Chicago Theater and Arts – Page 28 – What's happening on the arts scene – on stage, in museums and at fairs and festivals

Around Town Part One: Chicago now has three opera companies and seasons

Opera Festival of Chicago adds different works and artists to the arts scene this summer. (Image by Cydney M Lewis) — Opera Festival of Chicago adds different works and artists to the arts scene this summer.
(Image by Cydney M Lewis)

Instead of the COVID-19 cutting back Chicago’s arts scene, it has inspired more opera and theater performances and more exhibits. Part One spotlights opera. Part two looks at the exhibits on now and opening. Part Three draws curtains back from formerly dark stages.

The Lyric Opera of Chicago will welcome audiences back in 2021 to a refurbished Opera House with crowd pleasing, re-imagined favorites and its first mainstage season Spanish language opera.

The Chicago Opera Theater will be mixing a favorite with new and not heard here before operas in its 2021-22 season.

And let’s have a drum roll for the Opera Festival of Chicago, a newly formed group of artists who are already filling a summer festival void with three productions.

Lyric Opera of Chicago

Maestro Enrique Mazzola opens the season with Verdi’s Macbeth Sept 17-Oct 9, followed by Donizetti’s The Elixir of Love Sept. 26-Oct 8. Then Mozart’s Magic Flute will be Nov. 3-Nov. 27 and Catan’s Florencia en el Amazonas, Nov. 13-Nov. 28. More announcements will be made about the second half of the 2021-22 season.

Chicago Opera Theater

COT, as it’s popularly known, opens with Bizet’s Carmen Sept 16 and 18 at Harris Theater for Music and Dance, followed by Adamo’s Becoming Santa Claus, Dec. 11, 17 and 19 at the Studebaker Theater. The season ends with Errolyn Wallen and Deborah Brevert’s Quamino’s Map April 23, 29, and May 1, also at Studebaker Theater.

Opera Festival of Chicago

Newly formed to introduce Chicago audiences to Italian operas they likely have not heard before, the artists hope to make the Festival an annual draw similar to those in Spoleto and Verona.

The Festival opened with Ermanno Wolf-Ferrari’s Il Segreto di Susanna (Susanna’s Secret), July 24 at the Athenaeum Theatre.

Then it will do “Dante 700,” at Artifact Events in Chicago’s Ravenswood neighborhood, July 28 and July 29. Inspired by Dante’s “Divine Comedy,” the program is a vocal salute to the famed poet, writer and philosopher on the 700th anniversary of his death.

The Festival ends Aug. 5 with Puccini’s Il tabarro (The Cloak) performed at Thalia Hall in Chicago’s Pilsner neighborhood.

Going to different neighborhoods is part of the Festival’s mission statement which reads, in part, “we aspire to: generate an inquisitive operatic appetite within Chicago audiences; make our work – and its cultural context – accessible to a wide audience; provide a stimulating and inspirational environment of Italian opera for artists and audiences alike…

Jodie Jacobs

Steppenwolf names new artistic directors

Co-artistic directors Audrey Francis and Glenn Davis. In the round theater part of Steppenwolf's new Arts and Education Center opening this fall. (Photo by Frank Ishman.) — Co-artistic directors Audrey Francis and Glenn Davis. In the round theater part of Steppenwolf’s new Arts and Education Center opening this fall. (Photo by Frank Ishman.)

Steppenwolf Theatre Company, a multi award-winning Chicago ensemble theater, announced today, that ensemble members Glenn Davis and Audrey Francis will be co-artistic directors when Artistic Director Anna D. Shapiro steps down in August.

Actor/producer Glenn Davis a Chicago native with strong ties to Los Angeles, performed in Steppenwolf ensemble member Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo at L.A.’s Kirk Douglas Theatre, and transferred with the production to Broadway, where he starred alongside Robin Williams.

Upon joining the ensemble in 2017, Davis appeared in several productions including Downstate by ensemble member Bruce Norris in Chicago and at the National Theatre in London.

Davis is a partner at Cast Iron Entertainment, a collective of artists currently in residence at L.A.’s Geffen Playhouse that incubates new theater projects.

He is also an artistic associate at The Young Vic Theatre in London and at The Vineyard Theatre in New York.

A graduate of DePaul University’s Theatre School, Davis is also the first African-American to graduate from the Birmingham Conservatory for Classical Theatre at the Stratford Festival in Ontario, Canada.

