Around Town in April: Kids and Adult events

April is filled with things to do and places to go. Some events cater to families, others to adults. Here are a few events to put on the calendar. And yes, go even if it’s in the children category unless specifically stated for ages 5-12.

Mummies are among a hands-on event at the Oriental Institute Museum. (Photo courtesy of the Oriental Institute)
Mummies are among a hands-on event at the Oriental Institute Museum. (Photo courtesy of the Oriental Institute)

FOR CHILDREN

Mummies and more

Learn about mummies and ancient “earth day” style practices at two free Oriental Institute Museum April events for ages 5 through 12.

First, “Secret of the Mummies” is April 6 from 1 to 3 p.m. To register visit Evenbrite Secret of the Mummies Tickets.

Second,  is “Ancient Earth Day” April 27, also from 1 to 3 p.m. To register visit Evenbrite Earth Day tickets.

The Oriental Institute Museum is at 1155 E. 58th Street, Chicago, IL For more information than what is found above in  “Mummies” and “Earth Day” call the Oriental Institute’s Public Education Office at 773-702-9507.

 

Making seed necklaces are among the Science Festival activities at the Chicago Botanic Garden. (Photo courtesy of the Chicago Botanic Garden)
Making seed necklaces are among the Science Festival activities at the Chicago Botanic Garden. (Photo courtesy of the Chicago Botanic Garden)

Science Festival

Chicago Botanic Garden is holding a hands-on science fair with seeds, flower pollination and other activities on April 13-14, from 10 a.m. to 4 p.m. Some activities such as making your own seed necklace and how to see it sprout are free. There is a parking fee for nonmembers. For details visit Chicago Botanic Garden Science Festival.

The Chicago Botanic Garden is at 1000 Lake Cook Rd., Glencoe just east of Edens Expressway.

 

Dress as a tree during Morton Arboretum's Arbor Day celebration to get in free. (Photo courtesy of Morton Arboretum)
Dress as a tree during Morton Arboretum’s Arbor Day celebration to get in free. (Photo courtesy of Morton Arboretum)

Trolls Plus

Huge trolls have populated the Morton Arboretum and will still be around to check them out if visiting during the Arboretum’s daily Arbor Day activities in april and special Arbor Day events April 26-27. Anyone dressed as a tree on April 26 will be admitted free.

For admission and hours visit Visit-Explore. The Morton Arboretum is at 4100 IL Hwy 53, Lisle.

 

FOR ADULTS

 

 

Lyric Concert

Lyric Opera of chicago celebrates its Ryan Opera Center with the Rising Stars in Concert April 7 at 2 p.m. Sopranos Whitney Morrison, Emily Pogorelc and Ann Toomey will be singing arias, duets and other pieces with Mezzo-soprano Kayleigh Decker, contralto Lauren Decker, tenors Eric Ferring Josh Lovell and Mario Rojas along with baritones Christopher Kenney and Ricardo Jose Rivera plus bass-baritones Alan Higgs and David Weigel. Pianist is Madeline Slettedahl.

The Lyric Opera of Chicago is at 20 N. Wacker Drive. For tickets visit Lyric Opera concert/tickets or call 312-827-5600.

 

One of a Kind Show has items for the home and gifts. (Photo courtesy of One of a Kind Show)
One of a Kind Show has items for the home and gifts. (Photo courtesy of One of a Kind Show)

Gift Show

The One of a Kind Show, open to the public (as opposed to the trade) takes place at the Merchandise Mart in early winter in time for the holidays and mid-spring in time for Mother’s Day.  This Spring it happens Ap;ril 26, through April 28. Handmade items range from paper, ceramics, paintings and photography to jewelry, sculpture, fiber Art, meta, glass and wood.  Plus there are gourmet treats for sale.

The Merchandise Mart is at 222 Merchandise Mart plaza between the Chicago River and Kinzie and between Wells and Orleans. For tickets visit One of a kind/spring/tickets.

 

Farmers Market

Green City Market opens in Lincoln Park May 4. A popular farmers market that features chef demos, fresh produce and many local products, operates Saturday and Wednesday through Oct. 26, 2019 from 7 a.m. to 1 p.m.

