Cast of The Steadfast Tin Soldier at Lookingglass Theatre. (Photo by Liz Lauren)
4 stars
Returning for a second holiday season at Lookingglass Theatre, Mary Zimmerman’s gorgeous adaptation of Hans Christian Andersen’s classic story of love and valor warms the heart and nourishes the soul.
From the moment we enter, we’re put in the holiday mood by a curtain transformed into a gigantic Advent calendar.
While four powdered-wigged musicians begin playing in the show’s petite orchestra pit, the cast enters the stage, one-by-one, clothed in Ana Kuzmanic’s delicious, brightly colored, exquisitely detailed costumes. Each character opens one of 25 tiny doors and reacts to the images behind them.
The final door reveals the titular character and the pantomime begins. By the conclusion of the play the audience will understand the significance of each image.
In the first scene, a very young boy opens his Christmas gift. Inside one of the boxes, he discovers a collection of tiny, tin, toy soldiers. One of the soldiers, however, was the last one to be cast from the metal which apparently ran out, so he’s missing a leg.
L-R: Megan DeLay, Lucinda Johnston. (Photo by Heather Mall)
‘The Suffrage Plays’
3 stars
It might be difficult for some to conceive of a notion that denied roughly fifty percent of the population from having a say in what was considered to be a modern democratic process. But indeed, this was the case deep into the first part of the twentieth century, both here and in Britain.
These three pithy, well performed, one-act plays directed by Beth Wolf and presented by Artemisia Theatre as “The Suffrage Plays” provide insight through a good deal of levity and snarky repartee that give voice to the debate that 100 years ago provided women with the right to vote.
Before the age of TV and the Internet, people looked to the theater for entertaining political commentary the equivalent of Stephen Colbert, The Daily Show, or Saturday Night Live’s Weekend Update. Continue reading “Political humor is nothing new”
(left to right) Kelly Combs, Lena Dudley and Charlie Irving in New American Folk Theatre’s world premiere of My Life is a Country Song.. Photo by Joseph Ramski Photography.
3.5 stars
Country music has been described as three chords and the truth. The world premiere of Anthony Whitaker’s “My Life is a Country Song” presented by New American Folk Theatre has taken that adage to heart and crafted a well told musical tale of love, friendship, and personal triumph.
Donna (Kelly Combs), a receptionist at the Lincoln Ford dealership, has divorced her abusive husband, Gary (Kirk Jackson), and rented an old mill house from Shirley (Judy Lee Steele) who is a photographer for the local paper.
After explaining that she has never before had keys of her own which weren’t also shared with her parents or husband, Donna sings the poignant ballad “My Front Door.”
Soon thereafter ex-husband Gary tries to suggest that he has changed, worming his way back with “A New Coat of Paint.”
Bring the kids to Navy Pier this Saturday, Nov. 2, 2019 for a free, hands-on, design-it and build-it activities from noon to 4 p.m. Co-sponsored by the Chicago Architecture Foundation with the City of Chicago and Navy Pier, the Architectural Biennial event is geared to ages 5 through 12. Look for it in the Cultural Corner across from Ben & Jerry’s at Navy Pier, 600 E. Grand Ave., Chicago
Wine seminars like the one pictured here help educate the palate. (J Jacobs photo)
Learn about your wine palate knowledge, Nov. 3, beginning at 1 p.m. at Geja’s Cafe, 340 W. Armitage, Chicago. The tasting begins with eight unmarked carafes of wine. Professionals and amateurs are challenged to identify the grape, place of origin and vintage of each wine. To enter the competition, contestants pay a $30 fee and must be 21 years of age or older. To RSVP, call Geja’s Café at (773) 281-9101.
“The world of wine is incredibly diverse,” says Geja’s owner Jeff Lawler. “That is why this contest is such a challenge. It takes a wise nose and an equally sensitive palate to identify the characteristics of each individual wine.”