Actor/director/teaching coach, Audrey Francis is the co-founder of Black Box Acting. The Black Box Method she created is based on the Meisner and Viewpoints techniques. Although she and her partner sold it after a decade, Black Box continues in Chicago, today. However, she continues to as a professional acting coach for Showtime, NBC, Fox, and Amazon.

Francis, who attended The School at Steppenwolf in 2004 and has acted with several Chicago area companies, joined the Steppenwolf ensemble in 2017. Audiences have seen her in The Doppelgänger ), Dance Nation, The Fundamentals, Between Riverside and Crazy and The Herd.

She has also performed in such independent films as Knives and Skin, Later Days, Signature Move and the web series Distant Learners. Recent directing credits include Plano with First Floor Theatre that debuted in the 1700 space at Steppenwolf, The Invisible Hand at Steep Theatre, and the audio play of I Am Not Your Perfect Mexican Daughter in Steppenwolf’s most recent virtual Steppenwolf NOW season.

“Steppenwolf was founded by extraordinary actors who had a vision of building an ensemble of artists who would support each other while producing honest, bold, and thought-provoking theatre,” said Shapiro.

“This approach changed American theater. Now with a nearly 50-member ensemble, we are on the verge of our next great act—the opening of a remarkable new theater-in-the-round and an education wing, two decades in the making, that promises to be a cultural nexus for our City. Glenn and Audrey, together, are the right mix to build on our company’s legacy and open our doors wider than ever before.”

An information release on the appointment noted that Davis and Francis are the first co artistic directors appointed by the ensemble in its nearly five-decade history and the first time the company has elected an artistic director of color.

Jodie Jacobs

Seeing the world through dark glasses

'I Hate It Here' live online at Goodman theatre. (Photo by Flint Chaney) — ‘I Hate It Here’ live online at Goodman theatre. (Photo by Flint Chaney)

2 stars

If someone you know or maybe even an anonymous someone on Facebook asks how are you coping with COVID, what do you say? In “I Hate it Here,” a live streaming Goodman Theatre play by Ike Holter, actors representing different economic strata, backgrounds and race spew out their negative views of the world, often on top of each other’s thoughts.

Yes, we all often do talk at the same time. Fortunately, if you want to know what they said, there are subtitles because much of the spoken dialogue tumbles out like rushing water.

What in the first few of a dozen segments of complaints about people’s rudeness and empty or uncaring attitudes come across as brilliant in an “I’ can’t take it anymore” framework yelled from a window, merely becomes noise. As meaningful as the complaints are, and as good as the acting is, the diatribe starts to sound like a broken record.

The exception was a verbal slow-down of a poignant dialogue between a white nurse and an injured black man who told her she could have said. “stop,” when she saw him attacked.

The pandemic’s lockdowns, mask wearing mandates and deaths of loved ones all coming on top of already existing societal evils have twisted our universe.

Hearing about societal problems in a play has historically been thought provoking and even led to change. But to accomplish that audiences, and later on, readers, need more contrasting elements and character depth than found in “I Hate It Here. The title sounds like a teenager’s slamming a bedroom or front door.

“I Hate It Here” streams live July 15-18, 2021. It is the third play of a live online trilogy presented by Goodman Theatre that began with ‘The Sound Inside,” May 13 –16, followed by “Ohio State Murders” June 17-20. Individual tickets are $30. The trilogy was $60.

For tickets and other information visit Goodman Theatre/Here.

For more shows visit Theatre in Chicago

Related: ‘The Sound Inside‘

Jodie Jacobs

Comics exhibit pulls viewers into real and alternate worlds

Ivan Brunetti Spring 2013 . (Courtesy of the artist)' — Ivan Brunetti Spring 2013 . (Courtesy of the artist)’

A fun and startling exhibit at the Museum of Contemporary Art Chicago, opened June 2021, is likely to expand your definition of art and important artists.

As with art over the ages and across countries, much of it reflects the times and artists’ views and backgrounds.

But if you hadn’t thought of comics as art, consider the work of Ivan Brunetti in the 1960’s. His piece shown here was in the New Yorker magazine. It stands on its own as art but really is part of a cartoon.

So, if you read the New Yorker or a newspaper containing comics do you look just at the panels or do you look to see who drew them?

The MCA exhibit, titled “Chicago Comics: 1960’s to Now,” makes comics more personal by focusing on artists with ties to Chicago.

The works of more than 40 cartoonists from about the 1960’s to the present cover the walls and tables of MCA’s Fourth Level exhibition space including that of Lynda Barry, Lilli Carré, Daniel Clowes, Nick Drnaso, Edie Fake, Emil Ferris, Nicole Hollander, Charles Johnson, Chris Ware and Kerry James Marshall. Yes, Marshall, a world-renown Chicago artist.

