Chicago Theater and Arts – Page 100 – What's happening on the arts scene – on stage, in museums and at fairs and festivals

Classic tale comes alive on stage

HIGHLY RECOMMENDED

To get teenagers away from their cell phones for a while and interested in learning more about a classic novel or excited about going to a stage show, take them to ‘Moby Dick’ at Lookingglass Theatre.

Mattie Hawkinson, Kelly Abell, Javen Ulambayer and Cordelia Dewdney in 'Mob y Dick' at Lookingglass theatre. Ulambayar is Mungun. the three woman are the Fates and other roles. All photos are by Liz Lauren — Mattie Hawkinson, Kelly Abell, Javen Ulambayer and Cordelia Dewdney in ‘Moby Dick’ at Lookingglass theatre. Ulambayar is Mungun. the three woman are the Fates and other roles. All photos are by Liz Lauren

Following rave reviews on tour, the show is back in town where it first appeared and received four Jeff Awards in 2015. It’s now back home in Lookingglass’ black-box space in the historic Water Tower Water Works (a Chicago Fire survivor) through Sept. 3, 2017.

The way Lookingglass’ David Catlin has adapted and directs the Herman Melville seafaring epic, the story leaps off the pages with great physicality and graphic portrayals.

In addition to an exceptional ensemble, the production is done in association with The Actors Gynmnasium. They are aided and abetted by the fantastic, curving bone-like scenery that mimics the inside of a whale designed by Courtney O’Neill and the rigging designed b y Isaac Schoepp.

But the novel, and thus the show, is more than a tale about a fierce adventure surrounding a white whale called Moby Dick. As the crew of the Pequod find out after they’ve signed on, Captain Ahab who lost a leg to Moby Dick, wants vengeance in a manor reminiscent of Shakespearean tragedies. The story really is about obsession.

Anthony Fleming II, Nathan Hosner, Jamie Abelson and Cordelia Dewdney, Kelly Abell and Mattie Hawkinson in 'Moby Dick' — Anthony Fleming II, Nathan Hosner, Jamie Abelson and Cordelia Dewdney, Kelly Abell and Mattie Hawkinson in ‘Moby Dick’

Ahab, intensely interpreted by Nathan Hosner, becomes madder to the point of not caring who dies as he pursues his goal.

The story is told by Ishmael, the only crew member who survives the pursuit. Jamie Abelson and Walter Owen Briggs alternate in the role.

On another level, the story is also about men, such as Queequeg, played magnificently by Anthony Fleming III, who seek adventure in place of responsibility, and Starbuck (really, long before the coffee chain) who seeks income through whaling oil.

This is a show that teens and adults who appreciate a well-told, well-presented yarn will appreciate.

‘Moby Dick’ is at Lookingglass Theatre in the Water Works at 821 N. Michigan Ave. through Sept. 3, 2017. For tickets and other information call (312) 337-0665 and visit Lookingglass.

Around Town mid June 2017

From bike riding to strawberry munching and concerts in a garden to music on a lawn, summer fun is tempting us to find our outdoor muse during or after work.

Chicago Botanic Garden soothes smooths away stress after work. Photos by Jodie Jacobs

Bike to work

First, don’t be surprised if you see more groups of bikers around Chicago, this week. The annual Bike commuter Challenger is upon us asking people to ride a bike to work instead of a train or car. To participate in its fun events and “pit stops” go to Bikedown to register.

TGI M/T after work music

Then, for a different way to enjoy a balmy early evening, check out music with a Latin or Swing beat at the Chicago Botanic Garden. Different nights and different weeks feature different musical sounds and bands. For example, Mondays at 5:30 p.m. there are carillon bells and Tuesday, the music shifts over to the Esplanade for bluegrass or big band sounds.

Visit Chicago Botanic Garden Evenings for more information. The concerts are free but unless you are a member there is a parking fee per car. The Chicago Botanic Garden is east of Edens Expressway at 1000 Lake Cook Rd, Glencoe.

Ravinia Festival's lawn is a great place to meet friends for an after-work supper. — Ravinia Festival’s lawn is a great place to meet friends for an after-work supper.

After-work stress-relieving music

Or get a lawn ticket (best price is ahead of time, not at the gate) to hear perfect after-work music at Ravinia Festival in Highland park.

The Julliard String Quartet is June 20. It’s in the Martin Theatre but usually those programs are broadcast on the lawn.

