What's happening on the arts scene – on stage, in museums and at fairs and festivals
Verboten
4 stars
Back in 1982, a group of talented Evanston tweens who shared a close friendship and a mutual love for creating music, formed their own punk rock band.
For the most part, the four youngsters just enjoyed writing songs and playing them in their basement for each other. But then things changed. Suddenly, they were performing at a bar.
4 stars
Director Vanessa Stalling’s innovative staging of “Roe,” the story behind the landmark Roe v. Wade case, keeps Goodman Theatre audiences captivated its entire two hours.
There was also a 15 minute intermission but it hardly interrupted the flow because the play, written by Lisa Loomer, was about to change direction.
Continue reading “Outstanding ‘Roe’ production rivets audiences at Goodman Theatre”
3 1/2 stars
Director Scott Weinstein has chosen a cast that works together beautifully in Jim Jacobs and Warren Casey’s hit musical, “Grease,” a two-hour snapshot of late 1950’s Chicago-area (William Howard Taft High School) teenagers dealing with peer pressure, physical attraction and values.
Named after youth who called themselves greasers, the musical looks in on the lives of two groups at fictional Rydell High School, the Burger Palace Boys who sport leather jackets and their girl friends, the Pink Ladies. Nerds, cheerleaders and teachers also put in appearances.
Continue reading “‘Grease’ returns to the not so golden high school days”
2 1/2 stars
After his fighter pilot father is killed during WWII and his emotionally despondent mother is deemed incompetent, young Christopher (Leo Spiegel) is sent to live with his Aunt Lily (Kate Nawrocki), a lamp tender in a haunted lighthouse in Maine.
Since before the war, Aunt Lily has employed Yasuhiro (Karmann Bajuyo), a Japanese-American, as a kind of helper and all-around handyman. It becomes clear that over three years together the two have formed a bond that transcends their working relationship.
Continue reading “‘Whisper House’ needs to kick-up the volume.”
Chicago Theater and Arts coverage of what to look forward to in 2020 that had started with Three fun festivals and shows, continues with what’s on stage.
First, there’s a chance to see some Chicago area productions at bargain prices thanks to Chicago Theatre Week, Feb. 13-23. But because the shows will be $30, $15 or less during this special week, tickets go fast.
3 stars
“Joseph’s Amazing Technicolor Dreamcoat” is the 2019 holiday fashion choice for Music Theater Works in Evanston and swan song of retiring stage director Rudy Hogenmiller.
The upbeat Vegas style variety show extravaganza commonly known as “Joseph” is – and in my mind – the least refined of the blockbuster musicals of composer Andrew Lloyd Webber and lyricist Tim Rice.
None-the-less, it enjoys wide acclaim and provides an evening’s worth of solid cheerful entertainment.
Continue reading “Joseph struts his dreamcoat at Cahn Auditorium”
‘The Land of Forgotten Toys’
2 ½ stars
Amidst a growing crop of holiday productions, Chicago is being treated to yet another new family friendly show. Chirpy, relentlessly over-exuberant and with very few moments of reflection or subtlety, this new holiday musical could really use some layers and a bit of variety. As it now plays in its world premiere, the production is a little overpowering. It’s a little like sitting in the front row of an IMAX theatre: there’s no escape.
Created by the writing team of twins Jennifer and Jaclyn Enchin, the plot of this new play is fresh and fun, although vaguely familiar. The songs are a different matter.
America’s Best Outcast Toy
3 stars
A delightfully original holiday musical is debuting in the Buena neighborhood that is both nostalgic and current. The shift in television entertainment from sitcoms and dramas to reality shows inspired this spunky musical spectacular.
With a brilliant book and lyrics by Larry Todd Cousineau and a catchy score by Cindy O’Connor (the team that wrote the Jeff Recommended “All That He Was”), savvy theatergoers have a brand new holiday alternative available to them, premiering at Pride Films and Plays.
The premise for this 80-minute, one-act is pretty clever. The musical is a mashup between a particular scene inspired by the 1964 cartoon classic, “Rudolph, the Red-Nosed Reindeer,” and the turning points from an array of popular TV reality contests.
3 stars
“Burning Bluebeard” literally comes alive in front of a scorched proscenium arch on a ruined stage depicting the aftermath of an inferno that destroyed the Iroquois Theater in Chicago (set design by Jeff Kmiec based on the original design of Lizzie Bracken).
The Ruffians with director Halena Kays and choreographer Ariel Triunfo have devised a clever way to tell this story based on an actual 1903, tragic event that claimed the lives of 600 theater patrons, many of them children and their mothers, attending a Christmastime performance of a popular Broadway blockbuster entitled “Mr. Bluebeard.”
Continue reading “‘Burning Bluebeard’ a tragic Christmas story”
3stars
No question that soprano Renée Fleming, an opera superstar who has sung leading ladies from Donna Elvira in Mozart’s “Don Giovanni” to Nettie Fowler in Rodgers and Hammerstein’s “Carousel” is a fine fit as Margaret Johnson in Adam Guettel and Craig Lucas’ “The Light in the Piazza.”
Her remarkable voice, joyfully greeting Florence in the opening scene, heartbreaking in “Dividing Day” following a phone call back home when she realizes her own marriage lacks love, and later swelling with a renewed understanding of love versus risks in her final song, “Fable,” makes going to this production at Chicago’s Lyric Opera House worth attending.