Theater – Page 8 – Chicago Theater and Arts

Marriott show hits it out of the ballpark

Daniella Dalli and Ron E. Rains as Meg and Joe Boyde in Damn Yankees at Marriott Theatre (Photos by Liz Lauren)

Highly Recommended

The choreography and dancers in Marriott Theatre’s “Damn Yankees” were so amazing opening night (April 19, 2023) I could have sworn that Rachel Rockwell, an extraordinary director and choreographer who died in 2018, had somehow returned.

Instead, we are now lucky to have Broadway and TV choreographer/actor/dancer Tyler Hanes and film/ theater/actor/director James Vasquez taking on a Marriott production.

In their hands, “Damn Yankees,” a musical comedy from 1955, still connects with baseball fans who love their team and hate the umpires’ calls. It also brings to life the dreamers who want a chance to hit it out of the ballpark.

With a clever book by George Abbott and Douglass Wallop and memorable music and lyrics (You’ve gotta have “Heart”) by Richard Adler and Jerry Ross, the show’s timing is so right for baseball’s spring season when anything can happen including the Chicago Cubs’ winning streak as of opening night.

Sean Fortunato. as Applegate in Damn Yankees

And that true but improbable fact is without the help (we believe) of the show’s Faust-like character of Applegate played with perfection by long time TV, film, regional and Marriott actor Sean Fortunato.

He makes a deal with avid Washington Senators fan Joe Boyd, well portrayed by TV, Marriott and regional theater performer Ron E. Rains, to be transformed into the Senators’ savior.

Enter the new Boyd who is now young baseball phenom, Joe Hardy, brilliantly interpreted by Andrew Alstat, (Papermill, MUNY, et al), in his Marriott debut.

The kicker for Applegate and the connecting cord that makes Joe Hardy totally believable is love of Joe Boyd’s wife, Meg, played by Daniella Dalli.

Anyone who saw Marriott’s 2022 Jeff Award winning “The Sound of Music” will remember Dalli’s powerful voice as the Mother Abbess.

, Andrew Alstat as JJoe Hardy tries to back off from Lola played by Michelle Aravena. — ,Andrew Alstat as Joe Hardy tries to back off from Lola played by Michelle Aravena.

The other notable part is Lola as in the song, “Whatever Lola wants.” Brought on board by Applegate to diffuse Joe Hardy’s love for Meg, the plan backfires as Lola, played by Broadway and National Tour star Michelle Aravena, changes from sexy vamp to an understanding girl who has fallen for Hardy.

The production has a large (more than 20 members), experienced supporting cast that includes Porchlight Music Theater and Drury Lane Theatre regulars Lorenzo Rush, Jr as Van Buren, the team’s manager, and Erica Stephan as the persistent reporter, Gloria Thorpe.

The Washington Senators in Mariott theatre's Damn Yankees — The Washington Senators in Mariott Theatre’s Damn Yankees

It’s easy to get caught up in the action on stage. But audiences should pay attention to the really fine music produced by conductor/keyboardist Noah Landis and his orchestra.

In addition, costume designer Theresa Ham nailed the period and baseball uniforms.

Details: “Damn Yankees” is at Marriott Theatre, 10 Marriott Dr., Lincolnshire, now through June 4, 2023. Running time: about 2 hours, 15 minutes with one intermission. For tickets and other information visit Damn Yankees | Show (marriotttheatre.com) or call (847) 634-0200.

Jodie Jacobs

For more shows visit Theatre in Chicago

Masterful ‘Cherry Orchard’ at Goodman Theatre

(L-R) Francis Guinan, Kate Fry and Christopher Donahue in Anton Chekhov’s 'The Cherry Orchard' Photos by Liz Lauren — :(L-R) Francis Guinan, Kate Fry and Christopher Donahue in Anton Chekhov’s ‘The Cherry Orchard’ Photos by Liz Lauren

Highly Recommended

Rich and masterful, “The Cherry Orchard” serves as a triumphant curtain for Robert Falls’ Goodman Theatre tenure.

If one had to choose a perfect ending for Robert Falls’ three-decade career as Artistic Director at the Goodman Theatre, his production of “The Cherry Orchard” would be it.

Anton Chekhov is Falls’ favorite playwright next to Shakespeare, and he purposely chose this play to close out his illustrious career.