Kerry James Marshall (photo by Bryan Conley, Image courtesy of the artist) — Kerry James Marshall (photo by Bryan Conley, image courtesy of the artist)

His works are in major museums from the Art Institute of Chicago to the Met and MoMA.

The MCA exhibit includes more than a dozen of his comics from the Rythm Mastr Daily Strips. They were part of a 57th Carnegie International installation (2018) courtesy to the MCA by the artist.

What fanzine viewers and Marvel comics readers know is that artistic cartoons take many forms. In the MCA exhibit look for more than newspaper-style comics. See works in graphic novels, drawings, dioramas, zines, commissioned films, books sculptures and installations.

Brunetti, New Yorker, Photo courtesy of the artist)

To see a Marvel exhibit go to the Museum of Science and Industry through Oct. 24, 2021.

For the MCA exhibit information and tickets visit Museum of Contemporary Art “Comics” continues through Oct. 3, 2021.

As to the Brunetti piece it is a comic cover for the New Yorker, a magazine famous for its cartoons.

Save time to also visit “Chicago – Where Comics Came to Life: 1880 to 1960” at the Chicago Cultural Center. Held up on the fourth floor in the Sydney Yates Gallery, the exhibit is the perfect companion piece to that at the MCA.

Jodie Jacobs

‘Lines in the Dust’ will leave an impact

Lisa Rosetta Strum, Melissa Joyner and Jeffrey Bean in 'Lines in the Dust'. (New Normal Rep photo) — Lisa Rosetta Strum, Melissa Joyner and Jeffrey Bean in ‘Lines in the Dust’. (New Normal Rep photo)

4 Stars

Lines in the Dust , New Normal Rep’s currently streaming play, centers around Denitra Morgan whose daughter is illegally enrolled in a wealthy high school in Essex County, NJ in 2010. The school principal, Dr. Beverly Long, a friend of Denitra’s, is completely unaware of that situation.

Conflict arises when the school hires private investigator Michael DiMaggio to find out which students are illegally enlisted in the school.

One of the strongest aspects of the New Normal Rep production is its fine acting, especially Melissa Joyner’s performance as Denitra. One can’t help but greatly sympathize and feel overwhelming sadness for the immense hardships she faces and the sacrifices she makes. Her performance is raw and full of heart throughout the story. The emotion is never absent.

Because the format of this production is predominantly two separate videos used side-by-side for each character, the visuals may take time to get used to. Additionally, the special effects background is occasionally distracting. However, the engaging story will be enough to compensate and pull you in immediately as you await to see what happens next.

Written by Pulitzer-Prize nominated and Obie winning actress/playwright Nikkole Salter, the work has historical and modern-day societal significance. Set against family hardships, it is an excellent story guaranteed to have a lasting impact on its viewers. Salter’s writing always hits its note to form a very powerful and touching story.

Lines in the Dust runs for approximately 110 minutes, including credits. For tickets and information about the show and New Normal Rep visit New Normal Rep.

Charles Babikian

Upcoming concerts

Pritzker Pavilion in Millennium Park (J Jacobs photo)

Chicago’s famed Gospel , Blues and Jazz festivals won’t happen until this fall (hey, it takes time to bring back their featured performers). To see who what and when visit Chicago festivals reimagined.

But the Chicago area will still be swinging, rocking and keyboarding the classics outdoors, this summer.

Check out Aurora for rock, the Grant Park Music Festival for classics and a 4th of July salute, the Windy City Smokeout bands and Ravinia Festival for all of that from rock to pop and classics.

Aurora

Just west of Chicago, Aurora has a terrific rock concert line up this summer. There are a few tickets left for REO Speedwagon, July 1, 8 p.m. at the River Ridge Park. Then, on July 16 there is Tribute to Fleetwood Mac. For tickets and more concert schedule info visit Aurora Pop/Rock.

Windy City Smokeout

The popular eat, drink and good band festival takes over Parking Lot C at the United Center, 1901 W. Madison St., Chicago, July 8-11, 2021. Headliners include Dierks Bentley, Jon Pardi, Brett Eldredge and Darius Rucker. For more info visit Windy City Smokeout.