In the Pavilion are Gypsy Kings June 23, Common June 24, Michael McDonald and Boz Scraggs June 27 and Diana Krall June 28.

For show times and other info visit Ravinia.

Have a Strawberry weekend

Long Grove festivals are a chance to see the village.

If everything or anything strawberry excites the taste buds, go over to downtown Long Grove, a cute historic village northwest of Chicago, June 23-25.

Along with lots of booths with strawberry sandwiches and desserts there will be several music stages and stuff for kids. Entry is $5 anyone over age 12.

Hours are 11 a.m. to 11 p.m. Friday, 10 a.m. to 11 p.m. Saturday and 10 a.m. to 6 p.m.

Strawberry fest’s center is at 308 Old McHenry Rd, Long Grove. Visit Long Grove for more information.

Superb acting and singing make Lincoln Center ‘King and I’ a must see production

HIGHLY RECOMMENDED

Laura Michelle Kelly (Anna) and Baylen Thomas (Louis) arrive in Siam in 'The King and I' now on stage at the Oriental Theatre. Photos courtesy of Broadway in Chicago, — Laura Michelle Kelly (Anna) and Baylen Thomas (Louis) arrive in Siam in ‘The King and I’ now on stage at the Oriental Theatre. Photos courtesy of Broadway in Chicago,

Just when you think you have seen as many fine interpretations of how Rogers and Hammerstein’s classic ‘King and I’ musical ought to be done, along comes director Bartlett Sher’s beautiful and insightful Lincoln Center production.

Not only are all the voices in the outstanding category (and how often can you say that), Sher’s direction has brought forth all the characters’ strong motivations.

The songs everyone has come to know and love such as “I Whistle a Happy Tune and Hello Young Lovers” are beautifully sung by Laura Michelle Kelly as governess Anna Leonowens.

Manna Nichols and Kavin Panmeechao as doomed lovers in 'King and I.' — Manna Nichols and Kavin Panmeechao as doomed lovers in ‘King and I.’

“We Kiss in the Shadow” and “I have Dreamed” take on an added coating of sadness and desire when exquisitely sung Manna Nichols and Kavin Panmeechao as doomed lovers Tuptim and Lun Tha.

But you also have Jose Llana who really makes you understand the crossroads where he’s at between Siam’s traditional views and the “westernization” of his court he thinks will keep his country from colonization. He not merely sings, but acts “A Puzzlement.”

Based on the real Anna Leonowens’ memoirs as told by Margaret Landon in the 1944 novel, “Anna and the King of Siam,” the musical depicts how two strong characters, the independent governess Leonowens, and the King, known as Mongkut who sees women as servants, move from strongly-held beliefs to mutual respect, admiration and caring.

Joan Almedilla as Lady Thiang in 'King and I' — Joan Almedilla as Lady Thiang in ‘King and I’

Then there is Joan Almedilla as Lady Thiang (First Wife) singing “Something Wonderful.” The song does more than describe her feelings towards her husband, the King.

Almedilla’s exceptional expression of the words seemed to speak to many of the wives in the audience.

As to the youngsters in the show, “The March of Siamese Children” is charming and lighthearted but Graham Montgomery does a particularly fine job as Anna’s son, Louis, and Marcus Shane presented just the right amount of royal demeanor as Crown Prince Chulalongkorn when he stepped into a role opening night usually played by Anthony Chan.

Choreographer Christopher Gattelli’s “The Small House of Uncle Thomas,” a ballet meant to entertain visiting English dignitaries but actually is a message from Tuptim that slavery is wrong, is well put across by dancers Lamae Caparas as Eliza, Amaya Braganza as Uncle Thomas, Yuki Ozeki as Topsy, Rommel Pierre O’Choa as Simon Legree, Michiko Takemasa as Little Eva and Nobutaka Mochimaru as the Angel/George.

Jose Llana (King of Siam) and Laura Michelle Kelly (Anna Leonowens) in 'The King and I.' — Jose Llana (King of Siam) and Laura Michelle Kelly (Anna Leonowens) in ‘The King and I.’

The set design by Michael Yeargan was a creative mix of an Asian style wall backdrop, pillars and Buddha that places more emphasis on the action than ornamentation. That said, the set immediately captures attention when the curtains open with a a life-size boat coming onto the stage carrying Anna and Louis Leonowens.