The Ben Hecht Show starring playwright/actor James Sherman will be part of the Jewish Theatre Festival. (Photo courtesy of Teatron)
TEATRON: Chicago’s Jewish Theatre Festival at Victory Gardens
Held Nov 3 through Nov.10, 2019, primarily at Victory Gardens, 2433 N. Lincoln Ave., Chicago, the event is the first-ever festival in Chicago that is dedicated to Jewish Theatre. It overlaps the annual Alliance for Jewish Theatre Conference, hosted by ShPIeL at Victory Gardens Theater and The Theatre School at DePaul University, Nov. 3-5, 2019.
The Jewish Theatre Festival at Victory Gardens includes staged readings, solo performances, storytelling, cabaret, and comedy at Victory Gardens and features “The Ben Hecht Show” with playwright/actor James Sherman, Nov. 6 at 7:30 p.m. For conference information visit All Jewish Theatre
Goodman Theatre (Photo courtesy of Goodman Theatre)
Theater critics tend to return to the same places before covering a show. They are not usually the upscale places gone to for a special occasion or the newest eatery with a gourmet menu or “in” vibe. They have good food and are convenient to the venues.
Here are my recommendations based on experience for two downtown theaters ( I use theater spelled er) and two places in the northern suburbs. More areas later.
Downtown-Loop
When going to the Goodman Theatre 170 N Dearborn St. or James M Nederlander Theatre, a Broadway in Chicago venue at 24 W. Randolph St., I reserve a table in the bar at Petterinos (312-422-0150, 150 N. Dearborn St.) at the corner of Dearborn and Randolph Streets.
The bartenders here are terrific. They serve their patrons quickly when they know they have a show. And I like the fried calamari when looking for something light and the amazing chicken pot pie when cold weather calls for a dish to warm the insides.
The restaurant is literally next door to Goodman and just a few steps across Dearborn to the Nederlander (former Oriental). I take public transportation but Petterinos has a valet service for customers who want to park there and see a show.
Downtown – Mag Mile
There are lots of places to dine on and near the Magnificent Mile. But when reviewing a show at Lookingglass Theatre, 821 N Michigan Ave. in the historic Water Tower Water Works on the east side of the Water Tower campus or at the Broadway Playhouse at Water Tower Place, 175 E. Chestnut St., I reserve a table at Mity-Nice Grill on the Mezzanine Level of Water Tower Place (835 N. Michigan Ave., 312.335.4745).
I like their veggie burger and their salads and that they bring tiny Yorkshire pudding bites to start the meal.
North Suburbs – Lincolnshire
I look forward to dining at the Three Embers Restaurant in the Marriott Resort, 10 Marriott Dr., when reviewing a show at the Marriott Theatre in Lincolnshire.
Executive Chef Pierre Daval and Chef de Cuisine Jesus (Chuy) Medina are currently showcasing their Harvest Dinner. At Three Embers, diners get honey butter for their rolls that is a taste treat made with honey from Daval’s beehives on the property. I also love the Honey BBQ Brisket with smoked grits. But I’m thinking of trying the Sea Scallops dish with butternut squash and a maple glace when I go for the next show because squash and maple are too seasonal to pass up.
North Suburbs – Skokie
Across the road from Northlight Theatre at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, Skokie, is a small strip mall that contains the popular Bonefish Grill at 9310 Skokie Blvd. Yes, you need a reservation and tell the waitperson you are going to a show.
I like the restaurant’s bread and dipping oil, its Caesar Salad and any shrimp dish with a variety of sauces.
Michelle Mary Schaefer and Brendan Connell in You are Happy. (Photo by Matthew Freer)
4 stars
If you agree that in an opera or ballet the storyline is incidental to the performance you will understand my reaction to “You Are Happy,” an interesting, innovative and thoroughly enjoyable production co-directed by Aaron Sawyer and Mary Kate Ashe at the Red Theater. It leaves you wanting more – but in a good way.
For the record, Bridget who ironically claims to find happiness in her own company and solitude, wants her suicidal brother, Jeremy, to find happiness with a true love.
