Jodie Jacobs photo)

 

If escaping to somewhere warm hasn’t worked out this year then escape instead to a fun or interesting play that takes you to a different time or place.

 

“All Childish Things,” a crazy plan to steal Star Wars toys from a warehouse encounters the Dark Side, at First Folio in Oakbrook through Feb. 24. The show is appropriate for Star Wars fans ages 12 and up.

Seeing a show at First Folio is an experience because it is in the Mayslake Peabody Estate, a supposedly haunted mansion in a Du Page County Forest Preserve.

 

“The Producers,” Mel Brooks zany plot to make money on a show by producing a flop, is at the Paramount  Theatre in Aurora through March 17, 2019.

Paramount is worth the drive to Aurora because the shows there are full-blown, Broadway-style productions with excellent casts and great scenic design, costumes and orchestration.

 

“Dear Evan Hansen,” a complicated scenario dealing with mental health, fitting in, bullying and other problems teens face in high school, is at the James M Nederlander Theatre (formerly Oriental) through March 10.

The Tony-Award winning musical is starting its National tour in Chicago as part of the Broadway in Chicago series.

 

“A Gentleman’s Guide to Love and Murder” a delightful Porchlight  Music Theatre production at the Ruth Page Center for the Arts, through March 16.

If you haven’t seen a Porchlight musical, it’s time to add it to your go-to list.

 

“Ma Rainey’s Black Bottom,” a classic August Wilson play, is at Writers Theatre, Glencoe through March 17.

August Wilson presents, rather than tip toes through, confrontation, but he does so in unexpected ways. Plus, Writers Theatre is in an award-winning Jeanne Gang (Studio Gang Architects) designed structure.

 

Jodie Jacobs

 

 

‘Brooke Astor’s Last Affair’ is Fair

 

Underscore Theatre Ensemble, Brook Astor's Last Affair. (Photos by Jesus Ricca)
Underscore Theatre Ensemble, Brook Astor’s Last Affair. (Photos by Jesus Ricca)

2.5 Stars

The Chicago Musical Theatre Festival produced by Underscore Theatre through Feb. 24, 2019 is a great opportunity to experience new work from emerging composers, lyricists, and playwrights of this classically American performance genre.

My first festival experience this weekend was “Brooke Astor’s Last Affair” based on the life of New York socialite and philanthropist Brooke Astor.

The format is flashback fantasy in which Brooke is forced to review some life choices including the relationship between her and her son (from a previous marriage), Tony Marshall.

I very much wanted to love this show and it has a number of interesting moments but overall it was a miss.

The book and lyrics by Rachael Migler are the heart of the production and get the job done in terms of telling the story but the music by composer Nick Thornton is generally underwhelming with the exception of “Marry for Money” and the very cute “Dachshunds and Men.” Continue reading “‘Brooke Astor’s Last Affair’ is Fair”

What if Ibsen’s Nora returned

Sandra Marquez (Nora) and Yasen Payankov (Torvald) in A Doll's House Part 2 at Stepponwolf Theatre. (Photos by Michael Brosilow)
Sandra Marquez (Nora) and Yasen Payankov (Torvald) in A Doll’s House Part 2 at Stepponwolf Theatre. (Photos by Michael Brosilow)

3 1/2 stars

The back story is necessary to really understand playwright Lucas Hnath’s witty “A Doll’s House, Part 2, now at Steppenwolf Theatre. Otherwise audiences might sympathize with Hnath’s portrayal of the people Nora left behind when she slammed the door on her conventional, egotistical banker husband and their three children.

When Henrik Ibsen, a Norwegian playwright known for digging below society’s conventions to expose them for what they really are, published “A Doll’s House” in1879 he defied accepted familial and economic norms of the day.

He shocked a society that placed women in subservient roles to men. In many households, women were expected to be ornamental and needy and they had to have their husband’s or father’s signatures and OKs on legal documents.

Hnath, adept at penning plays that are both comedic and tense, (think Isaac’s Eye), takes on the “Doll’s House” iconic feminist heroine to ask how did she fare 15 years after she left her husband Torvald’s household and his demeaning view of her so she could be free to define herself.

Portrayed with gumption and defiance by Steppenwolf ensemble member Sandra Marquez, an extravagantly clothed Nora first challenges her old nanny, Anne Marie, to guess why she looks rich.

Played to perfection by Chicago veteran Barbara E. Robertson as the angry care-giver who stayed on to raise Nora’s three children, Anne Marie guesses traditional women tasks and skills. Continue reading “What if Ibsen’s Nora returned”

‘Dead Man’s Cell Phone’ finds the right tone

Cyndey Moody and Mike Newquist in Deadman's Cell Phone at Greenhouse theater. (Photo by Paul Goyette
Cyndey Moody and Mike Newquist in Deadman’s Cell Phone at Greenhouse theater. (Photo by Paul Goyette

 

3 stars

Our cell phones have truly become extensions of ourselves, storing bits of personal and secret data with the potential to live-on sharing and connecting pieces of our lives even after we are gone.

