Chicago Riverwalk (Photo courtesy of City of Chicago and Dept. of cultural Affairs and special Events)
Of course you know the Chicago Air and Water Show haappens across the city’s near-north lake front Aug. 16 (practice) then Aug. 17-18 from 10 a.m. to 3 p.m.
But there is also a yummy food fest throughout Chicago from Aug. 14 through Sept. 1 and an interesting theater festival up in Skokie Aug. 16 to 18.
If your attention span stops you from seeing plays that are three hours long, Skokie Theatre has the answer in its Fifth Annual Short Play Festival. Six,15-minute plays take the stage beginning at 7:30 p.m. each night. The low ticket price of $15 shouldn’t dent the culture budget.
They run the gamut from a woman who makes a strange request while planning her father’s funeral in “A Funeral Home in Brooklyn” to What happens in an antiquities gallery stays in an antiquities gallery in “Museum Piece.”
Skokie theatre is at 7924 Lincoln Ave., Skokie, IL. For tickets visit OvationTix.
If you count yourself a foodie and also like the idea of meeting different chefs, trying different cuisines and giving back to the community check out the Chicago Tribune Food Bowl. It takes place at restaurants throughout the city, Aug. 14-Sept.1, 2019.
Then, if you like to see how the Riverwalk has developed with restaurants, bars and pop-up places, go down and over to the area from 201 West to 305 West Riverwalk South where you see Art on theMART at the Confluence and the Jetty for the Food Bowl Night Market, Aug. 23-25. (Franklin/Orleans Streets to Wells Street).
‘All That He Was.’ L to R: Ethan Warren, Rick Rapp. (Photos by Nicholas Swatz)
4 stars
First, a gentle warning to theatergoers planning to see”All That He Was,” a deeply moving, sometimes humorous new musical by Pride Films & Plays at The Buena: bring along lots of Kleenex.
When theatergoers walk into The Buena, they may be surprised to discover that they’re about to attend a funeral. The entire theatre has been transformed into an outdoor, park-like space.
This sepulchral space is highlighted by a tasteful garden of plants and flowers surrounding an arbor and peppered with places to sit and the stage is festooned by strings of tiny white lights.
A poignant AIDS-inspired, mostly sung-through musical, “All That He Was” is a newly revised version of the original, award-winning one-act by Larry Todd Cousineau (book and lyrics) and Cindy O’Connor (music).
Art Institute of chicago has a free family center and also has free hours Thursday evenings. (J Jacobs photo)
There still are a few days left to explore the Shedd Aquarium, the Museum of Science and Industry and some of Chicago’s other world-class museums without dipping into fall school supply funds.
Some museums are always free. Others have free admission on certain days or hours of the week. But check what is available with free admission because at some museums general admission is free but there still are ticketed exhibits. A valid ID with proof of residency is needed. if the free day is for Illinois residents or Chicago youth.
Children under age 14 always admitted free. Chicago teens under age 18 are also admitted free. In addition, admission is free to Illinois residents on Thursdays from 5 to 8 p.m. The Ryan Learning Center near the Modern Wing entrance is always free to families and children’s care givers.
The main entrance is at 111 S. Michigan Ave. but there is also an entrance around the corner at the museum’s Modern Wing, 159 E. Monroe St. For hours and more information call (312) 443-3600 or see artic/visit.
The museum is at 220 E. Chicago Ave. just east of Michigan Avenue’s Magnificent Mile. Admission is free for youth 18 and younger every day and for Illinois residents on Tuesdays. For hours and more information call (312) 289-2660 or see MCAChicago/visit.
The museum is free to Illinois residents Tuesdays from 12:30 to 9 p.m. and always free to Illinois youth under age 18. Located at 1601 N Clark St., the museum is on the edge of Lincoln Park. For more information call (312) 642-4600 or see ChicagoHistory/visit.
DuSable Museum of African American History in Washington Park. (Photo courtesy of DuSable Museum)
Located at 740 E. 56th Place in Washington Park at 57th and cottage Grove, the museum’s exhibits feature augmented reality when tied to an app that can be easily downloaded. Admission is free every Tuesday.
The museum is at 1400 S. Lake Shore Drive at the west end of Chicago’s Museum Campus. It has free basic admission for Illinois residents on Wednesdays from Aug. 14 to Nov. 13, 2019.
Go to FieldMuseum/exhibitions then click on the individual exhibits to see which ones are included in basic admission or needs an All Access or Discover Pass. For more information call (312) 922-9410 or see Field Museum/visit.