Cast of “A Man of No Importance.” (Photo by Heather Mall)
4 stars
Mild-mannered, middle-aged Alfie Byrne works as a ticket agent on a Dublin bus. It’s 1964, back when acceptance and equal rights were something only dreamed about by members of the gay community. But Alfie harbors a secret love for Robbie Fay, the handsome, young bus driver with whom he works side-by-side every day.
Unable to share his buried emotions with anyone else, Alfie secretly communes with the spirit of Oscar Wilde, his literary idol and imaginary confidante.
L to R: Megan Kaminsky, Morgan Laurel Cohen, Barbara Roeder Harris, Richard Cotovsky. (Photo by Michael Brosilow)
4 stars
The year is 1925 in the deep South and the KKK is expanding its reach to include the women folk who will spread their doctrine of racism against African Americans, Jews, immigrants and Catholics in Mounds, Mississippi.
Making its world premiere at Her Story Theatre, “Invisible” is an imaginary tale of one woman who can’t rationalize her involvement in the Women’s Ku Klux Klan movement with her own moral compass and sense of decency.
Mabel Carson’s friends have convinced her that this is the path to take to make America great with the slogan, “America for Americans.” Yet when a reporter from the Chicago Tribune arrives on the scene, Mabel begins to question their ideals, methodology and the nature of true friendship.
David Payne as C.S. Lewis at Broadway Playhouse. (Production photos from Aneesa Muhammad (MKI)
4 stars
In the 1960s, C.S. Lewis was a well-known British author whose collected works made him one of the most famous literary writers of the 20th century. Lewis died over 50 years ago.
David Payne, another Brit was an actor and playwright who hoped he would get a minor role in a previous play about C.S. Lewis. Instead, Payne got the lead role of C.S. Lewis, launching a terrific acting career.
When many audience members saw David Payne playing that lead role, they felt that they had discovered the real C.S. Lewis!
David Payne had read quite a lot of C.S. Lewis’s writing—even Lewis’s personal diary. And Payne was always asked many questions about Lewis. One day, Payne decided it would be fun if he could be Lewis himself and could answer these questions. That’s why Payne wrote, directed, and stars in “An Evening with C.S. Lewis,” a wonderful play which is now being shown at Chicago’s Broadway Playhouse.
In Act I, Payne plays the author sitting in Lewis’s living room and hosting a group of American writers in his home near Oxford. Lewis recalls the many events that affect his life and his large number of close friends, including J.R.R. Tolkien, an English author and poet.
In Act II, Payne playing Lewis says he eventually believes in Christianity. He also tells how he just met a divorced woman by the name of Joy who decides to come from the United States and live in London.
It reminds her so much of New York City where she had lived with her previous husband and family. Although Lewis describes London as “noise and chaos.”
He marries Joy who eventually lives with him in his house. Lewis goes on to say how their relationship turned his life upside down.
DETAILS: “An Evening with C.S. Lewis” is at the Broadway Playhouse at 175 E. Chestnut St., Chicago, through Nov. 3, 2019. Running time: 90 minutes, with one intermission. For tickets and other information, call (800) 775-2000, or visit BroadwayInChicago.
Monty Python’s Spamalot at Mercury Theater. (Photos by Bret Beiner)
4 stars
At some point in this hilarious musical, the plot simply goes out the window and unbridled hilarity and bawdy humor takes over the Mercury Theater stage.
Eric Idle’s brilliant adaptation of his popular film, “Monty Python and the Holy Grail,” which features an infectious score by both Idle and John DuPrez, won the coveted Tony Award for Best Musical in 2005.
The show first hit the boards in its Chicago Pre-Broadway preview. It went on to become a Big Apple and West End hit, as well as everywhere around the world.
The musical is an uproarious, irreverent parody of the Arthurian legend with nonstop nods to many classic comedy bits from the television show, “Monty Python’s Flying Circus.”