The Green City Market in Lincoln Park is at 1817N Clark St. For more information, visit Green City Market.

Jodie Jacobs

 

 

 

 

Oh what a night!

Jersey Boys at the Auditorium Theatre
Jersey Boys at the Auditorium Theatre

4 stars

Opening in New York in 2005 and winning the Tony and Grammy Awards for Best Musical in 2006, “Jersey Boys” has now been seen by more than 25 million people.  And I’ll bet that some have seen it more than once—like I have.

The book, “Jersey Boys,” was written by Marshall Brickman and Rick Elice. Amusing dialogue is interspersed with the tremendous songs that keep the audience laughing.

Directed by Des McAnuff, “Jersey Boys” is the story of Frankie Valli and The Four Seasons—four guys from New Jersey who weren’t known at all until they started singing outdoors on a corner. And once they did, their songs became more than popular and played on radios every day and night.

The songs by The Four Seasons in “Jersey Boys” not only bring back so many memories, but have younger audience members swinging and swaying in their seats.

(l to r) Eric Chambliss, Jonny Wexler, Corey Greenan, Jonathan Cable and compnay of Jersey Boys at the Auditorium Theatre. (Photos by Joan Marcus)
(l to r) Eric Chambliss, Jonny Wexler, Corey Greenan, Jonathan Cable and compnay of Jersey Boys at the Auditorium Theatre. (Photos by Joan Marcus)

Songs such as “Walk Like a Man,” “Sherry,” “Working My Way Back to You,” “Rag Doll,” and “Big Girls Don’t Cry,” hook-up with the musical’s story of a gang leader with a money problem that involves the mob and the record industry, along with many things that relate to true friendships and loving relationships.

The original Four Seasons were Bob Gaudio, the musical composer played by Eric Chambliss, Frankie Valli, played by Jonny Wexler, Nick Massi, played by Jonathan Cable and Tommy DeVito, played by Cory Greenan. The lyricist and producer, Bob Crewe, is played by Wade Dooley.

“My Boyfriend’s Back” is sung by the Angels portrayed by Ashley Bruce, Chloe Tiso, and Jessica Wockenfuss, all of whom also play other female roles.

The rest of the fabulous cast is Tony L. Clements, Caitlin Leary, Jeremy Sartin, and Kit Treece. Many of the cast members move on stage as they play musical instruments.

A Broadway in Chicago presentation now at the Auditorium Theatre, it’s a show not to miss . . . “Let’s Hang On to What We’ve Got!”

DETAILS: “Jersey Boys” is at the Auditorium Theatre, 50 E. Ida B. Wells (Congress Pkwy. at Michigan Avenue), Chicago, through April 7, 2019. Running time: 2 hours and 45 minutes with one intermission. For tickets and other information, call Ticket Master at 1-800-775-2000, or visit BroadwayInChicago.

Francine Pappadis Friedman

For more shows visit Theatre in Chicago

What is needed to get parenting right

 

Nathan Burger (Bernard) and William Brown (Salter) in 'A Number' at Writers Theatre. (Photos by Michael Brosilow)
Nathan Burger (Bernard) and William Brown (Salter) in ‘A Number’ at Writers Theatre. (Photos by Michael Brosilow)

3 1/2 stars

During the course of “A Number” at Writers Theatre, Glencoe, a father admits he was an awful parent the first time around as his sons try to extract the full story of their existence.

It’s sort-of a two person play with stage veteran, actor/director  Nate Burger (Writers Theatre, Americanh Players Theatre, Timeline) as the father, Salter, and popular Chicago actor Nate Burger (Chicago Shakespeare, Timeline, Goodman) as Bernard, his sons, 1, 2 and 3.

The play is only 65 minutes long but its high intensity acting and twists made it feel as if I sat through two hours of a suspenseful drama.

Eerie music and lighting enhance Robin Witt’s spot-on direction of clipped responses from the father in contrast to the emotions of Salter’s original and cloned sons.

Nathan Burger and William Brown in 'A Number'
Nathan Burger and William Brown in ‘A Number’

Yes the show, written by Caryl Churchill back in 2002 when copying mammals’ DNA and genetic make-up  was in the news, is about cloning. It’s also about examining uniqueness, identity, upbringing, abandonment and truth.