Think of this museum as an iceberg with much of what there is to see below the Michigan Avenue and Upper Wacker Drive level. It is inside the Southwest Bridgetower but entry is down at river level at 99 Chicago Riverwalk at the northwest corner of Michigan and Wacker. Sundays are free. Visitors learn about the historic structure, the river’s bridges and the Chicago River.
The museum is at at Columbia College Chicago, 600 S. Michigan Ave. near Harrison Street. It is always free but donations are welcomed. For more information call (312) 663-5554 or see MOCP/about.
Located at 5700 S. Lake Shore Drive in a building from the 1893 Columbian Expostion, MSI is among the world’s largest science museums so there is plenty to see on free general admission days for Illinois residents even though they don’t include the ticketed exhibits. Coming free days are Aug. 26-28, 2019.
For more information call (773) 684-1414 or see MSIChicago/visit.
The museum is at 1852 W 19th St, in the Pilsen neighborhood, south west of downtown Chicago. Admission is free, daily. For hours and more information call (312) 738-1503 or see National MuseumofMexicanArt/faqs.
The Aquarium, 1200 S. Lake Shore Drive, is the second building on Chicago’s Museum Campus. Lines are long any day but particularly on free days so go early. Capacity is limited so some people reserve their tickets on line for a $3 transaction fee. Illinois resident free days are Aug. 26-28, 2019.
Illinois residents get access to all exhibits, chats, presentations and Stingray Touch. For more information call (312) 939-2438 or see Shedd/visit.
Fast forward to the year 2094, 75 years in the future when”Women of 4G,” presented by Babes with Blades, tackle Earth’s uninhabitable air.
Cast of Women of 4G (Photo courtesy of Babes With Blades)
3 stars
Because of the arrogance and stupidity of our world leaders, the earth’s fragile environment has now been totally destroyed. With the planet’s atmosphere almost completely polluted, mankind is literally gasping its last breath.
In one final, heroic attempt to insure another 500 years of life, a team of seven superior female scientists and their lone male Captain, have been sent on a life-and-death mission into outer space.
Once into the cosmos, the crew of 4G plan to launch a lifesaving satellite, brilliantly developed by one their own, LT Wollman. This celestial orb promises to reverse the harmful gases and lethal rays that have destroyed earth’s precious oxygen supply.
But something else has gone deadly awry. At the top of the play, the audience learns that the ship’s captain has been murdered. Playwright Amy Tofte’s often funny, frequently violent feminist science fiction melodrama quickly evolves into an intergalactic whodunnit?
If you tried but couldn’t get tickets to “Six” at Chicago Shakespeare Theater before it recently closed, you will have another chance to see the show. However, it will be at a different Chicago venue as part of the Broadway in Chicago series.
Yes, that means it is on its way to Broadway.
How the six wives of Henry VIII, Aaragon, Boleyn, Seymour, Cleves, Howard and Parr, viewed him and themselves is the unlikely story behind a British concert-style musical by Toby Marlow and Lucy Moss.
First opening in Edinburgh and England, it just left its North American premiere in Chicago to visit other towns before its debut on Broadway. “Six” will be at the American Repertory Theater, Cambridge, MA, Aug. 21 – Sept. 7, Citadel Theatre in Edmonton, AB Canada, Nov. 2-24 and the Ordway Center for the Performing Arts in Saint Paul, MN, Nov. 29 – Dec. 22.
it will be in previews in February and open at New York City’s Brooks Atkinson Theatre, March 12, 2020.
As with other shows that have pre-Broadway Chicago premieres, the tour form of the show will return as part of the Broadway in Chicago series. But in the case of ‘Six,’ a sell-out at Chicago Shakespeare, the hit musical will be back within a year instead of the usual two or three years.
According to Broadway in Chicago folks, “Six” will open at the Broadway Playhouse next to Water Tower Place and the Ritz-Carlton July 8, 2020. Also unlike most other tour shows it is currently scheduled to stay through Oct. 25, 2020.
“We would like to thank Chicago Shakespeare Theater for their overwhelming support of our North American premiere over the past few months,” said producers Wendy and Andy Barnes. “It was such a thrill to watch American audiences lose their heads for SIX. We cannot wait to return to Chicago next summer, where our US journey began.”
Groups of 10 or more can get tickets now. Broadway in Chicago will be opening subscription and single ticket sales this fall. .