“The Cherry Orchard” is Chekhov’s final play, written before his death in 1904. It deals with a failing Russian aristocracy, love, loss, and issues of class in society.

Make no mistake, “The Cherry Orchard” is billed as a comedy through witty dialogue, fall-down laughing antics, and squeaky boots.

Yet the audience is consumed with sadness throughout the production due to memories of painful loss from the generations who lived and died on that estate.

L-R) Matt DeCaro, Janet Ulrich Brooks, Kate Fry, Alejandra Escalante and Kareem Bandealy in Anton Chekhov’s The Cherry Orchard

The plot revolves around widow Madame Lubov Ranevskaya who has just returned to her crumbling estate right before its auction to pay off her debts. She is lamenting the loss of her precious cherry orchard.

Her family surrounds her in support, yet they all have issues of their own.

Chekhov’s strategic use of foreshadowing is evident in many places, letting the viewers know that something bad is about to happen.

The ending is somewhat shocking, but enriches the story and its deeper meaning.

Kate Fry as Lubov Ranyevskaya is the perfect matriarch, showcasing a variety of emotions from frivolity and joy to deep melancholy and despair as to what the future holds. She is exuberant.

Standouts also include Janet Ulrich Brooks as Carlotta, the governess who also has a few magic tricks up her sleeve, and Stephen Cefalu as perpetual student Petya Trofimov who represents the play’s moral compass of social justice.

Note the off-stage music played by the Maxwell Street Klezmer Band led by Alex Koffman, in their first collaboration with The Goodman. Their arrangements lend 19th-century authenticity and warmth to the production.

Kudos to set designer Todd Rosenthal for his exquisite settings that move about the stage in absolute precision. Ana Kuzmanic’s costumes are gorgeous, colorful when need be with themes of red, black, and ivory. Memories of these costumes will stay with you long after the show.

For more background, attend Behind the Curtain (April 22 at 4:30pm)—led by Goodman’s resident dramaturg Neena Arndt. She will lead a conversation with former Goodman artistic director Robert Falls about his fresh take on the last of Chekhov’s four major plays.

Details: The Cherry Orchard” is at Goodman Theatre through April 30, 2023 in the Albert Theatre. Running Time: 2 hours and 15 minutes with one intermission. For tickets and more information, go to GoodmanTheatre.org/Cherry or call (312) 443-3800.

Mira Temkin

For more shows visit Theatre in Chicago

Rumors abound at a Neil Simon party

'Rumors' cast at Skokie Theatre. (Photo by MadKap Productions) — ‘Rumors’ cast at Skokie Theatre. (Photo by MadKap Productions)

Highly Recommended

The “Rumors” Are True…Skokie Theatre’s Neil Simon Farce is a Smash Hit!

In the years before social media was a “thing,” local gossip was the way to go. How else could people gauge the real social order? Who was cheating on whom? What was true and what was just a rumor?

Add in that when several people are also politically involved with something to lose if the truth gets out you’ve got real mayhem – or “Rumors,” a hilarious farce from the master of American comedy, Neil Simon.

Welcome to an upscale dinner party hosted by a wealthy New York couple who are celebrating their 10^th wedding anniversary. Unfortunately, the party goes terribly wrong.

Guests arrive to discover the host has been shot, the hostess is missing, and the servants have quit.

Produced in 1988, “Rumors” still holds the same caustic bite as when it first came out. The brilliant, fast-paced dialog gives all the actors a chance to shine.

The play stars Erin Renee Baumrucker, Landon Cally, Luke Coleman, Peter Goldsmith, Julie Peterson, Maddy Shilts, Nathan Dale Short, SarahAnn Sutter, Katherine Wettermann, and Lee Wichman.

Ken and_Chris: played by Nathan Sale Short and Erin Renee Baumrucker in Rumors. (Photo by Madcap Productions) — Ken and Chris: played by Nathan Sale Short and Erin Renee Baumrucker in Rumors. (Photo by MadKap Productions)

Standouts include Peterson as Claire Ganz who recently appeared as Ethel Merman in the “Book of Merman” at Skokie Theatre. She is a bubblehead with lots of great lines that keep the audience in stitches

Cally as Lenny Ganz plays a range of emotions. In his final monologue. he makes up an entire story of what really happened to the hosts, Charley and Myra and his performance is stellar.