Salter, who felt he was not a good father the first time around, wanted to try again from scratch. He had scientists clone his first son so he could be a better father the second time.

What happens on how the son and clones react will be a surprise therefore there will not be an alert here. You have to go to find out.

But a word of warning. Don’t believe most of what Salter says. The real story emerges from the mist of his twisted mind in bits and pieces.

DETAILS:”A Number” is in the Gillian Theatre of Writers Theatre, 325 Tudor Court Glencoe  through June 9, 2019. Running Time: 65 minutes, no intermission. For tickets and other information call  847) 242-6000 and visit Writers Theatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

 

 

 

‘Anastasia’

 

 Lila Coogan (Anya), Stephen Brower (Dmitry) (Photo courtesy of Broadway In chicago)
Lila Coogan (Anya), Stephen Brower (Dmitry) (Photo courtesy of Broadway In chicago)

3 stars

There is plenty to like about this Broadway in Chicago theatrical extravaganza. It is loosely based on the true story of a woman who claimed to be the surviving daughter of Czar Nicholas II of Russia and whose family was assassinated along with him by the Bolsheviks following the Communist uprising in July 1917.

But don’t worry this version of “Anastasia” has little to do with reality. Inspired by the Twentieth Century Fox animated film (later acquired by Disney Corporation), it refers to the tragedy but is scrubbed clean of most of the ugly parts, leaving behind the tale of a young, beautiful and strong heroine striving to find her true identity while struggling to come to terms with her inner princess.

It was an enthusiastic and appreciative, mostly female audience that packed Chicago’s Nederlander Theater opening night. The book by Terrence McNally is expertly crafted to suit its intended audience of preadolescent girls who themselves are likely exploring their own future and place in the world. Continue reading “‘Anastasia’”

Concert saluted singer Renée Fleming

Renee Fleming at the Lyric of Chicago in an anniversary concert. (Photo by Todd Rosenberg)
Renee Fleming at the Lyric of Chicago in an anniversary concert. (Photo by Todd Rosenberg)

Fans of opera, American soprano Renée Fleming and the Lyric Opera of Chicago were treated to an extraordinary program March 23 to honor Fleming on the 25th anniversary of her Lyric debut in1993 with Carlisle Floyd’s “Susannah.”

Chicago audiences may have heard her in other operatic roles such as Marguerite in “Faust” in the 1995-6 season and more recently as Hanna Glawari, in “the Merry Widow” in the 2016-17 season.

But what the program and Lyric President Anthony Freud mentioned during the concert is that  there is a lot more to Fleming’s accomplishments than her vocal talent. As an advisor and innovator of public programs through the Lyric in Chicago and through the Kennedy Center in Washington D.C. Fleming has been behind several outreach initiatives.

Arguably less known is that she was on the soundtrack of Best Picture and Best soundtrack 2018 Academy awards for “Three Billboards Outside Ebbing, Missouri” and  “The Shape of Water,” is a 16-time Grammy nominee (four-time winner) and is on the movie soundtrack of the “Lord of the Ring” and “The Return of the King.”

Hosted by Tituss Burges, the program also featured well-known opera stars soprano Sondra Radvanovsky, tenor Lawrence Brownlee, baritone Quinn Kelsey, and bass-baritones Eric Owens and Christian Van Horn,  plus members of the Patrick G. and Shirley W. Ryan Opera Center. Patrick summers conducted the Lyric Opera Orchestra.

Fleming started out with what some consider her trademark piece of “Porgi amor” from Mozart’s “the Marriage of Figaro.”

Other pieces in the first part of the program were Eric Owens doing “O tu Palermo “ from Verdi’s “I vespri sicilarni,” Radvanovsky singing “Vissi d’arte” from Puccini’s Tosca,” Brownlee doing “Ahmes amis…” from Donizetti’s ”La fille du regiment,” Van Horn singing “Eddo il mondo” from “Boito’s La Mefistofele” and the Ryan Opera Center artists doing Faltaff’s “Un oro e terminiam la scena…”

Radvanovsky sang an aria from “Susannah” later in the concert. Then, to herald her role in a special musical production in December, Fleming did “Fable,” from Adam Guettel’s “The Light in the Piazza.” Tickets to the run,  Dec. 14-29, 2019,  go on sale March 28, 2019. For tickets and more information visit LyricOpera/light.