Instead of saying “oops” after “Miracle,” “Manet” and “Head Over Heels” have left Chicago, fit in the one you really hoped to see. Then, if good at planning ahead, look for tickets to “Six.”
“ Miracle”
Tickets are available just through Sept. 29, 2019 for this fun show that ties the life of a Wrigleyville bar-owning family to the Chicago Cubs. “Miracle,” whose full title adds on “A musical 108 years in the making,” is at the Royal George Theatre, 1641 N. Halsted St. For Tickets and other information call (312) 988-9000 or visit MiracletheMusical. For the review visit Wrigleyville and Cubs story make great theater. For the backstory see Miracle Musical.
Two weeks have been added to Kokandy Productions’ hit musical comedy but after Sept. 8, 2019 it will be gone. The show is at Theater Wit, 1229 W. Belmont Ave. For tickets call (773) 975-8150) or visit KokandyProductions or stop by Theater Wit. For the review please see Head over Heels has got the beat.
“Six”
The sold-out concert-style show about Henry VIII’s wives just closed at Chicago Shakespeare but even though it is headed to Broadway it will return to Chicago in 2020. The touring production will open July 8 at the Broadway Playhouse next to Water Tower Place and the Ritz-Carlton through the Broadway in Chicago series. Groups of 10 or more can get tickets now. Watch for the Broadway in Chicago single tickets this fall. For group tickets visit [email protected]. For more information and single tickets visit BroadwayInChicago.
Chicago Air and Water Show comes Aug. 17-18. (Photo courtesy of Chicago Department of Cultural Affairs and Special Events)
If you hear thunder but the sky is blue, Aug. 16, it is likely the U.S. Navy Blue Angels are flying overhead on their way to practice above North Avenue Beach.
The Chicago Air and Water Show, now in its 61st year, will be above and on the popular beach from 10 a.m. to 3 p.m. Aug. 17-18. By the way, the U. S. Air Force Thunderbirds headlined last year.
The event is free but given that it attracts about two million people those two days, it makes sense to go the day before when the headliners and acrobatic flights are practicing.
Tip: All the fly-bys are great but the top draw this year, the Blue Angels, come at the end of the show.
But an alternate to going the day before or milling with the crowds during the show is to watch from somewhere between Ohio Street and Fullerton Avenue such as the places listed below where you can eat lunch or brunch during the show.
Cast of Junie B Jones at Marriott Theatre. (Photo courtesy of Marriott)
3 stars
In her Junie B Jones stories, children’s author Barbara Park found interesting solutions to problems youngsters face at school. Which means that “Junie B. Jones, The Musical,” put together by the “Dear Edwina” team of Marcy Heisler and Zina Goldrich, is perfect for youngsters to see right before school starts this fall.
Now at Marriott Theatre in Lincolnshire just through Aug. 11, 2019, the show is for all elementary-middle school youngsters.
On the first day of school, Junie B encounters problems right away on the bus when her best friend from last year now has two other best friends so won’t sit with her.
Once at school, Junie B doesn’t understand why she can’t read words on the board. She’ll have to wear glasses but what will her classmates think and say.
And the problems keep happening.
Elizabeth Telfore is a terrific Junie B. Adam LaSalle is great as her piano-playing day (and teacher Mr. Scary and others). Rashada Dawan is perfect as mom, (and the cafeteria cook and others).
Marriott shows, whether for a general or young audience, always have excellent voices and choreography. “Junie B” is no exception.
But the reason to take youngsters to the show is for them to see that there are ways to work through things that sometimes go wrong at school.
DETAILS: “Junie b. Jones, the Musical,” is at Marriott Theatre, 10 Marriott Drive, Lincolnshire. Running time: 1 hour. For tickets and other information call (847) 634-0200 or visit Marriott Theatre.
Rafael Payare conducts the CSO in Beethoven’s Symphony No. 3 at Ravinia Festival. (photo credit Ravinia Festival and Kyle Dunleavy)
Chicago Symphony Orchestra, conductor Rafael Payare and pianist Emanuel Ax gave bravo performances at Ravinia Festival Aug. 2, 2019.
Payare, a Venezuelan conductor who has led ensembles and orchestras across the globe and will lead the San Diego Symphony as its new music director this fall, infused Beethoven’s Symphony No. 3 with extra exuberance and sensitivity to its Napoleonic themes.
Although the themes are familiar to classical musical lovers, Eroica in less able hands has sometimes come across as too predictable and automatically played. But when Payare opened the symphony by (I think appropriately) upping the pace on the Allegro con brio, there was a new feeling of excitement stretching across the Pavilion and lawn.