Catherine Zuber’s costumes perfectly place the show into Leonowen’s period and location.

‘The King and I’ is at the Oriental Theatre, 24 W. Randolph, Chicago, now through July 2, 2017. For tickets and more information call (800) 775-2000 or visit Broadway in Chicago.

Bette Davis is back for another bow

HIGHLY RECOMMENDED

When I was a youngster, I would often hear my parents mention their favorite movie star, Bette Davis. Decades later, I gravitated toward old films and I, too, became a huge Davis fan.

Jessica Sherr does 'Bette Davis Ain't for Sissies' at the Athenaeum Theatre. Photo courtesy of Jessica Sherr — Jessica Sherr does ‘Bette Davis Ain’t for Sissies’ at the Athenaeum Theatre. Photo courtesy of Jessica Sherr

As I watched ‘Dark Victory, ‘Now, Voyager,’ and her many other movies—some of them numerous times—I found myself reciting a few of her lines along with her. I thought I knew almost everything about Ms. Davis until I recently saw the captivating play ‘Bette Davis Ain’t for Sissies’ currently at The Athenaeum Theatre.

The one-woman show, written and performed by Jessica Sherr, is a fascinating look at Davis’s life and career. It only took a few seconds to actually feel that the actress and playwright on stage was the real Bette Davis.

Jessica Sherr not only resembles the actress in her early thirties but her voice, expressive eyes and mannerisms emulate Davis. And the one-act play’s staging and set design are such that allow Sherr to change costumes while she continues talking to the audience, never missing a beat.

Often in just a sentence or two, Sherr takes the audience through various stages of Davis’s life, beginning with her relationship with her parents, especially her mother whom Bette called “Ruth” after her father left them when she was ten years old.

Sherr then touches on Davis’ career beginning when on stage in New York. Not being a blonde and no taller than five-foot three, she fondly reminisces about her earlier years by commenting, “They don’t care what you look like!”

Invited by an agent who saw Davis on stage, she left New York and traveled to Hollywood to begin life as a movie star. Even though she became known as a Hollywood “hometown girl,” she still missed New York and has said, “I hate California—it’s so damn sunny it makes me sick!”

This show is for anyone who wants a closer look at Bette Davis – the ten-time Academy Award nominee and two-time Academy Award Best Actress winner for her roles in ‘Dangerous’ and ‘Jezebel.’

Along with a closer view of her career, you’ll learn about Davis’s marriages, her relationships, her Hollywood friends, the others she avoided and how she stood up for what she wanted, plus how it eventually turned out. And there’ll be many laughs along the way.

Details: ‘Bette Davis Ain’t for Sissies” is at the Athenaeum Theatre, 2936 N. Southport Ave., Chicago. A last minute extension now continues the show through July 9, 2017. For tickets more information visit AthenaeumTheatre or call 773-935-6875.

-Francine Pappadis Friedman

It is art fair and festival time

It’s that time of year again when shirt-sleeve weather encourages folks who want something interesting or fun for the abode to check out area art fairs and festivals.

June 17-18, 2017

For Father’s Day weekend, two really big fairs may tempt Dad or at least get people strolling around Grant Park and downtown Evanston.

The mega Gold Coast Art Fair takes over Grant Park from 10 a.m. to 6 p.m., Saturday and Sunday. Operated by Amdur Productions, it is among the top fairs in the country attracting about 300 juried-in artists. For other information visit Amdur.

Also this weekend the Annual Custer’s Last Stand sprawls across Evanston’s Main Street-Chicago Avenue area with about 375 artists. Sponsored by the Evanston Festival Theatre and the Illinois Arts Council, it goes from 10 a.m. to 9 p.m. For other information call visit CusterFair or call (847) 328-2204.

June 24-25, 2017

If this weekend doesn’t work or more exercise is desired, the Randolph Street market is at 1340 W. Washington St but spills over surrounding streets with about 300 vendors. It goes from 10 a.m. to 5 p.m. The next market is the last weekend of July. For other info visit Randolph Street Market.

Back in the northern burbs, the Art Center of Highland Park holds its annual Festival of Fine Arts at the northeastern end of the suburb’s downtown on Sheridan Road south of Central Avenue. the fair goes from 10 a.m. to 5 p.m. See Festival of the Fine Arts.