As a bonus Saturday, many of the designer gowns worn by Fleming were on display at the Lyric.  For the concert she wore a  navy tulle gown designed by Carolina Herrera and a rose-gold sequined gown by Vivienne Westwood.

Another interesting not is that the acoustic Pritzker Family Concert Shell designed by Studio Gang for Lyric’s 60th Anniversary Gala Concert in 2014 was the backdrop for Saturday’s concert.

Jodie Jacobs

 

‘A Bronx Tale’ offers lessons of fear and love

 

Touring company of 'A Bronx Tale' (Photo courtesy of Broadway in Chicago)
Touring company of ‘A Bronx Tale’ (Photo courtesy of Broadway in Chicago)

4 stars

This version of the coming of age story “A Bronx Tale” is based on an off-Broadway, one-man play by Chazz Palmintiri later turned into the 1993 Robert De Niro movie of the same name.

Adding music by Alan Menken and Lyrics by Glenn Slater this is a very successful adaptation appearing in Chicago on tour.

Narrated by Calogero (Joey Barreiro), he tells of growing up in an Italian/American section of the New York borough of The Bronx during the tumultuous and racially charged era of The Sixties. And that he is mentored by a local mobster, Sonny (Joe Barbara), and is hanging out with “the wrong crowd.” Continue reading “‘A Bronx Tale’ offers lessons of fear and love”

‘Choir of Men’ pub crawl serves up 90 minutes of pop

Choir of Man at Broadway In Chicago Playhouse. (Photo courtesy of Broadway in Chicago)
Choir of Man at Broadway In Chicago Playhouse. (Photo courtesy of Broadway in Chicago)

3 Stars

In spite of the venue “The Choir of Man” is more boy band concert than Broadway musical. It features nine very energetic, vocally talented, male singers who purport to be “regulars” at a traditional Irish Pub named “The Jungle,” that serves up pop.

This musical extravaganza is loosely narrated by Denis Grindel who introduces his mate. He provides a bit of backstory about each of their characters as a way of establishing the iconic stereotypes we have all encountered in every tavern and public house the world round.

Grindel’s introductions explain that this is one of those places where we go to be who we are and where people accept us for who we are — good, bad and ugly. Though in this case the boys are not too “bad” and nary a one, would be accused of being ugly.

This being the case, “The Choir of Man” is a perfect fantasy for those looking for a bit of testosterone flavored eye-candy, perhaps a “girls night out,” that’s not too naughty.

I could not help thinking that after taking little sister to the American Girl store, a few steps away, Mom could take bigger sister here for her share of fun.

Yes, there is plenty of beer flowing but I do not think there is anything said or done that an average thirteen year-old has not seen or heard on prime-time TV. And in fact, there were a number of youngsters on hand opening night.

Sadly, the program does not include a list of songs so I suspect they change it up as they get a sense of what’s working. It is basically about 15 or so cover tunes by Adele, Queen, Paul Simon, Katy Perry, Red Hot Chili Peppers and others that everyone will find enjoyable and most will find familiar.

The harmonies are awesome with onstage guitar accompaniment by Peter Lawrence, occasional piano by Connor Going and random percussion including a foot stomping tap dance by Matt Cox.

This is good clean well-intentioned, high caliber, fun. Perfect, if you happen to be in town for a visit or just looking for something to do before or after a nice dinner near Michigan Avenue or Rush Street.

“The Choir of Man” is at Broadway Playhouse at Water Tower Place, 175 E. Chestnut St., Chicago, through March 17, 2019 (before continuing their US tour). For more information, visit BroadwayInChicago.

Reno Lovison

For more shows visit Theatre in Chicago

 

 

Where to go for a fun and interesting spring break day

© Isak Pretorius, South Africa 2017 photo. A Wildlife photographer of the year winner (Photo courtesy of Field Museum)
© Isak Pretorius, South Africa 2017 photo. A Wildlife Photographer of the Year winner (Photo courtesy of Field Museum)

We often put a place on the “some day” go-to list. But with school’s Spring Vacation days to fill, that chance is now.