It was in perfect contrast to what became the very expressive Marcia funebre movement in C minor followed by the CSO strings’ nimble and delightful Scherzo that went back to the symphony’s key of E-flat major.
During the symphony, the cameras for ravinia’s screens’ focused on the orchestra’s exceptional oboist, flutist and French horns.
They deserved the extra acknowledgement accorded them by Payare after the heroic symphony’s exuberant final notes drew enthusiastic applause.
Emanuel Ax plays Brahms Piano Concerto No. 2 at Ravinia. Rafael Payare conducts the CSO in Beethoven’s Symphony No. 3 at Ravinia Festival. (Ravinia Festival and Kyle Dunleavy photo)
This interpretation of Beethoven’s epic, groundbreaking symphony was among the best I’ve heard.
It would take another epic performance to complement the first half the program.
And that is what Ax delivered with his extraordinary Brahm’s Concerto No. 2 in B –flat major.
Back at Ravinia for his 28th appearance since 1975, the 70-year-old Ax still has the powerful hands, agile fingers and emotion variations that won the Arthur Rubinstein International Piano Master Competition in Tel Aviv in the 1974 and the Avery Fisher Prize in New York City in 1979.
Among the finest pianists of our time, Ax appeared to be having a love affair with the piano (or with Brahms) on Friday.
From hands crossing to land powerful chords and fingers flying across the keys to their producing lyrical waterfalls and gentle caresses, Ax married technique with sensitivity.
What audiences may not recall is that Brahms pays homage in Piano Concerto No. 2 to another instrument he likes to write for, the cello. In notes on the work, Brahms calls the section of the Andante that features a cello solo, a “concerto within a concerto.”
Ax is familiar with Brahms piano cello pairings. As a frequent partner with cellist Yo Yo Ma, the duo has won several Grammy Awards for their Brahms recordings.
As the strains of the last notes of Brahms second piano concerto echoed through the Pavilion, the audience rose, almost as one body, applauding loudly and long.
The double bill of bravo performances made Friday at Ravinia a night to remember.
(Friday was the second night to feature Beethoven symphonies and Brahms concertos. Thursday’s concert was Beethoven’s Symphony No. 5 in C minor followed by pianist Yefim Bronfman playing Brahms’ Concerto No. 1 in D minor.)
Sean Higgins and Marie Weigle ( Pphoto by Katie Reynolds)
4 stars
Set in a Holiday Inn hotel room in International Falls, Minnesota, traveling comedian Tim has come to the end of the road while front desk clerk Dee wants to escape her life. Together they explore the use of comedy to mask their sadness and express their pain.
Tim (Sean Higgins) shares his unsuccessful quest to find his own unique voice and urges Dee (Marie Weigle) to find hers, stressing that honesty and authenticity is what is important.
In “International Falls,” playwright Thomas Ward evidently understands that struggle and has clearly met the challenge writing some of the most authentic and honest dialogue I have ever heard on stage.
Presented by by the Agency Theater Collective in partnership with End of the Line Production, Ward’s brilliant dialogue comes to life as spoken by Higgins and Weigle. You feel like you are sitting in their hotel room witnessing the events unfold.
Higgins’ cringingly awkward stand-up asides are perfectly painful and his obvious discomfort with himself combined with false bravado is portrayed with appropriate nuance.
Weigle’s pent up frustration, emerging confidence and vulnerability is palpable but never goes over the top.
The blocking was seamless and meaningful.
The naturalness of the actors can only be achieved when they have a critical eye assuring them that what they are doing is right.
Director Cody Lucas clearly gets credit for pulling this small ensemble together into a beautiful unified performance. Orchestrating the emotional level with symphonic accuracy, Lucas dials up the emotions to peak levels that never gets shrill, then dials them back down to create a needed contrast that keeps the audience engaged and caring about the characters.
This voyeuristic experience is further enhanced by the intimate setting of the Nox Arca Theatre which is actually a small industrial space on the 5th floor of a concrete loft building on the corner of Irving Park in the Ravenswood corridor. Scenic Designer Soli Eisenberg has done a brilliant job of incorporating the natural elements of the room to create the effect.
By the way the music mix before the show began was awesome.
DETAILS: “International Falls” is at Nox Arca Theatre, 4001 N. Ravenswood Ave, #405. Chicago, through August 31, 2019. Running time is 90 minutes with no intermission. For tickets and information visit We Are the Agency.