Kudos to Police Officer Welch, played by Shilts, as no-nonsense in law enforcement as they come.

Directed by Wayne Mell and produced by Wendy Kaplan of MadKap Productions, “Rumors” takes the audience on a hysterical romp through a case of mistaken identity, the constant opening and closing of doors, and a little bit of slapstick thrown in.

The women’s costumes, headed by custom designer Wendy Kaplan and wardrobe mistress Patti Halajian, are exquisite and elegant. How lucky, the actresses get to wear them all night long.

Details: Rumors is playing at the Skokie Theatre, 7924 Lincoln Avenue in Downtown Skokie through April 23. Running time: 2 and a half hours with one 15-minute intermission. For tickets, go to skokietheatre.org or call 847-677-7761. The 2023-24 season starts in June with “Hair.”

Mira Temkin

For more shows visit Theatre in Chicago

Charlie Brown stands the test of time

Charlie Brown at Marriott Theatre. (Photo by Liz Lauren)

Highly Recommended

A perfect introduction to children’s theatre, “You’re a Good Man, Charlie Brown,” is a one-hour production in the Marriott Theatre for Young Audiences series.

It’s amazing how timeless this musical, written in 1967, continues to be as it highlights the anxieties and insecurities of children in every generation.

Based on the characters created by cartoonist Charles M. Schultz in his comic strip, Peanuts, the play remains delightful in its simplicity and poignancy.

Charlie Brown and his rag-tag group of friends create a series of vignettes that explore life’s great questions and their relationships with one another. Through it, they play baseball, struggle with sibling rivalry, sing and celebrate their own happiness.

The production stars Patrick Michael Tierney who is a perfect Charlie Brown. Tafadzwa Diener is Lucy who is not only bossy but delivers wonderful vocals as well. Matthew Bettencourt plays Schroeder. Jackson Evans is Linus and Amanda Walker is Sally.

The star of the show really is Andres Enriquez who, as Snoopy, must convey a variety of “doggie” emotions. Hysterical.

One of the lyrics to the final song, “Happiness,” is “Happiness Is anyone or anything that is loved by you.” Could there be anything sweeter?

This production is directed and choreographed by Linda Fortunato, with musical director/conductor Rick Bertone and musical supervisor Ryan T. Nelson.

The show includes additional music and lyrics by Andrew Lippa and dialogue by Michael Mayer from the Tony Award-winning Broadway revival.

This is the first show in the 2023 Young Audience season. Next up is “Elephant and Piggies: We Are in a Play” from July 14 to August 1.

Details: You’re a Good Man, Charlie Brown is at Marriott Theatre, 10 Marriott Drive, Lincolnshire, through April 1. For tickets and more information visit Marriott Theatre Charlie Brown and Marriott Theatre.

Mira Temkin

For more shows visit Theatre in Chicago

A show to see more than ‘Once’

Dana Saleh Omar and Matt Mueller in Once at Writers Theatre. (Photo by Michael Brosilow)

3/1/2 Stars

I fell in love with “Once,” a musical based on a John Carney 2007 film, when it first played in Chicago in 2013 and again in 2015.

But the word, “musical,” may erroneously bring images to mind of such full-stage touring shows as “Chicago and “Les Miserable.”

Appearing now at Writers Theatre where it can intimately be performed almost in-the-round, the audience’s focus is on its main characters beautifully portrayed by two popular regional theater actors: Dana Saleh Omar (national tour of “The Band’s Visit) as Girl, and Matt Mueller (“The Play that Goes Wrong” tour) as Guy.

Girl is a sympathetic but stubborn musician who pulls Irish musician/song writer Guy away from severe mental despondency when the person he wrote and sang about leaves him for New York City.

Her vehicle to getting through to him is, surprisingly enough, a Hoover Vac that he can fix for her in his father’s shop where he lives above the store and works when not writing and performing.

The dialogue, a creative play on words often infused in the script, is something like: “It (the Hoover) doesn’t suck,” she tells him. “Are you serious,” he asks. “I’m always serious. I’m Czech,” she says.

On the way to bringing Guy back to a mental state where he wants to live and perform, the audience meets her Czech family, Guy’s father, Da, the Irish bartender and band members.