The four places suggested here have something new to see or have something that is fun in addition to their regular attractions.

 

Peggy Notebaert Nature Museum

You probably know the museum has more than 1,000 butterflies flitting around its Judy Istock Butterfly Haven. But it also has an indoor tree house and visitors can roam from tree to tree to see what lives in a forest canopy.

Peggy Notebaert Nature Museum for butterflies, tree houses and the Thomas D. Mangelsen photography exhibit. (Photo courtesy of the Nature Museum)
Peggy Notebaert Nature Museum for butterflies, tree houses and the Thomas D. Mangelsen photography exhibit. (Photo courtesy of the Nature Museum)

However, Spring Break is also a great time to visit because the “Thomas D. Mangelsen-A Life in the Wild” photography exhibit is there. The exhibit includes his famous photo of a bear catching a fish. Photography buffs will also want to catch Mangelsen’s lecture and book signing of “The Last Great Wild Places,” March 19 at 2 p.m. and again at 6:30 p.m. (reservations needed).

The Peggy Notebaert Nature Museum is at 2430 N. Cannon Dr., Chicago.  Hours: Mon-Fri 9 a.m.-5p.m., Sat-Sun 10 a,m,-5 p.m. For more information  call (773) 755-510 and visit Nature Museum.

 

 

At 'Sensing Chicago' young visitors can become a Chicago-style hot dog. (Photo courtesy of the Chicago History Museum)
At ‘Sensing Chicago’ young visitors can become a Chicago-style hot dog. (Photo courtesy of the Chicago History Museum)

Chicago History Museum

Youngsters can see, feel, hear and smell bits of the city’s history in ‘Sensing Chicago,” They will get their own toolkit to go around the exhibit where they can ID a Chicago item such as chocolate  or the Great Chicago Fire, by its smell and sit in a stadium seat to activate a baseball clip. They can pretend to fly over the city or pretend to be a Chicago-style hot dog.

However, an exhibit coming April 8, 2019, “Silver Screen to Mainstream: American Fashion in the 1930s and ‘40s,” will look at Hollywood’s glamour influence on American styles after 1929 on catalogues, home-made clothes, man-made materials and the use of the newly invented zipper.

The Chicago History Museum is at 1601 N. Clark St.,Chicago. Hours: Mon. 9:30 a.m.-4:30 p.m., Tues. 9:30 a.m.-9 p.m., Wed.-Sat. 9:30a.m.-4:30 p.m., Sun. noon-5 p.m. For more information call (312) 642-4600 and visit Chicago History.

 

Putting together Maximo the Titanosaurin the Field Museum. (J Jacobs photo)
Putting together Maximo the Titanosaur in the Field Museum. (J Jacobs photo)

Field Museum

Go upstairs in the Field to see where SUE now resides among other interesting, ancient skeletons and fossils.  SUE, who used to be in the Great Hall on the main floor, is  a 40-foot-long and 90-percent-complete Tyrannosaurus rex.

And go what feels like descending into an Egyptian tomb. It is replica of a mastaba that has two chamber rooms from the burial site of 5th Dynasty Egyptian Pharaoh Unis’s son Unis-Ankh, dating to 2400 BC. See one of the largest collections of mummies in the United States.

However, a fascinating new exhibit, “Wildlife Photographer of the Year,” features the winners from several years. (See Isak Pretorius photo at top) They bring visitors up close and personal to wild animals and other amazing nature pictures. The exhibit opens March 22,2019.

(Ed Note: Exhibitions Project Manager Janet Hong pointed out something that is also true of the Mangelsen exhibit at the Peggy Notebaert Museum. “Sometimes, the animal in the photo is the protagonist —you identify with that animal and its story. But the hero of a photograph can also be its photographer,” Hong said. “It takes perseverance to get a great shot. Understanding an animal’s behavior can mean tracking it for days and a great visual composition often comes from deep knowledge of a place or plant or animal.”)

The Field Museum is at 1400 S.Lake Shore Dr. on Chicago’s Museum Campus. Hours: 9 a.m,.-5 p.m. daily For more information call (312) 922-9410 and visit Field Museum.