Familiar Chicago figure Laurie Metcalf wins Best Actress Tony

When the list of nominees for 2017 Best Leading Actress in a Play were read at the Tony Awards Sunday, June 11, Laurie Metcalf’s name would have sounded familiar to many Chicago theater-goers.

Steppenwolf ensemble member Laurie Metcalf in "Glass Menagerie" Steppenwolf photo — Steppenwolf ensemble member Laurie Metcalf in “Glass Menagerie” Steppenwolf photo

They also could have predicted she would win even though the field was extraordinary. The other nominees were Cate Blanchett, “The Present,” Jennifer Ehle, “Oslo,” Sally Field, “The Glass Menagerie” and Laura Linney for “The Little Foxes.”

Metcalf was nominated for her outstanding performance in Lucas Hnath’s “A Doll’s House, Part 2,” a sequel to the Ibsen’s classic directed by Sam Gold.

But Chicagoans who have been following Metcalf’s career with Steppenwolf Theatre likely know she was an original ensemble member of the world-renown company.

They may remember that she was in the company’s critically acclaimed “Balm in Gilead” production in 1984 that won her the 1984 Obie for Best Actress.

However, even though she has been in more than 40 Steppenwolf productions, Metcalf is not just a familiar Chicago figure.

She received Tony nominations for “Misery, “November” and “The Other Place” and starred in the Steppenwolf production of “Domesticated” at the Lincoln Center Theater in 2014.

Her name would also have been familiar to TV and film watchers. Among other shows, Metcalf was in “Rosanne,” “Desperate Housewives,” 3rd Rock From the Sun,” “Desperately Seeking Susan,” “Toy Story” and “JFK.”

“We are incredibly proud of fellow ensemble member Laurie Metcalf on her much deserved Tony win.,” said Steppenwolf Artistic Director Anna D. Shapiro. “She’s helped define the reputation and style that Steppenwolf is known for through her iconic performances and has become a legend in American Theatre.”

Shapiro added, “ She is riveting in every role she takes on, and it is such a pleasure to be able to celebrate her work with this Tony,”

For more about Steppenwolf, visit steppenwolf.org

Music tells the story for Director Scott Weinstein

If you go see ‘Ragtime,’ a Griffin production now at the Den Theatre through July 16, 2017, you won’t be viewing a Broadway spectacle (if you haven’t put it on your must see schedule do yourself a favor and take care of it now).

Director Scott Weinstein. Griffin Theatre Photo

Griffin’s ‘Ragtime’ is a minimalist production intimately performed in nearly a theater-in-the-round setting with just two pianos and a wind instrument and new orchestrations by music director Matt Deitchman.

It’s Director Scott Weinstein’s way of focusing on the issues of racism, women’s roles, immigration, wages and society in New York City in early 20th century that writer E.L. Doctorow did in his 1975 historical novel and were translated into a 1996 musical by lyricist Lynn Ahrens, composer Stephen Flaherty with book by Terrence McNally.

‘Ragtime’ does not need to be a spectacle. There is enough meat in the story and music,” Weinstein said in a recent interview.

“This production strips away the visuals. We made it about the people. It’s very intimate,” he said.

A similar feeling of intimacy is achieved by Writers Theatre’s powerful production of ‘Parade.’ Directed by Gary Griffin, the musical poignantly reflects the prejudices of a South that had not recovered from the Civil War.

Interestingly, Weinstein directed ‘Parade’ as a college senior when it was Northwestern University’s 2010 Dolphin Show. “It is one of the best scores for musical theatre,” he said. “There hasn’t been a revival until recently. Now there is a smaller version.”

He added, “It’s the same with ‘Ragtime.’ It was big. I wanted it stripped down.”

As to how he and his collaborators chose the show, Weinstein said, “It stands the test of time.”

After noting that the musical was written in the 1990s based on a book from the 1970s about the early 1900s, Weinstein said, “It’s even more relevant now. It’s so easy to go on line and see that these issues are still in the news.”

Asked if he thought Doctorow would be surprised, he said,” “Yes, and disappointed.”

Weinstein will be directing “Rock of Ages” at Drury Lane theatre this fall, beginning Aug. 24, 2017 and had directed its Childrens Theatre’s James & the Giant Peach in May.