They all make up the show’s musician/performing cast. And they all, including Girl’s 8-year-old daughter, Ivonka, played by Kajsa Allen, are terrific. (She alternates with 11-year old Viva Boresi.)

As with the national tour production, they also (except for Ivonka) stay on stage, usually seated when not performing. The staging is simple.

The main differences I found were that the focal point is an upright piano instead of a stocked bar and the musicians/performers had more choreographed stage time that included pre-curtain Irish music.

Kudos to the talented supporting cast: Elisa Carlson (Reza), Yuchi Chiu (Bank Manager), Matt Deitchman (Band music director/ Eamon), Elleon Dobiaa (Ex Girlfriend), Matt Edmonds (Billy), Jordan Golding (Emcee), Lucas Looch Johnson (Svec), Liam Oh (Andre), Ron E Rains (Da) and Bethany Thomas (Baruska).

The show is well directed and choreographed by Katie Spelman with excellent music direction by Deitchman.

Music and lyrics are by Glen Hansard and Marketa Irglova with book by Enda Walsh.

“Once” picked up 11 Tony Award nominations in 2012, winning eight awards that included Best Actor, Book and Musical. It had also won the Academy Award for best song “Falling Slowly.”

Details: “Once is at Writers theatre, 325 Tudor Court, Glencoe now through April 2, 2023. Running time 2 hrs, 20 min. with one intermission. For more information and tickets visit. Writers Theatre.

Jodie Jacobs

For more shows visit Theatre In Chicago

Chicago Theatre Week Now

Goodman Theatre ((Photo courtesy of Goodman)

Downtown, see “Les Miserables,” a Broadway in Chicago production at CIBC, “Cabaret” at Porchlight Music Theatre or “Toni Stone” at Goodman. In the burbs go to “Into the Woods at Paramount in Aurora, “A Chorus Line” at Drury Theatre in Oakbrook, “The Christians” at Citadel in Lake Forest or ” Andy Warhol in Iran” at Northlight in Skokie.

Those are just a few of the highly recommended shows now playing in the Chicago area that are at theaters whose tickets are discounted during Chicago Theatre Week, Feb 16-26, 2023.

With more than 60 theatres in and around Chicago participating, now is a good chance to get good value for good theatre. Tickets range from $15 to $30.

To see some of what is available each day visit the city’s tourism website Theatre Week Events in Chicago | Choose Chicago.

To learn more about the shows go to Theatre in Ghicago.

Jodie Jacobs

Two Mormans plus one Merman equal total mayhem in ‘Book of Merman’

L to R: Danny Ferenczi as Elder Shumway, Julie Peterson as Ethel Merman and. Alex Iacobucci as Elder Braithwaite. (Photo courtesy of MadKap Productions

3 1/2 Stars

Fans of the late, great Ms. Ethel Merman will love this spoof on the Broadway Diva as it comes to life at Skokie Theatre. The show has everything – memorable music, high-energy dancing, gorgeous costumes, and a heartfelt message about being true to yourself. It’s no wonder the performance was sold out the night we went.

Two Mormon missionaries who are down on their luck in selling souls ring the doorbell of the brash and brassy Ethel Merman. Misunderstandings of all kinds take place and hilarity ensues.

The audience gets the benefits of fabulous show-stopping numbers belted out by the trio. But listen carefully as the lively songs with music and lyrics by Leo Schwartz and book by DC Cathro play off Merman’s greatest hits; some subtle, others not so subtle, because you’ll recognize this legend’s most beloved music among Broadway’s best.

The two Mormon missionaries are played by Alex Iacobucci as Elder Braithwaite and Danny Ferenczi as Elder Shumway who are funny and talented. They will sing and dance their way into your heart. Perhaps if start singing as soon as they ring the doorbell they will get better results!

Julie Peterson is the soul of the show as Ethel Merman. She has the same loud, booming belter voice that was Merman’s trademark.

No wonder. Peterson was the understudy and performer in the role when it launched off-Broadway in 2018. She perfectly captures the mannerisms, intonations, and sassiness of the star.

Produced by Wendy Kaplan of MadKap Productions with Wayne Mell as associate producer, the show is directed and choreographed by Ty Perry. Musical direction is by pianist Jeremy Ramey and percussionist Craig Buckner who sit behind the stage.