 

Art Institute of Chicago is a popular destination for tourists and residents. (J Jacobs photo)
Art Institute of Chicago is a popular destination for tourists and residents. (J Jacobs photo)

Art Institute of Chicago

Visit paintings that are old friends and wander to make new friends. Go down to the Thorne Miniature Rooms to see 68 European and American interiors. Visit the Artist’s Studio to see what family programs are taking place.

However, “Rembrandt Portraits,” opened March 8, goes through June 9, 2019  in Gallery 213. It’s an interesting analysis of what went into doing a portrait.

The Art Institute of Chicago is at 111 S. Michigan Ave., Chicago. Hours: 10:30 a.m.-5 p.m., and open until 8 p.m. Thursday. For more information call (312) 443-3600 and visit ARTIC.

 

 

What do we want God to be

Walter Briggs, Kristina Valada-Viars, Emjoy Gavino, Anthony Irons, Rom Barkhordar and Shannon Cochran in "Act(s) of God" by Lookingglass Theatre Company. (Liz Lauren photo)
Walter Briggs, Kristina Valada-Viars, Emjoy Gavino, Anthony Irons, Rom Barkhordar and Shannon Cochran in “Act(s) of God” by Lookingglass Theatre Company. (Liz Lauren photo)

2 1/2 stars

Take a dysfunctional family, yes, another one, add intellectual rhetoric, several different ideas (make them existential, religious, morality bent, etc.) and wrap the action in somewhat comic absurdism and you have “Act (s) of God” by Kareem Bandealy at Lookingglass Theatre.

Given that Lookingglass has afforded ensemble member Bandealy a top notch cast and placed it under the smart direction of Heidi Stillman for what is his debut venture on the other side of a script, we should have a four-star evening.

Instead, we have a mish-mosh of a play, probably two or three plays. It needs reworking and shortening from three to two acts so that even though it might fall in the absurdist category, theater-goers will leave with a sense of the playwright’s message.

Except for an overly-long religious ritual, I liked Act One when everyone (but G..D) is introduced. I liked the idea that Eldest daughter Kristina Valada-Viars, an atheist, could open a sealed missive that seemed to have come with ads to the household’s mailbox.

When others tried they couldn’t open it. When they dropped it, the house experienced a power outage.

Eldest said it was blank but when she loudly told her family to read it, they were able to and found that it announced an unexpected dinner guest the next day.

Not sure why in Act II the guest was supposedly a being who farted a lot in the computer room or why the three children of Mother and Father (no given names) disliked themselves and each other so much even though lots of trite reasons were bandied about along with personal attitudes towards religion and humanity.

Supposedly, an apocalyptic event occurs so that in the third act the furniture is taken from the stage. I liked that it included the comfortable chair in which Father was seated and barely moved from.

Lookingglass does repeat it’s productions so maybe we’ll see a new, shorter version of Bandealy’s play sometime. I’m looking forward to that.

DETAILS:
Act(s) of God” is at Lookingglass Theatre in the Chicago WaterWorks, 821 N. Michigan Ave., through April 7, 2019. Running time: 2 hours, 35 minutes with two intermissions. For tickets and other information call (312) 337-0665 or visit LookingglassTheatre.

Jodie Jacobs

For more shows visit Theatre in Chicago

 

 

 

‘Seussical’ delights with sounds and sights

Cast of Seussical at Marriott Theatre. (Justin Barbin photo)
Cast of Seussical at Marriott Theatre. (Justin Barbin photo)

3.5 stars

You don’t have to be a kid to laugh, tear-up, applaud and walk out grinning from Marriott Theatre’s latest musical supposedly geared to young audiences.

Certainly there is Marriott’s terrifically designed costumes and choreography that show goers are used to for the regular subscription season.

And there are such fun Dr. Seuss  characters as the Cat in the Hat, Horton the Elephant, the “Whos” and jungle denizens – all mixing together in lyricist Lynn Ahrens and composer Stephen Flaherty’s creative “Seussical.”

But what’s special for adults and youngsters is that the players are all featured actors in Chicago area musicals. Continue reading “‘Seussical’ delights with sounds and sights”