Grant Park Music Festival

Held in Millennium Park’s Pritzker Pavilion, the longtime Chicago summer concert series starts July 2-3 with a mix of crowd pleasers from John Williams’ Summon the Heroes, Scott Joplin’s Overture to Treemonisha and a Robert Lowden arrangement of the Armed Forces Salute to pieces from Leonard Bernstein’s West Side Story, Tchaikovsky’s 1812 Overture and John Philip Sousa’s Stars and Stripes Forever. The Festival continues with such classics as Rossini’s Overture to Willian Tell on July 7 and Brahms’ Symphony No. 3 on July 9-10. For complete schedule and other information visit Grant Park Music Festival

Ravinia Festival

Located at the south east end of Highland Park, the historic music festival brings in world renown artists in classic, folk, pop and jazz genres, plus it is the summer home of the Chicago Symphony Orchestra. The July schedule features pianist Jorge Frederico Osorio playing Mozart on July 9 with Marin Alsop conducting the CSO, jazz/pop singer Kurt Elling July 13 and Rock band Counting Crows, Aug. 19. For tickets, complete schedule and other information visit Ravinia.org.

Jodie Jacobs

Hit Songs from the Fifties and Sixties to Hear Now

Music Theater Works does Legends of the 50's and 60's. (Photo by Bret Beiner)) — Music Theater Works does Legends of the 50’s and 60’s. (Photo by Bret Beiner)) production

4 stars

Grab a seat. Enjoy summer outdoors listening to talented singers and musicians perform nearly 60 classic and cherished songs from the 1950s to the 1960s. Music Theater Works, the North Shore’s famed musical production company typically performing from Evanston venues, is doing Legends Of The 50s and 60s: Greatest Hits outside Skokie’s North Shore Center For The Performing Arts, June of 2021.

While it is often a challenge to get audiences engaged, the performers and band faced no difficulty in doing so. Anyone who watches this show will undoubtedly want to join along in song and dance due to both the pure talent of the performers.

Co-directed by Music Works Producing Artistic Director Kyle A. Dougan and Martin L. woods, the performers’ strong and vibrant voices made the entire show come alive as they moved through the hit songs of such talents as Buddy Holly, Doris Day, The Supremes, Elvis, The Temptations, George Harrison, Aretha Franklin and Bob Dylan.

Additionally, the performance was heightened by the performers’ pure professionalism. The show flew smoothly from high energy number to number without missing a beat.

This show is an excellent choice for music lovers and a great escape to share with family and friends. Though the music might appeal more to older generations, younger people will definitely find enjoyment as they are introduced to less familiar classics. It is a must-see for anyone in the Chicagoland area looking for a talent-filled fun event.

Details: Music Theater Works’ Legends Of The 50s and 60s: Greatest Hits is outside the North Shore Center For The Performing Arts, 9501 Skokie Blvd, Skokie, IL 60076 from June 18^th through June 27, 2021. Run time: Two hrs. 20 minutes, plus a 15-minute intermission. For more show information and tickets visit MusicTheaterWorks.com/BoxOffice or call (847) 673-6300.

Charles Babikian

For more shows see Theatre in Chicago

Chicago festivals reimagined

Yes, the City of Chicago has reopened. However, look for your favorite festivals at different times in different formats and at different places. There are more events and new celebrations across the city’s many neighborhoods in 2021.

Music fests will return but at different times. (City of Chicago Dept. of Cultural Affairs and Special Events photo)

Don’t be Blue

Because some noted annual fests as Blues, Jazz and Gospel are arranged way ahead of performance dates but COVID interfered, plan on attending each of them in a three-hour, early-evening version this fall. As part of the city’s new “In Tune” program, they all will be free and run from 5:30 to 8:30 p.m. at Millennium Park’s Jay Pritzker Pavilion in September 2021.

Gospel is Sept. 3. Hosted by Jonathan McReynolds and Inspiration 1390’s Sonya Blakely and Deandre Paterson, it will include La Shon Brown, the Carson Sisters, Nicole Harris, Illiana Torres and the Tommies Reunion Choir.

Jazz is Sept. 4. Presented by the Jazz Institute of Chicago, it features Ari Brown, Marquis Hill and Lizz Wright.

House celebration is Sept. 11 featuring “Sanitize Your Soul,” a debut Gospel House Choir collaboration between Mark Hubbard and DJ Terry Hunter.

Blues is Sept. 18. The evening will celebrate the 50th Anniversary of Alligator Records with Lil’ Ed & The Blues Imperials and the Nick Moss Band . Also hear Dennis Gruenling, Cash Box Kings, Shemekia Copeland, Billy Branch and Wayne Baker Brooks.