Set design is by Scott Richardson, lighting design is by Pat Henderson and kudos once again, to costume designer Patti Halajian whose dresses for Ethel are simply dazzling.

In Act 2, the show changes and real identities step forward giving the audience new appreciation for the characters and the show.

Concluding the season for Skokie Theatre is Neil Simon’s hilarious farce, “Rumors,” March 31 to April 25, 2023.

Details: “Book of Merman” is at Skokie Theatre, 7924 Lincoln Ave in downtown Skokie, IL through Feb 26, 2023. Run time: 2 hours with one intermission. For information and tickets visit SkokieTheatre.org or call (847) 677-7761.

Mira Temkin

For more shows visit Theatre in Chicago

Profound Citadel play tackles religious divides

L-R (far back) Ellen Phelps,(front left) Abby Chafe), Scott Phelps and Manny Sevilla in 'The Christians' at Citadel Theatre. (Photo by North Shore Camera Club) — L-R (far back) Ellen Phelps, (front left) Abby Chafe), Scott Phelps and Manny Sevilla in ‘The Christians’ at Citadel Theatre. (Photo by North Shore Camera Club)

4 Stars

No matter what the religion espoused at home, “The Christians,” an Obie Award winning drama by Lucas Hnath, is bound to provoke discussion on the way home.

A remarkable production in both acting and set design, the play does not advocate a specific organized religion but raises theological questions about heaven, hell, G..d, the bible, sin and why members attend – all in an approximately 80 minutes of action and debate.

The setting is primarily Pastor Paul’s mega-church, enhanced by Pangaea Technology’s grid of 90 two-foot-square, state of the art digital video monitors to crate the church’s large interior. Also creating the right look are Intelligent Lighting Creations, BI (background Images), cinematographer Ian Merrin and scenic designer Johnathan Berg-Einhorn.

Audience members immediately become part of the congregation as Pastor Paul, played by Scott Phelps, walks in through the same door they used to enter, and welcomes the people he passes to the service.

Phelps then proceeds to mesmerize the audience with the first part of Hnath’s viewpoints in his sermon followed by theological disagreements argued by Associate Pastor Joshua, well portrayed Manny Sevilla.

Adding to the interplay are temperate thoughts from Church Elder Jay, quietly presented by actor Frank Nall, and agitated disagreement from Pastor Paul’s wife, Elizabeth, played by Scott Phelps wife, Ellen Phelps. (Both the Phelps are also production managers.)

In addition, Jenny, a congregant played with just the right emotional intensity by Abby Chafe, relays the problems she is facing from people who agree with the now former Pastor Joshua.

Members of Forte Chicago singers are in the choir who seem to be seated behind a screen at the back of the stage.

Tying it all together to create an atmosphere about to explode atmosphere is Director Scott Westerman who explains in the program how important the particular technical aspects used by Citadel are to a production on stage in the age of Zoom and selfies.

His note also raises meaningful questions about being good and doing good, rightness and righteousness and the source of people’s beliefs.

Hnath certainly deserves the Obie and Citadel and its excellent actors and crew deserve the standing ovation they received opening night.

Details: “The Christians” is at Citadel Theatre, 300 S. Waukegan Rd., Lake Forest, IL, now through March 12, 2023.

For tickets and more information visit Citadel Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

Catch Big Fish at Marriott Theatre

L-R Alexander Gemignani and Heidi Kettenring in Big Fish at Marriott Theatre (Liz Lauren photo)

3 Stars

The movie and other plays aside, having just seen Broadway actor Alexander Gemignani (Carousel, Les Miserable, Sweeny Todd) as Edward Bloom at Marriott Theatre, it is now arguably hard to see anyone else playing the pivotal character role in “Big Fish.”

In the hands of Director Henry Godinez, (Goodman Theatre’s Resident Artistic Associate), backed by a talented cast, Bloom’s seemingly fantastical journey through life is delightful. His character is likely to have audiences relating to dad jokes and dad’s experience stories.

But in the end the theme really is about father-son relationships. The audience is challenged to empathize with his son, Will Bloom, played by Michael Kurowski who appears uncomfortable in the role.

