Lyric stage appropriate for this fair lady

If you sometimes think you “Could have danced all night” or become exasperated when others take credit and say “You Did It” to each other for something brilliant that you worked hard to achieve, you can relive those experiences and appreciate how Eliza Doolittle felt in ‘My Fair Lady.’

'My Fair Lady' starring Lisa O'Hare Richard E. Grant opens April 28, 2017 at the Lyric Opera of Chicago.
‘My Fair Lady’ starring Lisa O’Hare and Richard E. Grant opens April 28, 2017 at the Lyric Opera of Chicago.

An Alan Jay Lerner and Frederick Loewe hit musical based on George Bernard Shaw’s ‘Pygmalion,’  ‘My Fair Lady’ will be Lyric’s fifth Broadway show to come at the end of its regular opera season.

Opening April 28 and running through May 21, 2017, the Lyric’s offering stars TV, film and stage veteran Richard E. Grant as Henry Higgins and opera, Broadway and TV regular Lisa O’Hare as Eliza Doolittle.

Directed by Olivier Fredj and conducted by David Chase, the show is the American premiere of Robert Carsen’s  production for Paris’ Théâtre du Châtelet but with a new cast.

Lyric goers know that fair ladies, transformations, thwarted dreams, unusual relationships and not perfect happily-ever-afters are typical opera fare, so presenting such issues in a hit musical by American composers at the Civic Opera House should be expected.

Indeed, the Lyric opera stage is a natural setting for shows by American musical composers, according to Diva Renée Fleming, Lyric’s creative consultant since 2010.

“After 100 years in this country, the American musical has achieved “classic” status, and opera companies with extraordinary artistic resources are uniquely positioned to present productions at the highest level as part of the standard repertory. We needn’t wait for Broadway touring companies to present works that are tailor-made for the Chicago community,” Fleming said when Lyric launched the series.

Details: ‘My Fair Lady’ is at the Lyric’s Civic Opera House, 20 N. Wacker Drive, Chicago, April 28 through May 21, 2017. For tickets and other information call (312) 827-5600 or visit My Fair Lady.

 

Around Town: Now and Coming

There is always so much going on in Chicago it is easy to miss something you will want to see or find that the tickets you wanted are gone. So check out the following events and opportunities.

Tchaikovsky opera 'Eugene Onegin' opens at the Lyric Opera of Chicago. Lyric photo
Tchaikovsky opera ‘Eugene Onegin’ opens at the Lyric Opera of Chicago. Lyric photo

Lyric Opera

If you love the music of Pyotr Ilyich Tchaikovsky, you will love his beautiful, dramatic “Eugene Onegin” opera. The Lyric Opera of Chicago completes its 2016-2017 series with the musically lush opera starting Feb. 26 and going through Mar. 20, 2017.

Based on a Alexander Pushkin’s poetic novel about ill-fated romantic attractions, the Lyric production stars soprano Ana Maria Martinez as Tatiana Larina and baritone Mariusz Kwiecień as Eugene Onegin. The Lyric production is at the Civic Opera House, 20 N. Wacker Drive, Chicago. For tickets and other information visit Lyric Opera.

 

Rolling Stones

Tickets are available for the Chicago stop of “Exhibitionism,” the first major touring exhibit of Rolling Stones memorabilia. Opened first in London and currently in NYC, the show will take over Navy Pier’s Festival Hall April 15 –July 30, 2017. Time dated tickets range from StonesExhibitionism.com.  $25- $35 for adults to $20-$22 for juniors. Special tickets are $80 for two visits, any time, fast-track entry.m Group tickets are available from  Broadway In Chicago Group Sales at (312) 977-1710. Navy Pier is at 600 E. Grand Ave. Chicago.

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Opening night crowd appreciates Bellini’s challenging bel canto ‘Norma’

 

RECOMMENDED

A love triangle, betrayal, an ominous war, a necessary death – all centered on a strong woman, is perfect opera fare.