Taste of Chicago To Go is July 7 to July 11 in different parts of the city. (Department of Cultural Affairs and Special Events photo)

Don’t Diet

Work off the Taste of Chicago treats after July 11. The celebration of Chicago dishes and restaurants starts July 7 but instead of everything happening in Grant Park it will be a week of pop-up food from nearly 40 eateries and take place in neighborhood markets. Plus there are cooking demos, music and community meals with local nonprofit organizations.

Pop ups are July 7, 2 -7 p.m. at Pullman City Market, July 8 from 1-7 p.m. at Austin Town Hall City Market, July 9, at 4-8 p.m. at iWEPA Mercado del Pueblo, and also at 5 -8 p.m. for Taste on Tap at Goose Island Brewery.

They continue July 10 from 10 a.m. -2 p.m. at The Hatchery, and from 10 a.m. -4 p.m. at Eli’s Cheesecake Company and from 1-8 p.m. on 63^rd street in the West Englewood neighborhood.

The event culminates July 11 from noon to 3 p.m. with women restaurateurs in Millennium Park.

For more information and addresses visit Taste of Chicago To-Go/Schedule

Wait, there’s more (as tv announcers say)

The city’s new programs include “Chicago Presents” community events; a nine-part House City series in the neighborhoods that helped create the music genre; two Latinx and World Music celebrations; two films and more just-announced special events at the Jay Pritzker Pavilion; and a mash-up of public art and dance at Lurie Garden in Millennium Park.

Enjoy summer in Chicago

Jodie Jacobs

Awesome musical production from Lyric Opera

Vocalist Norm Lewis in The New Classics at Lyric Opera of Chicago. (Photo by Kyle Flubacker)

he Lyric Opera of Chicago has come up with an amazing substitute for the large-scale musical it produces on its large-scale stage at the end of its operatic season.

Titled “the New Classics-Songs from the New Golden Age of Music Theater,” it is about a 70-minute-long mix of dramatic, sad, wistful and powerful show numbers that some listeners will know but others may not find familiar.

And instead of coming from the Lyric’s grand stage, the production was mostly recorded back stage in an intimate, former Civic Opera space.

Hosted by David Chase who also accompanies the singers along with members of the Lyric Orchestra, the program reintroduces some notable musical theater by notable composers.

Vocalist Gavin Creel opens the program with the obscure Stephen Sondheim “What More Do I Need” from Saturday Night followed by Nikkie Renée Daniels’ wistful rendering of the well-known “The Heather on the Hill” from Brigadoon. Norm Lewis then wows with “Stars” from Les Miserables.

Jenn Gambatese changes the mood with “Gimme Gimme” (Love) from Thoroughly Modern Millie and Heath Saunders offers a moving “Something Wonderful” from The King and I.

Jo Lampert puts the best interpretation I’ve heard on “Omar Sharif” from The Band’s Visit and Amanda Castro “flamingo” taps the way to the top of her building with “Raise the Roof” from The Wild Party.

Chase segues to historic references between numbers to the Civic Opera and more show tunes sung by the cast (introduced above) that also include “Love Changes Everything” “I Will Never Leave You,” “Dear Theodosia,” ”Way Back to Paradise,” “I’d Rather be Sailing,” “Popular,” “If Only” and “Rain.”

Guess which shows those songs came from or better yet, click on the production. It premiere this Thursday, June 10 at 7 p.m. CT on Lyric’s Facebook and YouTube channels. For more information visit The New Classics.

Jodie Jacobs

Tribecca Festival goes hybrid

Tribeca Film Festival closing night is the world premiere of Dave Chappell's documentary.(P:hoto courtesy of Tribecca Festival) — Tribeca Film Festival closing night is the world premiere of Dave Chappell’s documentary.(Photo courtesy of Tribecca Festival)

Certainly, the Covid pandemic dramatically changed the arts and entertainment world including that of film festivals. But it also taught us we could work from home and enjoy plays and movies on line at home.

Some popular film festivals have been postponed yet another year to 2022. However, the New York’s Tribecca Festival is going ahead with its culturally and politically focused films in hybrid – at home and in-person – mode, June 9-20, 2021.

The festival includes Talks such as from storytellers John Legend and Mike Jackson, Games, Comedy and Films.

In person films range from “In the Heights” to “Johnny Mnemonic.” See In the Boroughs.

A highlight is the premiere showing of Dave Chappelle’s Untitled Documentary. To see it in person at Radio City Music Hall June 19, you must be fully vaccinated. And have proof.

Tickets are available for in-person showings in NYC and the boroughs and for at home viewing. For ticket info visit tribecafilm.com/festival/tickets.