A very successful director (“I’ve been lucky”) he has a long list of credits that includes (though not limited to) other Griffin shows, Chicago Shakespeare Theatre, Steppenwolf Theatre’s Garage Rep Series and Adirondack Theatre Festival. He is also the Associate Director for the National tour, Las Vegas and Chicago productions of “Million Dollar Quartet.”

“I like musicals. I like how music tells a story,” he said.

But he also likes shows that are not predictable. “I feel that we have preconceived ideas. There are our assumptions. The challenge is to do something other than expected,” Weinstein said.

It may be no surprise, that he likes Stephen Sondheim. Asked what show he would like to do, Weinstein immediately said, “Merrily We Roll along.”

Around Town this week in June

The sounds of the Blues will be wailing on State Street and in Millennium Park. On Clark Street magicians astound in Uptown. And the Chicago theatre community understands when a one-man show has to cancel.

Muddy Waters Mural

Stop by the west side of State Street between Randolph and Washington Streets noon Thursday, June 8, 2017 to hear about Muddy Waters and hear some fine blues.

The event dedicates the nine-story mural of blues legend Muddy Waters across the way at 17 N. State St. He brought the Delta blues to Chicago where he turned it into his own Urban Blues sound that has influenced generations of musicians.

Along with some folks from the Department of Cultural Affairs and mural artist Eduardo Kobra, Muddy Waters’ daughter, Mercy Morganfield, will be there plus the Muddy Waters legacy Band of Mud and Big Bill Morganfield.

Also on hand will be Chicago Blues Festival headliners Billy Branch and Che “Rhymefet” Smith. (See Blues Festival here).

A pop-up shop will sell limited poster editions and other merchandise to benefit the Muddy Waters Foundation.

Chicago Blues Festival

Considered the largest free blues festival anywhere, the Chicago Blues Festival will take over Millennium Park with five stages 11 a.m. to 9:30 p.m., June 9-11, 2017. The venue is a change from Grant Park where the festival began in 1984.

On June 9 the festival stars Billy Branch & The Son of Blues with special guests Lurrie Bell, Freddie Dixon, J.W.S. Williams, Carlos Johnson, Carl Weathersby, Bill McFarland and Chicago Fire Horns plus Mae Koen & The Lights.

Millennium Park hosts the Blues Festival June 9-11, 2017. Pritzker Pavilion photo by Jodie Jacobs

Headliners June 10 are William Bell, Theo Huff and the New Agenda Band and Nellie Tiger Travis. The festival closes June 11 with Gary Clark Jr., Rhiannon Giddens and Ronnie Baker Brooks.

The Chicago Blues Festival attracts about half a million music lovers. For more information visit chicagobluesfestival.

Chicago Magic Lounge

Old timers might recall Frank Everhart’s Magic Bar at the Ivanhoe or remember when Chicago had other magic show venues. But the fascination that magic holds is still alive. The Chicago Magic Lounge has stepped in to fill the void.

Open now with shows every Wednesday, Thursday and Saturday night, the place is Uptown Underground at 4707 N. Broadway, Chicago. Go Wednesday for the Mind Reading Show or Thursday or Saturday for close up magic and stage performances.

Admission is age 21 plus however age 16 will be admitted with guardian. For more information call (773-867-1946 and visit Chicago Magic Lounge.

Pamplona Update

Goodman Theatre plans to reschedule ‘Pamplona’ by Jim McGrath, according to a recently released statement. A one-man show about Ernest Hemingway’s final years, ‘Pamplona’ was starring long-time stage and screen actor Stacy Keach. However, after a successful week of previews, the opening night performance stopped more than half-way through when Keach became ill.

Goodman spokespeople said medical testing showed that Keach had suffered a mild heart attack and that doctors expected him to fully recover after rehabilitation and rest.

Artistic Director Robert Falls said in the statement: “On behalf of Stacy Keach, his family and the Goodman, we would like to extend our gratitude for all of the generous support and concern shown to Stacy this past week. I remain awed by Stacy’s courage and strength after experiencing such a disturbing event; his spirits are high and he is resting and recovering comfortably. Jim, Stacy and I look forward to continuing our collaboration on ‘Pamplona.’’

People who already have tickets have a choice of a full refund or tickets to Eugene O’Neill’s ‘Ah Wilderness’ which runs June 17 through July 23, 2017. They will be contacted by ticket representatives and can call (312) 443-3800.