Sondra Radvanovsky (Norma) and Elizabeth DeShong (Adalgisa) in Norma at the Lyric Opera of chicago
Sondra Radvanovsky (Norma) and Elizabeth DeShong (Adalgisa) in ‘Norma’ at the Lyric Opera of Chicago

The brilliant 19th century composer Vincenzo Bellini found such a plot in “Norma, ou L’infanticide” a play by Alexandre Soumet.

Don’t worry, in the opera Norma threatens her betraying lover with infanticide but doesn’t kill their children. What Bellini did was to turn the story into what has become the iconic bel canto opera.

Now, the Lyric Opera of Chicago which has only done “Norma” three previous times beginning with Maria Callas in 1954, is doing a new-to-Chicago, co-production starring opera’s current Norma favorite, Sondra Radvanovsky.

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The magic is in the music and singing at Lyric’s ‘The Magic Flute’

SOMEWHAT RECOMMENDED

There are two ways to consider Lyric’s ‘Magic Flute’ production. On one hand it will likely appeal to youngsters though they will have to sit for three hours and 20 minutes (intermission comes about an hour and 15 minutes into the opera).

Kathryn Lewek as Queen of the Night and Andrew Staples as Prince Tamino in the Lyric Opera of chicago's 'The Magic Flute.' Lyric photo
Kathryn Lewek as Queen of the Night and Andrew Staples as Prince Tamino in the Lyric Opera of Chicago’s ‘The Magic Flute.’ Todd Rosenberg photo

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‘Les Troyens’ defines grand opera

HIGHLY RECOMMENDED

If lucky enough to still snag a ticket to the Lyric Opera’s ‘Les Troyens’ (The Trojans), Hector Berlioz’ grand opera tribute to Virgil’s Aeneid, don’t worry about its length.

Lucas Meacham and Christine Goerke in Les Troyens. Todd Rosenberg photography
Lucas Meachem and Christine Goerke in ‘Les Troyens.’ Todd Rosenberg photography

Berlioz’s music, grandly interpreted by Lyric Music Director Sir Andrew Davis, sweeps through the Lyric’s hall like a waterfall that fascinates and pulsates with danger.

Add to that, the incredible vocals by Christine Goerke as Trojan Princess Cassandra, Susan Graham as Carthage Queen Dido, Brandon Jovanovich as Trojan hero Aeneas (Énée) and Lucas Meachem as Cassandra’s lover, Chorebus, and the opera has transcended from a good experience to become a once-in-a-lifetime event.

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‘Don Quichotte’ reaches out to dreamers

RECOMMENDED

At a time when opposing philosophies are ridiculed, the Lyric Opera of Chicago steps in with a reminder there must be room in the world for idealists and dreamers.

Jules Massenet’s ‘Don Quichotte,’ based on Cervante’s ‘Don Quichotte’ (Don Quixote) and influenced by Jacques Le Lorrain’s play, ‘Le chevalier de la longue figure,’ is both love story and tale of a knight-errant who seeks chivalrous adventures to right the world’s wrongs.

'Don Quichotte' at Lyric Opera of Chicago. Todd Rosenberg photo
‘Don Quichotte’ at Lyric Opera of Chicago. Todd Rosenberg photo

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Das Rheingold combines dramatic theater with golden voices

HIGHLY RECOMMENDED

The Lyric Opera of Chicago has opened its 2016-17 season with a remarkable Das Rheingold. Surrealistic set design and creative direction has produced an introduction to Richard Wagner’s Ring cycle (The Ring of the Nibelung) that is as much a theater experience as it is opera. But glorious voices and Wagner’s stirring music remind audiences that Wagner’s combination of German and Norse myths-based epic tales of gold, greed and gods is indeed, exciting, dramatic opera.

Richard Wagner's Das Rheingold now at the Lyric Opera of Chicago. Todd Rosenberg Photography
Richard Wagner’s ‘Das Rheingold’ now at the Lyric Opera of Chicago. Todd Rosenberg Photography

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