In “Dead Man’s Cell Phone” presented by “The Comrades,” Wilmette playwright Sarah Ruhl explores what might happen when a stranger interacts with a deceased man’s cell phone she retrieves in a diner.

This is an absurd tongue-in-cheek noir-style, dark comedic drama directed by Arianna Soloway. It features the winsome, inquisitive and inventive  Cydney Moody as “plain Jane” Jean who is perhaps being a bit voyeuristic  but also just wants to make people feel better. In the process, she finds herself more involved than she probably expected.

Valeria Rosero and Cyndney Moody in Dead Man's Cell Phone
Valeria Rosero and Cyndney Moody in Dead Man’s Cell Phone

Performed by an expert ensemble that includes Bryan Breau as the dead man Gordon, Caroline Dodge Latta as his at times overbearing but loving mother Mrs. Gottleib, Lynnette Li as his somewhat reluctant widow Hermia, Mike Newquist as his neglected brother Dwight and Valeria Rosero as the secretive “Other Woman.”

The stunning simple set design by Sydney Achler is a series of monochromatic paint-splattered trapezoids whose hectic colorization and odd angles contribute visually to the unbalanced surrealistic quality of the story.

There are a few bothersome inconsistencies in the story but they are easily overcome by the outstanding performances of the ensemble and the thought provoking subject matter.

This is a weird ride that makes you want to see what’s around the next turn.

“Dead Man’s Cell Phone,” The Comrades production at Greenhouse Theater Center, 2257 N. Lincoln Ave., Chicago, goes through March 10, 2019. Running time is 90 minutes with no intermission.For tickets and other information call (773) 404-7336 or visit Greenhouse Theater.

Reno Lovison

For more shows visit Theatre in Chicago

 

Three Valentine’s Day ideas

 

Go as a couple or go as friends but just do something appealing. Either way works if you want to share good food or a really nice experience. Our three suggestions combine food with a fun evening.

 

Celebrate Valentine's Day at Lincolnshire Marriott resort's Three Embers and Marriott Theatre's Million Dollar Quartet. Photo courtesy of Lincolnshire Marriott Resort)
Celebrate Valentine’s Day at Lincolnshire Marriott resort’s Three Embers and Marriott Theatre’s Million Dollar Quartet. Photo courtesy of Lincolnshire Marriott Resort)

 

Dinner and a Show

Three Embers, Lincolnshire Marriott’s upscale restaurant  has a Valentine’s Day Dinner Special but you can also order off the regular menu. However, go early to include “Million Dollar Quartet,” the show currently getting rave reviews in the resort’s theatre.  It’s more than just a show. It’s a terrific concert.

For tickets visit Box Office. For more iknformation call 847-634-0100 or visit Lincolnshire Marriott Resort. Lincolnshire Marriott Resort is at 10 Marriott Drive, Lincolnshire.

 

A dessert at the Chocolate Sanctuary. (Photo courtesy of Chocolate Sanctuary)
A dessert at the Chocolate Sanctuary. (Photo courtesy of Chocolate Sanctuary)

Dinner, Chocolate and Band

Expect chocolate to be part of the meal at The Chocolate Sanctuary in Gurnee. You can have chocolate bread, chocolate butter and a chocolate dessert if you’d like, but also get a box of zodiac chocolates from the boutique up front.  The restaurant has a special menu for Valentine’s Day but you can also order from the menu. If you want you can go early for dinner and stay for the entertainment, “Eaglemania.” Ask about a dinner and show package price or when it’s best to go just for dinner.

Call (224) 944.0808 or visit The Chocolate Sanctuary. Also visit Chocolate Sanctuary Boutique. The Chocolate Sanctuary is at 5101 Washington St., Gurnee.

 

Centennial Wheel at Navy Pier. (Photo courtesy of Navy Pier)
Centennial Wheel at Navy Pier. (Photo courtesy of Navy Pier)

Navy Pier Centennial Wheel and Dinner

Navy Pier has free Centennial wheel rides Feb. 14 from 10 a.m. to 9 p.m. but pre-registration is needed. Don’t worry about the cold, you can cuddle but the gondolas are also heated. There will also be a drawing that combines dinner, dessert and gift basket. Free rides are limited  so register  as soon as possible. After the free tickets are gone there will be paid ticket rides on a first come, first serve basis.For information on reserved VIP gondolas call (312) 595-5021. (Note: The wheel temporarily closes when weather gets really bad)

To enter the dinner for two and other Valentine Day gift drawing, complete this form.  After the Pier has preselected three finalists, he grand prize winning couple will be chosen by public votes via poll on Navy Pier’s Facebook page.  Runner-ups will also receive a small package to be redeemed at a later date.

Several other Navy Pier retailers and restaurants will offer discounts. For more information visit   Navy Pier Valentines Day .

For more wheel information call (312) 595-PIER (7437) and visit Navy Pier.

312-595-PIER (7437) or following Navy Pier on Twitter (@NavyPier). For more information, visit Navy Pier.

Jodie Jacobs