A shoutout has to go to Heidi Kettenring, a favorite Marriott and Chicago theater community actress/singer, who as Edward’s wife, Sandra, has no trouble understanding and appreciating him.

“Big Fish” is based on Daniel Wallace’s 1998 novel and the 2003 (in theaters early 2004) Columbia Motion Picture by John August directed by Tim Burton. The play’s book is by John August with music and lyrics by Andrew Lippa.

Details: “Big Fish” is at Marriott Theatre, 10 Marriott Dr., Lincolnshire, IL now through March 19, 2023. Run time: 2 hours, 30 minutes with one intermission. For information and tickets visit Marriott Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

Celebrating Mozart at Lighthouse Immersive

Visitors get a sneak peek of Mozart Immersive: The Soul of a Genius, Opening March 10, 2023 at Lighthouse Immersive. (Photo Credit: Reno Lovison)

Lighthouse ArtSpaceChicago, known for its presentations of visual artists, celebrated Wolfgang Amadeus Mozart’s 267th birthday with a sneak-peak kickoff of “Mozart Immersive: The Soul of a Genius,” The birthday celebration included complimentary treats of Prosecco and Eli’s Cheesecake.”

Past Artspace presentations featured the works of such artists as Van Gogh and Frida Kahlo by utilizing cutting-edge projection techniques to create a 360-degree immersive visual experience.

The Mozart presentation is the first to feature a musician. To craft dream-like 18th century inspired imagery, the producers partnered with the creative team of Massimilliano Siccardi and Vittorio Guidotti.

Mozart Immersive’s world premiere is currently scheduled to open March 10, 2023 at the Lighthouse ArtSpace at the corner of Clark Street and Germania Place with no immediate plans for the exhibit to travel. All the more reason to be sure to check it out.

Terri Hemmert of WXRT Radio hosted the birthday bash with live music by the Ryan Center Ensemble featuring Wm Clay Thompson (Bass) singing an aria from Don Giovanni with Chris Reynolds on piano.

The excellent young basso and pianist duo were followed by an expert chamber ensemble comprised of four string players from The Music of the Baroque performing two Mozart compositions, the ever popular “Eine Kleine Nachtmusik” and “Divertimento in D Major.

The experiential projected images thoughtfully incorporated the monochromatically painted architectural interior features of the former Germania Club that is now the home of Artspace.

For instance, the inside frames of what had been windows were replaced by projected vintage images of the Austrian countryside.

They added to the enjoyment of the string ensemble by transporting us back in time to a place that might have hosted an elegant soiree, perhaps in a stately home or castle of one of Mozart’s benefactors.

The final production, a retrospective with highlights from Mozart’s short life, integrates video re-enactments with live actors alongside the animation.

Mozart Immersive (Photo credit Kyle Flubacker.)

Many visitors will be delighted to see legendary dancer and actor Mikhail Baryshnikov in the heart-rending role of Mozart’s father, Leopold, who is credited for launching his son’s early career. They became estranged later in life.

Constantine Orbelian, New York City Opera’s music director and principal conductor, joined Hemmert onstage to discuss the production.

The music, arranged by composer Luca Longobardi, will accompany Mozart Immersive. It was recorded by the Lithuanian Kaunas City Symphony Orchestra led by Orbelian.

Before the doors opened, I had an opportunity to interview the Maestro for my ChicagoBroadcastingNetwork.com podcast. The four-time Grammy-nominated musician shared that he had not yet seen the visuals associated with the music and was as eager as the rest of us to get a sneak peek.

Details: Lighthouse ArtSpace Chicago is at 108 Germania PL. For tickets visit Mozart Immersive.

Reno Lovison

Photo: Reno Lovison (R) recorded a podcast interview with Maestro Orbelian (L) which can be heard at ChicagoBroadcastingNetwork.com (Photo Credit: Julie Lovison)

Photo: Julie Lovison, Director of The Lake Shore Music Studio with Constantine Orbelian, Director and Principal Conductor of the New York City Opera celebrating Mozart’s birthday at Lighthouse ArtSpace in Gold Coast / Lincoln Park. (Photo Credit: Reno Lovison)

Photo: Visitors get a sneak peek of Mozart Immersive: The Soul of a Genius, Opening March 10, 2023 at Lighthouse Immersive. (Photo Credit: Reno Lovison)