‘Parade,’ a powerful story of injustice relevant today

HIGHLY RECOMMENDED

The Writers Theatre production of ‘Parade, a powerful, Tony Award-winning musical about the wrongful conviction and death of a Jewish factory manager, is so well acted and sung that many audience members seemed to have bought the false witnesses’ stories.

Patrick Andres and Brianna Borger in 'Parade' at writers theatre. Photo by Michael Brosilow — Patrick Andres and Brianna Borger in ‘Parade’ at Writers Theatre. Photo by Michael Brosilow

They must have believed the manager was guilty because there were gasps from the show’s opening night audience when in the second act the stories turned out to be no more than lies coached by a prosecutor with an eye on the governorship.

The story is a true tale of how Leo Frank, a Brooklyn Jew, is deliberately convicted and killed for the rape and death of a young Atlanta, GA factory girl in 1913.

Although married to a lass Georgia born and bred, Frank was a Yankee and a Jew. He appeared cold and unfriendly and didn’t appreciate his wife in the beginning.

Continue reading “‘Parade,’ a powerful story of injustice relevant today”

‘Ragtime’ still a social issues reminder

HIGHLY RECOMMENDED

There is nothing ragged about this Griffin Theatre version of Tony Award-winning ‘RAGTIME.’

Katherine Thomas , center with cast of 'Ragtime.' Photo by Michael Brosilow — Katherine Thomas , center with cast of ‘Ragtime.’ Photo by Michael Brosilow

Re-imagined by Director Scott Weinstein, the 1996 musical with book by Terrence McNally, lyrics by Lynn Ahrens and music by Stephen Flaherty, has new orchestrations by Matt Deitchman and is perfectly scaled to the intimate Den Theatre stage.

A tight ensemble follows the adventures of three groups of individuals from various cultural and socio-economic strata at the turn of the 20th century by using the new music of the era – Ragtime. It has become the soundtrack of the age.

The new sound’s syncopation punctuates the changing rhythms of the increasingly fast-paced times that introduced industrialization along with such social challenges that defined pre-WWI America as European immigration, urban racial integration, unionization and women’s independence.

Taken from E.L. Doctorow’s novel, the musical throws together African American domestic worker Sarah (Katherine Thomas), her baby and the baby’s piano playing daddy, “Coalhouse Walker Jr. (Denzel Tsopnang), into the household of an upper middle class, white suburban (New Rochelle) family

“Father” (Scott Allen Luke) is a fireworks manufacturer and part-time world explorer who leaves his wife to manage the business. In the process she finds opportunities to explore her own independence.

This brings “Mother” (Laura McLain) into contact with “Teteh,” a recent Jewish immigrant (enthusiastically played by Jason Richards), and his pre-teen daughter (Autumn Hilava) who recently arrived in New York seeking the American dream.

“Little Boy” (Ben Miller) opens the play by introducing the characters to the title tune “Ragtime.” “The Little Boy” weaves among the characters throughout the rest of the production and is on some level the thread that pulls them together and toward one another.

The “Family” household additionally includes “Grandfather” (Larry Baldacci who also appears as industrialist J.P. Morgan). He just wants some quiet.

Then there is “Mother’s Younger Brother” (Matt Edmonds). He finds meaning in his life by embracing the plight of the underclass “Negroes” and mistreated workers.

There are appearances by historical notables Harry Houdini, Booker T. Washington, Henry Ford, Emma Goldman and “Specialty Entertainer/Celebrity” Evelyn Nesbit (Caitlain Collins), who provides periodic comic relief. Their vignettes supply political and social context of the time that drives the action.

Every character has a musical opportunity to shine resulting in a production with many glittering gems that come together like a charm bracelet; each with an individual tale commemorating a specific experience but in the end working together to tell the story of one grand shared adventure.

The entire cast is comprised of excellent singers. Laura McClain gave us everything she had in “Back to Before.” Katherine Thomas was a joy every moment she sang including “Your Daddy’s Son” and the show stopper duet “Wheels of Dream” with Denzel Tsopnang.

Pianists Jermaine Hill and Ellen Morris with Clarinet Dan Hickey perform in costume onstage providing outstanding accompaniments in a production where the music virtually never ends.

Details RAGTIME is at the Den Theatre at 1333 N. Milwaukee Ave., Chicago, now through July 16, 2017. For tickets and other information visit Griffin Theatre or call (866) 811-4111.